Any individual sentence that describes information designed to set the stage for the contribution of the paper.

Any individual sentence that describes information designed to set the stage for the contribution of the paper.

Any individual sentence that describes information designed to set the stage for the contribution of the paper.

Any individual sentence that describes information designed to set the stage for the contribution of the paper.

Any individual sentence that describes information designed to set the stage for the contribution of the paper.

An individual sentence describing the setting in which this work was done.

An individual sentence describing the setting in which this work was done.

An individual sentence describing the setting in which this work was done.

An individual sentence describing the setting in which this work was done.

An individual sentence describing the setting in which this work was done.

Sentence that describes the setting in which the paper's contribution is relevant or intended.

Sentence that describes the setting in which the paper's contribution is relevant or intended.

Sentence that describes the setting in which the paper's contribution is relevant or intended.

Sentence that describes the setting in which the paper's contribution is relevant or intended.

大多数人认为长上下文处理只是模型能力的一个方面，但作者将其描述为'王'，暗示它已成为整个LLM领域的主导因素。这一观点挑战了传统认知，表明长上下文处理能力已成为模型设计的核心驱动力，而非仅仅是一个技术特性。

大多数人认为长上下文只是LLM的一个有用特性，但作者将其提升为'王'的地位，强调这是2026年的关键趋势。这一观点挑战了传统认知，表明长上下文处理能力已成为模型设计的核心考量，而非次要特性。

Positioning a search layer as a token cost reducer is a smart pivot: instead of selling 'better search,' Glean is selling AI ROI. By providing targeted context before models are called, Glean reduces prompt length and retrieval loops — turning the context graph into a token economy optimizer. This reframes Glean from a productivity tool to an AI cost management platform.

【令人震惊的数字】仅工具定义就占用 10.5% 的上下文窗口——Linear 一个服务器就消耗了 12,807 tokens。对 GPT-4o（128K 上下文）来说这个比例高达 16.5%。这意味着用户每次开启 MCP 连接，实际上是在给自己的 AI 助手「戴了一副越来越重的手铐」。更讽刺的是：这些 token 被消耗在「工具目录」上，而用户可能只用到了其中 2-3 个工具。

大多数人认为Nvidia进入CPU市场是全新的尝试，但作者指出这实际上是Nvidia的第二次尝试，而且第一次尝试以失败告终。这挑战了Nvidia作为市场新进入者的叙事，暗示其可能面临比预期更大的历史阻力。

文章标题使用了'new'这个词，暗示RSI是一个新兴概念，但缺乏历史背景来支持这一说法。这可能导致读者对RSI的发展历程产生误解。文章应该提供RSI概念的历史发展信息，而不是简单地将其标记为'新'概念。

The mouse pointer—unchanged since Douglas Engelbart's 1968 demo—is now being reimagined for the first time. The counterintuitive insight: the most ubiquitous computing interface is also the most neglected for AI integration.

文章只是简单指出Torvalds和Kroah-Hartman的观点存在对比，但没有深入分析这种差异的原因或背景。这种对比缺乏上下文，可能导致读者误解Linux社区对AI工具的整体态度。改进应包括探讨两位开发者可能的不同职责或经验如何导致观点差异，或提供其他社区成员的观点以平衡报道。

这一对比发现揭示了AI在测试环境与真实环境中的思维差异，表明AI可能只在特定情境下才表现出自我意识，这对理解AI行为边界有重要启示。

SubQ研究模型可处理高达1200万token，而其他前沿模型在达到其声称的100万token限制前就已崩溃。这个对比数据点突显了SubQ在上下文长度方面的显著优势，是AI架构的重大突破。

DeepSeek V4的模型规模之大令人震惊，这表明了在长上下文处理方面取得的显著进步。

需要核查的是，是否所有用于阿富汗战争中的算法都是基于AI技术，以及这些算法的具体应用和效果。

This quote highlights a cultural perspective on Palantir that may have influenced employee morale and actions.

这个数据点表明MIT Technology Review有着127年的历史，是一家具有悠久传统的科技媒体。这个时间跨度意味着该机构经历了多次技术革命，其历史积淀为其内容提供了独特的视角和权威性。

DeepSeek V4将上下文长度提升到100万token，成为行业新标准。这一数据点意义重大，相比行业常见的32K-128K上下文窗口，提升了约8-31倍，能处理更长文档和复杂任务。这需要创新的注意力机制和内存管理技术支撑，文中提到的'Novel Attention: Token-wise compression + DSA'可能是实现这一突破的关键。

这一观点揭示了专用上下层供应商面临的挑战：需要为每个客户重复复杂的数据摄入和知识收集过程。这暗示了行业可能需要发展更标准化的上下层构建方法，以降低实施成本和复杂度。

这一市场观察揭示了行业认知的转变：从单纯关注模型能力到认识到上下层构建的关键作用。这暗示了数据代理市场的成熟，以及产品策略的进化方向。

这一观点揭示了LLM在上下文构建中的独特价值：自动化高信号上下文的收集。这暗示了未来数据代理的发展可能需要结合LLM的自动化能力与人类的判断力，形成人机协作的上下文构建模式。

作者对现代上下文层的定义提供了一个有洞见的扩展：它不仅是传统语义层的超集，还需要包含更多元素以确保代理自主性。这一观点突破了传统数据管理的边界，为构建真正智能的数据代理提供了更全面的框架。

这一观点强调了上下文层的动态特性：它不是一次性构建的静态系统，而是需要随数据系统和业务需求变化而持续演化的有机体。这挑战了技术解决方案的一次性部署思维，强调了持续更新的必要性。

作者提出了一个重要的延伸思考：上下文层不仅需要整合传统系统数据，还需要捕捉组织决策和工作流逻辑。这暗示了未来数据代理的发展方向是从单一功能向多功能、全面理解的进化。

这个观点令人深思：最重要的业务上下文往往是隐性的、有条件的、历史依赖的，难以被完全捕捉和编码。这挑战了完全自动化的数据代理愿景，强调了人类参与在上下文构建中的不可替代性。

作者深刻指出问题的核心在于业务上下文的缺失，这不仅是技术挑战，更是组织知识管理的挑战。'部落知识'这一概念尤其有洞见，暗示了企业中难以形式化但至关重要的隐性知识。

这一观点揭示了当前AI数据代理的核心困境：缺乏上下文理解能力导致其无法有效处理复杂业务问题。这挑战了单纯依赖模型能力就能解决所有数据推理问题的假设，强调了业务语义理解的重要性。

这是一个市场洞察，表明行业正在从纯技术解决方案转向更注重上下文层的综合方法。这反映了市场对AI代理有效性的理解正在深化，从单纯的技术能力转向业务上下文的重要性。

这是一个关于上下文层动态性质的深刻见解。文章强调了上下文层不应是静态的，而应随着数据系统和业务需求的变化而不断更新。这挑战了传统数据仓库的静态模型，提出了一个更加灵活和自适应的AI系统架构。

这段文字提出了一个令人深思的观点，即现代数据上下文层应超越传统语义层的限制。它不仅包括硬编码的指标定义，还应包括规范实体、身份解析、部落知识解析和治理指导等，以确保AI代理的自主性和准确性。

这是一个核心洞察，指出了数据代理面临的最根本问题。即使是最基本的问题，如'上季度收入增长是多少？'，也需要适当的业务上下文才能正确回答。这表明AI系统需要更深层次地理解业务逻辑和术语定义。

这是一个令人惊讶的洞察，揭示了当前AI数据代理面临的核心瓶颈。文章指出，即使是最先进的数据代理，缺乏适当的上下文也会使其变得毫无用处。这挑战了技术万能论的假设，强调了业务上下文在AI系统中的决定性作用。

在跨会话记忆和上下文利用上的进步，展示了AI向更持久、更连贯的智能体发展的趋势，这种记忆能力使AI能够进行更复杂、更长期的任务，是向真正自主AI迈进的关键一步。

这一洞见揭示了Figma for Agents的创新解决方案：通过让AI代理在设计前读取设计规范，同时提供对实际Figma系统的访问权限，解决了AI与设计系统整合的关键问题。这种方法代表了AI设计工具的重要进步，从通用生成转向特定品牌环境的理解。

这一坦诚的声明揭示了AI工程执行面临的核心挑战——理解模糊的上下文和陈旧工单背后的意图。这表明Ovren团队对技术难题有清醒认识，他们采取渐进式方法解决复杂问题，从明确的范围任务开始，逐步扩展到处理更模糊的工作，这种务实的发展策略令人印象深刻。

令人惊讶的是，GLM-5V-Turbo拥有高达200K的上下文窗口和128K的输出上限，这意味着它可以一次性处理整本书或数小时的视频内容并生成完整回应。这种上下文处理能力远超大多数现有模型，为处理复杂长任务提供了可能。

令人惊讶的是：该系统单块GH200 GPU就能支持7B模型进行512k token的上下文训练，这远超当前主流模型的上下文长度限制。这种超长上下文能力可能彻底改变大模型处理长文档、代码库或书籍的方式。

【启发】「上下文窗口 = 认知负荷」——这个类比是整篇文章最有洞察力的一句话。它把一个技术概念（context window）与一个人类体验（认知疲劳）无缝连接。启发在于：所有帮助人类减少认知负荷的代码实践——模块化、清晰命名、单一职责——现在也在帮助 AI 减少 token 消耗。「对人友好的代码 = 对 AI 友好的代码」，这个等式比我们想象的成立得更彻底。

揭示了长任务Agent的深层心理机制——“上下文焦虑”。模型并非只是遗忘，而是会因接近上下文限制而“仓促收尾”。单纯的上下文压缩无法解决此问题，必须依赖彻底的上下文重置与结构化交接，这是设计长程Agent的关键洞见。

在 LLM 时代，这是对“上下文窗口”重要性最精辟的注解。Agent 不具备人类的隐性知识和环境感知能力，因此显式的上下文（如 context.json）成为了其行动的基石。这提醒我们，在设计 AI 辅助系统时，构建高质量的上下文生成机制往往比优化模型本身更为关键。

这揭示了 AI 时代最核心的锁定机制：不是传统网络效应，而是「上下文复利」。用户与 AI 的交互历史成为最有价值的资产——积累越多，个性化越好，迁移成本越高。这比 SaaS 的数据锁定更深刻，因为 LLM 能从历史中提取洞察。未来 AI 竞争的本质，是争夺用户「数字记忆」的归属权。

相关工作「上下文拖拽」（Contextual Drag）的存在，说明这个研究方向正在快速形成：不只是「无关上下文缩短推理」，还有「错误上下文拖拽推理方向」。两篇论文合在一起暗示了一个新的研究领域：「上下文污染对推理模型的系统性影响」。对 AI Agent 的工程实践者而言，这意味着上下文管理策略（截断、摘要、过滤）将成为保障推理质量的核心工程能力，而非仅仅是 token 节省手段。

METR 主动承认其人类基准时间可能被高估——因为参与实验的人类和 AI 一样，都是低上下文的「新手」状态，而非熟悉项目的专业人员。这意味着「2 小时时间地平线」所对应的人类能力，更接近一个没有背景知识的外包工人，而非一个有经验的全职工程师。AI 与「有上下文的专业人员」之间的真实差距，比时间地平线数字显示的要大得多。

Gemma 4 E2B/E4B 原生预训练 140+ 语言，且强调「超越翻译、理解文化语境」。对 AI 硬件产品而言这个参数意义重大：一个能在设备端离线处理中文、理解文化背景的 2-4B 模型，意味着本地化 AI 硬件（录音笔、学习机、会议设备）无需依赖国内厂商 API，直接用 Gemma 4 就能构建多语言理解能力。

在大型语言模型领域，上下文窗口不断扩大被视为进步，但作者提出严格上下文隔离可以防止饱和和错误传播，挑战了'更大上下文窗口总是更好'的主流观点。

传统观点认为更多的上下文信息总是有益的，但作者提出严格上下文隔离可以防止饱和和错误传播，这与常规的'更多上下文更好'的直觉相悖。

大多数人认为处理长上下文需要高端GPU或分布式系统，但作者声称他们的方法只需单个消费级GPU就能实现原本需要高端硬件才能处理的长上下文任务。这一观点挑战了人们对长上下文处理硬件需求的普遍认知。

Comment by Janneke_Adema: Comment by chrisaldrich: There's something discordant here in a scholarly article about having academic participants with names like SenorG and actualham. It's almost like a 70's farce starring truckers with bizarre CB handles. It's even more bizarre since I know some of the researchers behind these screennames.

Is the pseudonymous nature of some of these handles useful in hiding the identity of the participants and thereby forcing one to grapple only with their ideas and not the personas, histories and contexts behind them?

Author gives claudecode persistence by adding two types of logging context

This context is important to understand because it lays the groundwork for the audience on the opposing side of the argument. it clearly gives an example of why she feels the need to write this argument.

Context: The article was written fairly recently. During a time where we continue to see lots of criticism on the the transgender community especially by those in the scientific community. This was also during a time where we saw a large amount of activist as a response to harassment from the general public. The article was written as a response to all the chaos during this time.

It is a time where media controls lives and culture, and science is weaponized in debates. Feelings often times controls society's beliefs, which is why this context is important.

Shows that the text is responding to current political and cultural debates about the misconceptions of science and gender. This quote helps place the argument in a modern social context.

The present time as part of context

https://en.wikipedia.org/wiki/Key_Word_in_Context Key Word in Context

“NFORMATION RETRIEVAL” 1961 IBM BUSINESS COMPUTER PROMO MAINFRAME PUNCHCARD COMPUTERS SM10435<br /> by [[Periscope Film]] on YouTube <br /> accessed on 2026-01-04T15:56:12

Some great visuals hiding in here.<br /> Starts out with details for properly threading film projector<br /> keywords - indexing methods<br /> Key Word in Context (KWIC)<br /> inverted file (aka lookup file)<br /> Notice this is a few years after Desk Set (1957)<br /> Selective dissemination of information<br /> Fake company name: Alamer

Family actions or compliance could be taken as proof of witchcraft.

Warning against falling into self-satisfaction and assuming that belonging to an institution guarantees salvation. Encourages self-examination and personal piety.

Marks the religious setting: the sermon is delivered during a sacred ritual, intensifying its emotional impact. Parris uses the solemnity of the sacrament to lend authority and urgency to his message.

https://web.archive.org/web/20251205111520/https://www.tomshardware.com/tech-industry/artificial-intelligence/googles-agentic-ai-wipes-users-entire-hard-drive-without-permission-after-misinterpreting-instructions-to-clear-a-cache-i-am-deeply-deeply-sorry-this-is-a-critical-failure-on-my-part Agentic AI deletes entire HDD, when it was supposed to only delete a cache folder (rmdir in root folder, not the projectfolder....bc it does not know about the world)

At this point in the poem, Xantippe has lost the mask she worked so hard to hold on to. Socrates has angered her, and in a sudden fit of rage, her body responds with a faster heartbeat as she flings the wine onto the floor. Xantippe seems to rarely allow herself to feel or express anger; she might often feel slighted or sad, but these emotions are usually restrained, like a quietly glowing ember. Here, however, a “sudden flame” erupts: the heat rises, and she finally releases it. The description of the red wine spilling onto the white marble serves as a powerful metaphor for the loss of innocence or purity. What was once clean and controlled is now marked and transformed. Xantippe crosses the threshold changed, “hair unbound, white garment stained to redness," no longer the restrained, composed figure she once was. Levy’s depiction of this moment reflects her interest in women’s emotional and intellectual repression. Just as Xantippe’s fury has been contained by societal expectations in ancient Athens, Victorian women like Levy faced pressures to restrain their feelings and intellect. By giving Xantippe a dramatic, physical release of her anger, Levy depicts the costs of suppression and illuminates the intense, hidden emotional lives of women. The poem becomes not only a historical reflection on Xantippe’s experience but also a nuanced critique of the constraints placed on women in Levy’s world by showing how powerful and transformative the acknowledgment of one’s own emotions can be.

While looks and beauty were very important in the ancient Grecian times, Socrates broke the mold when it came to the beauty standards of his day. As noted to his appearance in the Stanford Encyclopedia of Philosophy, Socrates "had wide-set, bulging eyes that darted sideways and enabled him, like a crab, to see not only what was straight ahead, but what was beside him as well; a flat, upturned nose with flaring nostrils; and large fleshy lips like an ass." Despite the hair trends of his area, he grew his hair out and refused to stay clean or change his clothes. Amy Levy includes these details to accentuate the contrast between societal expectations and individual worth. Men like Socrates could be physically unconventional or even “ugly” and still admired for their intellect, yet there was no equivalent space for women to be recognized for their minds. A woman’s value was tied to her beauty and social conformity. By presenting Socrates’ unconventionality alongside the phrase “half with awe,” Levy highlights the tension between superficial judgment and true merit, a tension mirrored in "Xantippe: A Fragment", where women’s intellectual and emotional lives were historically ignored or dismissed.

When Xantippe describes her soul as one that “yearned for knowledge,” she describes a desire that classical society discouraged in women. This yearning reflects Amy Levy’s own intellectual ambitions and her struggle to access education in a world that restricted women’s academic opportunities. Levy pushed against these limitations of her time. She became the second Jewish woman ever admitted to Cambridge University and the first Jewish woman to enroll at Newnham College, one of the women’s colleges founded to expand access to higher learning. Levy’s personal experiences with gender barriers enhance her portrayal of Xantippe’s longing. By giving a classical woman, the same thirst for intellectual life that Levy felt as a Victorian woman, the poem creates a bridge between eras. Xantippe’s desire becomes not merely personal but representative of a long history of women whose intellectual aspirations were dismissed or deemed inappropriate. Through this moment of self-revelation, Levy highlights the emotional cost of systemic exclusion and places knowledge-seeking as both a private desire and an act of resistance.

This passage reflects experiences that are both historically and personally grounded by connecting the lives of women in Ancient Greece and Victorian England. As a Victorian woman, Levy would have understood the deep emotional pressures created by a society that limited women’s education, rights, and opportunities simply because of their gender. Many women writers of the time, including Charlotte Brontë (writing as Currer Bell) and Mary Ann Evans (writing as George Eliot), adopted male pen names just to have their work published. This is just one example of the systemic barriers women faced. The line “and I was sinning in those very thoughts—” adds an intense sense of shame and internalized guilt, drawing attention to how natural curiosity and intellectual exploration could be framed as morally wrong for a woman. By illuminating this tension, Levy exposes the emotional cost of societal restrictions, showing how both historical and contemporary pressures could make women feel as though their own minds were prohibited.

Although “Xantippe: A Fragment” was published in 1880, nine years before Levy’s death in 1889, the poem already reveals the emotional turmoil that resulted in her long-standing, though undiagnosed, clinical depression. In these lines, Amy Levy gives a haunting voice to a figure who feels emotionally drained, as if her life’s flame were dimming. The imagery of a “lamp of life” burning low, mixed with the weariness of waking, resonates with Levy’s own recurring bouts of melancholic depression. As a young Jewish woman navigating the male-dominated intellectual circles of Victorian England, Levy often felt like an outsider, both socially and spiritually. According to the Jewish Women’s Archive (2021), a friend and confidant, Richard Garnett, described her as having "constitutional melancholy." By channeling that profound exhaustion through Xantippe, she not only critiques the silencing of women, but also reveals personal anxieties about her own worth, agency, and artistic survival.

model context protocol (mcp)

This was interesting but also really hard to follow. I was confused on what the "hir gretteste ooth" means in plain English. Understanding the French language and culture would make this easier for me to understand this passage. I also think a bit of background knowledge in nuns and their culture might help me breakdown this passage as well because I think the word Nonne is referring to a Catholic nun.

When I first read this word/title I had no idea what it was. Reading further I saw that he was some kind of bowman and or woodcarver. Judging solely by this description given a Yeoman is some sort of survivalist, they call him a survivalist and a woodcrafter. He also has a sun-browned face meaning he has been outside a lot. By knowing what this title or person mean it could give me further context into who was traveling in the band and what their roles were.

After looking up the definition through google, says they hold a small amount of land and are servants to a lord or a higher up. Also looking into what a Yeoman service is, is a person of use or help so that makes sense for this person in the story.

Themed logs are still more useful than daily notes<br /> by [[Eleanor Konik]]<br /> accessed on 2025-08-18T09:19:49

On ordering notes in particular ways. Presumably search and indexing are the important factors here, but potentially also has something to say about context and the immediacy of neighborhoods.

Personal preference may be the biggest determination.

She focuses on where she'll search for things rather than indexing them where they start and then searching and concatenating them later (or digitally).

She uses the "everything has it's place" idea to commonplace more traditionally (or at least in an Obsidian digital context).

She also tangentially touches on the idea of where to place the work when taking notes. Toss it into a pile or deal with it now and the work it may take to clean up later.

Some interesting and potentially useful idiosyncratic evidence here, but nothing new or earth shattering.

Highlights the rise of wearable medical devices as a key trend in mobile health.

for - question - ALG - language training - does it work in an online context?

for - definition - high-context culture - adjacency - seeing beyond the focal object - Deep Humanity - complexity - stitch in the weave - individual collective gestalt - Deep Humanity BEing journey - high context BEing journey

adjacency - between - indigenous epistemology - seeing beyond the focal object - Deep Humanity - stitch in the weave - adjacency relationship - This indigenous epistemology in which we go beyond what appears before our eyes - is a perspective that honors complexity, the unseen forces that have played a role in the creation of the seen object - In Deep Humanity, we also honor this as metaphors: - the "stitch in the entire weave" or - the tip of the iceberg - in which what is visible and appears immediately before us - has an entire unseen history that has brought it into the here and now - Each person we meet is the result of an entire lifetime of experiences that living being has experienced, - hundreds of thousands to many millions of different incidents have shaped that being into the shape (s)he takes today - The individual that is visibly bound by a layer of skin - is also unbound by all the phenomena throughout the entire world that has been in relationship with him/her - This enormous network of past influences span not just across the entire spatial world, but across eons of time as well - The individual/collective gestalt is the stitch in this complex woven fabric

for - definition - high-context culture - definition - low-context culture

for - quote - Silence means consent - Thomas Moore - context - fossil fuels

for - definition - dramaturgy - invoking drama for presenting the self in different context - dramaturgical analysis - to - Wikipedia - dramaturgy - https://hyp.is/5ueHGA_0EfCaiB8s4MiYfQ/en.wikipedia.org/wiki/Dramaturgy_(sociology)

[[Infostrat Filtering 20050928171301]] [[Je informatie is een expressie van je netwerk 20230904121816]] [[Wiens notie van informatie leid je interpretatie 20230905111913]] [[Optimal unfamiliarity 20040107122600]] [[Andermans tags zijn een maat van social distance 20200818124518]] [[Informatie overvloed 20051122162501]] [[Correlatie tussen netwerken en informatie 20230904121802]] [[Weblogs as community info filter 20041117122100]] [[Online sharing is signification of stories 20190614154934]] [[Andermans perceptie van significantie is mijn signaal 20190614154731]] #blogdit

tech context

good to explain the context

The poem was written/takes place after a battle on Flanders Fields. John McCrae, the author, also fought in the battle.

"Flanders" is a part of Northern Belgium; many other happenings including fierce battles and relentless fighting, occurred there during World War I.

https://www.visitflanders.com/en/discover-flanders/arts-and-heritage/flanders-fields/flanders-fields-history.

The poem was written/takes place after a battle on Flanders Fields. John McCrae, the author, also fought in the battle.

"Flanders" is a part of Northern Belgium; many other happenings including fierce battles and relentless fighting, occurred there during World War I.

https://www.visitflanders.com/en/discover-flanders/arts-and-heritage/flanders-fields/flanders-fields-history.

https://web.archive.org/web/20241202060131/https://www.forbes.com/sites/janakirammsv/2024/11/30/why-anthropics-model-context-protocol-is-a-big-step-in-the-evolution-of-ai-agents/

Anthropic proposes 'Model Context Protocol' MCP on how to connect local/external info sources to LLMs and agents, as a standard. To make ai tools more context aware. Article says MCP is open source. Idea is to attach a MCP server to every source and have that interact over MCP with the MCP client attached to a model and/or tools.

Anthropic is the org of Claude model.

https://old.reddit.com/r/PKMS/comments/1gkdw4m/hidden_flaws_i_found_with_the_zettelkasten_system/

Single case study?

Value of knowledge in a zettelkasten as a function of reference(use/look up) frequency; links to other ideas; ease of recall without needing to look up (also a measure of usefulness); others?

Define terms and create a mathematical equation of stocks and flows around this system of information. Maybe "knowledge complexity" or "information optimization"? see: https://hypothes.is/a/zejn0oscEe-zsjMPhgjL_Q

takes into account the value of information from the perspective of a particular observer<br /> relative information value

cross-reference: Umberto Eco on no piece of information is superior: https://hypothes.is/a/jqug2tNlEeyg2JfEczmepw

Inspired by idea in https://hypothes.is/a/CdoMUJCYEe-VlxtqIFX4qA

One of the major values of fame is that it often allows the dropping of context in communication between people.

Example: Carlyle references in @Miles1905

It bears noting in this book on writing and composition, Miles (nor the indexer if it was done by someone else) never uses Carlyle's first name (Thomas) in any of the eleven instances in which it appears, as he's famous enough in the context (space, time) to need only a single name.

for - definition - the spectacle - context - the society of the spectacle - cacooning - the spectacle - social media - the spectacle

definition - the spectacle - context - the society of the spectacle - A society where images presented by mass media / mass entertainment not only dominate - but replaces real experiences with a superficial reality that is - focused on appearances designed primarily to distract people from reality - This ultimately disconnects them from - themselves and - those around them

comment - How much does our interaction with virtual reality of - written symbols - audio - video - two dimensional images - derived from our screens both large and small affect our direct experience of life? - When people are distracted by such manufactured entertainment, they have less time to devote to important issues and connecting with real people - We can sit for hours in social isolation, ignoring our bodies need for exercise and our emotional need for real social connection - We can ignore the real crisis going on in the world and instead numb ourselves out with contrived entertainment

Jezebel was the wife of Ahab, king of Israel, who made her subjects worship the dieties Baal and Asherah instead of Yahweh, persecuting Yahweh's followers and framing an innocent land owner who refused to sell his land to king Ahab, which lead to his execution.

She was killed for her transgressions against God and the people, thrown out of the window by members of her own court. Her flesh was eaten by stray dogs.

She was then associated with false prophets, and also prostitution (her vanity)

Graham Wallas' work was heavily influenced by many sources, including Aristotle, William James, John Dewey, Wilhelm Wundt, Sigmund Freud, Hermann von Helmholtz, Henri Poincaré; while Wallas' work is no doubt integral, it is important to note the structures of power and privilege that this list embodies.

cognitive scientist Lee Gabora's work looks at how culture changes over time, how people come up with new ideas, and how this helps culture change.

in exploring how our foundations of knowledge are built, we can dissect how we assign value or rank to knowledge - or generally accepted assumptions.

tech is integral to creative process - well designed tech is about ease of use and integration.

focus on physical abilities / senses shape novelty in interaction.

focus on group work and social contexts of digital environments.

In the moment, creativity relies on constant adjustments based on intuition - an intuition that is formed based on prior experience.

Creativity benefits from interacting with the environmental and adapting to environmental changes.

Artifact interaction enriches design processes by grounding it in real world experience.

But what of the bias toward familiar materials? Asking a blacksmith to prototype a house and you might find yourself living in a tin can.

As mentioned earlier, creativity doesn't happen in a vacuum - there is a plethora of societal and culture context which any designer exists in.

Creativity comes from common mental processes that everyone uses - all creativity (aka problem-solving) relies on the same basic principles. Creativity is, then, accessible to anyone, because it just depends on how you mix and match those principles.

Intertwined within each person are emotional, cultural, and experiential factors that inform and, at times, limit their creativity.

Creativity may be deterministic - models are able to reproduce design, style, and recreate scenes - things that are associated with being inherently "human". Generative models are optimizing for a particular function - ultimately serving a higher purpose.

So much of "creative" innovation seems to be derived from capitalistic and nationalistic ideals that are driven by a fear of inferiority or destruction.

Not mentioned here by name is the race to dominate space flight from the mid-50s to mid-70s. It is also worth mentioning that industrialization, World War I, and World War II was heavily influenced by the very same rhetoric that came from post WWII thinking.

design isn't scientific but concedes that scientific methods can formalize design.

asks is creativity connected to science or science?

In creativity, problem solvers choose the best tool for the job using their own foundational knowledge they've acquired over their education or career. Building upon this, what tool an individual selects to solve a problem may be based on prior values and assumptions.

feminist political theory researcher Carol Bacchi is well known for her analytic strategy for policy theory.

American AI researcher and humanities professor known for critiques of technology.

Work by ethnographer Annamarie Mol; in this context, the authors emphasize that understanding action in context involves exploring the rationale that guides the practice.

refers to the movement to consider broader impacts of design work on the world; to redefine design as an active and investigative process that addresses social issues and reflects both personal and cultural contexts.

Critical Fabulations

refers to how social theories and scientific approaches can enhance one another, leading to a more nuanced understanding of both.

Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter

related to how connections and dependencies between people shift over time due to changes in social structures, contexts change; also see Thiele, K. Figuration.

Springer Reference

epistemic position is not simply limited how one approaches the topic of knowledge; in this context, the authors build upon previous frameworks that introduce the concept of epistemic positions to explore how knowledge is unequally valued, especially in regard to race and gender, in academia.

Epistemic injustice and epistemic positioning: towards an intersectional political economy

there are many tensions, or issues, that come up when technology intersects with politics in the creative field; in doing this research, the authors hope to bring clarity or understanding to the intersection;

in this context, political dimensions refer to the ways societal norms and power impact creative technology.

it should be noted that feminist values is a broad topic; in this context, the author refers to the feminist school of thought that knowledge is not universal, objective, value-free, or context-independent; knowledge is influenced by what one wants, cares about, and believes.

in this section, the authors explain how they are academically positioned and make clear that their work is informed by their own backgrounds, assumptions, etc; they offer up their limitations for this research, including that the scope is limited to computing and digital tools; as well as drawing for a US-centric perspective.

In recent years, the human bias in creative computing has been in the forefront of ethics scholars - especially when it comes to reinforcing existing inequalities into creative computing such as design, algorithmic, or representation biases.

It should be noted that emergence itself is both technical and conceptual.

In offering problematization the authors challenge commonly accepted assumptions or values and explore how that value is made. In doing this, they can reveal political aspects of creative computing.

a 2019 interactive creative project where buyers participate in an auction of artificially-generated tulips on the blockchain, a decentralized system for online transactions; simply, the work explores how tech impacts the interplay of human want and economic behavior through artificial scarcity. Bloemenveiling

The additional "hidden context" is that the rachet/gear seen in many of these diagrams is usually attached to a radial spring (or some other device) which, as it is wound, stores energy which is later used by the bigger device in which the rachet and pawl are encased. Examples include the stem of watches, which when wound, store energy which the watch later uses to run as it counts the seconds. Another example is the mainspring of a typewriter which is attached to a ratchet/pawl set up; when you push the carriage to the right, the spring gets wound up and stores energy which is slowly expended by the escapement a space or a letter at a time as you type. In the zettelkasten analogy, the box and numbered cards placed in it act as the pawl (the wedge that prevents backward movement), as you add more and more information, you're storing/building up "potential energy" in small bits. This "stored energy" can be spent at a later time by allowing you to more easily write an article, paper, book, etc. In some sense, the zettelkasten (as most tools do) allows you a "mechanical advantage" in the writing process over trying to remember everything you've ever read and then relying on your ability to spit it all back out in a well-ordered manner.

reply to Muhammed Ali at https://discord.com/channels/992400632390615070/992400632776507447/1286577013439594497

continuation of https://hypothes.is/a/GTPIPnYiEe-GTUu4YcdeAQ

Breaking down former President Donald Trump’s rambling linguistic style by [[Steve Inskeep]]

for - earth system boundary - biodiversity - human modified ecosystems - minimum varies depending on specific local context

https://www.edvo.com/

Beta app for note taking/productivity.

Comment by chrisaldrich: There's something discordant here in a scholarly article about having academic participants with names like SenorG and actualham. It's almost like a 70's farce starring truckers with bizarre CB handles. It's even more bizarre since I know some of the researchers behind these screennames.

Is the pseudonymous nature of some of these handles useful in hiding the identity of the participants and thereby forcing one to grapple only with their ideas and not the personas, histories and contexts behind them?

byob bring your own bacteria. Many hospital infections are caused by microbes you already had on you, not by a drug resistant superbug.

Quotations are easier to collect than writing things out in one's own words, not only because it requires no work, but we may be afraid of changing the original meaning by changing the original words or by collapsing the context and divorcing the words from their original environment.

Perhaps some may be afraid that the words sound "right" and they have a sense of understanding of them, but they don't quite have a full grasp of the situation. Of course this may be remedied by the reader or listener not only by putting heard stories into their own words and providing additional concrete illustrative examples of the concepts. These exercises are meant to ensure that one has properly heard/read and understood a concept. Psychologists call this paraphrasing or repetition the "echo effect" (others might say parroting or mirroring) and have found that it can help to build understanding, connection, and likeability between people. Great leaders who do this will be sure to make sure that credit for the original ideas goes to the originator and not to themselves simply because they repeated it, especially in group settings where their words may have more primacy amidst their underlings.

(I can't find it at the moment, but there's a name/tag for this in my notes? looping?)

Beyond this, can one place the idea into a more clear language than the original? Add some poetry perhaps? Make the concept into a concrete meme to make it more memorable?

Journalists like to quote because it gives primacy of voice to the speaker and provides the reader with the sense that they're getting the original from which they might make up their own minds. It also provides a veneer of vérité to their reportage.

Link this back to Terrence's comedy: https://hypothes.is/a/xe15ZKPGEe6NJkeL77Ji4Q

In the context of the 1870 Miscegenation Statute, which penalized interracial marriage between whites and blacks, the penalty would typically apply to both parties involved in the interracial marriage. In such cases, both the white person and the black person would be subject to the penalties outlined in the statute. This kind of law was part of a broader system of racial segregation and discrimination prevalent in the United States during that time period.

Certainly! Let's break down the provided code snippets:

1. What is it and why is it used?

In Mongoose, a schema is a blueprint for defining the structure of documents within a collection. When you define a schema, you can also attach methods to it. These methods become instance methods, meaning they are available on the individual documents (instances) created from that schema.

Instance methods are useful for encapsulating functionality related to a specific document or model instance. They allow you to define custom behavior that can be executed on a specific document. In the given example, the findSimilarTypes method is added to instances of the Animal model, making it easy to find other animals of the same type.

2. Syntax:

Using methods object directly in the schema options:

javascript const animalSchema = new Schema( { name: String, type: String }, { methods: { findSimilarTypes(cb) { return mongoose.model('Animal').find({ type: this.type }, cb); } } } );

Using methods object directly in the schema:

javascript animalSchema.methods.findSimilarTypes = function(cb) { return mongoose.model('Animal').find({ type: this.type }, cb); };

Using Schema.method() helper:

javascript animalSchema.method('findSimilarTypes', function(cb) { return mongoose.model('Animal').find({ type: this.type }, cb); });

3. Explanation in Simple Words with Examples:

Why it's Used:

Imagine you have a collection of animals in your database, and you want to find other animals of the same type. Instead of writing the same logic repeatedly, you can define a method that can be called on each animal instance to find similar types. This helps in keeping your code DRY (Don't Repeat Yourself) and makes it easier to maintain.

Example:

```javascript const mongoose = require('mongoose'); const { Schema } = mongoose;

// Define a schema with a custom instance method const animalSchema = new Schema({ name: String, type: String });

// Add a custom instance method to find similar types animalSchema.methods.findSimilarTypes = function(cb) { return mongoose.model('Animal').find({ type: this.type }, cb); };

// Create the Animal model using the schema const Animal = mongoose.model('Animal', animalSchema);

// Create an instance of Animal const dog = new Animal({ type: 'dog', name: 'Buddy' });

// Use the custom method to find similar types dog.findSimilarTypes((err, similarAnimals) => { console.log(similarAnimals); }); ```

In this example, findSimilarTypes is a custom instance method added to the Animal schema. When you create an instance of the Animal model (e.g., a dog), you can then call findSimilarTypes on that instance to find other animals with the same type. The method uses the this.type property, which refers to the type of the current animal instance. This allows you to easily reuse the logic for finding similar types across different instances of the Animal model.