https://www.flickr.com/photos/rohdesign/5815595176/

Mike Rohde has previously had luck with the Bic Gel 0.7mm refill chopped down to fit his Retro 51 pens. Similarly he's done the Parker Gel 0.7mm refill and the Pentel Energel 0.7mm refill chopped down to fit.

https://www.wellappointeddesk.com/2015/10/ask-the-desk-retro-51-refills/

The Schmidt P8126 capless rollerball refill is compatible with the Retro 51 Tornado standard pens.

https://www.therefillguide.com/product-category/brand/retro1951/

In addition to their own branded rollerball refills, Retro 51 pens will also take a Parker style G2 ballpoint and capless rollerball refills.

Schmidt is another brand or compatible refills that is sold in Retro 51 packaging

https://www.jptamerica.com/

Retro 51: New Pens, New Collaborations And New Ownership by Nancy Olson

https://www.theparisreview.org/blog/2017/09/12/free-pencil-day/

A list of quotes from famous writers about pencils in The Paris Review.

At 9¢/card these are very expensive in comparison to bulk cards which usually can be found for 1-2¢/card. The difference however is in the luxuriousness of the silky smooth texture. Whether you're writing with your favorite fountain pen or a carefully chosen pencil. I don't know if these are the same brand of Bristol cards that Vladimir Nabokov used for his writing, but one could easily image him using such lovely material.

These provide a very smooth writing experience for fountain pens, gel pens and pencils. I particularly love the way my Tennessee Reds and Blackwing 602s glide over their surface. In comparison to some Japanese stationery, I'd put these cards somewhere between tsuru tsuru (slippery) and sara sara (smooth). If you're looking for a toothier paper, you'll definitely want to look elsewhere. They take fountain pens pretty well with no feathering or ghosting. My juiciest fountain pen dries in about 15 seconds, while a drier extra fine is dry in about 7 seconds, so it may take some care not to smear ink if you're on the messier end of the spectrum.

Pencil erases reasonably well, though there may be some minimal residual ghosting here. At 205 gsm, they've got a satisfying thickness unseen in most index cards and one is unlikely to rip or crinkle them when erasing. They're also thick enough that the wettest Sharpie won't bleed much less ghost through. You have to hold a card up to a backlight to see the appearance of any ghosting through it and even then, not well.

For the sticklers used to using standard 4 x 6" index cards, one should take note that the dimensions of these are slightly shorter in both dimensions—they're closer to 3.94" x 5.91". This means that you might have to take some care that while flipping through mixed company of cards your Exacompta can potentially hide between larger imperial sized cards. They're also close to, but not quite A6 in size either (105 x 148.5 mm or 4.1 x 5.8 inches).

https://www.bulkofficesupply.com/

https://www.raiseright.com/

The variety of formats which OER resources are available in (.epub, .pdf, .html, and other formats, including future formats like audio and potentially video (.mp3, .mp4) are a form of accessibility.

Is anyone placing OER materials into online channels which center piracy as a means of advertising or distribution?

(Library Genesis, SciHub, Pirate Bay, et. al.)

https://moonwoodcoffee.com/

Catered Alverno mental health event in May 2023.

The Way to Make Note Templates Yourself - BOOX - Medium

Havron, Anna. “Getting the Right Things Done,” 2023. https://static1.squarespace.com/static/5f64c2a45a59eb66a7264992/t/6468cc1048157b44f53b2e08/1684589584608/Handout+and+worksheet+for+making+a+values+plan%2C+Micro+Camp+2023.pdf.

https://thepalaceproject.org/

Mentioned by Dan Cohen

Technology is valuable and empowering, but at what end direct cost? Consumers don't have available data for the actual costs of the options they're choosing in many contexts.

What if that reprocessing costs the equivalent of three glasses of waters? Is it worth it for our environment, especially when the direct costs to the "consumer" are hidden into advertising models.

(via Brenna)

OEG Live: Audiobook Versions of OER Textbooks (and AI Implications)

Host: Alan Levine<br /> Panelists: Brian Barrick (LA Harbor College), Delmar Larsen, Brenna, Jonathan, Amanda Grey (KPU), Steel Wagstaff (Pressbooks).

Find out more information and discuss this topic on OEG Connect: https://oeg.pub/439V1Bc

LibreTexts Espanol

Amazon Polly Pricing

OpenAI API

Descript

All-in-one video & podcast editing, easy as a doc.

Alan Levine has been using this to do podcast editing and it allows for snipping out and replacing audio segments.

SoundStorm

We present SoundStorm, a model for efficient, non-autoregressive audio generation. SoundStorm receives as input the semantic tokens of AudioLM, and relies on bidirectional attention and confidence-based parallel decoding to generate the tokens of a neural audio codec. Compared to the autoregressive generation approach of AudioLM, our model produces audio of the same quality and with higher consistency in voice and acoustic conditions, while being two orders of magnitude faster. SoundStorm generates 30 seconds of audio in 0.5 seconds on a TPU-v4. We demonstrate the ability of our model to scale audio generation to longer sequences by synthesizing high-quality, natural dialogue segments, given a transcript annotated with speaker turns and a short prompt with the speakers' voices.

writeout.ai

Recommended by Steel Wagstaff at OEG Live 2023-06-02.

OpenStax American Government Audiobook

discussed in OEG Live: Audiobook Versions of OER Textbooks (and AI Implications)

libraries vs. publishers – The Homebound Symphony by Alan Jacobs

Why didn't university libraries take on the role of publishing and maintaining academic journals rather than ceding the function to major for-profit corporations which they now pay heavily to license that material back from?

In the Fight Over Ebooks, It’s Publishers vs. Librarians by Dan Cohen

E-books have caused the missions of many libraries to shift away from institutions that provide democratic access to a preserved culture.

Will libraries have the same problems with the digital transition that music and journalism have had?

College Students Aren't Checking Out Books by Dan Cohen

via https://contextisking.com/2020/12/01/how-digital-pennies-vs-analog-dollars-became-digital-trillions-vs-analog-billions/

Project Tailwind by Steven Johnson

This sounds like the sort of personalized AI tool I've been wishing for since the early ChatGPT models if not from even earlier dreams that predate that....

Vladimir Nabokov recorded sixty-four dreams on 118 index cards beginning on October 14, 1964 as an experiment. He was following the instructions of John Dunne, a British philosopher, in An Experiment with Time. The results were published by Princeton University Press in Insomniac Dreams: Experiments with Time by Vladimir Nabokov which was edited by Gennady Barabtarlo.

The lost index cards of Harold Innis :: Writing Slowly — by Richard (aka u/atomicnotes)

snippets on my note with some brief extensions...

I'm aware that HI's collection is now missing, but it could be partially recreated from typescript and the numbered notes.

Presumably the archives which contain the papers of Harold Innis.

https://site.xavier.edu/polt/typewriters/

http://writingball.blogspot.com/2014/09/mystery-machine-specialized-lc-smith.html

I quite like the idea of "combinatorial synthesis"as a phrase with relation to the framing of "combinatorial creativity" as an output.

via Andy

Andy indicates that this review functionality isn't specific to zettelkasten, but it still sits in the framework of note taking. Given this, are there really "other" ways available?

Sardarli, Arzu, and Ida Swan. Cree Dictionary of Mathematical Terms with Visual Examples. University of Regina, 2022. https://opentextbooks.uregina.ca/creemathdictionary/.

via Tagged Cooltech: Cree Dictionary of Mathematical Terms with Visual Examples by Adam Levine

Gallagher, John. Review of As the Priest Said to the Nun, by Carla Roth. London Review of Books, June 1, 2023. https://www.lrb.co.uk/the-paper/v45/n11/john-gallagher/as-the-priest-said-to-the-nun.

The level of orality in societies can radically change our perceptions of their histories, though quite often this material is missing in our evaluations.

Relationship to sprezzatura?

There's a somewhat poetic connection between the "conversational arsenal" of Johannes Rütiner and the "stacking ammo" of Eminem who used his notes in rap battles.

Zettelkasten Lesson Plan Intro

Not much here beyond his longer article, though it does have a sample format for zettel which can be useful for those starting out.

https://www.ebay.com/itm/334894285475

On a postcard dated 1942-07-01, the Wabash Cabinet Company announced the "Removal of its New York Office on July 1st to 60 EAST 42nd STREET, (Lincoln Building)".

reply to u/drogers8 at https://www.reddit.com/r/antinet/comments/13wlfbs/how_to_select_a_keyword_for_your_main_card/

I'm don't think I've ever seen that advice anywhere in my own reading. I've been doing this for ages and would suggest that it's actively bad advice. Use a keyword that seems useful, beneficial, and which you're likely to have the most interest in in the future. What do you suspect the future you will use to search for that card or a branch on that idea in the future? Use that.

Also, don't overthink this stuff. Just practice. You're going to make some mistakes, but with a small number of cards you'll start to figure it out on your own before things get too large. Your practice today is not going to look like your practice in 6 months and it'll change again 6 months after that.

https://garrickvanburen.com/yes-all-software-should-have-a-philosophy-txt-file/

Makes me want all projects included a Philosophy.txt file along with the README.txt and License.txt. It’s far more useful and people-oriented than humans.txt

https://www.ionos.com/help/index.php?id=144

https://support.google.com/mail/answer/81126#authentication

https://random-blather.com/2014/04/28/information-isnt-power/

Illustration by David Somerville based on the original by Hugh McLeod.

Link to: https://hypothes.is/a/ysRBGgACEe6UNPvIvmWBkQ

This diagram is roughly a cartoon of the zettelkasten process, especially if the panels are labeled: reading, excerpting/synopsis, linking, serendipity, writing.

Santalucia, Nick. “The Zettelkasten in the Secondary Classroom.” Blog, July 6, 2021. https://www.nicksantalucia.com/blog/the-zettelkasten-in-the-secondary-classroom-k12.

speed zetteling!

Teachers Pay Teachers? https://www.teacherspayteachers.com/

Example of a teacher talking about the great conversation in the framing of the humanities....

The eternal student question, "Why do we need to learn this?" should always have a fantastic answer from their teachers.

https://www.gapingvoid.com/blog/2014/01/22/information-vs-knowledge/

https://getupnote.com/

Suggested by Cato Minor<br /> Mac, Windows, Linux, iOS, Android

https://new.nsf.gov/funding/opportunities/building-prototype-open-knowledge-network-proto

https://www.inkandswitch.com/peritext/

https://ogm.agor.ai/users

https://thereader.mitpress.mit.edu/an-illustrated-guide-to-mouth-gestures-and-their-meanings-around-the-world/

Broadly an extended excerpt of François Caradec's Dictionary of Gestures.

My first impressions of the Onyx Boox Tab Ultra C<br /> by Cato Minor

Commonly known was that using an apostrophe, the back space key and a period would allow one to type an exclamation point on a typewriter. Less common were some of these additional special characters:

• Division (÷): colon and hyphen
• Pound Sterling (£): Hyphen and small f
• Equation (=): Hyphens turning the variable slightly (unlocking the platen and moving it up)
• Cedilla (ç): small c, backspace and comma
• Paragraph mark )( parentheses

p. 16

Typewriters had switches to allow the typewriter to use different portions of the typewriter ribbon. Some were utilized to differentiate between colors on multi-colored ribbons (typically between black and red) while others allowed the use of the top or bottom of a ribbon to get more use (economy) out of them. Many also made the ribbon inoperative so that the type struck directly against a sheet to allow for stencil cutting.

p. 12

Card Grip. (Right and Left). Hold cards firmly against the platen.

p 5

“The Remington Noiseless Way.” Remington Rand Inc., ca 1940. From the Peter Weil Typewriter Archives. https://site.xavier.edu/polt/typewriters/RemingtonNoiseless10.pdf.

reply to u/enabeh at https://www.reddit.com/r/Zettelkasten/comments/13s6dsg/comment/jluovm9/?utm_source=reddit&utm_medium=web2x&context=3

If you're curious, I've been collecting examples of teachers/professors who used their zettelkasten for teaching: https://hypothes.is/users/chrisaldrich?q=tag%3A%27card+index+for+teaching%27 Examples include Mario Bunge, Frederic L. Paxson, Gotthard Deutsch, Roland Barthes, and Joachim Jungius. In more recent contexts, I've seen Dan Allosso (aka u/danallosso), Mark Robertson (aka calhistorian u/calhistorian), and Sean Graham (https://electricarchaeology.ca/) using zettelkasten or linked notes using Obsidian, Roam, etc. for teaching. Perhaps we should get the group together to trade stories? Ping me with an email if you're interested.

• via u/enabeh at https://www.reddit.com/r/Zettelkasten/comments/13s6dsg/comment/jluovm9/?utm_source=reddit&utm_medium=web2x&context=3

reply to u/muhlfriedl by way of reply to u/chounosumuheya at https://www.reddit.com/r/Zettelkasten/comments/13s6dsg/comment/jlpt8ai/?utm_source=reddit&utm_medium=web2x&context=3

Examples of zettelkasten users

S.D. Goitein, Beatrice Webb, Ludwig Wittgenstein, Harold Innis, Victor Margolin, Eminem, Aby Warburg, Antonin Sertillanges, Jacques Barzun, C. Wright Mills, Gotthard Deutsch, Roland Barthes, Umberto Eco, Vladimir Nabokov, Gerald Weinberg, Michael Ende, Twyla Tharp, Hans Blumenberg, Keith Thomas, Arno Schmidt, Mario Bunge, Sönke Ahrens, Dan Allosso for a few more. If you go with those who used commonplace books and waste books, which are notebook-based instead of index card-based, there are thousands upon thousands more.

Historically the easier question might be: what creators didn't use one of these systems and was successful?!? The broad outlines of these methods go back much, much farther than Niklas Luhmann. These patterns are not new...

Personally, I've used my own slip box to write large portions of the articles on my website. I also queried it to compile this reply.

https://sellhelp.valorebooks.com/article/44-grading-guidelines

Reply to Will Simpson at https://forum.zettelkasten.de/discussion/comment/17939/#Comment_17939

There should be more conversation about zettelkasten as both a "ratchet" as well as a "flywheeel". Sometimes I feel like it's hard to speak of these things for either lack of appropriate words/naming and/or having a shared vocabulary for them.

Even Luhmann's "second memory" has a mushiness to it, but I certainly see your sense of it as a thing which moves forward. I have the same sort of sense with the Aboriginal cultural idea of a "songline" which acts as both a noun as well as having an internal sense of being a verb to me. The word "google" has physically and specifically undergone the transition from noun to verb in a way which "second memory" and "songline" haven't, though perhaps they should? The difference is that the word google is much more concrete and simple while second memory and songline have a lot more cultural material and meaning sitting with them if you know them and their fuller attendant practices.

@Will Thanks for always keeping up with your regular threads and considerations.

I've been keeping examples of people talking about the "magic of note taking" for a bit. I appreciate your perspectives on it. Personally I consider large portions of it to be bound up with the ideas of what Luhmann termed as "second memory", the use of ZK to supplement our memories, and the serendipity of combinatorial creativity. I've traced portions of it back to the practices of Raymond Llull in which he bound up old mnemonic techniques with combinatorial creativity which goes back to at least Seneca.

A web search for "combinatorial creativity" may be useful, but there's a good attempt at what it entails here: https://fs.blog/seneca-on-combinatorial-creativity/

Will Simpson feels that the magic of note taking stems from "the repetition of adding your thoughts to the notes you take and reviewing notes regularly".

I think it sems more from the serendipitous connections and resultant combinatorial creativity.

cross reference: https://hypothes.is/a/QLyD4P6mEe2uC4O7z2QOOQ

https://www.reddit.com/r/antinet/comments/13tv9ls/question_how_fast_did_you_name_your_antinet/

Mine was a bit into the process, but not until I got the filing cabinet where they'll all ultimately live: https://boffosocko.com/2022/08/08/55808119/#Naming

See examples of people naming them here including: - Cvrie (Fallout 4 reference) - torspedia (after username on MediaWiki installation) - Todd (Bad Words reference to study binder) - Plumeria (after 4 months) - Hamilton after video - Epictetus (meaning "to acquire" from stoicism) - Zeke (short for Ezekiel) - Stewie (personal communication, Scheper's nickname, not mentioned on this page)

Bob Ross' "happy accidents" tied to the idea of serendipity or the outcome of combinatorial creativity within a zettelkasten.

Ross's version is related to experimentation and the idea of adjacent possible. Taking a current known and extending it to see what will happening and accepting the general outcome. This was one of the roots of his creative process.

Noticing that the title of this isn't original itself (or is it?) There's a similar post entitled "Combinatorial Creativity and the Myth of Originality" by Maria Popova at https://www.smithsonianmag.com/innovation/combinatorial-creativity-and-the-myth-of-originality-114843098/

Perhaps the William Inge quote is incredibly apropos here: https://hypothes.is/a/Fvkz-i8rEe2hJYM4oINfpw

https://www.cygnoir.net/2023/05/20/week-notes-how.html

@cygnoir considering leaving?!

https://www.paperbistro.com/browse-by-brand/exacompta/paper/index-cards.html

Manufacturer direct

https://www.baum-kuchen.net/blogs/journal/ichigo-ichie-in-hamburg-love-letter-may-2023

quote via https://forum.zettelkasten.de/profile/dandennison84

reply to dandennison84 at https://forum.zettelkasten.de/discussion/comment/17921/#Comment_17921

I've written a bit before on The Two Definitions of Zettelkasten, the latter of which has been emerging since roughly 2013 in English language contexts. Some of it is similar to or extends @dandennison84's framing along with some additional history.

Because of the richness of prior annotation and note taking traditions, for those who might mean what we're jokingly calling ZK®, I typically refer to that practice specifically as a "Luhmann-esque zettelkasten", though it might be far more appropriate to name them a (Melvil) "Dewey Zettelkasten" because the underlying idea which makes Luhmann's specific zettelkasten unique is that he was numbering his ideas and filing them next to similar ideas. Luhmann was treating ideas on cards the way Dewey had treated and classified books about 76 years earlier. Luhmann fortunately didn't need to have a standardized set of numbers the way the Mundaneum had with the Universal Decimal Classification system, because his was personal/private and not shared.

To be clear, I'm presently unaware that Dewey had or kept any specific sort of note taking system, card-based or otherwise. I would suspect, given his context, that if we were to dig into that history, we would find something closer to a Locke-inspired indexed commonplace book, though he may have switched later in life as his Library Bureau came to greater prominence and dominance.

Some of the value of the Dewey-Luhmann note taking system stems from the same sorts of serendipity one discovers while flipping through ideas that one finds in searching for books on library shelves. You may find the specific book you were looking for, but you're also liable to find some interesting things to read on the shelves around that book or even on a shelf you pass on the way to find your book.

Perhaps naming it and referring to it as the Dewey-Luhmann note taking system or the Dewey-Luhmann Zettelkasten may help to better ground and/or demystify the specific practices? Co-crediting them for the root idea and an early actual practice, respectively, provides a better framing and understanding, especially for native English speakers who don't have the linguistic context for understanding Zettelkästen on its own. Such a moniker would help to better delineate the expected practices and shape of a note taking practice which could be differentiated from other very similar ones which provide somewhat different affordances.

Of course, as the history of naming scientific principles and mathematical theorems after people shows us, as soon as such a surname label might catch on, we'll assuredly discover someone earlier in the timeline who had mastered these principles long before (eg: the "Gessner Zettelkasten" anyone?) Caveat emptor.

Reply to Nick at https://forum.zettelkasten.de/discussion/comment/17926/#Comment_17926

Some pieces of social media come close to the sort of sense making and cognition you're talking about, but none does it in a pointed or necessarily collaborative way. The Hypothes.is social annotation tool comes about as close to it as I've seen or experienced beyond Wikipedia and variations which are usually a much slower boil process. As an example of Hypothes.is, here's a link to some public notes I've been taking on the "zettekasten output problem" which I made a call for examples for a while back. The comments on the call for examples post have some rich fodder some may appreciate. Some of the best examples there include videos by Victor Margolin, Ryan Holiday (Robert Greene's protoge), and Dustin Lance Black along with a few other useful examples that are primarily text-based and require some work to "see".

For those interested, I've collected a handful of fascinating examples of published note collections, published zettelkasten, and some digitized examples (that go beyond just Luhmann) which one can view and read to look into others' practices, but it takes some serious and painstaking work. Note taking archaeology could be an intriguing field.

Dan Allosso's Obsidian book club has kept up with additional books (they're just finishing Rayworth's Doughnut Economics and about to start Simon Winchester's new book Knowing What We Know, which just came out this month.) Their group Obsidian vault isn't as dense as it was when they started out, but it's still an intriguing shared space. For those interested in ZK and knowledge development, this upcoming Winchester book looks pretty promising. I'd invite everyone to join if they'd like to.

Keep Comments Open! by Dan Allosso

Some thoughts about the ability to turn off public comments on Substack posts, which may diminish the conversation.

https://www.youtube.com/watch?v=dU7efgGEOgk

I wish he'd gotten into more of the detail of the research and index card making here as that's where most of the work lies. He does show some of his process of laying out and organizing the cards into some sort of sections using 1/3 cut tabbed cards. This is where his system diverges wildly from Luhmann's. He's now got to go through all the cards and do some additional re-reading and organizational work to put them into some sort of order. Luhmann did this as he went linking ideas and organizing them up front. This upfront work makes the back side of laying things out and writing/editing so much easier. It likely also makes one more creative as one is regularly revisiting ideas, juxtaposing them, and potentially generating new ones along the way rather than waiting until the organization stage to have some of this new material "fall out".

https://blog.blackwing602.com/introducing-volume-1138-2/

While the Volume 1138 edition celebrates sci-fi and Georges Méliès' A Trip to the Moon, the number itself calls to mind the George Lucas/Walter Murch joint THX 1138.

https://www.levenger.com/collections/pocket-briefcases/products/bomber-jacket-international-pocket-briefcase?variant=42485604778133#

Levenger sells a line of various "pocket briefcases" which include space for 3 x 5" index card "ticklers" which are similar in form to the old Memindex.

A 9 x 5" card that folds in three to make a 3 x 5" card for planning out one's entire week.

This is quite clever with respect the space of cards like Analog and 3x5 Life.

https://www.levenger.com/collections/notecards/products/perfect-timing-3-x-5-cards-90-cards?variant=42485738045589#

Slightly different than today/next/someday, Levenger sells 90 today/tomorrow/someday 3 x 5" index cards for $14.50 (or $10.00 on sale).

https://stationery.wiki/Main_Page

https://retro51.com/collections/retailer-exclusives/products/ny-historical-society-rbg-supreme-court-cases

AB Dick Model 217G Spirit Duplicator "Ditto Machine" In Action!

Typewriters, Stencils, and Carbon Copies by Tim Covell

What Was the Purpose of the Stencil Setting on a Vintage Manual Typewriter?

Typewriter Stencil as Check Protector

via u/nagytimi85 at https://www.reddit.com/r/antinet/comments/13s84q3/comment/jlof6b9/?utm_source=reddit&utm_medium=web2x&context=3

File this one under the most bizarre potential note collection damage vector: a parrot who bites index cards!

https://archive.org/details/myapprenticeship0000beat/page/412/mode/2up

Appendix C: The Art of Note-Taking in My Apprenticeship (1926)

https://www.krapp.org/

Professor of Film & Media Studies, Informatics, English, and Music - UC Irvine

reply to u/ricardosilvabr at https://www.reddit.com/r/antinet/comments/13qzgjs/comment/jlmurbf/?utm_source=reddit&utm_medium=web2x&context=3

The zettelkasten and commonplace traditions are broadly the same (especially after John Locke's indexing method, you'd just index ideas against page number and maybe line if you want to go that far in a commonplace). The primary affordance is that you can more easily rearrange individual ideas on cards, which may make outlining and juxtaposing disparate ideas easier for subsequent composition.

Connecting a Zettelkasten to a Commonplace Book

Interesting to see Scott trying this... I'm sure I've seen it before in a setting like this, but its obviously been done in the commonplace space by itself.

https://en.wikipedia.org/wiki/Harold_Innis

I am wholly unsurprised that Harold Innis maintained a card index (zettelkasten) through his research life, but I am pleased to have found that his literary estate has done some work on it and published it. The introduction seems to have some fascinating material on the form and structure as well as decisions on how they decided to present and publish it.

https://www.amazon.com/Idea-Harold-Adams-Innis-Heritage/dp/0802063829/

https://amzn.to/45xxFXH

via: Georg Henrik von Wright, “The Wittgenstein Papers,” The Philosophical Review 78:4 (1969), 483–563, here: 487.

von Wright seems to indicate that Wittgenstein created typescripts which he cut up into zettel and then was able to rearrange them into final forms.

via: Didier Eribon, Conversations with Claude Lévi-Strauss (Chicago: University of Chicago Press, 1991), vii–viii; Claude Lévi-Strauss, Structural Anthropology (New York: Basic Books, 1963), 129f.

via Nora Barlow ed., The Autobiography of Charles Darwin 1809–1882 vol. 1 (London: Collins, 1958), 137.

source apparently from: “Apparition de la fiche et constitution des sciences humaines: encore une invention que les historiens célèbrent peu.” Michel Foucault, Surveillir et punir. Naissance de la prison (Paris: Gallimard, 1975), 287, referring to A. Bonneville, De la recidive (Paris, 1844), 92–93.

Peter Krapp's notes

How can Linnaeus (1707-1778) be said to have invented the card index or the index card when there are systems that predate him including Vincent Placcius and Leibnitz?

Linnaeus' version were all of a standard size at least. Would this have been a shift in the definition or did others have and recommend "cards of equal size" before this?

The 1993 game Myst, available on CD-ROM, had a card index like format.

Hipster here with respect to the card catalog as furniture without mention of the "hipster PDA".

Krapp, Peter. “Paper Slips: The Long Reign of the Index Card and Card Catalog.” In The Routledge Companion to Media Technology and Obsolescence, edited by Mark J. P. Wolf. Routledge, 2019.

Wolf, Mark, ed. The Routledge Companion to Media Technology and Obsolescence. 1st ed. 63 vols. Routledge Media and Cultural Studies Companions. New York: Routledge, 2019.

Enlightened Academia: Harnessing AI & PKM for Stress-Free Publishing

via https://www.linkingyourthinking.com/lytcon-2023/dr-jeremy-nguyen

chat transcript: https://download.filekitcdn.com/d/dv87Nny89souiCFyZqnEgh/3ehgF6TjsNGBWm18LYm7E

https://www.youtube.com/watch?v=T9ftjfhvIDA