1,086 Matching Annotations
  1. Feb 2023
    1. Some dance to rememberSome dance to forget

      —Eagles, Hotel California, track 1 on the album Hotel California<br /> https://genius.com/Eagles-hotel-california-lyrics

      In many oral societies, dance is a common tool for memory in much the same way that we might pick up a pen and write. Though written in and performed in one of the most literate societies in human history, one might replace "dance" in Hotel California with other forms like writing: "Some write to remember; Some write to forget".

      The first half might be interpreted by the majority as a tautology, but others write in their diaries as a means to purge their memories and let go of them. Similarly the idea of "morning pages" are designed to allow one to purge their surface thoughts so that they can clear their mind for other work: writing to forget.


      (Without hearing this song this morning, I kept (diffuse) thinking about the two line endings "...to remember / ...to forget" until I made the connection to the lyrics and then immediately bridged this to orality.)

  2. Jan 2023
    1. https://www.complexityexplorer.org/courses/162-foundations-applications-of-humanities-analytics/segments/15630

      https://www.youtube.com/watch?v=HwkRfN-7UWI


      Seven Principles of Data Feminism

      • Examine power
      • Challenge power
      • Rethink binaries and hierarchies
      • Elevate emotion an embodiment
      • Embrace pluralism
      • Consider context
      • Make labor visible

      Abolitionist movement

      There are some interesting analogies to be drawn between the abolitionist movement in the 1800s and modern day movements like abolition of police and racial justice, etc.


      Topic modeling - What would topic modeling look like for corpuses of commonplace books? Over time?


      wrt article: Soni, Sandeep, Lauren F. Klein, and Jacob Eisenstein. “Abolitionist Networks: Modeling Language Change in Nineteenth-Century Activist Newspapers.” Journal of Cultural Analytics 6, no. 1 (January 18, 2021). https://doi.org/10.22148/001c.18841. - Brings to mind the difference in power and invisible labor between literate societies and oral societies. It's easier to erase oral cultures with the overwhelm available to literate cultures because the former are harder to see.

      How to find unbiased datasets to study these?


      aspirational abolitionism driven by African Americans in the 1800s over and above (basic) abolitionism

    1. https://www.youtube.com/watch?v=NPqjgN-pNDw


      When did the switch in commonplace book framing did the idea of "second brain" hit? (This may be the first time I've seen it personally. Does it appear in other places?) Sift through r/commonplace books to see if there are mentions there.


      By keeping one's commonplace in an analog form, it forces a greater level of intentionality because it's harder to excerpt material by hand. Doing this requires greater work than arbitrarily excerpting almost everything digitally. Manual provides a higher bar of value and edits out the lower value material.

    1. Modern factory discipline was born on ships and on plantations. Itwas only later that budding industrialists adopted those techniques ofturning humans into machines into cities like Manchester andBirmingham.
    2. In the end I decided: everyone hates a long essay; everyoneloves a short book. Why not turn the essay into a freestanding workand let it stand on its own merits?And that is what I have done.
    1. Interested in seeing what others’ reference/bib notes look like .t3_10m3abl._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } share + showcaseNothing more than that, just curious how other people structure/write their reference/bib notecards

      reply to u/m_t_rv_s__n at https://www.reddit.com/r/Zettelkasten/comments/10m3abl/interested_in_seeing_what_others_referencebib/

      An example of my digital "bib notes" for: Sayers, Dorothy L. The Lost Tools of Learning. E. T. Heron, 1948.

      https://hypothes.is/users/chrisaldrich?q=url%3Aurn%3Ax-pdf%3A13447fd092edd947b775ba269de28ee6


      There are some other good anecdotal examples here too.

    1. I've decided I don't care (too much) where new notes go .t3_10mjwq9._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      reply to u/jackbaty at https://www.reddit.com/r/antinet/comments/10mjwq9/ive_decided_i_dont_care_too_much_where_new_notes/

      u/jackbaty, If it doesn't make sense for you (yet, or for your specific needs), you can always follow in the footsteps of the hundreds of thousands who used a topical subject heading method of the commonplace book before Luhmann's example shifted the space over the last decade. If it worked for Francis Bacon, you'll probably be alright too... (See: https://boffosocko.com/2022/06/10/reframing-and-simplifying-the-idea-of-how-to-keep-a-zettelkasten/)

      I find that sometimes, it is useful to bank up a few dozen cards before filing/linking them together. Other times I'll file them by category in a commonplace book like system to ruminate a bit only later to move them to a separate Luhmann-esque zettelkasten area where they're more tightly linked with the ideas around them. After you've been doing it a while, it will be easier to more tightly integrate the three-way conversation or argument you're having between yourself, your card index, and the sources you're thinking about (or reading, watching, listening to). You mention that "my brain needs at least some level of structure", and I totally get it, as most of us (myself included) are programmed to work that way. I've written some thoughts on this recently which may help provide some motivation to get you around it: https://boffosocko.com/2023/01/19/on-the-interdisciplinarity-of-zettelkasten-card-numbering-topical-headings-and-indices/

      It helps to have a pointed reason for why you're doing all this in the first place and that reason will dramatically help to shape your practice and its ultimate structure.

    1. while I was listening to all of you and to our wonderful scientists 00:57:28 I thought of something that the distinguished physicist Freeman Dyson wrote shortly before he died he said he believed that 00:57:40 the speed of cultural Evolution the speed of cultural evolution is now faster than the speed of biological evolution so 00:57:53 what does that mean to me it's something very simple it means that we now hold our destiny in our hands and that's what you're all talking about

      !- quotable : Freeman Dyson - the speed of cultural evolution is now faster than the speed of biological evolution - references on the speed of cultural evolution: https://jonudell.info/h/facet/?user=stopresetgo&max=50&any=Cultural+evolution - Freeman Dyson essay on biological and cultural evolution: https://hyp.is/go?url=https%3A%2F%2Fviahtml.hypothes.is%2Fconversation%2Ffreeman_dyson-biological-and-cultural-evolution&group=world

    1. Panofsky's quote that "“Thus, while science endeavours to transform the chaotic variety of natural phenomena into what may be called a cosmos of nature, the humanities endeavour to transform the chaotic variety of human records into what may be called a cosmos of culture.”

      check quote and original source

    1. She was openly critical of the Supreme Court’s decision in Brown vs. Board of Education, which declared racial segregation of public schools unconstitutional. “When Brown comes out, her point is ‘I don’t want to have to force someone to associate with me,’” Strain says. Today she would probably be considered a libertarian.

      Interesting...

    1. Basil Lanneau Gildersleeve, "Brief Mention," American Journal of Philology 20.1 (1899) 108-113 (at 108): With all our advance in scientific astronomy, the average modern man is not so familiar with the sky as was his antique brother, and some of the blunders in modern works of fiction that are scored from time to time in scientific journals would hardly have been possible for a ploughman of antiquity, not to say a sailor. The world needs every now and then a reminder that the modern head holds different things from the ancient brain-pan, not necessarily more.

      How painfully true this may have been in 1899, it's now much worse in 2023!


      Specialization of knowledge tends to fit the lifeways of the people who hold and maintain it. Changing lifeways means one must lose one or more domains and begin using or curating different domains of knowledge.

      In a global world of specialization, humans who specialize are forced to rely more heavily on the experience and veracity of those around them who have also specialized. One may be able to have a Ph.D. in astrophysics, but their knowledge of the state of the art in anthropology or economic policy may be therefore utterly undeveloped. As a result they will need to rely on the knowledge and help of others in maintaining those domains.

      This knowledge specialization means that politicians will need to be more open about what they think and say, yet instead politicians seem to be some of the least knowledge about almost anything.

      This is just the start of a somewhat well-formed thesis I've developed elsewhere, but not previously written out... more to come...

    1. I do not care to include the epistemological status (claim, idea, quote etc) anymore as I was not actively searching for it and it was nebulous in practice, as you've found out.

      Sometimes collecting some sorts of data in one's notes (even, and particularly in digital notes) is not a useful practice as one eventually realizes that they remain unsearched and unused.

      One thing which may not come under this heading is the difference in what others say versus what you write yourself, especially as it relates to plagiarism.

    2. How do you maintain the interdisciplinarity of your zettlekasten? .t3_10f9tnk._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      As humans we're good at separating things based on categories. The Dewey Decimal System systematically separates mathematics and history into disparate locations, but your zettelkasten shouldn't force this by overthinking categories. Perhaps the overlap of math and history is exactly the interdisciplinary topic you're working toward? If this is the case, just put cards into the slip box closest to their nearest related intellectual neighbor—and by this I mean nearest related to you, not to Melvil Dewey or anyone else. Over time, through growth and branching, ideas will fill in the interstitial spaces and neighboring ideas will slowly percolate and intermix. Your interests will slowly emerge into various bunches of cards in your box. Things you may have thought were important can separate away and end up on sparse branches while other areas flourish.

      If you make the (false) choice to separate math and history into different "sections" it will be much harder for them to grow and intertwine in an organic and truly disciplinary way. Universities have done this sort of separation for hundreds of years and as a result, their engineering faculty can be buildings or even entire campuses away from their medical faculty who now want to work together in new interdisciplinary ways. This creates a physical barrier to more efficient and productive innovation and creativity. It's your zettelkasten, so put those ideas right next to each other from the start so they can do the work of serendipity and surprise for you. Do not artificially separate your favorite ideas. Let them mix and mingle and see what comes out of them.

      If you feel the need to categorize and separate them in such a surgical fashion, then let your index be the place where this happens. This is what indices are for! Put the locations into the index to create the semantic separation. Math related material gets indexed under "M" and history under "H". Now those ideas can be mixed up in your box, but they're still findable. DO NOT USE OR CONSIDER YOUR NUMBERS AS TOPICAL HEADINGS!!! Don't make the fatal mistake of thinking this. The numbers are just that, numbers. They are there solely for you to be able to easily find the geographic location of individual cards quickly or perhaps recreate an order if you remove and mix a bunch for fun or (heaven forfend) accidentally tip your box out onto the floor. Each part has of the system has its job: the numbers allow you to find things where you expect them to be and the index does the work of tracking and separating topics if you need that.

      The broader zettelkasten, tools for thought, and creativity community does a terrible job of explaining the "why" portion of what is going on here with respect to Luhmann's set up. Your zettelkasten is a crucible of ideas placed in juxtaposition with each other. Traversing through them and allowing them to collide in interesting and random ways is part of what will create a pre-programmed serendipity, surprise, and combinatorial creativity for your ideas. They help you to become more fruitful, inventive, and creative.

      Broadly the same thing is happening with respect to the structure of commonplace books. There one needs to do more work of randomly reading through and revisiting portions to cause the work or serendipity and admixture, but the end results are roughly the same. With the zettelkasten, it's a bit easier for your favorite ideas to accumulate into one place (or neighborhood) for easier growth because you can move them around and juxtapose them as you add them rather than traversing from page 57 in one notebook to page 532 in another.

      If you use your numbers as topical or category headings you'll artificially create dreadful neighborhoods for your ideas to live in. You want a diversity of ideas mixing together to create new ideas. To get a sense of this visually, play the game Parable of the Polygons in which one categorizes and separates (or doesn't) triangles and squares. The game created by Vi Hart and Nicky Case based on the research of Thomas Schelling provides a solid example of the sort of statistical mechanics going on with ideas in your zettelkasten when they're categorized rigidly. If you rigidly categorize ideas and separate them, you'll drastically minimize the chance of creating the sort of useful serendipity of intermixed and innovative ideas.

      It's much harder to know what happens when you mix anthropology with complexity theory if they're in separate parts of your mental library, but if those are the things that get you going, then definitely put them right next to each other in your slip box. See what happens. If they're interesting and useful, they've got explicit numerical locators and are cross referenced in your index, so they're unlikely to get lost. Be experimental occasionally. Don't put that card on Henry David Thoreau in the section on writers, nature, or Concord, Massachusetts if those aren't interesting to you. Besides everyone has already done that. Instead put him next to your work on innovation and pencils because it's much easier to become a writer, philosopher, and intellectual when your family's successful pencil manufacturing business can pay for you to attend Harvard and your house is always full of writing instruments from a young age. Now you've got something interesting and creative. (And if you must, you can always link the card numerically to the other transcendentalists across the way.)

      In case they didn't hear it in the back, I'll shout it again: ACTIVELY WORK AGAINST YOUR NATURAL URGE TO USE YOUR ZETTELKASTEN NUMBERS AS TOPICAL HEADINGS!!!

    1. This independent confirmation ofthe testimonythat Dr Gowers has personally borne to the helpfulness ofPhonography in his professional career, is peculiarlyvaluable, because there are still some able men in themedical world who discourage the practice of note- takingby students . Professor Struthers, for instance, is reportedto have said before the General Medical Council that" the student takes his notes, puts his book in his pocket,and walks out, knowing no more about the subject than amere reporter would do."

      There's an interesting parallel between this example and that of the character of Socrates in Plato with respect to writing and memory.

      Some take notes to increase understanding, while others might suggest that note taking decreases understanding. The answer to remedying the discrepancy is in using the proper process.

    1. A visual system such as this allowed observations to be accumulated with less unreliability than orally, and hence provided a degree of estimation of annual variability of these phenomena, and presumably to be embedded into wider artistic and behavioural and mythic contexts.

      A terrifically bold assertion, obviously made by a group overwhelmed by literacy.

      Those with better grounding in oral methods would know better.

    2. The requirement, in ordinal representations of number, that the ‘special’ symbol at the ordinal position of the value being represented must be distinct from all other symbols in a sequence clearly invites a meaning to be associated with the special symbol. With such, there was no longer the need for a purely oral explanation of the system, as all of its components were self-contained to the point of being readable many thousands of years later.
    1. https://www.youtube.com/watch?v=SYj1jneBUQo

      Forrest Perry shows part of his note taking and idea development process in his hybrid digital-analog zettelkasten practice. He's read a book and written down some brief fleeting notes on an index card. He then chooses a few key ideas he wants to expand upon, finds the physical index card he's going to link his new idea to, then reviews the relevant portion of the book and writes a draft of a card in his notebook. Once satisfied with it, he transfers his draft from his notebook into Obsidian (ostensibly for search and as a digital back up) where he may also be refining the note further. Finally he writes a final draft of his "permanent" (my framing, not his) note on a physical index card, numbers it with respect to his earlier card, and then (presumably) installs it into his card collection.

      In comparison to my own practice, it seems like he's spending a lot of time after-the-fact in reviewing over the original material to write and rewrite an awful lot of material for what seems (at least to me—and perhaps some of it is as a result of lack of interest in the proximal topic), not much substance. For things like this that I've got more direct interest in, I'll usually have a more direct (written) conversation with the text and work out more of the details while reading directly. This saves me from re-contextualizing the author's original words and arguments while I'm making my arguments and writing against the substrate of the author's thoughts. Putting this work in up front is often more productive at least for areas of direct interest. I would suspect that in Perry's case, he was generally interested in the book, but it doesn't impinge on his immediate areas of research and he only got three or four solid ideas out of it as opposed to a dozen or so.

      The level of one's conversation with the text will obviously depend on their interest and goals, a topic which is relatively well laid out by Adler & Van Doren (1940).

    1. Right now I am building my zettelkasten on my PC but I want to integrate my paper written notes And still add more paper notes in the future. Any ideas how to do this efficiently? I mean a way to make my written notes discoverable from my PC system and keep them organized.

      Usual advice is to move PRN, but what does the spectrum here look like? Collect examples.

    1. Many of the topic cards served as the skeleton for Mediterranean Society and can be usedto study how Goitein constructed his magnum opus. To give just one example, in roll 26 wehave the index cards for Mediterranean Society, chap. 3, B, 1, “Friendship” and “InformalCooperation” (slides 375–99, drawer 24 [7D], 431–51), B, 2, “Partnership and Commenda”(slides 400–451, cards 452–83), and so forth.

      Cards from the topically arranged index cards in Goitein's sub-collection of 20,000 served as the skeleton of his magnum opus Mediterranean Society.

    1. how important is the concrete syntax of their language in contrast to

      how important is the concrete syntax of their language in contrast to the abstract concepts behind them what I mean they say can someone somewhat awkward concrete syntax be an obstacle when it comes to the acceptance

  3. Dec 2022
    1. https://www.youtube.com/watch?v=VFs3_COOMp8

      He opens up saying that he uses some small plastic containers for mushrooms that he got from the supermarket for storing his notes/slips! This is definitely a unique form of zettelkasten box!


      He talks about the benefits and some of the joys of using analog practices, particularly in analogy to music and arts.


      "meine kleine zettelkasten show" sounds like it ought to be a Mozart compisition like Eine Kleine Nachtmusik

    1. I’m a screenwriter. One of the reasons I use Obsidian is the ability to hashtag. It sounds so simple, but being able to tag notes with #theme or #sceneideas helps create linkages between notes that would not otherwise be linked. My ZK literally tells me what the movie is really about.

      via u/The_Bee_Sneeze

      Example of someone using Obsidian with a zettelkasten focus to write screenplays.

      Thought the example appears in r/Zettelkasten, one must wonder at how Luhmann-esque such a practice really appears?

    1. When writing history, there are rules to be followed and evidence to be respected. But no two histories will be the same, whereas the essence of scientific experiments is that they can be endlessly replicated.

      A subtle difference here between the (hard) sciences and the humanities. Every human will bring to bear a differently nuanced perspective.

    1. I'm a multi-media artist, so I have many ideas about fashion pieces, artworks, music, etc. that i'd want to make. Would I plug in these ideas as 'fleeting notes' until they're more cemented? would you recommend I keep separate my 'original' ideas and the ZK note-taking system?

      I gave some examples of uses in arts/media a while back that you might find interesting for your use case: https://www.reddit.com/r/antinet/comments/xdrb0k/comment/iofo5vv/?utm_source=reddit&utm_medium=web2x&context=3

      In particular, a more commonplace book approach or something along the lines of Chapter 6 of Twyla Tharpe's book may be more useful or productive for your use case.

    1. Since there is no measurable performance advantage for either, any time (however marginal) spent thinking or talking about a choice between the two is wasted. When you prefer single quoted strings, you have to think when you need interpolation. When you use double quoted strings, you never have to think. (I'd also add, anecdotally, that apostrophes are more prevalent in strings than double quotes, which again means less thinking when using double-quoted strings.) Therefore always using double-quoted strings results in the least possible wasted time and effort.
    1. But Thamus replied, " Most ingenious Theuth, oneman has the ability to beget arts, but the ability tojudge of their usefulness or harmfulness to their usersbelongs to another ; and now you, who are the fatherof letters, have been led by your affection to ascribeto them a power the opposite of that which theyreally possess. For this invention will produce for-getfulness in the minds of those who learn to use it,because they will not practise their memory. Theirtrust in writing, produced by external characterswhich are no part of themselves, will discourage theuse of their own memory within them. You haveinvented an elixir not of memory, but of reminding ;and you offer your pupils the appearance of wisdom,not true wisdom, for they will read many thingswithout instruction and will therefore seem to knowmany things, when they are for the most part ignorant

      and hard to get along with, since they are not wise, but only appear wise." pp 563-564

    1. With medicine, the story was slightly different because of theconstant and urgent need for it. Medical knowledge was alwaysuseful, always relevant, so books on medicine were constantly indemand, and would have been available in the majority of libraries inlate antiquity.

      Transmission of medical knowledge has a more immediate and direct application for people; as a result it may tend to be transmitted more faithfully either in written or oral forms. The written record of medical scrolls from antiquity were in constant demand.

    1. even Socrates himself, we learnby way of his followers, derided the emerging popularity of taking physicalnotes.

      I recall portions about Socrates deriding "writing" as a mode of expression, but I don't recall specific sections on note taking. What is Ann Blair's referent for this?

      The "emerging popularity of taking physical notes" seems not to be in evidence with only one exemplar of a student who lost their notes within the Blair text.

    2. “The florilegium was a type of ‘double memory’ towhich scholars could resort anytime their personal memory failed, the filingcabinet behaves as a true communication partner with its own idiosyncrasiesand its own opinions.”31

      I'll have to look into this argument as it feels dramatically false to me.

      The only way I can see this is if one only uses their commonplace for excerpts and no other notes, a pattern which may have been the case for some, but certainly not all.

    3. Yet, there are shortcomings of commonplace books. They embody that of a“subsidiary memory,” whereas the Antinet is more than this. The Antinet isa second mind, an equal.

      Why though? The slight difference in form doesn't account for any differences claimed here.

    4. The limitations of commonplacebooks centers around the following: they only enable short-term knowledgedevelopment. They do not cater to allowing thoughts to evolve over time,infinitely. They do not allow for the infinite internal branching and expansionof ideas.

      sigh

      This is untrue in practice. They can evolve, they just do so in different ways. Prior to Luhmann's example, they have done so for centuries.

    1. Writing permanent notes was time consuming as f***. On one side writing them helped me grasp the concepts they described on a deep level. One the other side I think this would have been possible without putting an emphasis on referencing, atomicity, deep linking, etc.

      The time it takes to make notes is an important investment. If it's not worth the time, what were you actually doing? Evergreen/permanent notes are only useful if you're going to use them later in some sort of output. Beyond this they may be useful for later search.

      But if you're not going to search them or review them, which the writer says they didn't, then what was the point?

      Have a reason for taking a note is of supreme importance. Otherwise, you're just collecting scraps...

      People who have this problem shouldn't be using digital tools they should be spending even more time writing by hand. This will force them into being more parsimonious.

    1. select Build Solution

      This doesn't seem to be an option in VS 2022. Instead it just allows you to build the project with SC_ followed by a long line of letters and numbers like a GUID but without spaces.

    1. The modern internet was born out of an epic struggled between "Bellheads" (who believed centralized powers should decide how you used networks) and "Netheads" (who believed that services should be provided and consumed "at the edge"): https://www.wired.com/1996/10/atm-3/
    1. I just can’t stop dreaming about a perfect world where I could go back to any of my old JavaScript projects with an ease of mind and knowing that everything just works. A perfect world where my program is going to stand the test of time.

      That's a you-problem. The pieces are there—the language is stable, and there's a ludicrously backwards compatible World Wide Wruntime that you can trust to be around—it's on you if it fails.

    1. There is, however, an argument often made with respect to not fully addressingpoverty and inequality. It is based on the assumption that there is a necessarytrade- off between having a strong economy and having a robust social welfarestate. The recent origins of this argument can be traced back to an influen-tial book entitled, Equality and Efficiency: The Big Tradeoff by the economistArthur Okun.
    1. On the onehand we have our technical toolbox full but on theother, we cannot use these tools effectively becausea proper infrastructure is absent.
    1. As my research methods became more and more digital, the ease of pasting quotations and references in this way (instead of copying them by hand) has really speeded things up.

      Example of someone who felt that speeding up their note taking by using digital tools rather than analog ones.

    1. Postmark separates email traffic through Message Streams, meaning that transactional and broadcast traffic never intersects in Postmark, including IP ranges. This is a longstanding best practice for ensuring optimal deliverability. Transactional message streams are for messages that are usually unique and triggered by a user action like a password reset, opted-into weekly digest, or receipts. Transactional streams do not support bulk messages. Broadcast message streams are for bulk messages that sent to multiple recipients at once like announcements, newsletters, or other application email.
    1. The best at transactional email because we never let them mix with bulk messages. You might say that Postmark has serious street cred with inbox providers. To protect the delivery of your transactional emails, it’s crucial to separate them from your bulk or promotional emails. With Message Streams, we’ve built a parallel but completely separate sending infrastructure for these two different types of emails. We don’t let them mix. Ever.
    1. “It only takes five minutes to break the cycle. Five minutes of exercise and you are back on the path. Five minutes of writing and the manuscript is moving forward again. Five minutes of conversation and the relationship is restored. It doesn't take much to feel good again.”

      Progress is anything that moves you closer to your goal, it doesn't have to be a huge breakthrough, it doesn't take heroic effort, even a small step can go a long way.

  4. Nov 2022
    1. All research… All significant research is, in some respects, bottom-up. There is no alternative. And so, the only research that you can do top-down entirely is research for which you already have the solution.

      Research, by design, is a bottom-up process.

    1. it is principally a display technology

      It's not. It's a document markup language.

      Most Web developers, however—going back to 1999 and before—certainly treat it like it's a display technology.

    1. You can definitely set the Return-Path header as a sender. But yes, some receivers might rewrite it (But not always ), or depending on who you're sending through, it might be re-written by them. For instance when using MailGun to send bulk email you have to do things just right in order to set a Return-Path that will be preserved. I know this contradicts the RFC you cite, but it's in practice true.
    1. dsmdavid commented Mar 8, 2021 @tchakabam if you right click on the status bar, do you get many options? Might be worth not showing some of the other options (in my case the line/column was not shown because there were too many options already there) and, after unselecting one:

      Post about status bar in VS Code (visible at bottom of window by default).

      I looked for this since I couldn't figure out the column numbers of where my cursor was in the editor.

      You can toggle this setting by opening command palette and searching "View: Toggle Status Bar Visibility"

      Displays Ln & Col numbers.

    1. Second, reading, if it is active, is thinking, and thinking tendsto express itself in words, spoken or written. The person whosays he knows what he thinks but cannot express it usually doesnot know what he thinks.

      Active reading is thinking, and thinking requires expression which can come in many forms including both spoken and written ones.


      I like that he acknowledges that expression (and thus thinking) can be done in both oral or written forms.

    1. Changing the second line to: foo.txt text !diff would restore the default unset-ness for diff, while: foo.txt text diff will force diff to be set (both will presumably result in a diff, since Git has presumably not previously been detecting foo.txt as binary).

      comments for tag: undefined vs. null: Technically this is undefined (unset, !diff) vs. true (diff), but it's similar enough that don't need a separate tag just for that.

      annotation meta: may need new tag: undefined/unset vs. null/set

    1. Unspecified No pattern matches the path, and nothing says if the path has or does not have the attribute, the attribute for the path is said to be Unspecified.
    2. Unset The path has the attribute with special value "false"; this is specified by listing the name of the attribute prefixed with a dash - in the attribute list.
    1. Type designers usually do not create new characters, i.e. the meanings of those pictures, or, more technically put, ‘the smallest component of written language that has semantic value.’ We don’t invent alphabets, we merely re-interpret existing ones.
    2. Type designers create new glyphs, i.e. pictures representing characters.
    3. Characters versus glyphs
    4. A glyph can also represent more than one character at once. Take an f_f_f ligature as an example. It represents three f characters in a row. Ligatures do not have Unicodes, because the separate characters already have codes and the the fact that it’s a ligature does not change the meaning of its parts.
    5. What if you want to share the same glyph shape between two Unicode values? There are a few situation where you would need that. E.g., the symbol increment U+2206 and the Greek letter Delta U+0394 should look the same. There is a similar issue with Ohm U+2126 and Omega U+03A9. Or, you are creating an all-caps font. Or you simply want to reuse the same space glyph for both the space U+0020 and non-breaking space U+00A0.
    1. Characters are logical text units identified by Unicode codepoints, whereas glyphs are graphical font units. The distinction between character and glyph is critical to understanding FontLab, and fonts in general.
    2. A Glyphset is the glyph repertoire of a font, i.e. all glyphs present in the font. The old term for this repertoire was “character set”, but it is misleading because in modern font technology, a font is a collection of glyphs, not a collection of characters.
    1. The Zettelkasten Method is based on this experience: One cannot think without writing - at least not in demanding contexts that anticipate selective access to memory. This also means: without notching differences one cannot think.

      Sönke Ahrens roughly quoted this passage or one like it (check the reference), but I criticized it for not being inclusive of indigenous people or oral methods. Luhmann, however, went further and was at least passively more inclusive by saying that one needs to be able to "notch differences" to be able to think, and this is a much better framing.

  5. Oct 2022
  6. www.indxd.ink www.indxd.ink
    1. https://www.indxd.ink/

      A digital, web-based index tool for your analog notebooks. Ostensibly allows one to digitally index their paper notebooks (page numbers optional).

      It emails you weekly text updates, so you've got a back up of your data if the site/service disappears.

      This could potentially be used by those who have analog zettelkasten practices, but want the digital search and some back up of their system.


      <small><cite class='h-cite via'> <span class='p-author h-card'>sgtstretch </span> in @Gaby @pimoore so a good friend of mine makes [INDXD](https://www.indxd.ink/) which is for indexing analog notebooks and being able to find things. I don't personally use it, but I know @patrickrhone has written about it before. (<time class='dt-published'>10/27/2022 17:59:32</time>)</cite></small>

    1. https://www.youtube.com/watch?v=Mvxbl7Iwep4

      Lots of levels here to pull apart, but this should be particularly interesting to novices.

      Modes of note taking: * note taking for raw information * note taking (or writing) for understanding * note taking for relationships of and between knowledge * note taking for creating proficiency * note taking for productivity

      Sung takes the viewpoint that linear note taking isn't as effective as mind mapping and drawing out relationships; in part this is why handwriting is more effective means of note taking compared to typing, particularly as most note taking apps force one into a linear pathway that doesn't mirror the affordances available within handwriting.

      This video is definitely more about note taking than note making.

    1. I'm afraid you missed the joke ;-) While you believe spaces are required on both sides of an em dash, there is no consensus on this point. For example, most (but not all) American authorities say /no/ spaces should be used. That's the joke. In writing a line about "only one way to do it", I used a device (em dash) for which at least two ways to do it (with spaces, without spaces) are commonly used, neither of which is obvious -- and deliberately picked a third way just to rub it in. This will never change ;-)
    1. I have been using Apple notes, but began to wonder if I could find an app that supports zettelkasten in digital handwritten form. The closest thing I found is CardNotes however it is underdeveloped imo, and maybe dead?

      Someone looking for handwriting apps that allow one to use handwriting in digital contexts.

      https://www.reddit.com/r/Zettelkasten/comments/ydwl32/handwriting_zettelkasten/

    1. I can't believe I read a tweet saying retrieval practice must be written. What about ...<br><br>- MFL?<br>- EYFS/KS1?<br>- Practical subjects?<br>- Cold calling?<br>- Students with SEND?<br>- EAL learners?<br>- Oracy?<br>- Think, pair & share?<br>- Flashcards?<br><br>Writing is so important, as is verbal recall.

      — Kate Jones (@KateJones_teach) September 26, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
    1. Does anyone else work in project-based systems instead? .t3_y2pzuu._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      reply to u/m_t_rv_s__n https://www.reddit.com/r/Zettelkasten/comments/y2pzuu/does_anyone_else_work_in_projectbased_systems/

      Historically, many had zettelkasten which were commonplace books kept on note cards, usually categorized by subject (read: "folders" or "tags"), so you're not far from that original tradition.

      Similar to your work pattern, you may find the idea of a "Pile of Index Cards" (PoIC) interesting. See https://lifehacker.com/the-pile-of-index-cards-system-efficiently-organizes-ta-1599093089 and https://www.flickr.com/photos/hawkexpress/albums/72157594200490122 (read the descriptions of the photos for more details; there was also a related, but now defunct wiki, which you can find copies of on Archive.org with more detail). This pattern was often seen implemented in the TiddlyWiki space, but can now be implemented in many note taking apps that have to do functionality along with search and tags. Similarly you may find those under Tiago Forte's banner "Building a Second Brain" to be closer to your project-based/productivity framing if you need additional examples or like-minded community. You may find that some of Nick Milo's Linking Your Thinking (LYT) is in this productivity spectrum as well. (Caveat emptor: these last two are selling products/services, but there's a lot of their material freely available online.)

      Luhmann changed the internal structure of his particular zettelkasten that created a new variation on the older traditions. It is this Luhmann-based tradition that many in r/Zettelkasten follow. Since many who used the prior (commonplace-based) tradition were also highly productive, attributing output to a particular practice is wrongly placed. Each user approaches these traditions idiosyncratically to get them to work for themselves, so ignore naysayers and those with purist tendencies, particularly when they're new to these practices or aren't aware of their richer history. As the sub-reddit rules indicate: "There is no [universal or orthodox] 'right' way", but you'll find a way that is right for you.

    1. This effort, which Americans have supported almostfrom the beginning of the national existence and which is oneof the cornerstones of our democratic way of life, has hadremarkable results.

      Read in juxtaposition with the knowledge of orality and along with Graeber & Wengrow's The Dawn of Everything, one could certainly argue that there are other ways of knowing which provide potentially better pathways to democracy.

      Further, the simple fact of basic literacy doesn't necessarily encourage democracy. Take a look at the January 6th (2021) insurrectionists who were likely broadly literate, but who acted more like a damaged oral society and actively subverted democracy.

      Literacy plus "other things" are certainly necessary for democracy. How do we define these other things, and then once we have, is literacy still part of the equation for democracy?

    1. Check out the Zettelkasten (https://en.wikipedia.org/wiki/Zettelkasten). It may be similar to what you're thinking of. I use a digital one (Foam), and it's absolutely awesome. It's totally turned how I do my work for school on its head.

      reply to https://www.reddit.com/user/kf6gpe/

      Thanks. Having edited large parts of that page, and particularly the history pieces, I'm aware of it. It's also why I'm asking for actual examples of practices and personal histories, especially since many in this particular forum appear to be using traditional notebook/journal forms. :)

      Did you come to ZK or commonplacing first? How did you hear about it/them? Is your practice like the traditional commonplacing framing, closer to Luhmann's/that suggested by zettelkasten.de/Ahrens, or a hybrid of the two approaches?

    1. Underlining Keyterms and Index Bloat .t3_y1akec._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      Hello u/sscheper,

      Let me start by thanking you for introducing me to Zettelkasten. I have been writing notes for a week now and it's great that I'm able to retain more info and relate pieces of knowledge better through this method.

      I recently came to notice that there is redundancy in my index entries.

      I have two entries for Number Line. I have two branches in my Math category that deals with arithmetic, and so far I have "Addition" and "Subtraction". In those two branches I talk about visualizing ways of doing that, and both of those make use of and underline the term Number Line. So now the two entries in my index are "Number Line (Under Addition)" and "Number Line (Under Subtraction)". In those notes I elaborate how exactly each operation is done on a number line and the insights that can be derived from it. If this continues, I will have Number Line entries for "Multiplication" and "Division". I will also have to point to these entries if I want to link a main note for "Number Line".

      Is this alright? Am I underlining appropriately? When do I not underline keyterms? I know that I do these to increase my chances of relating to those notes when I get to reach the concept of Number Lines as I go through the index but I feel like I'm overdoing it, and it's probably bloating it.

      I get "Communication (under Info. Theory): '4212/1'" in the beginning because that is one aspect of Communication itself. But for something like the number line, it's very closely associated with arithmetic operations, and maybe I need to rethink how I populate my index.

      Presuming, since you're here, that you're creating a more Luhmann-esque inspired zettelkasten as opposed to the commonplace book (and usually more heavily indexed) inspired version, here are some things to think about:<br /> - Aren't your various versions of number line card behind each other or at least very near each other within your system to begin with? (And if not, why not?) If they are, then you can get away with indexing only one and know that the others will automatically be nearby in the tree. <br /> - Rather than indexing each, why not cross-index the cards themselves (if they happen to be far away from each other) so that the link to Number Line (Subtraction) appears on Number Line (Addition) and vice-versa? As long as you can find one, you'll be able to find them all, if necessary.

      If you look at Luhmann's online example index, you'll see that each index term only has one or two cross references, in part because future/new ideas close to the first one will naturally be installed close to the first instance. You won't find thousands of index entries in his system for things like "sociology" or "systems theory" because there would be so many that the index term would be useless. Instead, over time, he built huge blocks of cards on these topics and was thus able to focus more on the narrow/niche topics, which is usually where you're going to be doing most of your direct (and interesting) work.

      Your case sounds, and I see it with many, is that your thinking process is going from the bottom up, but that you're attempting to wedge it into a top down process and create an artificial hierarchy based on it. Resist this urge. Approaching things after-the-fact, we might place information theory as a sub-category of mathematics with overlaps in physics, engineering, computer science, and even the humanities in areas like sociology, psychology, and anthropology, but where you put your work on it may depend on your approach. If you're a physicist, you'll center it within your physics work and then branch out from there. You'd then have some of the psychology related parts of information theory and communications branching off of your physics work, but who cares if it's there and not in a dramatically separate section with the top level labeled humanities? It's all interdisciplinary anyway, so don't worry and place things closest in your system to where you think they fit for you and your work. If you had five different people studying information theory who were respectively a physicist, a mathematician, a computer scientist, an engineer, and an anthropologist, they could ostensibly have all the same material on their cards, but the branching structures and locations of them all would be dramatically different and unique, if nothing else based on the time ordered way in which they came across all the distinct pieces. This is fine. You're building this for yourself, not for a mass public that will be using the Dewey Decimal System to track it all down—researchers and librarians can do that on behalf of your estate. (Of course, if you're a musician, it bears noting that you'd be totally fine building your information theory section within the area of "bands" as a subsection on "The Bandwagon". 😁)

      If you overthink things and attempt to keep them too separate in their own prefigured categorical bins, you might, for example, have "chocolate" filed historically under the Olmec and might have "peanut butter" filed with Marcellus Gilmore Edson under chemistry or pharmacy. If you're a professional pastry chef this could be devastating as it will be much harder for the true "foodie" in your zettelkasten to creatively and more serendipitously link the two together to make peanut butter cups, something which may have otherwise fallen out much more quickly and easily if you'd taken a multi-disciplinary (bottom up) and certainly more natural approach to begin with. (Apologies for the length and potential overreach on your context here, but my two line response expanded because of other lines of thought I've been working on, and it was just easier for me to continue on writing while I had the "muse". Rather than edit it back down, I'll leave it as it may be of potential use to others coming with no context at all. In other words, consider most of this response a selfish one for me and my own slip box than as responsive to the OP.)

    1. The only reason we are better at thinking and doing thingsnow—the only reason that Aristotle, Michelangelo, and Einstein blazed into theintellectual firmament in the last couple of thousand years and not 30,000 yearsago—is that we accumulate knowledge and pass ideas and information from onegeneration to the next.

      Is he falling trap to the lure of literacy as the only means of crystallizing knowledge here? He starts with a literate Aristotle and specifically mentions 30,000 years ago instead of oral cultures which we know could do this sort of work orally almost 65,000 years ago.

    1. The information ecosystem is broken. Our political conversations are happening on infrastructure—Facebook, YouTube, Twitter—built for viral advertising. The velocity of social sharing, the power of recommendation algorithms, the scale of social networks, and the accessibility of media manipulation technology has created an environment where pseudo events, half-truths, and outright fabrications thrive. Edward Murrow has been usurped by Alex Jones.

      I believe the variable of lies and misinformation thriving in virality is based on the idea that negativity is more engaging and intriguing than positivity. When something stimulates a negative feeling such as fear or anxiety, people engage because they feel insecure whether it be relative to the condition of their environment or internal self-perception. For example, if you read something negative about the President, you care because you live in the United States and relate it to your own well-being. Further, if someone read negative articles about a person they envy, they may feel inclined to engage & share it because that person's success made them feel inferior. Unfortunately, negativity sells.

    1. we must acknowledgethe root of the scientific-repeatabilityproblem is sociological, not techno-logical
    1. If he initially wrote hiscards by hand, the vast majority were typewritten with Hebrew words written in blankspaces when required.

      While many of Deutsch's cards were initially written by hand, the majority of them are typewritten and included blank spaces for Hebrew words when required.

    2. This imposing cabinetof curiosities

      Is it appropriate to call a zettelkasten of 70,000 a "cabinet of curiosities"? They really are dramatically different forms of media, though a less discerning modern viewer might conflate the two to make a comparison.

    1. Anyone doing NaNoWriMo!?

      I posted a follow up question in the NaNoWriMo forum, which may get some additional traction: https://forums.nanowrimo.org/t/linking-up-zettelkasten-or-card-index-method-writers/433719

      I'm more of a "pantser" (vs planner) when it comes to NaNoWriMo, but if you think about it, zettelkasten provides a solid structure that builds your plan for you as you go.

    1. Posted byu/lsumnler1 year agoHow is a commonplace book different than a zettelkasten? .t3_pguxq7._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } I get that physically the commonplace book is in a notebook whether physical or digitized and zettelkasten is in index cards whether physical or digitized but don't they server the same purpose.

      Broadly the zettelkasten tradition grew out of commonplacing in the 1500s, in part, because it was easier to arrange and re-arrange one's thoughts on cards for potential reuse in outlining and writing. Most zettelkasten are just index card-based forms of commonplaces, though some following Niklas Luhmann's model have a higher level of internal links, connections, and structure.

      I wrote a bit about some of these traditions (especially online ones) a while back at: https://boffosocko.com/2021/07/03/differentiating-online-variations-of-the-commonplace-book-digital-gardens-wikis-zettlekasten-waste-books-florilegia-and-second-brains/

    1. Goutor mentions that the innovation of photocopying, while potentially useful in some cases, isn't a replacement for actual reading and proper note taking. (p30) These same sorts of affordances and problems might be similar in the newer digital/online realm for people who rely on either whole scale copy/pasting or highlight capturing of texts, but who don't do the actual work of reading, processing, and creating good notes.

      Some of the benefits like portability, ease of access, ability to work with delicate primary materials, better facsimiles of things like maps or tables, etc. are still true.

    2. As is common in the tradition of the zettelkasten, Goutor advises "that each note-card should contain only one item of information, whether a quotation, a summary, or anything else". (p28) He ascribes this requirement to his earlier need for clarity. (cross reference: https://hypothes.is/a/SfWFwENIEe2KfGMbR5n7Qg)

      He indicates that while it may seem wasteful to have only one item on each card that the savings in time, efficiency in handling, classification, and retrieval will more than compensate for the small waste.

      This sort of small local waste being compensated for by a larger global savings and efficiency can be seen in the design of the shipping container industry as discussed in Mark Levinson's The Box (Princeton University Press, 2008). Was this the exact sort of efficiency mentioned by Ahrens'? (Compare at https://hypothes.is/a/t4i32IXoEeyF2n9jQxu6BA)

    3. Jacques Goutor defines content notes as those that "are drawn in one way or another from the actual contents of the sources." He considers them the most important part of note taking as "they will eventually constitute the pieces of the mosaic." (p20)

      He further breaks this type down into generally self-explanatory "quote notes" and "summary notes". (p20) He does advise that one writes out careful summaries so that one needn't do additional future work of writing notes on one's own notes. While he doesn't state it directly, the presumption in his presentation is that a well written summary can be directly used in one's future written project.


      Compare this type of note to others like evergreen or permanent notes.

    1. And yet that is not " r e a l l y " how the project arose.What really happened is that the idea and the plan cameout o f my files; for all projects with me begin and end withthem, and books are simply organized releases from thecontinuous work that goes into them.

      Surely by "files" he means his written notes and ideas which he has filed away?

      Thus articles and books are agglomerations of ideas within notes (or perhaps one's retained memory, as best as that might be done) which are then broken off from them and released to a wider readership.

  7. Sep 2022
    1. It is a region marked by historicallylow wages paid to farm laborers and their families.

      It would seem that most of the large swaths of rural poverty in America are those with historical roots of slavery, colonization, and exploitation. These include: the Deep South and Mississippi Delta region where slavery, share cropping, and cotton plantations abounded; Appalachia (esp. West Virginia and Kentucky) where the coal mining industry disappeared; Texas-Mexico border where the Latinx populations have long been exploited; the Southwest and Northern Plains (including Alaska) with Native Americans who live on reservations after having been exploited, dealt with broken treaties and general decimation of their people and communities; central corridor of California with high numbers of exploited immigrant farm laborers.

    2. Or, take the case of unemployment as described by sociologist C. WrightMills:When, in a city of 100,000, only one man is unemployed, that is his per-sonal trouble, and for its relief we properly look to the character of theman, his skills, and his immediate opportunities. But when in a nation of50 million employees, 15 million men are unemployed, that is an issue, and

      we may not hope to find its solution within the range of opportunities open to any one individual. The very structure of opportunities has collapsed. Both the correct statement of the problem and the range of possible solutions require us to consider the economic and political institutions of the society, and not merely the personal situation and character of a scatter of individuals.16

      1. C. Wright Mills, The Sociological Imagination (New York: Oxford University Press, 1959), p. 9.

      I love this quote and it's interesting food for thought.

      Framing problems from the perspectives of a single individual versus a majority of people can be a powerful tool.

      The idea of the "welfare queen" was possibly too powerful because it singled out an imaginary individual rather than focusing on millions of people with a variety of backgrounds and diversity. Compare this with the fundraisers for impoverished children in Sally Stuther's Christian Children's Fund (aka ChildFund) which, while they show thousands of people in trouble, quite often focus on one individual child. This helps to personalize the plea and the charity actually assigned each donor a particular child they were helping out.

      How might this set up be used in reverse to change the perspective and opinions of those who think the "welfare queen" is a real thing instead of a problematic trope?

    1. First, to clarify - what is "code", what is "data"? In this article, when I say "code", I mean something a human has written, that will be read by a machine (another program or hardware). When I say "data", I mean something a machine has written, that may be read by a machine, a human, or both. Therefore, a configuration file where you set logging.level = DEBUG is code, while virtual machine instructions emitted by a compiler are data. Of course, code is data, but I think this over-simplified view (humans write code, machines write data) will serve us best for now...
    1. There are also some advantages to a multi-file YAML format OpenAPI definition: Reuse schema objects to keep things DRY (don't repeat yourself) Smaller diffs compared to JSON (especially for markdown descriptions) Easier to navigate Easier to edit with confidence
    1. Oftentimes they even refered to one another.

      An explicit reference in 1931 in a section on note taking to cross links between entries in accounting ledgers. This linking process is a a precursor to larger database processes seen in digital computing.

      Were there other earlier references that are this explicit within either note making or accounting contexts? Surely... (See also: Beatrice Webb's scientific note taking)


      Just the word "digital" computing defines that there must have been an "analog' computing which preceded it. However we think of digital computing in much broader terms than we may have of the analog process.

      Human thinking is heavily influenced by associative links, so it's only natural that we should want to link our notes together on paper as we've done for tens of thousands of years (at least.)

    1. As a reminder, the JSON Schema is not the source of truth for the Specification. In cases of conflicts between the Specification itself and the JSON Schema, the Specification wins. Also, some Specification constraints cannot be represented with the JSON Schema so it's highly recommended to employ other methods to ensure compliance.
    1. https://web.archive.org/web/20120122115952/http://pileofindexcards.org/blog/2006/10/13/one-pocket-rule/

      Noguchi Yukio had a "one pocket rule" which they first described in “「超」整理法 (cho seiri ho)”. The broad idea was to store everything in one place as a means of saving time by not needing to search in multiple repositories for the thing you were hunting for. Despite this advice the Noguchi Filing System didn't take complete advantage of this as one would likely have both a "home" and an "office" system, thus creating two pockets, a problem that exists in an analog world, but which can be mitigated in a digital one.

      The one pocket rule can be seen in the IndieWeb principles of owning all your own data on your own website and syndicating out from there. Your single website has the entire store of all your material which makes search much easier. You don't need to recall which platform (Twitter, Facebook, Instagram, et al.) you posted something on, you can save time and find the thing much more quickly by searching one place.


      This principle also applies to zettelkasten and commonplace books (well indexed), which allow you to find the data or information you put into them quickly and easily.

    1. In combination with SCA, CERICoffers freedom from the transmission model of learning, where theprofessor lectures and the students regurgitate. SCA can help buildlearning communities that increase students’ agency and power inconstructing knowledge, realizing something closer to a constructivistlearning ideal. Thus, SCA generates a unique opportunity to makeclassrooms more equitable by subverting the historicallymarginalizing higher education practices centered on the professor.

      Here's some justification for the prior statement on equity, but it comes after instead of before. (see: https://hypothes.is/a/SHEFJjM6Ee2Gru-y0d_1lg)

      While there is some foundation to the claim given, it would need more support. The sage on the stage may be becoming outmoded with other potential models, but removing it altogether does remove some pieces which may help to support neurodiverse learners who work better via oral transmission rather than using literate modes (eg. dyslexia).

      Who is to say that it's "just" sage on the stage lecturing and regurgitation? Why couldn't these same analytical practices be aimed at lectures, interviews, or other oral modes of presentation which will occur during thesis research? (Think anthropology and sociology research which may have much more significant oral aspects.)

      Certainly some of these methods can create new levels of agency on the part of the learner/researcher. Has anyone designed experiments to measure this sort of agency growth?

    2. Even with interactive features,highlighting does not require active engagement with the text, suchas paraphrasing or summarizing, which help to consolidate learning(Brown et al., 2014)

      What results do Brown et al show exactly? How do they dovetail with the citations and material in Ahrens2017 on these topics?

      Brown, P. C., Roediger, H. L., & McDaniel, M. A. (2014). Make it stick: The science of successful learning. The Belknap Press of Harvard University Press. http://ebookcentral.proquest.com/lib/jhu/detail.action?docID=3301452

      Ahrens, doesn't provide a full citation of Brown, but does quote it for the same broad purpose (see: https://hypothes.is/a/8ewTno3pEeydaHscXVaIzw) specifically with respect to the idea that highlighting doesn't help in the learning process, yet students still actively do it.

    1. Each slip ought to be furnished with precise refer-ences to the source from which its contents havebeen derived ; consequently, if a document has beenanalysed upon fifty different slips, the same refer-ences must be repeated fifty times. Hence a slightincrease in the amount of writing to be done. Itis certainly on account of this trivial complicationthat some obstinately cling to the inferior notebooksystem.

      A zettelkasten may require more duplication of effort than a notebook based system in terms of copying.


      It's likely that the attempt to be lazy about copying was what encouraged Luhmann to use his particular system the way he did.

    2. Every one admits nowadays that it is advisable tocollect materials on separate cards or slips of paper.

      A zettelkasten or slip box approach was commonplace, at least by historians, (excuse the pun) by 1898.

      Given the context as mentioned in the opening that this books is for a broader public audience, the idea that this sort of method extends beyond just historians and even the humanities is very likely.

    3. There is a still more barbarous method, whichneed not receive more than passing mention. Thisis simply to register documents in the memorywithout taking written notes. This method hasbeen used. Historians endowed with excellentmemories, and lazy to boot, have indulged thiswhim, with the result that their quotations andreferences are mostly inexact. The human memoryis a delicate piece of registering apparatus, but it isso little an instrument of precision that such pre-sumption is inexcusable.
    1. There are loads of small things that matter. That matter because they work towards taking on the much bigger context visible through the macroscope.

      In general w small things the presumption is that they're stand alone. Small things can have meaningfull settings around them, which make a small things contribute to compounding impact. [[Compound interest van implementatie en adoptie 20210216134309]] waar exponentieel effect in emergentie besloten ligt.

  8. Aug 2022
    1. I think we can define an "archival virtual machine" specification that is efficient enough to be usable but simple enough that it never needs to be updated and is easy to implement on any platform; then we can compile our explorable explanations into binaries for that machine. Thenceforth we only need to write new implementations of the archival virtual machine platform as new platforms come along

      We have that. It's the Web platform. The hard part is getting people to admit this, and then getting them to actually stop acting counter to these interests. Sometimes that involves getting them to admit that their preferred software stack (and their devotion to it) is the problem, and it's not going to just fix itself.

      See also: Lorie and the UVC

    1. AtleastonedistinguishedAmericanscholarhasmadethemthechieffactorin hisnote-system,tosuch degreeastohavenoplace for smallerpiecessave astheymight befiledwiththe larger;andhasfreelycounseledotherstodolikewise

      What scholar is being referenced here as using larger slips and suggesting others do likewise?

    Tags

    Annotators

    1. ryanjamurphy (he/him) — 06/25/2022I think this is the interplay where things get lost. There are very few theorizers, and tonnes of enactors. And everyone ends up thinking the enactors are theorizers, but they're not. They're developing specific methods without building up — and especially without critiquing — the underlying theory.
    1. The person who has acquired knowledge of a language has internalized asystem of rules that relate sound and meaning in a particular way.
    2. there is a problem of determining not only what he saidbut also, more importantly, what he meant.
    3. I recall being told by a distinguishedanthropological linguist, in 1953, that he had no intention of working througha vast collection of materials that he had assembled because within a few yearsit would surely be possible to program a computer to construct a grammar froma large corpus of data by the use of techniques that were already fairly wellformalized.

      rose colored glasses...

    1. Australia’s Indigenous knowledge systems do not separate the secular and the sacred; both are embedded in the idea of Country as an all encompassing term of the materiality of life, landscape and seascape, as well as the spiritual world of the creation ancestors, and the concept of the Jukurrpa, the eternal law/lore of how to live sustainably in accordance with how the world works, which in turn has shaped human social organisation and kinship systems.
    2. The purpose of this secular knowledge system is not intrinsically about wellbeing, ethics and goodness per se; it is about the search for truth and efficacy—be that for competing ideas about what is good, for the purposes of competitive advantage in commerce or national prestige, or for destructive purposes linked to warfare and security.
    3. The Western knowledge system rests on a strong split between secular and religious knowledge.
    4. Margo Neale (featured at right) suggests that the Songlines project can be conceived as a Third Archive, a bridge between the First Archive of Indigenous knowledges, kept alive in the songlines that crisscross Australia, and the Second Archive, that of the Western Knowledge system, imported into Australia through colonisation and settlement and transmitted through our education systems and institutions of government, business and civil society.
    1. Mechanical form.Use standard size (8t/,xll in.) type-writer pa er or the essay paper in standard use a t the in-stitution. %or typing, use an unruled bond paper of goodquality, such as “Paragon Linen” or “Old Hampshire Mills.”At the left of the page leave a margin of 1% to l’/e inches;and a t the top, bottom, and right of the page, a margin of1 inch. Write only on one side of the paper. In ty in thelines should be double-spaced. Each chapter shouyd feginon a new page. Theses for honors and degrees must be typed;other essays may be typed or legibly written in ink. Whetherthe essay is typed or written, the use of black ink is prefer-able. The original typewritten copy must be presented. Incase two copies of a thesis are required, the second copymust be the first carbon and must be on the same quality ofpaper as the original.

      Definitely a paragraph aimed at the student in the manner of a syllabus, but also an interesting tidbit on the potential evolution of writing forms over time.


      How does language over time change with respect to the types and styles of writing forms, particularly when they're prescribed or generally standardized over time? How do these same standards evolve over time and change things at the level of the larger pictures?

    2. The better students tend to exceed the indicated maximums.

      of course this also depends on the overall quality of the work and not just the length...

    3. Perspectiae and continuity. Correct perspective is es-sential t o sound critical malysis and interpretation. Thehistorical writer must always keep the time element clearlyin mind, and must recognize that an estimate of any histori-cal ersonage or event is determined in no small measureby t1e time or the conditions under which the person livedor the event occurred
    1. Stigmergy (/ˈstɪɡmərdʒi/ STIG-mər-jee) is a mechanism of indirect coordination, through the environment, between agents or actions.

      Example: ant pheromone paths

      Within ants, there can be a path left for others to follow, but what about natural paths in our environment that influence us to take them because of the idea of the "path of least resistence" or the effects of having paved cow paths.

      Similarly being lead by "the company that you keep".

      relathionship to research on hanging out with fat people tending to make one fatter.

    1. Finally, in anticipation of an argument that I expect to see, let me stress that this is not a technical issue. Computing technology moves at a fast pace, but that doesn’t mean that lack of stability is a fatality. My last Fortran code, published in 1994, still works without changing a single line. Banks have been running Cobol code unchanged for decades. Today’s Java implementations will run the very first Java code from 1995 without changes, and even much faster thanks to JIT technology. This last example also shows that stability is not in contradiction with progress. You can have both if that’s a design goal. It’s all a matter of policy, not technology.
    1. Tools are instruments to achieve something, and systems are the organization of such.

      Feels like there's more here if we delve a bit deeper...

    2. Analog tools also allow me to express my intention freely. For example, when using a blank notebook, I can write anywhere: begin from the bottom, on the margins, or intersperse it with quick diagrams or illustrations. On the other hand, note-taking apps usually force me to think line by line. It’s not bad, but it misses out on several affordances that pen and paper provides.

      affordance of location on a page in analog pen/paper versus digital line by line in note taking


      I did sort of like the idea of creating information anywhere on the page within OneNote, but it didn't make things easy to draw or link pieces on the same page in interesting ways (or at least I don't remember that as a thing.)

    1. My task...is, by the power of the written word, to makeyou hear, to make you feel – it is, before all, to makeyou see. Joseph Conrad (1857-1924)

      Direct source?

      This could be interesting with respect to what it says to me about seeing things within one's mind's eye with respect to orality.

    2. ! Doing the work of linkingideas together, whether in a digital or analog system,seems to be the only sure key to creating connections thatwill allow you to return in the future and follow the sametrail of ideas.

      A nod to Vannevar Bush's phrase "associative trails" or a throwback to the much older cultural ideas of memory and orality in the vein of songlines?

      link to: - https://hypothes.is/a/bMy1FBM8Ee2K_nOEDpfB_A

  9. Jul 2022
    1. https://vimeo.com/729407073

      <iframe src="https://player.vimeo.com/video/729407073?h=054ecbcc7b" width="640" height="360" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen></iframe>

      MakingKnowledge: Scott Scheper from Dan Allosso on Vimeo.


      Various names Luhmann gives to the effects seen in his slip box: - ghost in the box - second mind - alter ego - communication partner

      These are tangential ideas and words which lead up to the serendipity of combinatorial creativity, but aren't quite there.

    1. The effortinvolved in writing a note in their own words, whichinstructional designers like to call a “desirable difficulty”helps shift the idea from short-term to long-termmemory (this is the same reason many note-makers areshifting back to hand-writing on cards rather thandepending on automated apps)

      The work of writing things down or transforming them into pictures, diagrams, song, art, other creates a context shift in the material which requires greater engagement within the brain and may help to improve understanding.


      Compare/contrast the ideas of context shifting with desirable difficulty.


      Note that this use of "context shifting" (within the pedagogy space) is dramatically different to that used by people like Cal Newport and others (within the productivity space).

    2. Thetechniques and tools we’re going to discuss in this sectionon note-making are focused mostly on texts, but they canbe applied to ideas that come to you from discussion,listening to lectures, experiment, or life experience.

      This might also include other forms of art including song and dance.

      Link this to: - choreography notation (@remikalir's sister in ballet) - Caleb Deschanel's cinematography notation which he likened to musical notation

    3. “Taking Notes” rather than what I typically say, MakingNotes.

      I love the distinction here between "taking notes" and "making notes". Too many focus on the "taking notes" portion and never get to the making part of the equation.

    4. While it maybe possible to talk without thinking, it is probably moredifficult to write without thinking.

      Has talking without thinking become worse with the advent of literacy and writing?

    5. writing is thinking

      Talking, like writing, is also a form of thinking, but without a lot of work it doesn't have the instantaneous "memory" built into the process.

      "Let's talk this out..."

      Link to: - https://hypothes.is/a/5Ct1LJqTEeyewcuZMx620Q<br /> - https://hypothes.is/a/xvqbambjEey2CKNBjNDhFg

    1. I'll push back on this a bit. I suspect that even though one might create multiple links to digital notes in all directions like this, it really doesn't happen happen at scale like this in practice.

      I'd be willing to guess that very few people in the digital space are linking their ideas to more than two or three others. In fact, I suspect that if you looked at many digital ZKs you'd find a lot of orphaned notes floating around.

      Separately, even in the analog space, the two links (down or forward) isn't always correct either. I cross link all over the place. The one constant benefit of the analog is that you're generally required to create at least one link because you have to place the card somewhere, and this isn't the case in most digital contexts/tools.

      I'd posit that it's a lot of work to link a new idea into your system once much less in multiple places. Generally the more ideas you can link/cross-link it to, the more likely you'll run across it in the future and have potential to reuse it. I'd also suggest that the more links it's got, the better you'll "own" it. These addition links will also allow you to better compare/contrast various ideas by juxtaposing them in the future.

      Theorem: more (good/great) links = more complexity which yields more "life", serendipity, and surprise to be found in your slip box for future use.

    1. For example, in the Phaedrus, one of Plato’s dialogues from the 4th century BCE, Socrates relates the myth of the king Thamus and the god Theuth. Theuth was the inventor of letters — the first technology of thinking!

      Another of the abounding examples of people thinking that writing and literacy are the first technology of thinking.

    1. I bet with the advent of computers and the digitalizing of reference material there was a spike in the amount of verbatum quotes that are used instead of summarizing the thought into your own words.

      It's a reasonable assumption that with the rise of digital contexts and the ease of cut and paste that people excerpting or quoting material are more likely to excerpt and quote longer passages because it is now easier to do.


      Has anyone done research on showing that this is the case?

    1. I am not worried about disillusioning young people by pointing tothe aws in the traditional heroes.

      It's odd that a historian would have to say this about history... it's definitely not mythology that we're creating here.

    Tags

    Annotators

    1. https://threadreaderapp.com/thread/1547390915689566211.html via https://twitter.com/nicolas_gatien/status/1547390946156969984

      Nicolas, I broadly agree with you that many of these factors of reading and writing for understanding and retention are at play and the research in memory and spaced repetition underlines a lot of this. However in practice, one needs to be revisiting and actively using their notes for some particular project to remember them better. The card search may help to create both visual and physical paths that assist in memory too.

      Reliance solely on a physical zettelkasten however may not be enough without active use over time, particularly for the majority of users. It's unlikely that all or even many may undertake this long term practice. Saying that this is either the "best", "optimum", or "only" way would be disingenuous to the diversity of learners and thinkers.

      Those who want to add additional strength to these effects might also use mnemonic methods from indigenous cultures that rely on primary orality. These could include color, images, doodles (drolleries anyone?), or other associative methods, many of which could be easily built into an (antinet) zettelkasten. Lynne Kelly's work in this area can be highly illuminating. For pure practical application and diversity of potential methods, I recommend her book Memory Craft https://amzn.to/3zdqqGp, but she's got much more academic and in depth work that is highly illustrative.

      With this background on orality and memory in mind we might all broadly view wood and stone circles (Stonehenge), menhir, standing stones, songlines, and other mnemonic devices in the archaeological and sociological records as zettelkasten which one keeps entirely in their memory rather than writing them down. We might also consider, based on this and the historical record concerning Druids and their association with trees that the trees served a zettelkasten-like function for those ancient societies. This continues to extend to lots of other cultural and societal practices throughout history. Knowledge from Duane Hamacher et al's book The First Astronomers and Karlie Noone and Krystal De Napoli's Astronomy: Sky Country will underline these theories and practices in modern indigenous settings.

    1. It really slows down your test suite accessing the disk.So yes, in principle it slows down your tests. There is a "school of testing" where developer should isolate the layer responsible for retrieving state and just set some state in memory and test functionality (as if Repository pattern). The thing is Rails is a tightly coupled with implementation logic of state retrieval on core level and prefers "school of testing" in which you couple logic with state retrial to some degree.Good example of this is how models are tested in Rails. You could just build entire test suite calling `FactoryBot.build` and never ever use `FactoryBot.create` and stub method all around and your tests will be lighting fast (like 5s to run your entire test suite). This is highly unproductive to achieve and I failed many times trying to achieve that because I was spending more time maintaining my tests then writing something productive for business.Or you can took more pragmatic route and save database record where is too difficult to just 'build' the factory (e.g. Controller tests, association tests etc)Same I would say for saving the file to the Disk. Yes you are right You could just "not save the file to disk" and save few milliseconds. But at the same time you will in future stumble upon scenarios where your tests are not passing because the file is not there (e.g. file processing validations) Is it really worth it ? I never worked on a project where saving file to a disk would slow down tests significantly enough that would be an issue (and I work for company where core business is related to file uploading) Especially now that we have SSD drives in every laptop/server it's blazing fast so at best you would save 1 seconds for entire test suite (given you call FactoryBot traits to set/store file where it make sense. Not when every time you build an object.)
    1. @2:10

      They didn't publish the code. They published the algorithm. And they prided themselves on—the computer scientists at the time—of describing the algorithm, not GitHubbing the code. These days we don't—we GitHub the code. You want the algorithm? Here's the code.

      This is not always reliable. There are some non-highly-mathematical things that you'd prefer to have the algorithm explained rather than slog through the code, which is probably adulterated with hacks for e.g. platform gotchas, etc.

      There is a better way, though, which is to publish a high-level description of the workings as runnable code that you can simulate in a Web browser. Too many people have misconceptions about the stability of the Web browser as a platform for simulations, however. We need to work on this.

    1. Unfortunately, many corporate software programsaim to level or standardise the differences betweenindividual workers. In supporting knowledgeworkers, we should be careful to provide tools whichenable diversification of individuals’ outputs.Word-processors satisfi this criterion; tools whichembed a model of a knowledge worker’s task in thesoftware do not.

      Tools which allow for flexibility and creativity are better for knowledge workers than those which attempt to crystalize their tasks into ruts. This may tend to force the outputs in a programmatic way and thereby dramatically decrease the potential for innovative outputs. If the tools force the automation of thought without a concurrent increase in creativity then one may as well rely on manual labor for their thinking.


      This may be one of the major flaws of tools for thought in the educational technology space. They often attempt to facilitate the delivery of education in an automated way which dramatically decreases the creativity of the students and the value of the overall outputs. While attempting to automate education may suit the needs of institutions which are delivering the education, particularly with respect to the overall cost of delivery, the automation itself is dramatically at odds with the desire to expand upon ideas and continue innovation for all participants involved. Students also require diverse modes of input (seen/heard) as well as internal processing followed by subsequent outputs (written/drawn/sculpted/painted, spoken/sung, movement/dance). Many teachers don't excel at providing all of these neurodiverse modes and most educational technology tools are even less flexible, thus requiring an even larger panoply of them (often not interoperable because of corporate siloing for competitive reasons) to provide reasonable replacements. Given their ultimate costs, providing a variety of these tools may only serve to increase the overall costs of delivering education or risk diminishing the overall quality. Educators and institutions not watching out for these traps will tend to serve only a small portion of their intended audiences, and even those may be served poorly as they only receive a limited variety of modalities of inputs and outputs. As an example Western cultures' overreliance on primary literacy modes is their Achilles' heel.


      Tools for thought should actively attempt to increase the potential solution spaces available to their users, while later still allowing for focusing of attention. How can we better allow for the divergence of ideas and later convergence? Better, how might we allow for regular and repeated cycles of divergence and convergence? Advanced zettelkasten note taking techniques (which also allow for drawing, visual, auditory and other modalities beyond just basic literacy) seem to allow for this sort of practice over long periods of time, particularly when coupled with outputs which are then published for public consumption and divergence/convergence cycles by others.

      This may also point out some of the stagnation allowed by social media whose primary modes is neither convergence nor divergence. While they allow for the transmission/communication portion, they primarily don't actively encourage their users to closely evaluate the transmitted ideas, internalize them, or ultimately expand upon them. Their primary mode is for maximizing on time of attention (including base emotions including excitement and fear) and the lowest levels of interaction and engagement (likes, retweets, short gut reaction commentary).

    1. Worth taking a look at the various affordances of folders vs. links vs. tags.

      Some of these functionalities may be highly dependent on the particular tool in question and what affordances the tool allows for these ideas.

      Has anyone done this comprehensively across a number of tools other than threads in fora like reddit, zettelkasten.de, etc.?

      https://www.reddit.com/r/ObsidianMD/comments/vofakc/folders_vs_links_vs_tags/

  10. Local file Local file
    1. 'I don't think it's anything—I mean, I don't think it was ever put to anyuse. That's what I like about it. It's a little chunk of history that they'veforgotten to alter. It's a message from a hundred years ago, if one knew howto read it.'

      Walter and Julia are examining a glass paperweight in George Orwell's 1984 without having context of what it is or for what it was used.

      This is the same sort of context collapse caused by distance in time and memory that archaeologists face when examining found objects.

      How does one pull out the meaning from such distant objects in an exegetical way? How can we more reliably rebuild or recreate lost contexts?

      Link to: - Stonehenge is a mnemonic device - mnemonic devices in archaeological contexts (Neolithic carved stone balls


      Some forms of orality-based methods and practices can be viewed as a method of "reading" physical objects.


      Ideograms are an evolution on the spectrum from orality to literacy.


      It seems odd to be pulling these sorts of insight out my prior experiences and reading while reading something so wholly "other". But isn't this just what "myths" in oral cultures actually accomplish? We link particular ideas to pieces of story, song, art, and dance so that they may be remembered. In this case Orwell's glass paperweight has now become a sort of "talking rock" for me. Certainly it isn't done in any sort of sense that Orwell would have expected, presumed, or even intended.

    1. Take extreme care how you may conflate and differentiate (or don't) the ideas of "information" and "knowledge". Also keep in mind that the mathematical/physics definition of information is wholly divorced from any semantic meanings it may have for a variety of receivers which can have dramatically different contexts which compound things. YI suspect that your meaning is an Take extreme care how you may conflate and differentiate (or don't) the ideas of "information" and "knowledge". Also keep in mind that the mathematical/physics definition of information is wholly divorced from any semantic meanings it may have for a variety of receivers which can have dramatically different contexts which compound things. I suspect that your meaning is an

      Take extreme care how you may conflate and differentiate (or don't) the ideas of "information" and "knowledge". Also keep in mind that the mathematical/physics definition of information is wholly divorced from any semantic meanings it may have for a variety of receivers which can have dramatically different contexts which compound things.

      It's very possible that the meaning you draw from it is an eisegetical one to the meaning which Eco assigns it.

  11. Jun 2022
    1. "The implicit feel of where you are in a physical book turns out to be more important than we realized," says Abigail Sellen of Microsoft Research Cambridge in England and co-author of The Myth of the Paperless Office. "Only when you get an e-book do you start to miss it. I don't think e-book manufacturers have thought enough about how you might visualize where you are in a book."

      How might we design better digital reading interfaces that take advantage of a wider range of modes of thinking and reading?

      Certainly adding audio to the text helps to bring in benefits of orality, but what other axes are there besides the obvious spatial benefits?

    2. Instead of hiking the trail yourself, the trees, rocks and moss move past you in flashes with no trace of what came before and no way to see what lies ahead.

      Just as there are deficits like dyslexia in the literate world, are there those who have similar deficits relating to location in the oral world? What do these look like? What are they called specifically?

      There are definitely memory deficits withing cognitive neuropsychology. Is there a comprehensive list one could look at?

      Some people aren't as good at spatial orientation as others. Women are stereotyped as being less good at direction and direction finding.

    3. Both anecdotally and in published studies, people report that when trying to locate a particular piece of written information they often remember where in the text it appeared.

      How does location affect our reading? Is it similar to methods of location and memory within oral traditions?

    1. “As neoliberal citizenship sets loose the individual to take care of itself, it also discursively binds the individual to the well-being of the whole”

      What is preferable? I feel like we should start with the well-being of the whole and individuate from there; technosocial urbanism emphasizes applying tech to social issues, but why don't we set the bone before providing a crutch?

    1. Want to animate navigations between pages? You can’t (yet). Want to avoid the flash of white? You can’t, until Chrome fixes it (and it’s not perfect yet). Want to avoid re-rendering the whole page, when there’s only a small subset that actually needs to change? You can’t; it’s a “full page refresh.”

      an impedance mismatch, between what the Web is (infrastructure for building information services that follow the reference desk model—request a document, and the librarian will come back with it) versus what many Web developers want to be (traditional app developers—specifically, self-styled product designers with near 100% autonomy and creative control over the "experience")—and therefore what they want the Web browser to be (the vehicle that makes that possible, with as little effort as possible on the end of the designer–developer)

    1. That is why building a Second Brain is a journey of personalgrowth. As your information environment changes, the way yourmind operates starts to be transformed.

      This also happens with the techniques of orality, but from an entirely different perspective. Again, these methods are totally invisible even to an expert on productivity and personal knowledge management.

      Not even a mention here of the ancient Greeks bemoaning the invention of literacy as papering over valuable memory.

    2. • Write down ideas for next steps: At the end of a worksession, write down what you think the next steps could be forthe next one.• Write down the current status: This could include your currentbiggest challenge, most important open question, or futureroadblocks you expect.• Write down any details you have in mind that are likely tobe forgotten once you step away: Such as details about thecharacters in your story, the pitfalls of the event you’re planning,or the subtle considerations of the product you’re designing.• Write out your intention for the next work session: Set anintention for what you plan on tackling next, the problem youintend to solve, or a certain milestone you want to reach.

      A lot of this is geared toward the work of re-contextualizing one's work and projects.

      Why do all this extra work instead of frontloading it? Here again is an example of more work in comparison to zettelkasten...

    3. The Archipelago of Ideas

      This idea doesn't appear in Steven Johnson's book itself, but only in this quirky little BoingBoing piece, so I'll give Forte credit for using his reading and notes from this piece to create a larger thesis here.

      I'm not really a fan of this broader archipelago of ideas as it puts the work much later in the process. For those not doing it upfront by linking ideas as they go, it's the only reasonable strategy left for leveraging one's notes.

    4. If we overlay the four steps of CODE onto the model ofdivergence and convergence, we arrive at a powerful template forthe creative process in our time.

      The way that Tiago Forte overlaps the idea of C.O.D.E. (capture/collect, organize, distill, express) with the divergence/convergence model points out some primary differences of his system and that of some of the more refined methods of maintaining a zettelkasten.

      A flattened diamond shape which grows from a point on the left so as to indicate divergence from a point to the diamond's wide middle which then decreases to the right to indicate convergence  to the opposite point. Overlapping this on the right of the diamond are the words "capture" and "organize" while the converging right side is overlaid with "distill" and "express". <small>Overlapping ideas of C.O.D.E. and divergence/convergence from Tiago Forte's book Building a Second Brain (Atria Books, 2022) </small>

      Forte's focus on organizing is dedicated solely on to putting things into folders, which is a light touch way of indexing them. However it only indexes them on one axis—that of the folder into which they're being placed. This precludes them from being indexed on a variety of other axes from the start to other places where they might also be used in the future. His method requires more additional work and effort to revisit and re-arrange (move them into other folders) or index them later.

      Most historical commonplacing and zettelkasten techniques place a heavier emphasis on indexing pieces as they're collected.

      Commonplacing creates more work on the user between organizing and distilling because they're more dependent on their memory of the user or depending on the regular re-reading and revisiting of pieces one may have a memory of existence. Most commonplacing methods (particularly the older historic forms of collecting and excerpting sententiae) also doesn't focus or rely on one writing out their own ideas in larger form as one goes along, so generally here there is a larger amount of work at the expression stage.

      Zettelkasten techniques as imagined by Luhmann and Ahrens smooth the process between organization and distillation by creating tacit links between ideas. This additional piece of the process makes distillation far easier because the linking work has been done along the way, so one only need edit out ideas that don't add to the overall argument or piece. All that remains is light editing.

      Ahrens' instantiation of the method also focuses on writing out and summarizing other's ideas in one's own words for later convenient reuse. This idea is also seen in Bruce Ballenger's The Curious Researcher as a means of both sensemaking and reuse, though none of the organizational indexing or idea linking seem to be found there.


      This also fits into the diamond shape that Forte provides as the height along the vertical can stand in as a proxy for the equivalent amount of work that is required during the overall process.

      This shape could be reframed for a refined zettelkasten method as an indication of work


      Forte's diamond shape provided gives a visual representation of the overall process of the divergence and convergence.

      But what if we change that shape to indicate the amount of work that is required along the steps of the process?!

      Here, we might expect the diamond to relatively accurately reflect the amounts of work along the path.

      If this is the case, then what might the relative workload look like for a refined zettelkasten? First we'll need to move the express portion between capture and organize where it more naturally sits, at least in Ahren's instantiation of the method. While this does take a discrete small amount of work and time for the note taker, it pays off in the long run as one intends from the start to reuse this work. It also pays further dividends as it dramatically increases one's understanding of the material that is being collected, particularly when conjoined to the organization portion which actively links this knowledge into one's broader world view based on their notes. For the moment, we'll neglect the benefits of comparison of conjoined ideas which may reveal flaws in our thinking and reasoning or the benefits of new questions and ideas which may arise from this juxtaposition.

      Graphs of commonplace book method (collect, organize, distill, express) versus zettelkasten method (collect, express, organize (index/link), and distill (edit)) with work on the vertical axis and time/methods on the horizontal axis. While there is similar work in collection the graph for the zettelkasten is overall lower and flatter and eventually tails off, the commonplace slowly increases over time.

      This sketch could be refined a bit, but overall it shows that frontloading the work has the effect of dramatically increasing the efficiency and productivity for a particular piece of work.

      Note that when compounded over a lifetime's work, this diagram also neglects the productivity increase over being able to revisit old work and re-using it for multiple different types of work or projects where there is potential overlap, not to mention the combinatorial possibilities.

      --

      It could be useful to better and more carefully plot out the amounts of time, work/effort for these methods (based on practical experience) and then regraph the resulting power inputs against each other to come up with a better picture of the efficiency gains.

      Is some of the reason that people are against zettelkasten methods that they don't see the immediate gains in return for the upfront work, and thus abandon the process? Is this a form of misinterpreted-effort hypothesis at work? It can also be compounded at not being able to see the compounding effects of the upfront work.

      What does research indicate about how people are able to predict compounding effects over time in areas like money/finance? What might this indicate here? Humans definitely have issues seeing and reacting to probabilities in this same manner, so one might expect the same intellectual blindness based on system 1 vs. system 2.


      Given that indexing things, especially digitally, requires so little work and effort upfront, it should be done at the time of collection.


      I'll admit that it only took a moment to read this highlighted sentence and look at the related diagram, but the amount of material I was able to draw out of it by reframing it, thinking about it, having my own thoughts and ideas against it, and then innovating based upon it was incredibly fruitful in terms of better differentiating amongst a variety of note taking and sense making frameworks.

      For me, this is a great example of what reading with a pen in hand, rephrasing, extending, and linking to other ideas can accomplish.

    5. Over time, your ability to quickly tap these creative assets andcombine them into something new will make all the difference in yourcareer trajectory, business growth, and even quality of life

      I'm curious how he's going to outline this practice as there's been no discussion of linking or cross-linking ideas prior to this point as is done in some instantiations of the zettelkasten methods. (Of course this interlinking is more valuable when it comes specifically to writing output; once can rely on subject headings and search otherwise.)

    6. UsingPARA is not just about creating a bunch of folders to put things in. Itis about identifying the structure of your work and life—what you arecommitted to, what you want to change, and where you want to go.

      Using the P.A.R.A. method puts incredible focus on immediate projects and productivity toward them. This is a dramatically different focus from the zettelkasten method.

      The why's of the systems are dramatically different as well.

    7. We are organizing for actionability

      Organize for actionability.

      (Applicable only for P.A.R.A.?)

      This is interesting for general project management, but potentially not for zettelkasten-type notes. That method has more flexibility that doesn't require this sort of organizational method and actually excels as a result of it.

      There is a tension here.


      Notes primarily for project-based productivity are different from notes for writing-based output.

    1. Looking for advice on how to adapt antinet ideas for my own system .t3_vkllv0._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; }

      Holiday's system is roughly similar to the idea of a commonplace book, just kept and maintained on index cards instead of a notebook. He also seems to advocate for keeping separate boxes for each project which I find to be odd advice, though it's also roughly the same advice suggested by Twyla Tharp's The Creative Habit and Tiago Forte's recent book Building a Second Brain which provides a framing that seems geared more toward broader productivity rather than either the commonplacing or zettelkasten traditions.

      I suspect that if you're not linking discrete ideas, you'll get far more value out of your system by practicing profligate indexing terms on your discrete ideas. Two topical/subject headings on an individual idea seems horrifically limiting much less on an entire article and even worse on a whole book. Fewer index topics is easier to get away with in a digital system which allows search across your corpus, but can be painfully limiting in a pen/paper system.

      Most paperbound commonplaces index topics against page numbers, but it's not clear to me how you're numbering (or not) your system to be able to more easily cross reference your notes with an index. Looking at Luhmann's index as an example (https://niklas-luhmann-archiv.de/bestand/zettelkasten/zettel/ZK_2_SW1_001_V) might be illustrative so you can follow along, but if you're not using his numbering system or linking your cards/ideas, then you could simply use consecutive numbers 1, 2, 3, 4, ..., 92000, 92001, ... on your cards to index against to easily find the cards you're after. It almost sounds to me that with your current filing system, you'd have to duplicate your cards to be able to file them under more than one topic. This obviously isn't ideal.

    1. For Jerome Bruner, the place to begin is clear: “One starts somewhere—where the learner is.”

      One starts education with where the student is. But mustn't we also inventory what tools and attitudes the student brings? What tools beyond basic literacy do they have? (Usually we presume literacy, but rarely go beyond this and the lack of literacy is too often viewed as failure, particularly as students get older.) Do they have motion, orality, song, visualization, memory? How can we focus on also utilizing these tools and modalities for learning.

      Link to the idea that Donald Trump, a person who managed to function as a business owner and president of the United States, was less than literate, yet still managed to function in modern life as an example. In fact, perhaps his focus on oral modes of communication, and the blurrable lines in oral communicative meaning (see [[technobabble]]) was a major strength in his communication style as a means of rising to power?

      Just as the populace has lost non-literacy based learning and teaching techniques so that we now consider the illiterate dumb, stupid, or lesser than, Western culture has done this en masse for entire populations and cultures.

      Even well-meaning educators in the edtech space that are trying to now center care and well-being are completely missing this piece of the picture. There are much older and specifically non-literate teaching methods that we have lost in our educational toolbelts that would seem wholly odd and out of place in a modern college classroom. How can we center these "missing tools" as educational technology in a modern age? How might we frame Indigenous pedagogical methods as part of the emerging third archive?

      Link to: - educational article by Tyson Yunkaporta about medical school songlines - Scott Young article "You should pay for Tutors"


      aside on serendipity

      As I was writing this note I had a toaster pop up notification in my email client with the arrival of an email by Scott Young with the title "You should pay for Tutors" which prompted me to add a link to this note. It reminds me of a related idea that Indigenous cultures likely used information and knowledge transfer as a means of payment (Lynne Kelly, Knowledge and Power). I have commented previously on the serendipity of things like auto correct or sparks of ideas while reading as a means of interlinking knowledge, but I don't recall experiencing this sort of serendipity leading to combinatorial creativity as a means of linking ideas,

    2. From the classroom, to the street, to the Internet, Eric’s voice carried, and carried within it the possibility of a kind of education–amplified with digital technologies– that enables other human beings to become conscious, to become responsible, to learn.

      Sadly, we seem to have othered orality and cultural practices which don't fit into the Western literate cultural box. This prevents us from moving forward as a society and a diverse culture.

      In the 90's rap was culturally appropriated by some because of its perception as "cool" within the culture. Can this coolness be leveraged as a reintroduction of oral methods in our culture without the baggage of the appropriation? Can it be added to enhance the evolving third archive? As a legitimate teaching tool?

    3. listen deeply to Eric’s story

      Beyond Eric's words here, I'm struck by the fact that he's able to do this "feat" orally in a way that I certainly cannot. Perhaps he spent ages slowly building it up and writing it down in a literal fashion, but I suspect that part of it is not and that it is raw oral poetry in a way which requires culture and oral practice that I wholly lack, but wish I had.

      How can we better teach this?! Center this.

      Link to: - Eminem's stacking ammo

    1. It will be interesting to see where Eyler takes his scholarship post-COVID. I’ll be curious to learn how Eyler thinks of the intersection of learning science and teaching practices in an environment where face-to-face teaching is no longer the default.

      Face-to-face teaching and learning has been the majority default for nearly all of human existence. Obviously it was the case in oral cultures, and the tide has shifted a bit with the onset of literacy. However, with the advent of the Internet and the pressures of COVID-19, lots of learning has broken this mold.

      How can the affordances of literacy-only modalities be leveraged for online learning that doesn't include significant fact-to-face interaction? How might the zettelkasten method of understanding, sense-making, note taking, and idea generation be leveraged in this process?

    1. “So I’m supposed to ask the Lakota Language Consortium if I can use my own Lakota language,” Taken Alive asked in one of many TikTok posts that would come to define his social media presence. 

      Based on some beyond the average knowledge of Indigenous cultures, I'm reading some additional context into this statement that is unlikely to be seen or understood by those with Western-only cultural backgrounds who view things from an ownership and capitalistic perspective.

      There's a stronger sense of identity and ownership of language and knowledge within oral traditions than can be understood by Westerners who didn't grow up with it.

      He obviously feels like we're stealing from him all over again. We need better rules and shared definitions between Indigenous peoples and non before embarking on these sorts of projects.

    2. But the copyright on the materials still gives the organization control over how the information is used, which is what some tribal leaders find objectionable.

      Oral cultures treat information dramatically different than literate cultures, and particularly Western literate cultures within capitalism-based economies.

    1. In 2010, we didn’t have ES modules, but once it was standardized it should have been brought into Node.

      Fun fact: the amount of time between 2010—the year Dahl mentions here—and ES2015—aka ES6, where modules appeared—is less than the amount of time between ES2015 and today. And yet people act like modules are new (or worse, just over the horizon, but still not here). It's a people problem.

    1. https://teachingamericanhistory.org/document/patrick-henry-virginia-ratifying-convention-va/

      While gerrymandering isn't brought up explicitly here, the underlying principles are railed against heavily.

      Some interesting things applicable to the rise of Donald J. Trump hiding in here.

      Interesting to read this in its historical context versus our present context. So much can be read into his words from our current context, while others can extract dramatically different views--particularly by Constitutional originalists.

    1. The lower courts consistently point to one paragraph in particular from the Heller decision. Nothing in the opinion, Scalia wrote, shouldbe taken to cast doubt on longstanding prohibitions on the possession of firearms by felons and the mentally ill, or laws forbidding the carrying of firearms in sensitive places such as schools and government buildings, or laws imposing conditions and qualifications on the commercial sale of arms.This paragraph from the pen of Justice Scalia, the foremost proponent of constitutional originalism, was astounding. True, the Founders imposed gun control, but they had no laws resembling Scalia’s list of Second Amendment exceptions. They had no laws banning guns in sensitive places, or laws prohibiting the mentally ill from possessing guns, or laws requiring commercial gun dealers to be licensed. Such restrictions are products of the 20th century. Justice Scalia, in other words, embraced a living Constitution.
  12. May 2022
    1. As you've probably already guessed, we've decided to replace the current Web IDE with one built on top of VS Code. In the coming milestones, we will build out custom support for the features not already available in the VS Code core, and validate that the workflows you already depend on in the Web IDE are handled in the new experience. We're working with the team that builds our amazing GitLab Workflow extension for VS Code to make it available in the browser so we can bundle it in the Web IDE, and bring all those great features along for the ride. That includes bringing merge request comments into the Web IDE for the first time ever!

      GitLab is planning to onboard VS Code web IDE

    1. Yes, you could write Python utilities that are easy to install and run, but people don't. And the last bit of that sentence is the one that actually counts. "Could have" doesn't actually count in an engineering context.
    1. a constellation already described in 1805 by Heinrich von Kleist in his fascinat-ing analysis of the “Midwifery of Thought”: “If you want to know something and cannotfind it through meditation, I advise you, my dear, clever friend, to speak about it withthe next acquaintance who bumps into you.” 43 The positive tension that such a conversa-tion immediately elicits through the expectations of the Other obliges one to producenew thought in the conversation. The idea develops during speech. There, the sheeravailability of such a counterpart, who must do nothing further (i.e., offer additionalstimulus through keen contradiction of the speaker) is already enough; “There is a specialsource of excitement, for him who speaks, in the human face across from him; and agaze which already announces a half-expressed thought to be understood often givesexpression to the entire other half.”44
      1. Heinrich von Kleist, “Ü ber die allm ä hliche Verfertigung der Gedanken beim Reden,” in Sämtliche Werke und Briefe. Zweiter Band, ed. Helmut Sembdner (M ü nchen: dtv, 1805/2001), 319 – 324, at 319.
      2. Ibid., 320.

      in 1805 Heinrich von Kleist noted that one can use conversation with another person, even when that person is silent, to come up with solutions or ideas they may not have done on their own.

      This phenomena is borne out in modern practices like the so-called "rubber duck debugging", where a programmer can talk to any imagined listener, often framed as a rubber duck sitting on their desk, and talk through the problem in their code. Invariably, talking through all the steps of the problem will often result in the person realizing what the problem is and allow them to fix it.

      This method of verbal "conversation" obviously was a tool which indigenous oral cultures frequently used despite the fact that they didn't have literacy as a tool to fall back on.

    1. In part in order to heighten his praise of Aldus as the ideal printer, Erasmus noted by contrast that most printers, given the absence of regulations, “fill the world with pamphlets and books [that are] . . . foolish, ignorant, malig-nant, libellous, mad, impious and subversive; and such is the flood that even

      things that might have done some good lose all their goodness.”198 The overabundance of bad books drowned out even any good bits that might be present among them.

      And we now say these same sorts of things about the internet and social media.

    1. is the the um the writing by hand um because you know you can you can certainly write by hand and write down facts you know as well um 00:30:36 and uh and so yeah but i but what i what i do hold is that it's way way harder to uh store a lot of facts in 00:30:49 you know an analog settle costin because there's no copy paste you actually have to write out the facts by hand and as a result of that i think there are more benefits over digital in that you 00:31:02 are writing down uh neuro imprinting you know facts onto your mind that you can later recall more rapidly and stuff and um i think that's a benefit

      Keeping a manual zettelkasten using pen/pencil and paper may be beneficial to some as it will tend to remove the easy functionality of cut and paste in the digital space and force the user to think a bit more deeply about what they're working on and expand on it. Those with paper zettelkasten aren't as likely to spend time collecting simple facts as a result of this. This will make the content going into the system much more solid and reusable in the future.

    1. digital, we can supercharge these timelessbenefits with the incredible capabilities of technology—searching,sharing, backups, editing, linking, syncing between devices, andmany others

      List of some affordance of digital note taking over handwriting: * search * sharing * backups (copies) * editing * linking (automatic?) * syncing to multiple spaces for ease of use

    2. knowledgebegins with the simple, time-honored practice of taking notes

      Definite bias for literacy here.

    3. your Second Brain is a privateknowledge collection designed to serve a lifetime of learning andgrowth, not just a single use case

      Based on Tiago Forte's definition of a second brain the primary distinction from a commonplace book is solely that it is digital.

      Note here that he explicitly defines a second brain as being private. Historically commonplace books were private affairs though there are examples of them being shared from person to person as well as examples that have been printed.

    4. You may find this book in the “self-improvement” category, but in adeeper sense it is the opposite of self-improvement. It is aboutoptimizing a system outside yourself, a system not subject to you

      imitations and constraints, leaving you happily unoptimized and free to roam, to wonder, to wander toward whatever makes you feel alive here and now in each moment.

      Some may categorize handbooks on note taking within the productivity space as "self-help" or "self-improvement", but still view it as something that happens outside of ones' self. Doesn't improving one's environment as a means of improving things for oneself count as self-improvement?

      Marie Kondo's minimalism techniques are all external to the body, but are wholly geared towards creating internal happiness.

      Because your external circumstances are important to your internal mental state, external environment and decoration can be considered self-improvement.


      Could note taking be considered exbodied cognition? Vannevar Bush framed the Memex as a means of showing associative trails. (Let's be honest, As We May Think used the word trail far too much.)

      How does this relate to orality vs. literacy?

      Orality requires the immediate mental work for storage while literacy removes some of the work by making the effort external and potentially giving it additional longevity.

    1. “Until the latter part of the 20th century, there was no support in American law for a constitutional right to obtain an abortion. Zero. None. No state constitutional provision had recognized such a right,” Alito adds. Alito’s draft argues that rights protected by the Constitution but not explicitly mentioned in it – so-called unenumerated rights – must be strongly rooted in U.S. history and tradition. That form of analysis seems at odds with several of the court’s recent decisions, including many of its rulings backing gay rights.

      Could be interesting to look at this from the dual perspective of eisegesis vs. exegesis.

  13. Apr 2022
    1. Theories of note-taking can tell us about how memory and writingwere understood, and practices of note-taking, about the tools that proved mostuseful in managing textual information in early modern Europe.

      Historical note taking practices can tell us many things aside from just the ways in which textual information was managed. They can also tell us about how people lived, how they thought, how they used memory and writing and how these things were understood culturally.

      We do however need to be careful in how we interpret these documents historically. We need to attempt to view them exegetically and not eisegetically. We also need to be careful to look at them from a "large world" perspective and not presume that small things had large and heavy influence on things to come in the future.