The temporal logic of circumscribed time falls short of describing, let alone organizing, the complex temporalities that govern American lives today. As an expansion of the dominant logic, porous time aims toprovide a more nuanced account of howtemporality shapes interactions among people, technologies, and the

We find and name an emergent set of temporal elements–spectral, mosaic,rhythmicand obligatedtime–which implicitly challenge the assumptions of the dominant logic. We call this collective set ‘porous time.’

s ‘circumscribed time.’This logic, which is embedded in many popular tools, current scholarship,and especially in the discourse of time management, is characterized by assumptions that time is chunk-able(i.e. unitized and measurable), oriented to a single purpose, experiencedlinearly, and owned by individuals

Re-cent work by Reinecke et al. [39] is one example of how culture affects the ways in which people organise them-selves around time, and Adam [1] provides a useful account of different cultural metaphors of time, contrasting, for in-stance, timelines, which emphasise linear, directional movement, with cyclic representations, which represent rhythm and stability.

There is a long history of work within CSCW that might be adapted to this problem, ranging from an un-derstanding of how to support awareness [e.g. 41] to com-munity [e.g. 8] to communication across time zones [e.g. 49].

This point ties into the conceptualisation of time as collec-tive [29] and entangled [43]. The infrastructure that sup-ports a 24/7 society is one that relies on people as well as technologies, the conventional nine-to-five work rhythm, for example, being underpinned by people working shifts outside of these hours.

How can we design for time as collective and interdependent, rather than individualised on the one hand, or explicitly scheduled on the other? What does it mean to position collective time not as something that is achieved when people come together, but as a set of relationships through which they are connected? Both Sharma and Mazmanian and Erickson raise this challenge while highlighting the difficulty in addressing it; neither offer a solution.

In these analyses of plasticity we see how, like clock time, digital time is not simply a property of technologies, nor does it straightforwardly emerge as a sociotechnical con-vention associated with their use. Rather, it has coevolved with broader shifts in the temporality of everyday life, such as the emergence of fractured rhythms, and the associated need to fill the gaps between them.

Plastic time is described as unanticipated, un-reflexive and fluid, as the “experience of temporal ‘scraps’, of gapsin the schedule”, and as “the negative space of busyness”[p. 233]. Plastic time flies under the radar, being unplanned and non-immersive, and associated with neither productivi-ty nor leisure. It is interruptible, but can also expand until some other activity presents itself.

Accord-ingly, and in the interests of exploring how broader shifts in time use have may coevolved with digital technologies, we now look to work by Rattenbury et al. [37], which relates the always-on quality of digital technologies to more gen-eral shifts in the organization of everyday life. These are changes that have resulted in a temporal experience that they describe as plastic, a temporal experience that is both shaped by and shapes the use of digital technologies.

The temporal experience is as much a product of the ways in which the technologies are used as it is a feature of their design. This points to how, just as has been argued for the case of clocks, digital technologies and practices have coevolved to underpin particular experiences of time.

Furthermore, and differentiating digital time from clock time, he suggests that a lack of adherence to chronological time is compounded by the fact that digital technologies connect with a flow of information that is al-ways and instantly available. He argues that continual change, which is bound up with web services such as social network sites, blogs and the news, is central to the experi-enced need for constant connectivity.

Research in HCI has illustrated how this notion of immedi-acy is upheld through the social conventions associated with technologies, as well as through their design. For ex-ample, Harper et al. [16] have described the lived experi-ence (or durée, following Bergson [6]) of Facebook as be-ing located firmly in the now, and have noted that this ne-cessitates a particular approach to the performance of iden-tity on the site by its users. They observe that interactions privilege the present and underpin an impression of events unfolding as they happen (even if this is not the case in terms of spatial time, or Bergson’s temps). Because of this, the performance of identity is one of the moment: users reported feeling it inappropriate to post old content, and were similarly aggrieved when others uploaded photos that surfaced ‘out of time’.

Research by narrative theorist Ruth Page [35] (a co-author on the above paper) considers fur-ther how Facebook users learn to interpret social media posts when reading the newsfeed. While the series of snip-pets of ‘breaking news’ posted by a variety of members of one’s social network do not offer a typical narrative, readers nevertheless draw their own story-like experience, using their knowledge of those posting content to build a backsto-ry, whilst imagining what may happen next.

A related, but richer, argument is made by the sociologist John Tomlinson [55], in his account of the ‘condition of immediacy’. Tomlinson argues that speed is central to modern cultural practices, experiences and values, and he focuses on immediacy in particular because it has three connotations.

Similarly, E. P. Thompson [53], in his paper on time disci-pline and industrial capitalism, suggests that a view of time as an interchangeable commodity came to replace what had been a more task-oriented approach to time use. Glennie and Thrift argue against this conceptualisation of clock time. They acknowledge that people’s consciousness of time was disrupted by the clock, but disagree with a notion of clock time that is “inauthentic, unnatural, omnipotent” [p. 50], that follows the metaphor of the production line, or that adopts a narrative of a world that is intensifying and speeding up.

For example, in his classic analysis of the his-tory of the machine, Lewis Mumford [30] notes that, “Abstract time became the new medium of existence. Or-ganic functions themselves were regulated by it: one ate, not upon feeling hungry, but when prompted by the clock: one slept, not when one was tired, but when the clock sanc-tioned it.” [p. 17]

For them, clock time is best understood as sets of practices, which are bound up with time-reckoning and time-keeping technologies, butwhich vary and are shaped by different times, places and communities. This view of clock time is quite different to that often de-picted in the literature, where it is positioned as abstract and mechanistic.

We then detail a position outlined by Glennie and Thrift [12], in which clock time is described as a series of practices rather than a concept created by new timekeep-ing technologies.

The documentation of routines invited the students to reflect on the multiplicity of practices that shape temporality inside the school community, making the social layering of time more perceptible. Far from being restricted to timetables, buzzers and timed tasks, school time is a fusion of personal times, rhythms and temporal force

While the Printer Clock focused on emphasising the embodied and situated nature of time, pointing to the mesh of activities and characters that come together to create time, the TimeBots drew attention to personal rhythms and how they played out within the context of the classroom

ast. Moving from a quantitative time to a qualitative one, the Printer Clock tells time through the activities of others and the variety of pictures reveals the multiplicity of rhythms within that

tries (Prado 2013). Here again, instead of looking at the present as a heterogeneous context, the present isconsidered as uniform and following a linear trajectory toward

gs done. Accepting an invitation for reflection inherent in the design means on the other hand that time willappear, i.e. we open up for time presence” (Hallnas & Redstrom 2001). A slow technology would not disappear, but would make its

In Slow Technology, Hallnas & Redstrom (2001) advance the need for a form of design that emphasises reflection, the amplification of environments, and the use of technologies that a) amplify the presence of time; b) stretch time and extend processes; and c) reveal an expression of presenttime as slow-paced. Important here is the concept of “time presence”: “when we use a thing as an efficient tool, time disappears, i.e. we get things done. Accepting an invitation for reflection inherent in the design means on the other hand that time willappear, i.e. we open up for time presence” (Hallnas & Redstrom 2001). A slow technology would not disappear, but would make its

Raccomandazione 3.6g - Definire un modello di governance del dato e progettare automatismi organizzativi e tecnologici

Analyzing and Modeling Time Series Gene Expression with STEM and DREM

UCF students who take at least 40 percent of their courses online complete their degrees an average of four months faster than other students, saving the students both time and money.

thelightwentonbecomingbrighterandbrighter,andshesaweverythingmoreandmoreclearlyandtheclocktickedlouderandlouder

February,March,andApril.AfterAprilcomesMay.June,July,Augustfollow.NextisSeptember.ThenOctober,andso,behold,herewearebackatNovemberagain,withawholeyearaccomplished.

Shewrote.Shewrote.Shewrote

Theskyitself,shecouldnothelpthinking,hadchanged.Itwasnolongersothick,sowatery,soprismaticnowthatKingEdward--see,therehewas,steppingoutofhisneatbroughamtogoandvisitacertainladyopposite--hadsucceededQueenVictoria.Thecloudshadshrunktoathingauze;theskyseemedmadeofmetal,whichinhotweathertarnishedverdigris,coppercolourororangeasmetaldoesinafog.Itwasalittlealarming--thisshrinkage.

"But if I show you a green A, you hate it. I've had to change the colours of fonts on my power point slides in the past when giving presentations to synaesthetes."

time-space variant is one of three types that has only been properly described within the last few years.

When she thinks of a date she feels herself travel along the calendar to the right spot. She has a separate, hoop-shaped calendar for days of the week. Both have been part of her life for as long as she can remember.

“Ovals of time: time-space associations in synaesthesia”,

When someone mentions a year, I see the oval with myself at the very bottom, Christmas day to be precise. As soon as a month is given, I see exactly where that month is on the oval. As I move through the year, I am very aware of my place on the oval at the current time, and the direction I am moving in.”

We become, "more intolerant of moments of time that pass without the arrival of new stimuli."

“God is not about time. He is about purpose.” Think about it. God is not bound by time as you and I. He created time within the span or space of eternity. However, God is bound by purpose, His purpose, and the purpose He set forth from eternity involves leadership.

As information literacy instruction is also a form of storytelling, animated GIFs might be a good format for library tutorials. Suhr’s reasons included: A group of pictures gives immediate feedback as to how much information is being conveyed. A screencast, on the other hand, doesn’t give much of a clue as to what the user is committing to. Pictures have natural break points between steps. A series of images enhances closure, which is the phenomenon of observing the parts but perceiving the whole. Comics artists employ closure by carefully sequencing panels and knowing what to keep “off-screen.” A series of animated GIFs combines closure with the dynamic element of video.

. The US military and the national guard could provide critically important capabilities—but federal plans assume that “no significant federal response” would be available for 24-to-72 hours

linear

Charlotte detaches marriage from a timeline of improvement. She has no easy hopefulness about marriage and progress, couples adapting together, happiness augmenting in time, or self-growth and marriage working in tandem.

Multiple Boot Systems Time Conflicts

On every received heartbeat, the coordinator starts (or resets) a timer. If no heartbeat is received when the timer expires, the coordinator marks the member dead and signals the rest of the group that they should rejoin so that partitions can be reassigned. The duration of the timer is known as the session timeout and is configured on the client with the setting session.timeout.ms. 

soon

soon

Any narrative exists in time; any narrative is made of the past, the present, and the futu

I was able to take time, to chill out.   I read Tania Sheko's post 'The art of slowing down.'

Rather than blogging, (I was tired with blogging), I spent my time doing drawing. 

Rather than slowing down my learning, my learning accelerated.  Rather than having less time to do things, I was finding I had more time to do things. 

With every second passed, my stress level went up. With every minute passed, my anger level went up.

I might have spent my time learning a new song, practising origami, watching a Humphrey Bogart movie, going for a walk with the kids...

I stood in the queue for the photocopier, looking at my watch. As time goes by.

I am older than most of you. I don’t have time for this if it’s just another System B in disguise.

One minute left. Terry, Keith, Kevin, Susan, Maha, Mia, Jim, Maritta, Marcin, Paul, Teresa, Maxime, Alexis, Camille, Clarissa, Blaise, Leena, Jurgen, Jose, Alan, Howard, Alec, Laura, Christine, Marie Christine, Dave, Bonnie et al -

two minute video which gave him hope.

8 minutes left.

4 years, that is like twenty minutes, nothing in the time it will take to transform education.

I have fifteen minutes left.

but I am deciding to limit it to the time.

Time overthrows the illusions of opinion, but es-.k~6' •r tablishes the decisions of nature

Consider the opening sentence of Gabriel García Márquez’s One Hundred Years of Solitude (1967): ‘Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.’ The complex way in which Márquez represents the passage of time is a staple of modern fiction. The time corresponding to ‘Many years later’ includes the fateful time of ‘facing’ the firing squad, which in turn is simultaneous with that final ‘remember’-ing, which is years after ‘that distant afternoon’. In a single sentence, Márquez paints a picture of events in the fleeting present, memories of the past and visions for the future.

About This Plan

s, as they accrete over

last fingers of leaf

O O O O that Shakespeherian Rag

Activities such as time spent on task and discussion board interactions are at the forefront of research.

the median review time at journals has grown from 85 days to >150 days during the past decade (5)

In the Eternal there is no Time, or Space, or Individuality, and it is only by reason of thephenomenon of Thought being born from the womb of Mind into the world of Matter that theillusions of Time, Space and Individuality occur; the thought, or Creature, acquiring theconsciousness of separateness from its Thinker or Creator

Expressing what?What else could I express, if I AM All that Is, but My Self?You cannot yet see or comprehend when I inspire you with an Idea.Therefore, if I AM All there is, that Idea, which is direct from Me, must be part of or a phase ofMy Self in Being or Expression.Any Idea, once born within the realm of My Mind, as has been shown, immediately becomes aReality, for in the Eternality of My Being Time is not. With you, however, an Idea first createsDesire, a desire to express that Idea; then Desire compels Thinking, Thinking causes Action, andAction produces Results -- the Idea in actual outer manifestation.In Reality I have no Desire, for I AM All Things, and All Things are of Me. I need only to thinkand Speak the Word to produce results

So much good work in pedagogy is now being done that they had a three-year lag between article acceptance and publication

Generation Chronology

RAJ: Yes and no. Time does not function in the limited way in which you conceive it. I will go into that at another time. Suffice it to say that although you will perceive the communication as occurring simultaneously with your end of the conversation, my end of the conversation takes place when it is convenient for me. It is then slotted into your time reference at the appropriate moments.

RAJ: This would mean that the conscious experience of Being is not existent someplace in an objective, three-dimensional universe. It means that the Universe of Mind is peopled with infinite ideas which are perfectly tangible to Consciousness. Therefore, they are not bodiless in the sense of having no visible, tangible outline, form, or colour. It means that everything is identified and identifiable, minus the finite sensation of space and time, minus the sense of separation between subject and object, which is unavoidable in the three-dimensional frame of reference. It is also minus the sense of the beholder being located somewhere in that which is beheld. Man is as incorporated as God, and yet “all is infinite Mind and Its infinite manifestation.” Mind is never minus Its manifestation.

saving time as a goal in itselfbecomes less important when we attempt to understand the meanings oftime within the context of the region’s place temporality.

you can never slow down too much. It’s impossible todisconnect. Right now I’ve got a ferry to catch from Swartz Bay to the GulfIslands, and Tony has a plane to catch at the airport. The idea of islandtime is all about trying, this is the keyword,trying, to slow down.

But those who are on island time tryto take the time to think, to connect with friends and neighbors, to smell theroses, to go out for a walk, or to take up time-consuming hobbies, likegardening.

‘But, no, really, island time is not just about being15 minutes late because the ferry is 15 minutes late’, Tony picks up again,‘it’s state of mind, it’s a way of living your life at a slower pace’.

Moving‘in time’ and ‘out of time’ are opposite sides of the same coin, and theirmutual distinction is not meant to be a binary opposition

You are correct, Paul. All of you is always present, and all of you is always functioning in the Omnipresent Now. There is no such thing as progress on a time line, in the sense of moving from a point in the present to another point in the future. Nevertheless, there is the nonspatial Omnipresent Unfolding of Being.

Raj, I am having trouble with that, since in Infinity and Eternity there is no such thing as “time” as I perceive it three-dimensionally. It is all the Eternal Now.

: Yes and no. Time does not function in the limited way in which you conceive it. I will go into that at another time. Suffice it to say that although you will perceive the communication as occurring simultaneously with your end of the conversation, my end of the conversation takes place when it is convenient for me. It is then slotted into your time reference at the appropriate moments.

In a landmark study, scientists at Delft University of Technology in the Netherlands reported that they had conducted an experiment that they say proved one of the most fundamental claims of quantum theory — that objects separated by great distance can instantaneously affect each other’s behavior.

"It's intriguing that you've got general relativity predicting these paradoxes, but then you consider them in quantum mechanical terms and the paradoxes go away," says University of Queensland physicist Tim Ralph. "It makes you wonder whether this is important in terms of formulating a theory that unifies general relativity with quantum mechanics."

Time Travelling Without Worries But here's the best part - knowing the true nature of history, we can combo it with another cool feature of Vim - persistent undo - to be able to travel in time there and back without fear of losing anything! In other words, if you do: mkdir -p ~/.vim/undodir and then add: set undofile set undodir=~/.vim/undodir to your ~/.vimrc, you get a file-backed infinite undo. And even if you undo like a madman and then edit something, you will not lose your way back to where you’ve been. Which is pretty much a developer’s (or anyone’s, really) text-editing nirvana. Enhance you calm and enjoy a bit saner coding.

Save Work On Focus Lost This feature works best in combo with infinite undo. The idea here is that everytime you leave your Vim window, all your open files are automatically saved. I find this to be extremely helpful, for example when I’m working on a laptop and continuously run unit tests in terminal. My laptop is 13'' so I prefer to run Vim full screen and with this feature, I don’t have to explicitly save my source code file; I just cmd+tab to the terminal, Vim saves the file for me and my unit tests watcher re-runs the suite. If you save unwanted changes by accident you can easily remedy that with undo. To turn autosaving on, add: :au FocusLost * silent! wa to your .vimrc. The silent! flag prevents Vim from complaining when you have open unititled buffers (see this article for details).

expressive use of syncopation and sliding ornamentation, and he was adept at singing while playing. His formidable technique and rough timbre continue to influence modern aficionados of Appalachian old-time music and in particular the Round Peak style of clawhammer banjo

REPORTTIME=5 TIMEFMT="%U user %S system %P cpu %*Es total"

Try My Belly-Button Logic.

When: May 3-4, 9am-5pm Where: Cambridge Innovation Center Application Deadline: April 16

The critical difference comes out in the details, especially the amount of time rights are protected and the scope of rights allowed

A universal definition of intellectual property might begin by identifying it as nonphysical property which stems from, is identified as, and whose value is based upon some idea or ideas. Furthermore, there must be some additional element of novelty. Indeed, the object, or res, of intellectual property may be so new that it is unknown to anyone else. The novelty, however, does not have to be absolute. What is important is that at the time of propertization the idea is thought to be generally unknown. The re

I frequently see CEOs who are clearly winging it. They lack a real agenda. They’re working from slides that were obviously put together an hour before or were recycled from the previous round of VC meetings. Workers notice these things, and if they see a leader who’s not fully prepared and who relies on charm, IQ, and improvisation, it affects how they perform, too. It’s a waste of time to articulate ideas about values and culture if you don’t model and reward behavior that aligns with those goals.

Yet I add the observation that if they had applied as many months as I have years to judg-ing these precepts accurately and to arranging them in order, I certainly do not doubt that they would have left us arts that are far truer and more distinct.

These three kinds of rhetoric refer to three different kinds of time. The political orator is concerned with the future: it is about things to be done hereafter that he advises, for or against. The party in a case at law is concerned with the past; one man accuses the other, and the other defends himself, with reference to things already done. The ceremonial orator is, properly speaking, concerned with the present, since all men praise or blame in view of the state of things existing at the time, though they often find it useful also to recall the past and to make guesses at the future.

These three kinds of rhetoric refer to three different kinds of time. The political orator is concerned with the future: it is about things to be done hereafter that he advises, for or against. The party in a case at law is concerned with the past; one man accuses the other, and the other defends himself, with reference to things already done. The ceremonial orator is, properly speaking, concerned with the present,

Let me ask you, however, not to pay any attention to what you have heard about me in the past from my would-be slanderers and calumniators, not to credit charges which have been made without proof or trial, and not to be influenced by the suspicions which have been maliciously implanted in you by my enemies, but to judge me to be the kind of man which the accusation and the defense in this trial will show me to be; for if you decide the case on this basis, you will have the credit of judging honorably and in accordance with the law, while I, for my part, shall obtain my complete deserts.

For if all people possessed memory concerning all things past, and awareness of all things present, and foreknowledge of all things to come