```latex Start slowly and then increase in ascending until you reach the forte, then decrease in descending until you reach the piano. Then repeat the scales (always in groups of three) with the colors in reverse, that is to start strong and decrease ifno to the floor in ascending, then increase to the strong in descending.\begin{lilypond} \header { title = "C Major Scale" }\layout { \context { \Voice \consists "Horizontal_bracket_engraver" } } \relative c' {

\clef F c,4-1\p\<\startGroup_\markup{gr. 3} d-2 e-3\stopGroup f-1\startGroup_\markup{gr. 4} g-2 a-3 b-4 \stopGroup \clef G c4-1\startGroup_\markup{gr. 3} d-2 e-3\stopGroup f-1\startGroup_\markup{gr. 4} g-2 a-3 b-4\stopGroup c-1\startGroup_\markup{gr. 3} d-2 e-3\stopGroup f-1\startGroup_\markup{gr. 4+1} g-2 a-3 b-4 c-5\f!\stopGroup b-4>\startGroup_\markup{gr. 4} a-3 g-2 f-1\stopGroup e-3\startGroup_\markup{gr. 3} d-2 c-1\stopGroup b-4\startGroup_\markup{gr. 4} a-3 g-2 f-1\stopGroup e-3\startGroup_\markup{gr. 3} d-2 c-1\stopGroup \clef F b-4\startGroup_\markup{gr. 4} a-3 g-2 f-1\stopGroup e-3\startGroup_\markup{gr. 3} d-2 c-1\p!\stopGraceMusic r } \end{lilypond}Perform loudly with the right hand and softly with the left hand, then vice versa. Then switch the \textit{crescendo} and \textit{diminuendo} between the two hands. ```

latex Inline music fragment insertion test: \lilypond{\new RhythmicStaff { \time 3/4 c4( c16) c c c c c c c \bar "|."}}

Get the popular south asian classical music

south asian classical music are a sort of South Asian music, the other being film, different groupings of pop, local society, extreme and aware music. In south asian classical music, the raga and the tala are two fundamental parts. The raga structures the outer layer of a melodic turn of events, and the tala keeps the time cycle. Both raga and tala are open structures for imagination and award an incredibly gigantic number of potential outcomes, regardless, the preparation of a few hundred ragas and talas as key. Raga is really identified with tala or course about "division of time", with every unit called a matra (beat, and term between beats).

south asian classical music are the classical music of the Indian subcontinent. These customs were not explicit until about the fifteenth century. During the hour of Mughal rule of the Indian subcontinent, the customs disengaged and advanced into explicit developments. Hindustani music underlines extemporization and assessment of all bits of a raga, while Carnatic introductions will generally speaking be short blueprint based. Regardless, south asian classical music and two frameworks keep having more run of the mill highlights than contrasts.

The foundations of sufiscore south asian classical music of India are found in the Vedic piece of Hinduism and the old Natyashastra, the laudable Sanskrit text on execution explanations by Bharata Muni.

south asian classical music have two essential parts, raga and tala. The raga, considering a changed collection of swara (notes including microtones), structures the outer layer of an essentially bewildering melodic arrangement, while the tala evaluates the time cycle. The raga gives an expert a scope to assemble the song from sounds, while the tala gives them an innovative structure for musical extemporization utilizing time. In sufiscore south asian classical music the space between the notes is in many cases more tremendous than the genuine notes, and it all things considered avoids Western classical contemplations like congruity, separation, harmonies, or change.

south asian classical music

Where to find classical music video song

Classical music video song is the classical music of the Indian subcontinent. It has two gigantic practices: the North Indian classical music custom is called Hindustani, while the South Indian articulation is called Carnatic. Classical music video song underlines spur of the moment creation and assessment of all bits of a raga, while Carnatic showcases will generally speaking be short affiliation based. Notwithstanding, the two frameworks keep having more common provisions than contrasts. The essential foundations of the Classical music video song of India are found in the Vedic arrangement of Hinduism and the obsolete Natyashastra, the model Sanskrit message on execution enunciations by Bharata Muni. The thirteenth period Sanskritic language text Sangita-Ratnakara of Sarangadeva is viewed as the indisputable substance by both the Hindustani music and the Carnatic music customs.

Classical music video song has two central parts, raga and tala. The raga, considering a changed collection of swara (notes including microtones), structures the outer layer of a fundamentally intricate melodic arrangement, while the tala assesses the time cycle. The raga gives an expert a compass to foster the song from sounds, while the tala outfits them with an inventive system for cadenced unconstrained creation utilizing time. In Classical music video song music, the space between the notes is routinely more basic than the authentic notes, and it overall dodges Western classical contemplations like concordance, irregularity, harmonies, or change.

The reason of Classical music video song in old India are found in the Vedic arrangement of Hinduism. The earliest Indian idea joined three explanations, syllabic show (vadya), melos (gita) and dance (nrtta). As these fields were made, sangeeta changed into an unquestionable kind of workmanship, in a plan indistinct from contemporary music.

The wonderful piece of the Classical music video song is relegated "sahityam" and sahityam is truly similar to singing the swaras by a wide margin at any rate utilizing the areas of the tune. The songs of Samaveda contain melodic substance, development, beat and metric association. This arrangement is, regardless, not stick out or restricted to Samaveda.

classical music video song

Get the New Latest Romantic Hindi song music video

New Latest Romantic Hindi song music video are the conventional music of the Indian subcontinent. It has two huge practices: the North Indian conventional music service is called Hindustani, while the South Indian enunciation is called Carnatic. These practices were not explicit until about the fifteenth century. During the hour of Mughal rule of the Indian subcontinent, the practices separated and advanced into explicit plans. Hindustani music underlines extemporization and assessment of all bits of a raga, while Carnatic showcases will generally be short arrangement based. Notwithstanding, New Latest Romantic Hindi song music video and two frameworks keep having more regular components than contrasts. The foundations of sufiscore New Latest Romantic Hindi song music video of India are found in the Vedic structure of Hinduism and the old Natyashastra, the praiseworthy Sanskrit text on execution explanations by Bharata Muni. The thirteenth century Sanskrit expressing Sangita-Ratnakara of Sarangadeva is viewed as constantly satisfied by both the Hindustani music and the Carnatic music customs. New Latest Romantic Hindi song music video has two crucial parts, raga and tala. The raga, considering a changed arrangement of swara (notes including microtones), structures the outer layer of an altogether shocking melodic arrangement, while the tala evaluates the time cycle. The raga gives an expert a scope to foster the song from sounds, while the tala gives them an inventive system for musical extemporization utilizing time. In sufiscore New Latest Romantic Hindi song music video the space between the notes is as a rule more basic than the genuine notes, and it generally ignores Western old style contemplations like congruity, separation, harmonies, or change. New Latest Romantic Hindi song music video are a sort of South Asian music, the other being film, different groupings of pop, provincial society, extreme and conscious music. In New Latest Romantic Hindi song music video, the raga and the tala are two fundamental parts. The raga structures the outer layer of a melodic turn of events, and the tala keeps the time cycle. Both raga and tala are open structures for creativity and permit an incredibly massive number of potential outcomes, regardless, the preparation of a couple hundred ragas and talas as crucial. Raga is really identified with tala or bearing about "division of time", with every unit called a matra (beat, and term between beats).

New Latest Romantic Hindi song music video

Find new melodious Hindi song music video

New Melodious Hindi song music video joins standard Melodious music and the contemporary sort that was created from it during the 20th century Melodious reclamation. Standard Melodious music has been described severally: as music sent orally, music with dark arrangers, music that is played on customary instruments, music about friendly or public character, music that changes between ages (Melodious measure), New Melodious Hindi song music video related with a gathering's Melodious Lore or music performed by custom all through a huge time frame.

Starting during the 20th century, a new kind of standard Melodious music created from standard New Melodious Hindi song music video. This cooperation and period is known as the (second) Melodious recuperation and showed up at a top during the 1960s. This sort of music is on occasion called contemporary Melodious music or Melodious recuperation music to remember it from earlier Melodious constructions. More unobtrusive, near recuperations have happened elsewhere in the world at various events, but the term Melodious music has regularly not been applied to the new music made during those reclamations. This sort of Melodious music moreover joins blend classes, for instance, Melodious stone, Melodious metal, and others. While contemporary Melodious music is a class ordinarily obvious from standard Melodious music, in U.S. English it has a comparable name, and it as often as possible offers comparative performers and scenes as customary New Melodious Hindi song music video.

The terms New Melodious Hindi song music video, Melodious song, and Melodious dance are almost continuous enunciations. They are increases of the term Melodious Lore, which was founded in various years earlier by the English classicist William Thoms to depict "the practices, customs, and odd thoughts of the rough classes". The term further gets from the German explanation volk, in the sensation of "people generally" as applied to standard and public music by Johann Gottfried Herder and the German Romantics over numerous years sooner. Anyway it is seen that Melodious music is the music of people, onlookers find a more precise definition to be unpretentious. Some differ that the term New Melodious Hindi song music video should be used. Melodious music may overall have specific characteristics yet it can't clearly be isolated in basically musical terms. One significance oftentimes given is that of "old songs, with no known arrangers," another is that of music that has been submitted to a formative pattern of oral transmission.... the planning and once again framing of the New Melodious Hindi song music video by the neighborhood gives it its Melodious person."

New Melodious Hindi song music video

Latest list of romantic Hindi Instrumental music

In business famous music, Romantic Hindi Instrumental music are now and again renderings, remixes of a delivery that highlights vocals, at any rate they may comparably be courses of action at first considered without vocals. One portrayal of a gathering in which both vocal/instrumental and just instrumental tunes are passed on is blues. A blues band frequently utilizes for the most part tunes that have verses that are sung, in any case during the band's show, they may besides perform Romantic Hindi Instrumental music.

Something contrary to Romantic Hindi Instrumental music, that is, music for voices alone, with no support instruments, is a cappella, an Italian enunciation that infers "in the shelter". In early music, instruments, for example, trumpet and drums were viewed as outside instruments, and music for inside a place of refuge for the most part utilized all the more peaceful instruments, voices, or fundamentally voices alone.

A Romantic Hindi Instrumental music is a recording customarily with no vocals, regardless the way that it may combine some incomprehensible vocals, for example, hollered support vocals in a huge band setting. Through semantic extension, a more wide vibe of the word tune might recommend instrumentals. The music is essentially or solely passed on utilizing musical instruments. A Romantic Hindi Instrumental music can exist in music documentation, after it is framed by a writer; in the psyche of the arranger (particularly in conditions where the authentic author will play out the piece, as due to a blues solo guitarist or a gathering music fiddle player); as a piece that is performed live by a solitary instrumentalist or a musical organization, which could go in segments from a gathering or threesome to a tremendous immense band, show band or group.

In a melody that is overall sung, a segment that isn't sung now which is played by instruments can be known as a Romantic Hindi Instrumental music, obviously, in the event that it happens toward the start of the tune, before the specialist begins to sing, an instrumental show. In the event that the instrumental area incorporates the limit, musicality, and regularly the virtuosity of a specific entertainer (or party of entertainers), the part might be known as a "solo" (e.g., the guitar solo that is a basic piece of significant metal music and hard rock tunes). In the event that the Romantic Hindi Instrumental music are percussion instruments, the range can be known as a percussion break or "percussion break". These breaks are a kind of break in the tune.

Romantic Hindi Instrumental music

Get the instrumental indian music videos

An instrumental indian music videos is a recording customarily without any vocals, in spite of the way that it might fuse some garbled vocals, for instance, shouted support vocals in a significant band setting. Through semantic expanding, a more broad sensation of the word song may suggest instrumentals. An instrumental indian music videos can exist in music documentation, after it is created by an essayist; in the mind of the arranger (especially in circumstances where the real writer will play out the piece, as because of a blues solo guitarist or a group music fiddle player); as a piece that is performed live by a lone instrumentalist or a musical company, which could go in fragments from a group or trio to a colossal huge band, show band or outfit.

In a song that is by and large sung, a section that isn't sung at this point which is played by instruments can be called an instrumental indian music videos, on the other hand, if it occurs at the beginning of the tune, before the craftsman starts to sing, an instrumental show. If the instrumental portion includes the capacity, musicality, and routinely the virtuosity of a particular performer (or social event of performers), the part may be known as a "solo" (e.g., the guitar solo that is a fundamental section of generous metal music and hard rock tunes). If the instrumental indian music videos are percussion instruments, the span can be known as a percussion break or "percussion break". These interludes are a sort of break in the song.

In business notable music, instrumental indian music videos are sometimes renderings, remixes of a taking a gander at discharge that highlights vocals, yet they may comparatively be plans at first considered without vocals. One portrayal of a portrayal in which both vocal/instrumental and just instrumental tunes are passed on is blues. A blues band from time to time utilizes for the most part melodies that have refrains that are sung, however during the band's show, they may correspondingly perform instrumental indian music videos.

Something as opposed to instrumental indian music videos, that is, music for voices alone, with no reinforcement instruments, is a cappella, an Italian articulation that means "in the asylum". In early music, instruments, for instance, trumpet and drums were seen as outside instruments, and music for inside an asylum normally used more quiet instruments, voices, or basically voices alone.

instrumental indian music videos

Latest instrumental despacito music

instrumental despacito music beat the outline of 47 nations and displayed at the guideline ten of 6 others. In the US, it changed into the crucial music basically in Spanish to best the Load up Hot 100 since the time Los del Río's "Macarena" in 1996, resulting to tying the longest-dominating first on the Declaration Hot 100 at the time with around four months, comparably as changing into the best running first on the Hot Latin Melodies list with 56 weeks. instrumental despacito music additionally changed into the essential Latin song to get a diamond affirmation by the Recording creation Relationship of usa. The song video shows both talented laborers playing out the tune in the La Perla space of Old San Juan, Puerto Rico and general bar La Factoría. instrumental despacito music was the top-saw YouTube video ever from August 2017 to November 2020 and changed into the top video on the site page to appear at the achievement of 3, four, 5, six, and seven billion perspectives.

instrumental despacito music is a tune by Puerto Rican craftsman Luis Fonsi featuring Puerto Rican rapper Daddy Yankee from Fonsi's 2019 studio mix Vida. followed through on January 12, 2017, the music was made by Fonsi, Erika Ender and Daddy Yankee, and made by Mauricio Rengifo and Andrés Torres. A remix side featuring Canadian Justin Bieber was out on April 17, 2017, which helped with getting top the tune's layout appearance in changed nations, including a combination of number-one positions. instrumental despacito music has been everything considered apparent by music journalists as being instrumental in keeping up with Spanish-language striking music in the standard market again.

It is a reggaeton and Latin pop tune made by and for quite a while with lines about requiring a bond acted in a delicate and respecting way. instrumental despacito music by and large has remarkable outlines from music erudite people, who endorse the mix among Latin and metropolitan beat, its overwhelming quality, and its substance picture. instrumental despacito music has been comparatively positioned among the top tunes ever and the top tunes of 2017 by different movements, which recommended it as perhaps the most winning Spanish-language tracks in standard music record.

instrumental despacito music

Get latest instrumental music indian

An instrumental music indian is a recording normally with no vocals, regardless the way that it may join some uncertain vocals, for example, yelled help vocals in a huge band setting. Through semantic extension, a more wide impression of the word tune might propose instrumentals. The music is essentially or only passed on utilizing instruments. An instrumental music indian can exist in music documentation, after it is framed by a writer; in the brain of the arranger (particularly in conditions where the veritable essayist will play out the piece, as by excellence of a blues solo guitarist or a gathering music fiddle player); as a piece that is performed live by a solitary instrumentalist or a melodic organization, which could go in segments from a gathering or threesome to a gigantic tremendous band, show band or outfit. In a tune that is all things considered sung, a segment that isn't sung now which is played by instruments can be called an instrumental music indian, obviously, in the event that it happens near the start of the tune, before the specialist begins to sing, an instrumental show. On the off chance that the instrumental area incorporates the limit, musicality, and reliably the virtuosity of a specific entertainer (or get-together of entertainers), the part might be known as a "solo" (e.g., the guitar solo that is a fundamental piece of impressive metal music and hard rock tunes). On the off chance that the instrumental music indian are percussion instruments, the stretch can be known as a percussion break or "percussion break". These recesses are a sort of break in the tune.

In business famous music, instrumental music indian are every once in a while renderings, remixes of a differentiating discharge that highlights vocals, at any rate they may comparably be game-plans at first considered without vocals. One portrayal in which both vocal/instrumental and exclusively instrumental tunes are passed on is blues. A blues band frequently for the most part utilizes melodies that have holds back that are sung, in any case during the band's show, they may in like way perform instrumental music indian.

Something instead of instrumental music indian, that is, music for voices alone, with no support instruments, is a cappella, an Italian verbalization that suggests "in the place of refuge". In early music, instruments, for example, trumpet and drums were viewed as outside instruments, and music for inside a refuge commonly utilized all the more calm instruments, voices, or basically voices alone.

instrumental music indian

I feel that in an era of abundance (400 tracks, not 4), there is something about stripping things back.

• musicbrainz:artist=<MBID>
• musicbrainz:release=<MBID>
• musicbrainz:track=<MBID>
• musicbrainz:label=<MBID>

Ideas for figuring out chords.

The GUI for guitar chords: https://www.chordfinder.us/

Another site is https://oolimo.com/guitarchords/find

Rare

We are missing a lot of musical info about Pietrobono because of the tradition of non-notarized playing of music and singing.

Leonello learned music not just as a mathematic/ theoretical practice but also a practical practice.

If this is Leonello, the hammer may be alluding to Pythagoras, since he was so interested in music. But what does the ring symbolize?

I find the idea of a 'demo' interesting. With technology as it is these days, it feels like a mindset more than anything else. I was interested in listening to The Story of 1999 podcast series and the way in which Prince recorded everything with a thought that it might be the take. He then covered up the bits that he did not want with explosions.

One of the things that intrigues me about taking a song from its core elements and building it out as the different journeys it can take. For example, in a documentary on U2's Joshua Tree, Brian Eno threw around the faders and demonstrated how the track (might have been Street with No Name, can't quite remember) could have been a Depeche Mode song. This is one of the things that always interests me with the Song Exploder podcast. I wonder then if you ever scrap a take and build a song up again with a whole different vibe.

• HEAR

• PRODUCER

-

• HEAR

• Farrar: producer

• OK

• SEE

https://maya.land/responses/2021/12/20/333-covers-last-christmas.html

Oh dear!

https://getpocket.com/collections/the-backstories-behind-your-favorite-christmas-songs

DESCUBRIMIENTO!!!

Così si fa

Choose "instrument" when plugging in a guitar. Why? The impedance and max input level match that of the instrument and thus produce the most natural (correct?) sound.

The input is by default at mic level which is not preamped.

Jamiroquai (The Remix Project)

• 0:00:00 Too Young To Die (Irregular Disco Workers Remix) by Jamiroquai
• 0:06:53 Alright (Joshua Pathon Downtempo Mix) by Jamiroquai
• 0:11:40 Deeper Underground (DJ Glen Remake) by Jamiroquai
• 0:18:08 Space Cowboy (D.Morales RMX / Francesco Cofano 2014 Re-Touch) by Jamiroquai
• 0:23:00 Cosmic Girl (Johnny Roostar Mix) by Jamiroquai
• 0:28:38 You Give Me Something (Jon Parry Remix) by Jamiroquai
• 0:33:58 Light Years (Micky Da Funk Bootleg Remix) by Jamiroquai
• 0:40:01 Love Foolosophy (FM Groovin' Mix) by Jamiroquai
• 0:44:45 Don't Give Hate A Chance (Mikeandtess Re-Edit) by Jamiroquai
• 0:52:15 Bad Girls (Live at The Britts 2002) [No Legal House Mix] by Jamiroquai
• 0:57:15 White Knuckle Ride (Penguin Remix) by Jamiroquai
• 1:02:06 Supersonic (Manuel Figara Edit) by Jamiroquai
• 1:08:20 Electric Mistress (Todd-If-Field-Mix) by Jamiroquai
• 1:14:44 Lifeline (Shook Mix) by Jamiroquai

Jamiroquai (The 2nd Remix Project):

• 00:00 Stillness In Time (Timmy Regisford and Adam Rios Voc) by Jamiroquai
• 06:28 Summer Girl (Walterino Remode) by Jamiroquai 12:44 Shake It On (Lavvy Levan Edit) by Jamiroquai
• 18:10 Cloud 9 (Purple Disco Machine Remix) by Jamiroquai
• 23:45 Too Young To Die (Rhemi Remix) by Jamiroquai
• 29:12 Little L (Blaze Shelter Mix) by Jamiroquai
• 35:20 Seven Days In Sunny June (Renato Bethlehem Mix) by Jamiroquai
• 40:13 Corner of The Earth (T.R.A.R Vocal Mix) by Jamiroquai
• 46:41 Runaway (Grant Nelson Remix) by Jamiroquai

Στερεη αποψη για τον εμβολιασμό στον covid19.

Η Μαρέβα ειναι η "αρχοντοχωριάτα" που φτιάχνεται του καθεστώτος η αγιογραφία?

Αυτο μας συνεβη στην καραντινα, το'βλεπα στα ματια φιλων.

Σωστη διάγνωση της αντιμετωπισης του covid19 σε Ελλαδα.

ΑΡΔακια των πανελ.

Ξεκαθαρη στρατευση.

Παντα οι Απολιτικ ηταν η απειλη.

Ωραία λεξη ο "φιλελέφαντας".

https://www.nytimes.com/2021/11/12/arts/music/graeme-edge-dead.html

https://www.youtube.com/watch?v=XrOHVTyBOYs

A Moving Performance

Mentioned at Coffee With a Codex on 2021-11-01 with an example on the closing pages of LJS 418, which isn't very clear/good, and another in MS Codex 1248, which is in a tiny manuscript, but very clear and lovely.

Design for Resilience

Exploring how we imagine, design, and build the future together.

A podcast about resilience inspired Caleb Chan to compose this theme music, incorporating a heartbeat and a world music influence.

Created an account at https://www.setlist.fm/signup/success

I just bookmarked this article published today in Current Biology for later reading and annotation. While the article isn't specifically focused on memory, the fact that it touches on visual structures, emotion, music, and movement (dance) which are core to some peoples' memory toolkits, I thought that many here would find it to be of interest.

One of the authors provided the following tl;dr synopsis:

"Across the world, people express emotion through music and dance. But why do music and dance go together?

We tested a deceptively simple hypothesis: Music and movement are represented the same way in the brain."

• Article: Visual and auditory brain areas share a representational structure that supports emotion perception01283-5) (Current Biology, 2021)
• Preprint: https://www.biorxiv.org/content/10.1101/254961v4

For those who haven't integrated song or dance into their practices, searching around for the idea of songlines will give you some background on their possible uses.

cc: @LynneKelly

Visual and auditory brain areas share a representational structure that supports emotion perception https://www.cell.com/current-biology/fulltext/S0960-9822(21)01283-5

This portends some interesting results with relation to mnemonics and particularly songlines and indigenous peoples' practices which integrate song, movement, and emotion.

Preprint: https://www.biorxiv.org/content/10.1101/254961v4

Across the world, people express emotion through music and dance. But why do music and dance go together? <br><br>We tested a deceptively simple hypothesis: Music and movement are represented the same way in the brain.

— Beau Sievers (@beausievers) October 12, 2021

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Beau Sievers </span> in "New work published today in Current Biology Visual and auditory brain areas share a representational structure that supports emotion perception With @ThaliaWheatley @k_v_n_l @parkinsoncm @sergeyfogelson (thread after coffee!) https://t.co/AURqH9kNLb https://t.co/ro4o4oEwk5" / Twitter (<time class='dt-published'>10/12/2021 09:26:10</time>)</cite></small>

Arts mentorship: dance, music, film.

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Several Movements from Georg Christoph Lichtenberg's 'Scrapbooks' ('Sudelbücher'), Op. 37a: IX.

https://v1.sonarmp3.net/descargar-mp3/several-movements-from-georg-christoph-lichtenberg-s-scrapbooks-sudelbucher-op-37a-ix-koan-4a0nKvUN

Music for waste books! :)

https://en.wikipedia.org/wiki/Antiphon

also: antiphonary as a book of such antiphons

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https://fs.blog/2021/07/mathematicians-lament/

What if we taught art and music the way we do mathematics? All theory and drudgery without any excitement or exploration?

What textbooks out there take math from the perspective of exploration?

• Inventional geometry does

Certainly Gauss, Euler, and other "greats" explored mathematics this way? Why shouldn't we?

This same problem of teaching math is also one we ignore when it comes to things like note taking, commonplacing, and even memory, but even there we don't even delve into the theory at all.

How can we better reframe mathematics education?

I can see creating an analogy that equates math with art and music. Perhaps something like Arthur Eddington's quote:

Suppose that we were asked to arrange the following in two categories–

distance, mass, electric force, entropy, beauty, melody.

I think there are the strongest grounds for placing entropy alongside beauty and melody and not with the first three. —Sir Arthur Stanley Eddington, OM, FRS (1882-1944), a British astronomer, physicist, and mathematician in The Nature of the Physical World, 1927

Ha! Found a Ruby method to do the same thing in Sonic Pi. https://in-thread.sonic-pi.net/t/exploring-modes-of-pitch-class-sets-using-chord-invert/5874/10?u=enkerli

Glad this is explicitly mentioned here as it was my initial goal as I got into musical applications of Set Theory!

https://www.npr.org/2021/08/06/1020773349/sparks-brothers-edgar-wright-documentary-leos-carax-annette

Nweke (Ph.D.), F. E. (2021). AN EVALUATION OF NIGERIAN CHORISTERS’ LEVERAGE ON TECHNOLOGY IN THE FACE OF COVID-19 PANDEMIC. PsyArXiv. https://doi.org/10.31234/osf.io/67zuk

via Kevin Marks on TWiG 622