for - article - Medium - Translating vision into sound - A deep learning perspectiive - Viktor Toth - 21 April, 2019 - from - search - Google - android app "The Voice" translates images into audio signal - https://hyp.is/OJKKmJ1MEe-TAp_w_0SK_Q/www.google.com/search?q=android+app+%22The+Voice%22+translates+images+into+audio+signal&sca_esv=6fa4053b1bfce2fa&sxsrf=ADLYWIK_UqZZZ9OCRCwH4D6FoSaykbMTpQ:1731013461104&ei=VSstZ4eCBqi8xc8P5KP_kAU&ved=0ahUKEwjHgM3Tj8uJAxUoXvEDHeTRH1IQ4dUDCA8&uact=5&oq=android+app+%22The+Voice%22+translates+images+into+audio+signal&gs_lp=Egxnd3Mtd2l6LXNlcnAiO2FuZHJvaWQgYXBwICJUaGUgVm9pY2UiIHRyYW5zbGF0ZXMgaW1hZ2VzIGludG8gYXVkaW8gc2lnbmFsMggQABiABBiiBDIIEAAYgAQYogQyCBAAGIAEGKIEMggQABiABBiiBDIIEAAYgAQYogRI2xdQpglYjRJwAXgCkAEAmAGZA6ABmQOqAQM0LTG4AQPIAQD4AQGYAgOgAqADwgIKEAAYsAMY1gQYR8ICBBAAGEeYAwDiAwUSATEgQIgGAZAGCJIHBTIuNC0xoAewBA&sclient=gws-wiz-serp

for - search - Google - android app "The Voice" translates images into audio signal - from - webcast - Michael Levin - Can we create new senses for humans? - interview - David Eagleman - https://hyp.is/BHS6up09Ee-1qefERFpeQg/www.youtube.com/watch?v=YCvFgrpfNGM - to - Medium - article Translating vision into sound. A deep learning perspective - Viktor Toth - April 2019 - https://hyp.is/lQL4Yp1MEe-66-dpgenOBA/medium.com/mindsoft/translating-vision-into-sound-443b7e01eced

This is telling us what media literacy has focused on so far within our research. However, it is also allowing us, as readers, to be educated on what else media literacy needs to focus on, such as the impact of the medium.

for - Medium article - co-creative collaboration - Donna Nelham

summary - Donna takes us on a deep dive into the word collaboration what is needed to forge deep and meaningful collaboration and why it often fails - She introduces the term "collaboration washing" (like green washing) into our lexicon - This article is provocation for deep dive into what it means to collaborate - The questions we ask ourselves will lead us back to the most fundamental philosophical questions of self and other and how we formed these

Notice how bad, as of this writing, the typography is on this page.

Use this as an example of the weirdness of the difference in creator agency and consumer expectations about presentation of the written word when it comes to print vs Web.

for - social tipping points - Centola 25% threshold - critique - from - Medium - Social tipping points are probably overrated

article details - title - Overselling the Science of Social Tipping Points - author - Peter Licari, PhD - date - 11 Jjune, 2018 - publication - Medium - https://prlicari.medium.com/overselling-the-science-of-social-tipping-points-16095145d32

from - Medium - Social tipping points are probably overrated - https://hyp.is/yMaQND7WEe-Q2zsiwzB5wA/jamesozden.substack.com/p/social-tipping-points-are-probably

for - social tipping points - Centola 25% threshold - critique - to - Medium - Overselling the Science of Tipping Points

comment - The author raises valid critique of Centola's 25% threshold. - His main critique concerns the experiment not representing real world complex scenarios and is summarized in 3 points: - The experimental method used is an oversimplification of the complexity of real world complex issues such as climate change denial and meat eating, which are deeply ingrained beliefs in many cases. - No such attachment exists in the experimental setup - In the experiment, the subjects were incentified. In complex real world issues, there is often no incentive structure - Real life isn't all 1-1 interactions

to - Medium - Overselling the Science of Tipping Points - https://hyp.is/Aocs0D7WEe-knadNGOYVog/prlicari.medium.com/overselling-the-science-of-social-tipping-points-16095145d32

tech for tech's sake; need for context

Enthusiasm as a possession by a god. The human functions as the medium for communication (for the god wants to communicate something).

King Tim, 2018-06-04, Welcome to the Note Taking Apocalypse, https://medium.com/swlh/welcome-to-the-note-taking-apocalypse-64a74481a5ab (2023-12-03).

Autor krótko pisze o tym, jak wielość wyboru aplikacji do notowania jest kontrproduktywny i kontrskuteczny, ponieważ z nadmiaru trudno wybrać coś odpowiedniego. Podsumowuje, że właściwie każdy producent programu do notowania wynajduje koło na nowo.

Warte odnotowania jest to, artykuł pochodzi z połowy 2018 roku, zatem z jednej strony wpisuje się w trend zainteresowania tego rodzaju programami, ale jeszcze przed wielkim zainteresowaniem takich aplikacji jak Obsidian czy Notion (który jest na rynku zdecydowanie dłużej).

The Web already is what it is, at least—and what that is is not an imitation of the old. If anything, it ought to be more like the old, cf Tschichold.

Things like citability are crucial, not just generally, but in that they are fundamental to what the Web was supposed to have been, and modern Web practices overwhelmingly sabotage it.

... which may have really happened, per se, but it didn't wholly incorporate (subsume/cannibalize) conventional desktop publishing, which is still in 2023 dominated by office suites (a la MS Word) or (perversely) browser-based facsimiles like Google Docs. Because the Web as it came to be used turned out to be as a sui generis medium, not exactly what TBL was aiming for, which was giving everything (everything—including every existing thing) its own URL.

https://quoteinvestigator.com/2023/10/21/tools-of-tools/

I'm responsible for a quote investigator article being rewritten! Huzzah!

Cross reference my note: https://boffosocko.com/2023/05/22/men-have-become-the-tools-of-their-tools-henry-david-thoreau/

SERVICIO TECNICO VALENCIA on Medium Advantages of Hiring a Professional Technical Service

Professional technicians offer precise diagnostics and effective solutions. Additionally, using genuine spare parts and high-quality tools provides the reassurance of professional technical services' guarantees.

I'd argue that this is a good thing. I think the tech industry's navelgazing does perhaps some of the worst harm wrt the problems articulated earlier.

Im Rahmen des EU-Projekts Highlander wurden die Klimadaten Italiens mit eine Auflösung von 30 km erfasst und mit Hilfe von Climate Stripes visualisiert. In einem langen Artikel blickt die Repubblica auf 30 Jahre Erhitzung in Italien zurück. https://www.repubblica.it/green-and-blue/2023/07/01/news/strisce_climatiche_italia_progetto_highlander_cineca_comuni_precisione_crisi_ambientale-405524064/

Mehr zu Italien: https://hypothes.is/users/HeinzWittenbrink?q=Italy

Die Temperaturen des Atlantik zwischen Island und Afrika liegen im Augenblick bis zu 5 Grad über dem Normalwert. Eine marine Hitzewelle dieses Ausmaßes wurde in dieser Region noch nie beobachtet. Sie wird gravierende Konsequenzen für die Biodiversität haben. Eine vergleichbare Hitzewelle im Mittelmeer führte 2022 zu einem Massensterben bei ca 50 Tier und Pflanzenarten in den oberen 50 Metern des Meeres.

https://www.liberation.fr/environnement/climat/vagues-de-chaleur-dans-locean-pourquoi-parle-t-on-de-canicule-marine-20230622_SF42MLHQGZECZEVI2LADP5QB5A/vari

It's my contention that this is a matter of people misusing the URL (and the Web, generally); Web pages should not be expected to "update" any more than you expect the pages of a book or magazine or a journal article to be self-updating.

We have taken the original vision of the Web -- an elaborately cross-referenced information space whose references can be mechanically dereferenced -- and rather than treating the material as imbued with a more convenient digital access method and keeping in place the well-understood practices surrounding printed copies, we compromised the entire project by treating it as a sui generis medium. This was a huge mistake.

This can be solved by re-centering our conception of what URLs really are: citations. The resources on the other sides of a list of citations should not change. To the extent that anything ever does appear to change, it happens in the form of new editions. When new editions come out, nobody goes around snapping up the old copies and replacing it for no charge with the most recent one while holding the older copies hostage for a price (or completely inaccessible no matter the price).

Well, they're not supposed to be ephemeral. They're supposed to be as durable as the title of whatever book you're talking about.

http://webseitz.fluxent.com/wiki/ComputationalMedium

@1:10:20

With HTML you have, broadly speaking, an experience and you have content and CSS and a browser and a server and it all comes together at a particular moment in time, and the end user sitting at a desktop or holding their phone they get to see something. That includes dynamic content, or an ad was served, or whatever it is—it's an experience. PDF on the otherhand is a record. It persists, and I can share it with you. I can deliver it to you [...]

NB: I agree with the distinction being made here, but I disagree that the former description is inherent to HTML. It's not inherent to anything, really, so much as it is emergent—the result of people acting as if they're dealing in live systems when they shouldn't.

ReconfigBehSci [@SciBeh]. (2021, August 6). The pathologies of science Twitter are on full display in this thread featuring a non-expert blasting an epidemiologist for “stealing” an idea (a minor statistical insight) that is part of epidemiological basic understanding [Tweet]. Twitter. https://twitter.com/SciBeh/status/1423688923348299781

前 The Verge 编辑 Casey Newton 的 Ev Williams Gives Up，他批评 Medium 的主要观点有两个：

Medium 虽然从大约 70 万名付费订阅用户那里获取了每年数千万美元的收入，但这些收入在很大程度上是由搜索引擎上表现良好的因素决定的——这与 2000 年代后期低质量内容农场的商业逻辑相同。确切地说，这并不是一个糟糕的生意。但这不是 Williams 打算建立的业务。 Medium 曾经多次转变商业模式，最重要的一次是 2017 年砍掉了广告业务，完全转向付费订阅。在这次转型中，Williams 做了大幅裁员的决定，并关掉了专栏功能。后来，Substack 崛起，吸引了大量专栏作家开设付费专栏，吃掉了 Medium 的午餐。

https://werd.io/2022/a-new-ceo-for-medium

Many people treat their blogging practice as an experimental thought space. They try out new ideas, explore a small space, attempt to come to understanding, connect new ideas to their existing ideas.

Ton Zylstra coins/uses the phrase "metablogging" to think about his blogging practice as an evolving thought space.

How can we better distill down these sorts of longer ideas and use them to create more collisions between ideas to create new an innovative ideas? What forms might this take?

The personal zettelkasten is a more concentrated form of this and blogging is certainly within the space as are the somewhat more nascent digital gardens. What would some intermediary "idea crucible" between these forms look like in public that has a simple but compelling interface. How much storytelling and contextualization is needed or not needed to make such points?

Is there a better space for progressive summarization here so that an idea can be more fully laid out and explored? Then once the actual structure is built, the scaffolding can be pulled down and only the idea remains.

Reminiscences of scaffolding can be helpful for creating context.

Consider the pyramids of Giza and the need to reverse engineer how they were built. Once the scaffolding has been taken down and history forgets the methods, it's not always obvious what the original context for objects were, how they were made, what they were used for. Progressive summarization may potentially fall prey to these effects as well.

How might we create a "contextual medium" which is more permanently attached to ideas or objects to help prevent context collapse?

How would this be applied in reverse to better understand sites like Stonehenge or the hundreds of other stone circles, wood circles, and standing stones we see throughout history.

It's worth introspecting on why any given person might hesitate to feel that they can commit. This is almost always comes down to "maintainability"—websites are, like many computer-based endeavors, thought of as projects that have to be maintained. This is a failure of the native Web formats to appreciably make inroads as a viable alternative to traditional document formats like PDF and Word's .doc/.docx (or even the ODF black sheep). Many people involved with Web tech have difficulty themselves conceptualizing Web documents in these terms, which is unfortunate.

If you can be confident that you can, today, bang out something in LibreOffice, optionally export to PDF, and then dump the result at a stable URL, then you should feel similarly confident about HTML. Too many people have mental guardrails preventing them from grappling with the relevant tech in this way.

I don't know if this is true for anyone. It certainly seems like most people who are digital natives (or immigrants) rarely make the connection and end up missing out on some lessons from print that would actually be helpful.

Quote from the Commonly Asked Questions (and Answers) on https://marshallmcluhan.com/common-questions/ with answers written by Dr. Eric McLuhan, Marshall McLuhan's eldest son.

Does "what they need" here implicitly mean "a design that no one really benefits from but you can bill a client for $40+/hr for"? Because that's how Glitch comes off to me—more vocational (and even less academic) than a bootcamp without the structure.

What was that part about home-cooked meals?

This is where I think Glitch goes wrong. Why such a focus on apps (and esp. pushing the same practices and overcomplicated architecture as people on GitHub trying to emulate the trendiest devops shovelware)?

"Web" is a red herring here. Make the Web more accessible for app creation, sure, but what about making it more accessible (and therefore simpler) for sharing simple stuff (like documents comprising the written word), too? Glitch doesn't do well at this at all. It feels less like a place for the uninitiated and more like a place for the cool kids who are already slinging/pushing Modern Best Practices hang out—not unlike societal elites who feign to tether themself to the mast of helping the downtrodden but really use the whole charade as machine for converting attention into prestige and personal wealth. Their prices, for example, reflect that. Where's the "give us, like 20 bucks a year and we'll give you better alternative to emailing Microsoft Office documents around (that isn't Google Sheets)" plan?

This appeal would have a greater effect if it weren't itself published in a format that exhibits so much of what was less desirable of the pre-modern Web—fixed layouts that show no concern for how I'm viewing this page and causes horizontal scrollbars, overly stylized MySpace-ish presentation, and a general imposition of the author's preferences and affinity for kitsch above all else—all things that we don't want.

I say this as someone who is not a fan of the trends in the modern Web. Responsive layouts and legible typography are not casualties of the modern Web, however. Rather, they exhibit the best parts of its maturation. If we can move the Web out of adolescence and get rid of the troublesome aspects, we'd be doing pretty good.

There's way too much excuse-making in this post.

They're books. If there's any defensible* reason for making the technical decision to go with "inert" media, then a bunch of books has to be it.

* Even this framing is wrong. There's a clear and obvious impedance mismatch between the Web platform as designed and the junk that people squirt down the tubes at people. If there's anyone who should be coming up with excuses to justify what they're doing, that burden should rest upon the people perverting the vision of the Web and treating it unlike the way it's supposed to be used—not folks like acabal and amitp who are doing the right thing...

medium is the message Noller: Aber Internet ist eher Handlungsraum als Medium

Gutenberg Galaxie

*Marshall McLuhan und der hat ein Buch geschrieben

A substantial subset of the personal homepage contingency associated with blogging advocacy "movement" doesn't understand this.

But maybe you don't need to do that. Maybe it would be instructive to take lessons from the traditional (pre-digital) publishing industry and consider how things like "print runs" and "reissues" factored in.

If you write a blog post in 2017 and the page is acceptable*, and then five years later you're publishing a new post today in 2022 under new design norms and trying to retrofit that design onto your content from 2017, then that sounds a lot like a reprint. If that makes sense and you want to go ahead and do that, then fair enough, but perhaps first consider whether it does make sense. Again, that's what you're doing—every time you go for a visual refresh, it's akin to doing a new run for your entire corpus. In the print industry (even the glossy ones where striking a chord visually was and is something considered to merit a lot of attention), publishers didn't run around snapping up old copies and replacing them with new ones. "The Web is different", you might say, but is it? Perhaps the friction experienced here—involved with the purported need to pick up a static site generator and set your content consistently with templates—is actually the result of fighting against the natural state of even the digital medium?

* ... and if you wrote a blog post in 2017 and the page is not acceptable now in 2022, maybe it's worth considering whether it was ever really acceptable—and whether the design decisions you're making in 2022 will prove to be similarly unacceptable in time (and whether you should just figure out the thing where that wouldn't be the case, and instead start doing that immediately).

This is a common enough feeling (not about Publii, specifically; just the general concern for flexibility and control in static site generators), but when you pull back and think in terms of normalcy and import, it's another example of how most of what you read on the internet is written by insane people.

Almost no one submitting a paper for an assignment or to a conference cares about styling the way that the users of static site generators (or other web content publishing pipelines) do. Almost no one sending an email worries about that sort of thing, either. (The people sending emails who do care a lot about it are usually doing email campaigns, and not normal people carrying out normal correspondence.) No one publishing a comment in the thread here—or a comment or post to Reddit—cares about these things like this, nor does anyone care as much when they're posting on Facebook.

Somehow, though, when it comes to personal Web sites, including blogs, it's MySpace all over again. Visual accoutrement gets pushed to the foreground, with emphasis on the form of expression itself, often with little relative care for the actual content (e.g. whether they're actually expressing anything interesting, or whether they're being held back from expressing something worthwhile by these meta-concerns that wouldn't even register if happening over a different medium).

When it comes to the Web, most instances of concern for the visual aesthetic of one's own work are distractions. It might even be prudent to consider those concerns to be a trap.

Yeah, but...

Keeping your website's look 'up to date' requires changes, but keeping your website up does not require "keeping its look 'up to date'".

Funnily enough, I've been on an intellectual bent in the other direction: that we've poisoned our thinking in terms of systems, for the worse. This shows up when trying to communicate about the Web, for example.

It's surprisingly difficult to get anyone to conceive of the Web as a medium suited for anything except the "live" behavior exhibited by the systems typically encountered today. (Essentially, thin clients in the form of single-page apps that are useless without a host on the other end for servicing data and computation requests.) The belief/expectation that content providers should be given a pass for producing brittle collections of content that should be considered merely transitory in nature just leads to even more abuse of the medium.

Even actual programs get put into a ruddy state by this sort of thinking. Often, I don't even care about the program itself, so much as I care about the process it's applying, but maintainers make this effectively inextricable from the implementation details of the program itself (what OS version by which vendor does it target, etc.)

Keep this in mind as a good practice.

Perversely, the author starts off getting this part wrong!

The correct answer here is to adopt the same mindset used for print, which is to say, "just don't worry about it; the value of doing so is oversold". If a print org changed their layout sometime between 1995 and 2005, did they issue a recall for all extant copies and then run around trying to replace them with ones consistent with the new "visual refresh"? If an error is noticed in print, it's handled by correcting it and issuing another edition.

As Tschichold says of the form of the book (in The Form of the Book):

The work of a book designer differs essentially from that of a graphic artist. While the latter is constantly searching for new means of expression, driven at the very least by his desire for a "personal style", a book designer has to be the loyal and tactful servant of the written word. It is his job to create a manner of presentation whose form neither overshadows nor patronizes the content [... whereas] work of the graphic artist must correspond to the needs of the day

The fact that people publishing to the web regularly do otherwise—and are expected to do otherwise—is a social problem that has nothing to do with the Web standards themselves. In fact, it has been widely lamented for a long time that with the figurative death of HTML frames, you can no longer update something in one place and have it spread to the entire experience using plain ol' HTML without resorting to a templating engine. It's only recently (with Web Components, etc.) that this has begun to change. (You can update the style and achieve consistency on a static site without the use of a static site generator—where every asset can be handcrafted, without a templating engine.) But it shouldn't need to change; the fixity is a strength.

As Tschichold goes on to say of the "perfect" design of the book, "methods and rules upon which it is impossible to improve have been developed over centuries". Creators publishing on the web would do well to observe, understand, and work similarly.

Indeed. Web literacy among the masses is pitifully low. Browsermakers are certainly to blame for being poor stewards. Hot Valley startups are responsible as well. (See https://quoteinvestigator.com/2017/11/30/salary/.)

Maybe it's the fact that there's more thoughts, ideas, and actual conversation in longer form media? Too much has moved to social media which really immediately implies small, bite-sized bits of information---a short note, a photo, a star or a heart.

Related to Victor's Dynamicland project, as well as his thoughts on a "dynamic medium. A note about “The Humane Representation of Thought.” Worrydream. http://worrydream.com/TheHumaneRepresentationOfThought/note.html )".

Glad to have you back Ben!

Interesting to hear the results of the experiment. Knowing that it only made you $10 on their platform is an interesting data point.

I can't wait to see what you come up with on the community front. Healthier competitors to Facebook's pages/communities is a problem we need more work on.

Jordà, Ò., Singh, S. R., & Taylor, A. M. (2020). Longer-run Economic Consequences of Pandemics (Working Paper No. 26934; Working Paper Series). National Bureau of Economic Research. https://doi.org/10.3386/w26934

This is twitter. What is its purpose? It is a general-purpose electronic communication medium on the Internet, accessible via web and apps, comprising a high-volume global stream of written thoughts of people, attached with pics, gifs, links and audio- & video-embeds.

They haven't generally taken this stance before. They've spent a lot of time and effort to specifically wall themselves away from the rest of the web. They've even taken away the ability to bring your own domain to the product. This seems like just too much lip service.

How many years has it taken them to realize this?

Perhaps deeper than you want to go, but I'm curious about your thoughts on Medium's UI that allows in line commentary/comments/reactions (which are also given their own separate URL's which don't include all of their context) versus other platforms that would simply include those as comments at the bottom.

Medium article.

The modern medium voltage power cables are capable of handling loads ranging from 3.8 kV to 45 kV and power transmissions at levels up to 132 kV (high voltage power cables). Since the sky is the limit in this industry, extensive advanced Research & Development processed are carried out to pursue and strive for better, more efficient, and cheaper power transfer solutions - so that clients are always a step ahead of their competitors owing to cutting edge technology and superior infrastructure.

Sterlite Power manufactures India's most superior quality electric power cables from its state of the art manufacturing facility. We use best raw materials to manufacture power cables and are approved by major approving bodies and leading consultants. They have been fully type tested as per applicable IS and IEC standards.

This relates to what we have been doing in class and using research and the help of archivists to find materials. This was also mentioned in the linguistic metadata in the subtitle of the page and provides more information. The original tapes were not touched for over 40 years and sat in a warehouse. Seems to be a little selfish to me.

This passage shows an example of multiple mediums of aural communication. This record was actually already released on CD and then partially released onto a website and app called Soundcloud 2 years ago. It is just now being released onto vinyl. These are 3 different mediums of aural communication that are targeted for different audiences. Vinyls are more for the baby boomer generation and modern hipsters like me, Soundcloud is for the millennials and CD-ROM are for the generation before them. This would mean that each generation wanted to hear this record and the producers wanted everyone to hear it as well.

This relationship between imagined futures and how they mold the medium, leave out the bridged with the present. If history with Kay's group repeats, what fills the gap between the prototypes of the present and the imagined future, is a form of dystopia.

Esta relación entre los futuros imaginados y cómo moldean el medio deja por fuera los puentes con el presente. Si la historia con el grupo de Kay se repite, lo que llena la brecha entre el presente de los prototipos y el futuro imaginado es una forma de distopia.

Esta relación entre frente y fondo, entre infraestructura y medio es importante sin embargo. ¿Cómo se pasa de la una a la otra? Grafoscopio, es una infraestructura para un medio escritural, pero esa transcición entre fondo y frente ayuda a cambiar la forma en que se escribe.

Respect.

The human journey has been one of being strengthened by longings, hopes, ambitions, aspirations and manifestations so as to develop a vehicle capable of expressing God here on Earth.

In the beginning even though in body mind, the human expression was still consciously solely guided by God.

First there was a tendency to think as being separate, however the consciousness of separation did not occur until later.... First entered the realm of Earth, one of Gods attributes.... Then became a particular expression and this attracted to itself "the necessary Thought Substance requisite for the expression of that particular Attribute, and to build and shape it into My Image and Likeness. It thus became a Holy Temple, filled with My living Presence, because inhabited by You, one of My Divine Attribute."

Humanity was birthed so God could have mediums that can express God consciously...

The preparation of mediums to express God.......

Gods inspiration .................

I am being fashioned, as is everyone else to be clear conduits for the expression of Substance,the expression of the inspirations of God..............

Well...applies to blogs as well even when in a fishbowl. Readers are not codeswitching carefully and intentionally.

walkmyworld defined

fishbowl defined

Purpose of post

This is cool, I may have somehow missed the fact that annotations on an entire page could be made public like that. This was really useful for showing me the power of Hypothesis in a way that made sense (the comparison to Medium is dead on and resonates given the similarities in the workflow).