Contemporary English Homers

Suppose Google were to change what’s on that page, or reorganize its website anytime between when I’m writing this article and when you’re reading it, eliminating it entirely. Changing what’s there would be an example of content drift; eliminating it entirely is known as link rot.

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http://weblog.infoworld.com/udell/gems/ju_linqMay06.mp3

http://weblog.infoworld.com/udell/gems/ju_singleton.mp3

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http://weblog.infoworld.com/udell/gems/ju_dcstat.mp3"

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http://weblog.infoworld.com/udell/gems/ju_navizon.mp3"

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For example, the Wikipedia article on Martin Luther King, Jr cites the book To Redeem the Soul of America, by Adam Fairclough. That citation now links directly to page 299 inside the digital version of the book provided by the Internet Archive. There are 66 cited and linked books on that article alone. 

If you find a suitable archive URL, then you can add it to the citation. If the citation uses one of the common templates (e.g. {{cite web}}, {{cite news}}, {{Citation}}), then you can edit as follows: Leave the |url= unchanged, pointing to the source URL. Add |archive-url=, pointing to the archive URL. Add |archive-date=, specifying the date when the archived copy was saved. YYYY-MM-DD format is usually easiest but any format can be used. Add or change |url-status=. Use |url-status=dead if the old URL does not work. Use |url-status=unfit or |url-status=usurped if the old URL has been usurped for the purposes of spam, advertising, or is otherwise unsuitable. Use |url-status=live if |url= still works and still gives the correct information, but you want to preemptively add an |archive-url=. Leave the |access-date= unchanged, referring to the date when a previous editor last accessed the |url=. Some editors believe |access-date= should be removed once a working |archive-url= is established since the |url= is no longer available, maintaining an |access-date= is redundant clutter.

In Plato’s Phaedrus, Socrates bemoaned the development of writing. He feared that, as people came to rely on the written word as a substitute for the knowledge they used to carry inside their heads, they would, in the words of one of the dialogue’s characters, “cease to exercise their memory and become forgetful.” And because they would be able to “receive a quantity of information without proper instruction,” they would “be thought very knowledgeable when they are for the most part quite ignorant.” They would be “filled with the conceit of wisdom instead of real wisdom.” Socrates wasn’t wrong—the new technology did often have the effects he feared—but he was shortsighted. He couldn’t foresee the many ways that writing and reading would serve to spread information, spur fresh ideas, and expand human knowledge (if not wisdom).

What about seed banks? There have been efforts to try to ensure that not only the most popular seeds survive. Let’s call these seed banks, where the more rare gems are maintained and passed on as generational wealth.

The idea of a purely linear text is a myth; readers stitch together meanings in much more complex ways than we have traditionally imagined; the true text is more of a network than a single, fixed document.

Missing Archive, missing narrative? Where is the archive of Palestine, and who owns it? How did the missing archive create a void in the Palestinian narrative and what did the Palestinians do to compensate this? In her films, Mahasen Nasser Eldin does not only search for the archive but connects it to the present in an attempt to contribute to restoring the Palestinian memory and narrative. “Civilizations that write history are often remembered by the cultural heritage they leave for future generations. Therefore, the preservation of audio-visual heritage should be considered a national duty. Whoever controls archives and cultural collections decisively influences the writing of history – a principle that has been in evidence since antiquity.” Dr. Bashar Shammout, scholar on Palestinian archives

It’s 1936, C.L.R. James is in Paris: “I look up in the archives. I look up, I look up, I look up in the archives, I spend three or four months looking up in the archives.” James’ friend Harry Spencer had given him seventy-five pounds to go to France and work in the Archives Nationales. “Every morning, walk up the Seine, the bank of Seine, go to the archives... At twelve o’clock they shut down, everywhere is closed up till tow. Archives close up, ‘St. James” closes up, off to eat. Very fine. At two o’clock, I go back. I work. The archives close at five or six. I go home.” James was in the archives because he was writing the history of the Haitian Revolution. Published in London in 1938, the bibliography of The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution lists some eight archives consulted between France, Haiti, and Great Britain among many other printed primary and secondary sources. But even for the best historians and the most finely crafted (and critical) histories, the archive of the oppressed can be hard to find.

Ever since a certain car salesman tweeted “Use Signal”

In Elkhart and other jurisdictions, not all proceedings have gone remote.

To learn more about our mission, please visit http://archive.org/about

every page on my blog contains a link to its archive in the page footer. This ensures that you can not only browse the latest version of all of my blog articles in case of a server breakdown. This also enables you to browse all previous version, probably changed over time. Go ahead, try a few "Archive" links of my articles. If any of my articles start with an "Updates:" section, you know for sure that there are older versions accessible via the Internet Archive.

time travel back to pre-product-market-fit Twitter

First on CNN: FBI investigating Russian hack of New York Times reporters, others

The Chelicerae popped up on the occasional paranormal site or edgy message board, each time accompanied by a now-defunct link. According to those who followed such things, all you had to do was start a new thread as a Guest, something Greg had been instructed to make sure was possible, and the title of that thread should be the name of someone you want dead. As the stories went, you would receive a reply almost immediately, and it would simply ask you for a story. You would have to write out, and post, in full, a horrible event that had happened to you, or someone that you loved. All the instructions were very clear that the target would only die, if the account satisfied the “Story-spinner.” None of them made any mention of what would happen if it did not.

Answerbag (http://www.answerbag.com)

Care for the libraries - care for the metadata - care for the backup.

For most of my bookmarks, likes, reads, etc. I use a plugin that scrapes my post and saves a copy of the contents of all the URLs on my page to the Internet Archive so that even in the event of a site death, a copy of the content is saved for me for a later date.

One of the questions that came up during the SPLOT workshop is if there’s a SPLOT for podcasting, which reminded me of this post Adam Croom wrote a while back about his podcasting workflow: “My Podcasting Workflow with Amazon S3.” . We’re always on the look-out for new SPLOTs to bring to the Reclaim masses, and it would be cool to have an example that moves beyond WordPress just to make the point a SPLOT is not limited to WordPress (as much as we love it) —so maybe Adam and I can get the band back together

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oduction. It’s quite likely that you may have read - and even annotated - the book while in high school. We do knTroy Hicks1 week agoPerhaps… if it wasn’t issued to you by a teacher or, as my literature teacher did, we were required to buy copies for ourselves so we could, indeed, destroy our own property and not the school’s. Of course, now we have https://www.gutenberg.org/ebooks/84, and annotation is quite possible across a variety of forms.

The HTTP-based Memento framework bridges the present and past Web. It facilitates obtaining representations of prior states of a given resource by introducing datetime negotiation and TimeMaps. Datetime negotiation is a variation on content negotiation that leverages the given resource's URI and a user agent's preferred datetime. TimeMaps are lists that enumerate URIs of resources that encapsulate prior states of the given resource. The framework also facilitates recognizing a resource that encapsulates a frozen prior state of another resource.

The WARC (Web ARChive) file format offers a convention for concatenating multiple resource records (data objects), each consisting of a set of simple text headers and an arbitrary data block into one long file. The WARC format is an extension of the ARC file format (ARC) that has traditionally been used to store “web crawls” as sequences of content blocks harvested from the World Wide Web. Each capture in an ARC file is preceded by a one-line header that very briefly describes the harvested content and its length. This is directly followed by the retrieval protocol response messages and content.

Singers

Filtering obligations -Undermining the foundations of Open Access7.The provisions of Article 13 threaten the accessibility of scientific articles, publications and research data made available through over 1250 repositoriesmanaged byEuropean non-profit institutions and academiccommunities. These repositories, which are essential for Open Access and Science in Europe, are likely to face significant additional operational costs associated with implementing new filtering technologyandthe legal costs of managing the risks of intermediary liability. The additional administrative burdens of policing this contentwould add to these costs. Such repositories, run on a not-for-profit basis, are not equipped to take onsuch responsibilities, and may face closure. This would be a significant blow, creating new risks forimplementing funder, research council and other EU Open Access policies.

Why does archive.is not obey robots.txt?

WALTER 1. ONG, SJ

par ces usages, c’est-à-dire par la génération de ces formes intermédiaires encore à interpréter, que l’archive peut accéder au statut d’objet culturel.

ce passage de la donnée à des formes intermédiaires, qui sont des représentations de l’archive

il est un outil de relecture des données selon l’intentionnalité de son usager.

les différents dispositifs d’éditorialisation participent de la médiation de la base de données en mettant à disposition des usagers des interfaces sur lesquelles agir, c’est-à-dire sur lesquelles exécuter des requêtes, annoter, collecter, partager.

Poetry for posterity: the Irish Poetry Reading Archive launches