19,299 Matching Annotations
  1. Jul 2022
    1. Many knowledge workers have extremely cluttereddesks and floors and yet are seriously disrupted bychanges made to this apparent “muddle” or byneeding to move offices regularly. This supportsearlier studies of otllce work [10, 11]. It seems thatthis apparent “muddle” plays a number of importantroles for them in their work:-

      For scholars of orality, the value of the messiness in many knowledge workers' work spaces is probably not surprising. It's likely that these workers are using their local environment as oral cultures have since time immemorial. They're creating physical songlines or memory palaces in their local environment to which they're spatially attaching memories of the work they're doing, performing, or need to perform. This allows them to offload some of their memory work, storage, and retention to items in their physical space.

    2. Unfortunately, many corporate software programsaim to level or standardise the differences betweenindividual workers. In supporting knowledgeworkers, we should be careful to provide tools whichenable diversification of individuals’ outputs.Word-processors satisfi this criterion; tools whichembed a model of a knowledge worker’s task in thesoftware do not.

      Tools which allow for flexibility and creativity are better for knowledge workers than those which attempt to crystalize their tasks into ruts. This may tend to force the outputs in a programmatic way and thereby dramatically decrease the potential for innovative outputs. If the tools force the automation of thought without a concurrent increase in creativity then one may as well rely on manual labor for their thinking.


      This may be one of the major flaws of tools for thought in the educational technology space. They often attempt to facilitate the delivery of education in an automated way which dramatically decreases the creativity of the students and the value of the overall outputs. While attempting to automate education may suit the needs of institutions which are delivering the education, particularly with respect to the overall cost of delivery, the automation itself is dramatically at odds with the desire to expand upon ideas and continue innovation for all participants involved. Students also require diverse modes of input (seen/heard) as well as internal processing followed by subsequent outputs (written/drawn/sculpted/painted, spoken/sung, movement/dance). Many teachers don't excel at providing all of these neurodiverse modes and most educational technology tools are even less flexible, thus requiring an even larger panoply of them (often not interoperable because of corporate siloing for competitive reasons) to provide reasonable replacements. Given their ultimate costs, providing a variety of these tools may only serve to increase the overall costs of delivering education or risk diminishing the overall quality. Educators and institutions not watching out for these traps will tend to serve only a small portion of their intended audiences, and even those may be served poorly as they only receive a limited variety of modalities of inputs and outputs. As an example Western cultures' overreliance on primary literacy modes is their Achilles' heel.


      Tools for thought should actively attempt to increase the potential solution spaces available to their users, while later still allowing for focusing of attention. How can we better allow for the divergence of ideas and later convergence? Better, how might we allow for regular and repeated cycles of divergence and convergence? Advanced zettelkasten note taking techniques (which also allow for drawing, visual, auditory and other modalities beyond just basic literacy) seem to allow for this sort of practice over long periods of time, particularly when coupled with outputs which are then published for public consumption and divergence/convergence cycles by others.

      This may also point out some of the stagnation allowed by social media whose primary modes is neither convergence nor divergence. While they allow for the transmission/communication portion, they primarily don't actively encourage their users to closely evaluate the transmitted ideas, internalize them, or ultimately expand upon them. Their primary mode is for maximizing on time of attention (including base emotions including excitement and fear) and the lowest levels of interaction and engagement (likes, retweets, short gut reaction commentary).

    3. the definingcharacteristic of knowledge workers is that they arethemselves changed by the information theyprocess.’ So, the workers interviewed saw theirvalue to an organisation being to understand a bodyof knowledge and generate new information fromthis understanding which changed either theorganisation or its customer in a direct way.

      a more refined and nuanced definition of knowledge workers than Peter Drucker's 1973 definition.

    4. I thereforeidentified twelve knowledge workers in a range ofU. S, and European companies, Their job functionsincluded: design, advertising, marketing,management consultancy, broadcasting, law, financeand research.

      Areas of knowledge work (as determined in 1994 at least) included design, advertising, marketing, management consultancy, broadcasting, law, finance, and research.

    5. In the rest of this section, wherever I say “knowledge worker”, I strictly mean only the small set I sampled.

      CAUTION!

      Built in assumptions which may not extrapolate.


      This caveat is also a strong indication of the state-of-the-art of the level of knowledge worker research in 1994.

    6. Peter Drucker, the distinguished commentator onorganisation and management, has popularised theterm “knowledge worker” to describe the role of agrowing percentage of employees in businessorganisations: “The manual worker is yesterday..,..The basic capital resource, the fundamentalinvestment, but also the cost centre for a developedeconomy is the knowledge worker who puts to work

      what he has learned in systematic education, that is, concepts, ideas and theories, rather than the man who puts to work manual skill or muscle, ” [5]. 5. Drucker, P. F. Management: Tasks, Responsibilities and Practices, Harper & Row; New York, 1973.

      Influential management consultant, educator, and author Peter Drucker helped to popularize the concept of the "knowledge worker" by way of his book Management: Tasks, Responsibilities and Practices (Harper & Row, 1973).


      Who/where is the origin of the neologism/idea of "knowledge worker"?

    7. Their value lies intheir diversity - companies exploit the fact that thesepeople make different sense of the same phenomenaand therefore respond in diverse ways.

      Humans make sense of information in different ways and as a result respond to it and their environments in diverse manners, a fact from which companies can derive direct value.


      This idea is becoming more commonplace now, but here it is in print in 1994. Are there earlier versions of this in the literature?

    8. Kidd, Alison. “The Marks Are on the Knowledge Worker.” In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, 186–91. CHI ’94. New York, NY, USA: Association for Computing Machinery, 1994. https://doi.org/10.1145/191666.191740.

    1. Realizing that my prior separate advice wasn't as actionable or specific, I thought I'd take another crack at your question.

      Some seem to miss the older techniques and names for this sort of practice and get too wound up in words like categories, tags, #hashtags, [[wikilinks]], or other related taxonomies and ontologies. Some become confounded about how to implement these into digital systems. Simplify things and index your ideas/notes the way one would have indexed books in a library card catalog, generally using subject, author and title.

      Since you're using an approach more grounded in the commonplace book tradition rather than a zettelkasten one, put an easy identifier on your note (this can be a unique title or number) and then cross reference it with any related subject headings or topical category words you find useful.

      Here's a concrete example, hopefully in reasonable detail that one can easily follow. Let's say you have a quote you want to save:

      No piece of information is superior to any other. Power lies in having them all on file and then finding the connections. There are always connections; you have only to want to find them.—Umberto Eco, Foucault's Pendulum

      In a paper system you might give this card the identification number #237. (This is analogous to the Dewey Decimal number that might be put on a book to find it on the shelves.) You want to be able to find this quote in the future using the topical words "power", "information", "connections", and "quotes" for example. (Which topical headings you choose and why can be up to you, the goal is to make it easier to dig up for potential reuse in future contexts). So create a separate paper index with alphabetical headings (A-Z) and then write cards for your topical headings. Your card with "power" at the top will have the number #237 on it to indicate that that card is related to the word power. You'll ultimately have other cards that relate and can easily find everything related to "power" within your system by using this subject index.

      You might also want to file that quote under two other "topics" which will make it easy to find: primarily the author of the quote "Umberto Eco" and the title of the source Foucault's Pendulum. You can add these to your index the same way you did "power", "information", etc., but it may be easier or more logical to keep a bibliographic index separately for footnoting your material, so you might want a separate bibliographic index for authors and sources. If you do this, then create a card with Umberto Eco at the top and then put the number #237 on it. Later you'll add other numbers for other related ideas to Eco. You can then keep your card "Eco, Umberto" alphabetized with all the other authors you cite. You'll effect a similar process with the title.

      With this done, you now have a system in which you don't have to categorize a single idea in a single place. Regardless of what project or thing you're working on, you can find lots of related notes. If you're juggling multiple projects you can have an index file or document outline for these as well. So your book project on the History of Information could have a rough outline of the book on which you've got the number #237 in the chapter or place where you might use the quote.

      Hopefully this will be even more flexible than Holiday's system because that was broadly project based. In practice, if you're keeping notes over a lifetime, you're unlikely to be interested in dramatically different areas the way Ryan Holiday or Robert Greene were for disparate book projects, but will find more overlapping areas. Having a more flexible system that will allow you to reuse your notes for multiple settings or projects will be highly valuable.

      For those who are using digital systems, ask yourself: "what functions and features allow you to do these analog patterns most easily?" If you're using something like Obsidian which has #tagging functionality that automatically creates an index of all your tags, then leverage that and remove some of the manual process. The goal is to make sure the digital system is creating the structure to allow you to easily find and use your notes when you need them. If your note taking system doesn't have custom functionalities for any of these things, then you'll need to do more portions of them manually.

    1. Thanks for all the fantastic literature tips! Added to the list 😊

      If these are the types of things that are interesting, you might also try a shared bibliography that a handful of readers/researchers share and contribute to: https://www.zotero.org/groups/4676190/tools_for_thought

    2. I've spend a lot of time in the education, pedagogy, and instructional design spaces in the past decade. I can guarantee you that he hasn't solved the problem. People have been talking about education reform for centuries and it's still no where close to being solved. If anything perhaps it's even gotten worse, particularly in Western culture.

      If this is your area, I'd recommend taking a look at some of Andy Matuschak's work on mnemonic medium and Lynne Kelly's work on orality and memory which take some non-standard approaches to some of these wholly unsolved questions. Annie Murphy Paul's recent book The Extended Mind will also outline some fun recent work and potentially show you gaping holes in the thought enterprise.

    1. Digital marginalia as such requires a redefinition or at least expanded understanding of what is traditionally meant by the act of “annotation.”
    2. self-reflexive annotation

      circle back to this...

    3. As marginal note-taking it often is the basis for questions asked in class discussion or points made in a final paper.

      Jeremy Dean indicates that marginal notes are often "the basis for [...] points made in a final paper", but I wonder how frequently this is the case in the computer era? I rarely see or hear of educators encouraging the reuse of marginalia or even notes in academic settings, even within the framing of Hypothes.is which is an ideal tool for such a practice.

      It's been my experience that while notes are in margins, they tend to sit there lonely and unused. Few are actually creating content based on them. When this is the case, memory of the idea or issue at hand is necessary so that it may be looked up and transcribed back into a bigger piece. When it does happen it's also far more likely to be academic writers or researchers who are concertedly building up particular areas. It's much less likely to be high school or undergraduate college students who should have picked up the practice earlier in junior high school or even elementary school so that their school research years are easier.

      A potential resurgence of this broader practice may be coming back into vogue with the slew of new note taking apps that have been popping up and the idea of the zettelkasten coming back into a broader consciousness.

    1. In design terms, this begins with the learning experience (LX) of students — but often extends toward the teaching experience (TX), and even the user experience of technologists, instructional designers and administrators. Collectively, I call these the "pedagogical experience" (PX) of an e-learning tool.

      Designing pedagogical experience (PX) encompasses both the learning experience (LX) of the students as well as the teaching experience (TX) of the instructor.

      Educational technology should take both parts of the overall experience into account. Too many focus on one side or the other: the ease of use for the teacher at the expense of the student or the ease of use for the student at the expense of the teacher. Balancing the two can be difficult, but designers should be watching both.

    1. https://herman.bearblog.dev/a-better-ranking-algorithm/

    2. I removed the in-feed upvote button, making posts only up-votable at the bottom of the post itself. This increases the vote quality (if not the quantity).

      Putting upvoting at the bottom of a post is a better indicator of quality than at the top where it's less likely to have been read and more of a knee-jerk reactions, particularly for the punch-the-monkey crowd.

      Similar to how I use read, listen, and watch posts.

    3. use the number of views as a factor in determining the score of a post. Essentially using the “upvote rate” instead of pure upvote number. Score = (Upvotes - Views) / (Time in hours + 4) ^ Gravity Or removing time from consideration entirely, decaying posts the more they are read. Score = Upvotes / Views ^ Gravity These, however, have a bias against longer posts (although this is the case with the all these algorithms in general, but exacerbated here). Since longer posts (by virtue of them being long) may take time to read or are saved to read later, and may get a lot of views initially which actually degrade the score despite people finding the content valuable. It’s an interesting idea though and could be used for platforms where all posts are of a similar digestibility.

      On platforms where the content takes roughly the same amount of time to consume, one can factor in the number of views versus upvotes as a quality indicator. One needs to be more careful with longer form content though as length will tend to decrease readership and clicks and potentially push people to "bookmark" to read later. How to account for these?

      What are the list of variables in this overall problem?

    4. I dislike the separation of Trending and Newest. This is one of the main reasons for false negatives as new articles don’t receive many (if any) views. I’m thinking about randomly interspersing new articles in the trending feed to give them the potential of getting their first few votes. This (as ever) has an effect on quality, so has to be done with care.

      Introducing some randomness for new unranked articles is an interesting and likely useful tactic.

    5. The Hacker News algorithm This algorithm is fairly straight forward (although there’s some magic going on under the surface when it comes to moderation, shadow banning, and post pinning). This is slightly simplified, but in a nutshell: Score = Upvotes / Time since submission ^ Gravity Where Gravity = 1.7 As upvotes accumulate the score rises but is counterbalanced by the time since submission. Gravity makes it exponentially more difficult to rank as time goes by.

      short outline of the Hacker News algorithm.

    6. Once a post goes viral on Twitter, Hacker News, Reddit, or anywhere else off-platform, it has the potential to form a “Katamari ball” where it gets upvotes because it has upvotes (which means it gets more upvotes, because it has more upvotes, which means…well…you get it). This is also known as "the network effect", but I feel a Katamari ball better illustrates it.

      Network effects can describe a broad variety of phenomenon. Is Katamari ball a better descriptor of this specific phenomenon?

      How does one prioritize the richer quality Lindy library material that may be even more beneficial than things which are simply new?

    7. The most common way is to log the number of upvotes (or likes/downvotes/angry-faces/retweets/poop-emojis/etc) and algorithmically determine the quality of a post by consensus.

      When thinking about algorithmic feeds, one probably ought to not include simple likes/favorites/bookmarks as they're such low hanging fruit. Better indicators are interactions which take time, effort, work to post.

      Using various forms of webmention as indicators could be interesting as one can parse responses and make an actual comment worth more than a dozen "likes", for example.

      Curating people (who respond) as well as curating the responses themselves could be useful.

      Time windowing curation of people and curators could be a useful metric.

      Attempting to be "democratic" in these processes may often lead to the Harry and Mary Beercan effect and gaming issues seen in spaces like Digg or Twitter and have dramatic consequences for the broader readership and community. Democracy in these spaces is more likely to get you cat videos and vitriol with a soupçon of listicles and clickbait.

    1. Dagger anatomy, for the quiz: the quillon is the guard that separates the hilt of a knife from its blade, and the choil is the notch where the blade meets the quillon.

      the guard that separates the hilt of a knife or dagger from its blade ::: quillon

      the notch where the blade of a knife meets the quillon ::: choil

    2. There are standard fourth-, fifth- and sixth-order reference marks, too: they are the section mark (§), parallels (||), and number sign (#), after which the cycle repeats with doubles, triples, and so on: *, †, ‡, §, ||, #, **, ††, ‡‡, §§, ||||, ###, ***, †††, ‡‡‡, etc. Beyond three, numbered footnotes are always preferable, even if you are David Foster Wallace.
    3. The approach that a designer follows in the asterisk is usually echoed in the typeface’s second-order reference mark, the dagger (also known as the obelus, obelisk, or long cross), and its third-order mark, the double dagger (a.k.a. diesis or double obelisk.)
    1. I wonder if Scott P. Scheper has done any videos on his writing/composing process for getting material out of his card file for creating his book for which I've seen portions of a few chapters floating around. I've loosely followed his YouTube channel and his r/antinet community on Reddit, but I haven't seen this portion of his process in any detail.

      This (export) part also seems like one of the more intense, manual, and heaving lifting pieces of the process. I've yet to see any digital tools which automate or make this portion of the work easier.

      Perhaps a graph view of connected nodes with titles in which one can highlight nodes as a selection method and then export them in some process to a space where they might be potentially reordered or shuffled into a linear order for further editing and ultimately publishing, might be useful? Even saying this takes forever much less doing it easily with an inspiring user interface..

      Link to: https://hyp.is/9PV1jP5OEeyPumNKyckR1A/danallosso.substack.com/p/zettelkasten-on-paper

      Syndication links: - https://danallosso.substack.com/p/zettelkasten-on-paper/comment/7610486

    2. I'm trying to get info OUT of my note-taking system. It's not as easy as I'd like it to be.

      This is one of the biggest problems with any of the systems digital or analog. The workflows for this are all generally not great.

      I'm actually trying some advice from Konrad Gessner from the 1500s today. I've printed out some of my digital notes about Tiago Forte's new book to arrange and organize them in an attempt to reuse all my writing and thinking about it into a review of the book. It'll probably take a bit as I've left them for a week or two, but I'm curious to see what the manual process looks like here in an effort to help make the digital portion potentially easier.

    3. In one of his videos he talks about "approaching the mind of god" or something similar, in a way I can't entirely tell whether he is paraphrasing an early-modern note-taker or saying that's what he thinks he is doing himself. I don't really care whether he's religious or not, unless it compromises the system he's building.

      These always read as hyperbole to me, but it's difficult to explain the surprise and serendipity of re-finding things in one's notes on a regular basis. It's akin to the sort of cognitive dissonance that religious people have when encountering the levels of complexity formed by living systems through evolution. Not having better words for describing the experience, they may resort to descriptions of magic or religion to frame their experiences.

    1. Harold Jarche looked at his most visited blog postings over the years, and concludes his blog conforms to Sturgeon’s Revelation that 90% of everything is crap. I recognise much of what Harold writes. I suspect this is also what feeds impostor syndrome. You see the very mixed bag of results from your own efforts, and how most of it is ‘crap’. The few ‘hits’ for which you get positive feedback are then either ‘luck’ or should be normal, not sparse. Others of course forget most if not all of your less stellar products and remember mostly the ones that stood out. Only you are in a position to compare what others respond to with your internal perspective.

      The cumulative effect of one's perception of Sturgeon's law may be a driving force underlying imposter syndrome.

      While one see's the entirety of their own creation process and realizes that only a small fraction of it is truly useful, it's much harder seeing only the finished product of others. The impression one is left with by availability heuristic is that there are thousands of geniuses in the world with excellent, refined products or ideas while one's own contribution is miniscule in comparison.


      Contrast this with Matt Ridley's broad perspective in The Rational Optimist which shows the power of cumulative breeding and evolution of ideas. One person can make their own stone hand axe, but no one person can make their own toaster oven or computer mouse alone.

      Link to: - lone genius myth (eg. Einstein's special relativity did not spring fully formed from the head of Zeus, there was a long train of work and thought which we don't see the context of)

    2. At the same time, like Harold, I’ve realised that it is important to do things, to keep blogging and writing in this space. Not because of its sheer brilliance, but because most of it will be crap, and brilliance will only occur once in a while. You need to produce lots of stuff to increase the likelihood of hitting on something worthwile. Of course that very much feeds the imposter cycle, but it’s the only way. Getting back into a more intensive blogging habit 18 months ago, has helped me explore more and better. Because most of what I blog here isn’t very meaningful, but needs to be gotten out of the way, or helps build towards, scaffolding towards something with more meaning.

      Many people treat their blogging practice as an experimental thought space. They try out new ideas, explore a small space, attempt to come to understanding, connect new ideas to their existing ideas.


      Ton Zylstra coins/uses the phrase "metablogging" to think about his blogging practice as an evolving thought space.


      How can we better distill down these sorts of longer ideas and use them to create more collisions between ideas to create new an innovative ideas? What forms might this take?

      The personal zettelkasten is a more concentrated form of this and blogging is certainly within the space as are the somewhat more nascent digital gardens. What would some intermediary "idea crucible" between these forms look like in public that has a simple but compelling interface. How much storytelling and contextualization is needed or not needed to make such points?

      Is there a better space for progressive summarization here so that an idea can be more fully laid out and explored? Then once the actual structure is built, the scaffolding can be pulled down and only the idea remains.

      Reminiscences of scaffolding can be helpful for creating context.

      Consider the pyramids of Giza and the need to reverse engineer how they were built. Once the scaffolding has been taken down and history forgets the methods, it's not always obvious what the original context for objects were, how they were made, what they were used for. Progressive summarization may potentially fall prey to these effects as well.

      How might we create a "contextual medium" which is more permanently attached to ideas or objects to help prevent context collapse?

      How would this be applied in reverse to better understand sites like Stonehenge or the hundreds of other stone circles, wood circles, and standing stones we see throughout history.

    1. https://www.youtube.com/watch?v=7s4xx_muNcs

      Don't recommend unless you have 100 hours to follow up on everything here that goes beyond the surface.

      Be aware that this is a gateway for what I'm sure is a relatively sophisticated sales funnel.


      Motivational and a great start, but I wonder how many followed up on these techniques and methods, internalized them and used them every day? I've not read his book, but I suspect it's got the usual mnemonic methods that go back millennia. And yet, these things are still not commonplace. People just don't seem to want to put in the work.

      As a result, they become a sales tool with a get rich quick (get smart quick) hook/scheme. Great for Kwik's pocketbook, but what about actual outcomes for the hundreds who attended or the 34.6k people who've watched this video so far?

      These methods need to be instilled in youth as it's rare for adults to bother.


      Acronyms for remembering things are alright, but not incredibly effective as most people will have issues remembering the acronym itself much less what the letters stand for.


      There seems to be an over-fondness for acronyms for people selling systems like this. (See also Tiago Forte as another example.)

    1. Marshall, in looking at your cards, I'm curious how easy/hard you feel it is to remember longer portions of full quotes like your H.L. Menken example using only spaced repetition? I usually find it far more taxing and not as long lasting as using other more classical mnemonic methods (method of loci/songlines).

      Piotr Wozniak has some material on creating/designing more concrete cards for spaced repetition that I've found generally helpful. I know that Andy Matuschak and Soren Bjornstad have some ideas, experience, and research in the space but I've yet to see more deep research on the effectiveness of these more specific practices at scale or beyond the anecdotal.

      https://marshallk.com/7-steps-i-take-to-get-value-from-what-i-read-notes-on-note-taking-review

    2. After each review session, there’s often one flashcard in particular that I really dig into. I might spend 5 minutes writing about it. I might just think about it while going about my day.

      Spending just a few minutes writing about an idea in one's flash card review can be a useful way to better integrate that idea into one's field of thought. Bringing it out and expressing it more fully, linking it to other thoughts, and shifting the modality from reading into writing can be powerful methods for ensconcing it into one's memory as well as mentally owning it and even potentially extending it.

    3. Or if I’m jogging, I associate each thing I want to remember with one of my limbs, then I go through them one at a time “left arm, left leg…” when I’m done running and I write them down.

      Example of someone in the wild using their body as a locus for attaching memories temporarily so that they can recall ideas for making note of later.

    4. Dan Pink’s book A Whole New Mind and learned about what he calls Symphonic Thinking, or the ability to find connections between seemingly disparate entities, as a key thinking pattern for the future of work,

      Dan Pink's book A Whole New Mind lays out an idea he call's "Symphonic Thinking" which is a practice of finding connections between unrelated ideas. He suggests that this practice is an important key to the future of work.


      Link this to other incarnations of this pattern in history: - Raymond Llull - Llullan combinatorial arts - Niklas Luhmann - linked zettelkasten - Marshall Kirkpatrick - triangle thinking - Dan Pink - symphonic thinking - etc...


      Dan Pink A Whole New Mind #books/wanttoread

    1. the behavioral sciences have commonly insisted upon certain arbi-trary methodological restrictions that make it virtually impossible for scientificknowledge of a nontrivial character to be attained.

      What specifically?

    2. there has been a tendency in popular discussion to confuse “deep structure”with “generative grammar” or with “universal grammar.” And a number of pro-fessional linguists have repeatedly confused what I refer to here as “the creativeaspect of language use” with the recursive property of generative grammars, avery different matter.

      Noam Chomsky felt that there was a tendency for people to confuse the ideas of deep structure with the ideas of either generative grammar or universal grammar. He also thought that professional linguists confused what he called "the creative aspect of language use" with the recursive property of generative grammars.

    1. reply to: https://ariadne.space/2022/07/01/a-silo-can-never-provide-digital-autonomy-to-its-users/

      Matt Ridley indicates in The Rational Optimist that markets for goods and services "work so well that it is hard to design them so they fail to deliver efficiency and innovation" while assets markets are nearly doomed to failure and require close and careful regulation.

      If we view the social media landscape from this perspective, an IndieWeb world in which people are purchasing services like easy import/export of their data; the ability to move their domain name and URL permalinks from one web host to another; and CMS (content management system) services/platforms/functionalities, represents the successful market mode for our personal data and online identities. Here competition for these sorts of services will not only improve the landscape, but generally increased competition will tend to drive the costs to consumers down. The internet landscape is developed and sophisticated enough and broadly based on shared standards that this mode of service market should easily be able to not only thrive, but innovate.

      At the other end of the spectrum, if our data are viewed as assets in an asset market between Facebook, Instagram, Twitter, LinkedIn, et al., it is easy to see that the market has already failed so miserably that one cannot even easily move ones' assets from one silo to another. Social media services don't compete to export or import data because the goal is to trap you and your data and attention there, otherwise they lose. The market corporate social media is really operating in is one for eyeballs and attention to sell advertising, so one will notice a very health, thriving, and innovating market for advertisers. Social media users will easily notice that there is absolutely no regulation in the service portion of the space at all. This only allows the system to continue failing to provide improved or even innovative service to people on their "service". The only real competition in the corporate silo social media space is for eyeballs and participation because the people and their attention are the real product.

      As a result, new players whose goal is to improve the health of the social media space, like the recent entrant Cohost, are far better off creating a standards based service that allows users to register their own domain names and provide a content management service that has easy import and export of their data. This will play into the services market mode which improves outcomes for people. Aligning in any other competition mode that silos off these functions will force them into competition with the existing corporate social services and we already know where those roads lead.

      Those looking for ethical and healthy models of this sort of social media service might look at Manton Reece's micro.blog platform which provides a wide variety of these sorts of data services including data export and taking your domain name with you. If you're unhappy with his service, then it's relatively easy to export your data and move it to another host using WordPress or some other CMS. On the flip side, if you're unhappy with your host and CMS, then it's also easy to move over to micro.blog and continue along just as you had before. Best of all, micro.blog is offering lots of the newest and most innovative web standards including webmention notificatons which enable website-to-website conversations, micropub, and even portions of microsub not to mention some great customer service.

      I like to analogize the internet and social media to competition in the telecom/cellular phone space In America, you have a phone number (domain name) and can then have your choice of service provider (hosting), and a choice of telephone (CMS). Somehow instead of adopting a social media common carrier model, we have trapped ourselves inside of a model that doesn't provide the users any sort of real service or options. It's easy to imagine what it would be like to need your own AT&T account to talk to family on AT&T and a separate T-Mobile account to talk to your friends on T-Mobile because that's exactly what you're doing with social media despite the fact that you're all still using the same internet. Part of the draw was that services like Facebook appeared to be "free" and it's only years later that we're seeing the all too real costs emerge.

      This sort of competition and service provision also goes down to subsidiary layers of the ecosystem. Take for example the idea of writing interface and text editing. There are (paid) services like iA Writer, Ulysses, and Typora which people use to compose their writing. Many people use these specifically for writing blog posts. Companies can charge for these products because of their beauty, simplicity, and excellent user interfaces. Some of them either do or could support the micropub and IndieAuth web standards which allow their users the ability to log into their websites and directly post their saved content from the editor directly to their website. Sure there are also a dozen or so other free micropub clients that also allow this, but why not have and allow competition for beauty and ease of use? Let's say you like WordPress enough, but aren't a fan of the Gutenberg editor. Should you need to change to Drupal or some unfamiliar static site generator to exchange a better composing experience for a dramatically different and unfamiliar back end experience? No, you could simply change your editor client and continue on without missing a beat. Of course the opposite also applies—WordPress could split out Gutenberg as a standalone (possibly paid) micropub client and users could then easily use it to post to Drupal, micro.blog, or other CMSs that support the micropub spec, and many already do.

      Social media should be a service to and for people all the way down to its core. The more companies there are that provide these sorts of services means more competition which will also tend to lure people away from silos where they're trapped for lack of options. Further, if your friends are on services that interoperate and can cross communicate with standards like Webmention from site to site, you no longer need to be on Facebook because "that's where your friends and family all are."

      I have no doubt that we can all get to a healthier place online, but it's going to take companies and startups like Cohost to make better choices in how they frame their business models. Co-ops and non-profits can help here too. I can easily see a co-op adding webmention to their Mastodon site to allow users to see and moderate their own interactions instead of forcing local or global timelines on their constituencies. Perhaps Garon didn't think Webmention was a fit for Mastodon, but this doesn't mean that others couldn't support it. I personally think that Darius Kazemi's Hometown fork of Mastodon which allows "local only" posting a fabulous little innovation while still allowing interaction with a wider readership, including me who reads him in a microsub enabled social reader. Perhaps someone forks Mastodon to use as a social feed reader, but builds in micropub so that instead of posting the reply to a Mastodon account, it's posted to one's IndieWeb capable website which sends a webmention notification to the original post? Opening up competition this way makes lots of new avenues for every day social tools.

      Continuing the same old siloing of our data and online connections is not the way forward. We'll see who stands by their ethics and morals by serving people's interests and not the advertising industry.

    2. Silos, by their very nature of being centralized services under the control of the privileged, cannot be good if you look at the power structures imposed by them. Instead, we should use our privilege to lift others up, something that commercial silos, by design, are incapable of doing.
    1. Speculation, herd exuberance, irrational optimism, rent-seekingand the temptation o f fraud drive asset markets to overshoot andplunge - which is why they need careful regulation, something Ialways supported. (M arkets in goods and services need lessregulation.)
    2. experiments in laboratories by the economistVernon Smith and his colleagues have long confirmed thatmarkets in goods and services for immediate consum ption -haircuts and hamburgers - work so well that it is hard to designthem so they fail to deliver efficiency and innovation; whilemarkets in assets are so automatically prone to bubbles andcrashes that it is hard to design them so they work at all.
    3. NOTES AND REFERENCES

      Dear god I really hate when publishers do their references/notes like this. Sitting here at the end, unlinked to the actual text. There's a special place in hell for editors that do this in the digital age.

    4. using the currency that counts, your time.

      Time is a useful and relatively equal "currency" that can be used across time for comparison.

      One might wish to add corrections for increasing health and lifespans however as this means more lived time for the average person.

    5. In another respect, too, inequality has been retreating. Thespread o f IQ scores has been shrinking steadily - because thelow scores have been catching up with the high ones. Thisexplains the steady, progressive and ubiquitous improvementin the average IQ scores people achieve at a given age - at a rateo f 3 per cent per decade. In two Spanish studies, IQ proved to be9.7 points higher after thirty years, m ost o f it am ong the leastintelligent half o f the group. Known as the Flynn effect, afterJam es Flynn who first drew attention to it

      The Flynn effect was initially discounted as either an issue with changes in tests or longer school days or improved education.

      See also: https://en.wikipedia.org/wiki/Flynn_effect

      Link to the same idea in The Extended Mind: https://hyp.is/-84MoBWKEeyBfg9kUEdv2w/www.nytimes.com/2021/06/11/opinion/brain-mind-cognition.html

    6. en inequality is declining worldwide. It is true that inBritain and America income equality, which had beenimproving for most of the past two centuries (British aristocratswere six inches taller than the average in 1800; today they areless than two inches taller), has stalled since the 1970s.

      Matt Ridley cites a lot of statistics in The Rational Optimist to indicate that inequality has been declining worldwide, though he doesn't do it as convincingly or as well cited as Thomas Piketty does in A Brief History of Equality.

    1. Worth taking a look at the various affordances of folders vs. links vs. tags.

      Some of these functionalities may be highly dependent on the particular tool in question and what affordances the tool allows for these ideas.

      Has anyone done this comprehensively across a number of tools other than threads in fora like reddit, zettelkasten.de, etc.?

      https://www.reddit.com/r/ObsidianMD/comments/vofakc/folders_vs_links_vs_tags/

    1. Protagonist Does a Thing formula

      https://slate.com/culture/2022/06/book-titles-eleanor-oliphant-women-fiction.html

      This article has a nice number of examples of the naming convention: "Protagonist Does a Thing"


      I am a bit shocked to see Hypothes.is indicates that there are 31 (private) annotations on this particular page. What is going on here?!

    1. This also made me think of church bulletin ads, which all look the exact same way, except maybe it’s just a Catholic thing2?

      I thought of the same aesthetic as well, in part because it wasn't as "busy" as the comic book page aesthetic.

    1. https://www.zylstra.org/blog/2022/06/spring-83/

      I've been thinking about this sort of thing off and on myself.

      I too almost immediately thought of Fraidyc.at and its nudge at shifting the importance of content based on time and recency. I'd love to have a social reader with additional affordances for both this time shifting and Ton's idea of reading based on social distance.

      I'm struck by the seemingly related idea of @peterhagen's LindyLearn platform and annotations: https://annotations.lindylearn.io/new/ which focuses on taking some of the longer term interesting ideas as the basis for browsing and chewing on. Though even here, one needs some of the odd, the cutting edge, and the avant garde in their balanced internet diet. Would Spring '83 provide some of this?

      I'm also struck by some similarities this has with the idea of Derek Siver's /now page movement. I see some updating regularly while others have let it slip by the wayside. Still the "board" of users exists, though one must click through a sea of mostly smiling and welcoming faces to get to it the individual pieces of content. (The smiling faces are more inviting and personal than the cacophony of yelling and chaos I see in models for Spring '83.) This reminds me of Stanley Meyers' frequent assertion that he attempted to design a certain "sense of quiet" into the early television show Dragnet to balance the seeming loudness of the everyday as well as the noise of other contemporaneous television programming.

      The form reminds me a bit of the signature pages of one's high school year book. But here, instead of the goal being timeless scribbles, one has the opportunity to change the message over time. Does the potential commercialization of the form (you know it will happen in a VC world crazed with surveillance capitalism) follow the same trajectory of the old college paper facebook? Next up, Yearbook.com!

      Beyond the thing as a standard, I wondered what the actual form of Spring '83 adds to a broader conversation? What does it add to the diversity of voices that we don't already see in other spaces. How might it be abused? Would people come back to it regularly? What might be its emergent properties?

      It definitely seems quirky and fun in and old school web sort of way, but it also stresses me out looking at the zany busyness of some of the examples of magazine stands. The general form reminds me of the bargain bins at book stores which have the promise of finding valuable hidden gems and at an excellent price, but often the ideas and quality of what I find usually isn't worth the discounted price and the return on investment is rarely worth the effort. How might this get beyond these forms?

      It also brings up the idea of what other online forms we may have had with this same sort of raw experimentation? How might the internet have looked if there had been a bigger rise of the wiki before that of the blog? What would the world be like if Webmention had existed before social media rose to prominence? Did we somehow miss some interesting digital animals because the web rose so quickly to prominence without more early experimentation before its "Cambrian explosion"?

      I've been thinking about distilled note taking forms recently and what a network of atomic ideas on index cards look like and what emerges from them. What if the standard were digital index cards that linked and cross linked to each other, particularly in a world without adherence to time based orders and streams? What does a new story look like if I can pull out a card either at random or based on a single topic and only see it or perhaps some short linked chain of ideas (mine or others) which come along with it? Does the choice of a random "Markov monkey" change my thinking or perspective? What comes out of this jar of Pandora? Is it just a new form of cadavre exquis?

      This standard has been out for a bit and presumably folks are experimenting with it. What do the early results look like? How are they using it? Do they like it? Does it need more scale? What do small changes make to the overall form?


      For more on these related ideas, see: https://hypothes.is/search?q=tag%3A%22spring+%2783%22

    1. fly·wheel/ˈflīˌ(h)wēl/ Learn to pronounce nounnoun: flywheel; plural noun: flywheels; noun: fly-wheel; plural noun: fly-wheelsa heavy revolving wheel in a machine that is used to increase the machine's momentum and thereby provide greater stability or a reserve of available power during interruptions in the delivery of power to the machine.

      A potential word to describe some of my theory for evolution, DNA, and complexity

      Used often in business to describe increasing momentum

    1. https://wiki.nikiv.dev/web/search-engines

      What a fantastic list of search engines and search related tools.

    1. https://todomap.xyz/

      An interesting project from grant.codes that is a bookmarking and mapping tool similar to pieces of Google maps functionality.

    1. How to write a thesis, by Umberto Eco. Eco is very heavily opinionated, in a brash and amusing way. Naturally, the writing is stellar. He also dedicates a lot of the book to the use of index cards for managing a bibliography, which was very pertinent at the time it was written. Even though the physical medium of index cards is no longer current and we are all busy fighting the Mendeley/Zotero/Endnote wars, there is still much to be learned from this book about effectively managing a bibliography.

      https://www.reddit.com/r/GradSchool/comments/68n2ec/graduated_a_few_days_ago_so_heres_a_list_of_my/

      Anecdotal evidence of someone who thinks that digital bibliography managers are better than older manual methods of bibliographical and note taking methods.

      This may be the case if the management of bibliography is wholly divorced from note taking, but one still needs to integrate the two pieces at some point.


      Is there evidence that people use bibliographic tools like Zotero, Endnote, Mendeley as bookmark tools for things they intend to read?

      What affordances do these tools provide beyond pulling reference markers from an article and simply spitting out a fully formed and formatted bibliography?


      Zotero has recently updated with version 6 to make pulling in annotations from pdf files into their bigger enterprise much easier, so perhaps it's a step back toward integrating the older zettelkasten-like methods of note taking?

  2. Local file Local file
    1. 'I don't think it's anything—I mean, I don't think it was ever put to anyuse. That's what I like about it. It's a little chunk of history that they'veforgotten to alter. It's a message from a hundred years ago, if one knew howto read it.'

      Walter and Julia are examining a glass paperweight in George Orwell's 1984 without having context of what it is or for what it was used.

      This is the same sort of context collapse caused by distance in time and memory that archaeologists face when examining found objects.

      How does one pull out the meaning from such distant objects in an exegetical way? How can we more reliably rebuild or recreate lost contexts?

      Link to: - Stonehenge is a mnemonic device - mnemonic devices in archaeological contexts (Neolithic carved stone balls


      Some forms of orality-based methods and practices can be viewed as a method of "reading" physical objects.


      Ideograms are an evolution on the spectrum from orality to literacy.


      It seems odd to be pulling these sorts of insight out my prior experiences and reading while reading something so wholly "other". But isn't this just what "myths" in oral cultures actually accomplish? We link particular ideas to pieces of story, song, art, and dance so that they may be remembered. In this case Orwell's glass paperweight has now become a sort of "talking rock" for me. Certainly it isn't done in any sort of sense that Orwell would have expected, presumed, or even intended.

    2. Orwell, George. Nineteen eighty-four. (Mariner, 2008) ISBN 978-0-15-603584-2

    1. Beyond the cards mentioned above, you should also capture any hard-to-classify thoughts, questions, and areas for further inquiry on separate cards. Regularly go through these to make sure that you are covering everything and that you don’t forget something.I consider these insurance cards because they won’t get lost in some notebook or scrap of paper, or email to oneself.

      Julius Reizen in reviewing over Umberto Eco's index card system in How to Write a Thesis, defines his own "insurance card" as one which contains "hard-to-classify thoughts, questions, and areas for further inquiry". These he would keep together so that they don't otherwise get lost in the variety of other locations one might keep them

      These might be akin to Ahrens' "fleeting notes" but are ones which may not easily or even immediately be converted in to "permanent notes" for one's zettelkasten. However, given their mission critical importance, they may be some of the most important cards in one's repository.

      link this to - idea of centralizing one's note taking practice to a single location

      Is this idea in Eco's book and Reizen is the one that gives it a name since some of the other categories have names? (examples: bibliographic index cards, reading index cards (aka literature notes), cards for themes, author index cards, quote index cards, idea index cards, connection cards). Were these "officially" named and categorized by Eco?

      May be worthwhile to create a grid of these naming systems and uses amongst some of the broader note taking methods. Where are they similar, where do they differ?


      Multi-search tools that have full access to multiple trusted data stores (ostensibly personal ones across notebooks, hard drives, social media services, etc.) could potentially solve the problem of needing to remember where you noted something.

      Currently, in the social media space especially, this is not a realized service.

    2. Even the sloppiest manuscript would bring twenty new cards for my hoard.

      This quote is similar to the broad idea (source(s)?) that one can learn something even from the worst books or the man who's a fool.

      I've excerpted the portion of the quote that appears before this in the past. See: https://hyp.is/jqug2tNlEeyg2JfEczmepw/3stages.org/c/gq_title.cgi?list=1045&ti=Foucault%27s%20Pendulum%20(Eco)

    1. probefahrer · 7 hr. agoAre you familiar with Mark Granovetter‘s theory of weak ties?He used it in the sense of the value of weak social connections but I am pretty sure one could make a case for weak connections in a Zettelkasten as being very valuable

      Humanity is a zettelkasten in biological form.

      Our social ties (links) putting us into proximity with other humans over time creates a new links between us and our ideas, and slowly evolves new ideas over time. Those new ideas that win this evolutionary process are called innovation.

      The general statistical thermodynamics of this idea innovation process can be "heated up" by improving communication channels with those far away from us (think letters, telegraph, radio, television, internet, social media).

      This reaction can be further accelerated by actively permuting the ideas with respect to each other as suggested by Raymond Llull's combinatorial arts.

      motivating reference: Matt Ridley in The Rational Optimist

      link to: - Mark Granovetter and weak ties - life of x

    2. Take extreme care how you may conflate and differentiate (or don't) the ideas of "information" and "knowledge". Also keep in mind that the mathematical/physics definition of information is wholly divorced from any semantic meanings it may have for a variety of receivers which can have dramatically different contexts which compound things. YI suspect that your meaning is an Take extreme care how you may conflate and differentiate (or don't) the ideas of "information" and "knowledge". Also keep in mind that the mathematical/physics definition of information is wholly divorced from any semantic meanings it may have for a variety of receivers which can have dramatically different contexts which compound things. I suspect that your meaning is an

      Take extreme care how you may conflate and differentiate (or don't) the ideas of "information" and "knowledge". Also keep in mind that the mathematical/physics definition of information is wholly divorced from any semantic meanings it may have for a variety of receivers which can have dramatically different contexts which compound things.

      It's very possible that the meaning you draw from it is an eisegetical one to the meaning which Eco assigns it.

  3. Jun 2022
    1. The trending topics on Twitter can be used as a form of juxtaposition of random ideas which could be brought together to make new and interesting things.

      Here's but one example of someone practicing just this:

      Y’all, imagine Spielberg’s Sailor Moon pic.twitter.com/xZ1DEsbLTy

      — Matty Illustration (@MN_illustration) June 30, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

      cc: https://twitter.com/marshallk

    1. Those who read with pen in hand form a species nearly extinct. Those who read the marginal notes of readers past form a group even smaller. Yet when we write in antiphonal chorus to what we’re reading, we engage in that conversation time and distance otherwise make impossible.
    1. The Zettelkasten aka Antinet (which I love by the way) is a thinking, exploration and growing tool for me. Not for actual projects with clients. It's like my personal "pensieve" (Harry Potter). In German it's called "Denkarium" and I like that so much.

      I quite like the idea of analogizing a zettelkasten with a pensieve in the mode of Harry Potter.

    1. Explore more Thinking Routines at pz.harvard.edu/thinking-routines
    2. Compass Points, a routine for examining propositions.

      via https://pz.harvard.edu/sites/default/files/Compass%20Points_0.pdf

      • E- excited
      • W- worrisome
      • N - need to know
      • S - stance or suggestion for moving forward

      These could be used as a simple set of rules for thumb for evaluating and expanding on ideas in note taking or social annotation settings.

      Compare these with the suggestions of Tiago Forte in his book Building a Second Brain. Which is better? More comprehensive? Are there any ideas missing in a broader conceptualization? Is there a better acronymization or analogy for such a technique?

    1. First!


      What I really mean is: <br /> I'm bookmarking this for my digital notebook https://journals.sagepub.com/doi/abs/10.1177/1474022220915128

      “Something fruitful for all of us”: Social annotation as a signature pedagogy for literature education<br /> Jeffrey Clapp, Matthew DeCoursey, Sze Wah Sarah Lee, et al.<br /> First Published March 29, 2020<br /> https://doi.org/10.1177/1474022220915128

      There's always something suspicious about journal articles about social annotation when there's no public sign of social annotation on them.

      We've remedied this problem...

    1. https://docs.google.com/document/d/1N4LYLwa2lSq9BizDaJDimOsWY83UMFqqQc1iL2KEpfY/edit

      P.R.O.B.E. rubric participation (exceeds, meets fails), respectful, open, brave, educational

      Mentioned in the chat at Hypothes.is' SOCIAL LEARNING SUMMIT: Spotlight on Social Reading & Social Annotation

      in the session on Bringing the Margins to Center: Introduction to Social Annotation


      Looking at the idea of rubrication, I feel like I ought to build a Tampermonkey or Greasemonkey script that takes initial capitals on paragraphs and makes them large, red, or even illuminated. Or perhaps something that converts the CSS of Hypothes.is and makes it red instead of yellow?

      What if we had a collection of illuminated initials and some code that would allow for replacing capitals at the start of paragraphs? Maybe a repository like giphy or some of the meme and photo collections for reuse?

    1. The Reading Brain in the Digital Age: The Science of Paper versus Screens https://www.scientificamerican.com/article/reading-paper-screens/ by Ferris Jabr Scientific American 2013-04-11 A good overview of reading practices, reading user interfaces, and research literature relevant to it. Lots of abstracts from research which I ought to look at more closely, and thus didn't make note of as much as I'd rather delve into the primary sources.

      Most of the research cited here is preliminary to early e-reading devices and has small sample sizes. Better would be to see how subsequent studies have fared with larger and more diverse groups.

    2. Robin Sloan has pioneered the tap essay for mobile devices.

      http://www.robinsloan.com/fish/

      I'd seen this before, but never read it as it was iOS only...

    3. Some researchers have found that these discrepancies create enough "haptic dissonance" to dissuade some people from using e-readers. People expect books to look, feel and even smell a certain way; when they do not, reading sometimes becomes less enjoyable or even unpleasant. For others, the convenience of a slim portable e-reader outweighs any attachment they might have to the feel of paper books.
    4. surveys indicate that screens and e-readers interfere with two other important aspects of navigating texts: serendipity and a sense of control.

      Based on surveys, readers indicate that two important parts of textual navigation are sense of control and serendipity.

      http://books.google.com/books/about/Electronic_journal_literature.html?id=YSFlAAAAMAAJ


      How does the control over a book frame how we read? What does "power over" a book look like compared to "power with"?

      What are the tools for thought affordances that paper books provide over digital books and vice versa?


      I find myself thinking about people publishing books in index card/zettelkasten formats. Perhaps Scott Scheper could do this with his antinet book presented in a linear format, but done in index cards with his numbers, links, etc. as well as his actual cards for his index so that readers could also see the power of the system by holding it in their hands and playing with it.

    5. "The implicit feel of where you are in a physical book turns out to be more important than we realized," says Abigail Sellen of Microsoft Research Cambridge in England and co-author of The Myth of the Paperless Office. "Only when you get an e-book do you start to miss it. I don't think e-book manufacturers have thought enough about how you might visualize where you are in a book."

      How might we design better digital reading interfaces that take advantage of a wider range of modes of thinking and reading?

      Certainly adding audio to the text helps to bring in benefits of orality, but what other axes are there besides the obvious spatial benefits?

    6. Instead of hiking the trail yourself, the trees, rocks and moss move past you in flashes with no trace of what came before and no way to see what lies ahead.

      Just as there are deficits like dyslexia in the literate world, are there those who have similar deficits relating to location in the oral world? What do these look like? What are they called specifically?

      There are definitely memory deficits withing cognitive neuropsychology. Is there a comprehensive list one could look at?

      Some people aren't as good at spatial orientation as others. Women are stereotyped as being less good at direction and direction finding.

    7. Both anecdotally and in published studies, people report that when trying to locate a particular piece of written information they often remember where in the text it appeared.

      How does location affect our reading? Is it similar to methods of location and memory within oral traditions?

    8. In turn, such navigational difficulties may subtly inhibit reading comprehension.

      If digital user interfaces and navigational difficulties inhibited reading comprehension in the modern age, what did similar interfaces do to early reading practices?

      What methods do we have to tease out data of these sorts of early practices?

      What about changes in modes of reading (reading out loud vs. reading quietly)?

      I'm reminded of this as a hyperbolic answer, but still the root question may be an apt one:

      https://www.youtube.com/watch?v=pQHX-SjgQvQ

    9. How exactly does the technology we use to read change the way we read?
    1. u/sscheper in writing your book, have you thought about the following alternative publishing idea which I'm transcribing from a random though I put on a card this morning?

      I find myself thinking about people publishing books in index card/zettelkasten formats. Perhaps Scott Scheper could do this with his antinet book presented in a traditional linear format, but done in index cards with his numbers, links, etc. as well as his actual cards for his index at the end so that readers could also see the power of the system by holding it in their hands and playing with it?

      It could be done roughly like Edward Powys Mathers' Cain's Jawbone or Henry Korn's Pontoon Manifesto? Perhaps numbered consecutively to make it easier to bring back into that format, but also done with your zk numbering so that people could order it and use it that way too? This way you get the book as well as a meta artifact of what the book is about as an example of how to do such a thing for yourself. Maybe even make a contest for a better ordering for the book than the one you published it in ?

      Link to: - https://hyp.is/6IBzkPfeEeyo9Suq-ZmCKg/www.scientificamerican.com/article/reading-paper-screens/

    1. https://alanjreidphd.wixsite.com/reid

      I am an Associate Professor of First-Year Writing & Instructional Technologies at Coastal Carolina University where I teach courses in composition, new media, digital culture and design, and graduate writing and research. I also have created and taught a variety of graduate courses in the Instructional Design & Technology doctoral programs at Johns Hopkins University, Old Dominion University, and Northcentral University.

      In addition, I am an Evaluation Analyst at the Center for Research and Reform in Education (CRRE) and Adjunct Teaching Faculty in the School of Education at Johns Hopkins University. I also serve as a board member for the non-profit, STEM Mentorship Academy of NC.

      I live in Kure Beach, NC with my wife and our four children. I enjoy surfing, skateboarding, and home renovation projects.

    2. Reid, A. J. (Ed.). (2018). Marginalia in Modern Learning Contexts. New York: IGI Global.

      Heard about this at the Hypothes.is SOCIAL LEARNING SUMMIT: Spotlight on Social Reading & Social Annotation

    1. Luhmann’s zettelkasten use case .t3_vlape5._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; } I was just thinking… I wonder what Luhmann’s use case for his zettelkasten was. By this I mean, was his original use for it for knowledge development, then his papers/books came as a successful bi-product? Or was his original intention to use it to actually write books/papers in the first place… Does anyone have any insight on this?

      When asked by Bielefeld University to report on his research projects, Luhmann famously replied:

      “Theory of society; duration: 30 years; costs: none”.

      In this there is a tremendously large nod to his zettelkasten to permit this work to be done.

      Though technically at the current price of $11.78 for 1,000 index cards on Amazon right now and a total of 92,000 cards, Luhmann should have better budgeted 1083.76 for the paper not to mention the cost of pens and pencils.

      Luhmann, N. (1997). Die Gesellschaft der Gesellschaft (2 vols). Frankfurt am Main, Germany: Suhrkamp. Published in translation as Theory of society (2 vols.). Stanford, CA: Stanford University Press 2012–2013.

    1. Luhmann remarked that, when the Faculty of Sociology at Bielefeld University, newly established in 1969, asked its professors to report on the research projects they were working on, his reply was “Theory of society; duration: 30 years; costs: none” (Luhmann, 1997, p. 11).

      “Theory of society; duration: 30 years; costs: none”

      Quote from

      Luhmann, N. (1997). Die Gesellschaft der Gesellschaft (2 vols). Frankfurt am Main, Germany: Suhrkamp. Published in translation as Theory of society (2 vols.). Stanford, CA: Stanford University Press 2012–2013.

    1. I used to tell students (including PhD students) that 90% of what they will write will not be any good. But the only way they will get to the 10% that is good is by writing the 90% that isn't. So, they'd better start writing now! ;-)
    2. This can also be considered The Iceberg Principle. The 10% (really 9%) you do see is only visible because of the 90% (really 91%) you don't see. Without that 90% you don't get the 10%.

      Often you may need to dig below the surface of something to find it's real value.

      This is related to quotes about being able to find something interesting, redeeming, valuable about bad books as well as being able to learn from the fool.

    3. "Sturgeon's Law". According to those who were there, Theodore Sturgeon the SF author made this comment at a convention in 1953. it is that:90% of everything is crud, and it's the 10% that isn't crud that is important.

      I've also heard a version of this that relates to only 1% of what's in the Library of Congress being widely known or read.

      Related to: - Pareto principle - iceberg principle

    1. “Collect books, even if you don't plan on reading them right away. Nothing is more important than an unread library.” ― John Waters
    2. “Being rich is not about how much money you have or how many homes you own; it's the freedom to buy any book you want without looking at the price and wondering if you can afford it.” ― John Waters, Role Models
    3. “If you go home with somebody, and they don't have books, don't fuck 'em!” ― John Waters
    1. All this hoopla seems out of character for the sedate man who likes to say of his work: ''Whatever I did, there was always someone around who was better qualified. They just didn't bother to do it.''
    1. The correlation between the antinet and programming languages. They bought have an output of some sort. For the antinet it could be a book and an app for the other. When building up your antinet you are literally writing you’re output. Each main card eventually will flow into a larger text. Reformulated or not. When programming you make code-blocks. Small chunks of code to use in other parts of the program. Those small chunks were made previously or taken from an other program and re formulated to work in that new program you are working on. From all those small pieces of code you make a big program your output. In bought cases most of the work is done before hand. Building it up is the easy part because you don’t begin with an empty screen or paper.

      You're sure to love Markus Krajewski's book Paper Machines: About Cards & Catalogs, 1548-1929 (History and Foundations of Information Science) which covers this very idea from a historical perspective.

    1. can someone explain to me the relationship between Luhmann's numbering and the "categories" of Wikipedia (1000-6000)? I can't find the video where Scott explains that the first number used by Luhmann for the entry note is of the order of thousands and that it indicated a general category?

      Since I just happen to have an antinet laying around 🗃️😜🔎 I can do a quick cross referenced search for antinet, youtube, and numbering systems to come up with this: https://www.youtube.com/watch?v=MrjUg4toZqw.

      Hopefully it's the one (or very similar) to what you're looking for.

      Since it was also hiding in there in a linked card, an added bonus for you:

      "Here I am on the floor showing you freaking note cards, which really means that I have made it in life." —Scott P. Scheper

    1. I very much appreciate your commitment to growth and learning. I also think it's nice to have colorful posts here vs. a ghost town. My feedback would be to gear your posts towards how to use an Antinet to produce written output. Specifically what main note you created, with pictures of the main note, and then elaborate on what they actually mean, and share a written post about the idea. You've done several of these posts, and I'd say lean even more towards sharing the most powerful thought/the most powerful maincard you've developed all week. For frequency, I'd say one post a week on this would be great.My main point is this: the primary use of Luhmann's Antinet was written output. The thoughts he shared were deep and developed because of the Antinet process. We're not in the PKM space, we're in the AKD space. Analog Knowledge Development, focusing on written output. The paradox is, when changing your mindset to written output, you actually become more of a learning machine.

      One of the toughest parts about these systems is that while they're relatively easy to outline (evidence: the thousands of 500-1000 word blog posts about zettelkasten in the last 3 years), they're tougher to practice and many people have slight variations on the idea (from Eminem's "Stacking Ammo" to Luhmann's (still incomplete) digital collection). Far fewer people are sticking with it beyond a few weeks or doing it for crazy reasons (I call it #ProductivityPorn, while Scott has the colorful phrase "bubble graph boys").

      For those who visit here, seeing discrete cards and ideas, videos, or examples of how others have done this practice can be immensely helpful. While it can be boring to watch a video of someone reading and taking notes by hand, it can also be incredibly useful to see exactly what they're doing and how they're doing it (though God bless you for speeding them up 😅).

      This is also part of why I share examples of how others have practiced these techniques too. Seeing discrete examples to imitate is far easier than trying to innovate your way into these methods, particularly when it's difficult to see the acceleration effects of serendipity that comes several months or years into the process. Plus it's fun to see how Vladimir Nabokov, Anne Lamott, Gottfried Wilhelm Leibniz, Bob Hope, Michael Ende, Twyla Tharp, Roland Barthes, Kate Grenville, Marcel Mauss, Claude Lévi-Strauss, Joan Rivers, Umberto Eco, Georg Christoph Lichtenberg, Raymond, Llull, George Carlin, John Locke, and Eminem all did variations of this for themselves. (This last sentence has so much entropy in it, I'm certain that it's never been written before in the history of humanity.)

      And isn't everyone tired to death of Luhmann, Luhmann, Luhmann? You'd think that no one had ever thought to take note of anything before?!

      While my own approach is a hybrid of online and offline techniques, I've gotten long emails from people following my Hypothes.is feed of notes and annotations saying what a useful extended example it is. Of course they don't see the follow up that entails revision of the notes or additional linking, tagging, and indexing that may go on, but it's at least enough of an idea that they understand the start of the practice.

      (Incidentally, I wrote most of this using a few cards from my own system. 🗃️✂️🖋️)

    1. you can actually see my entire guide 00:27:53 to using hypothesis on my website there's the link there's videos for how to use it with the lms or as a standalone with my assignment all laid out for you and next slide you can also read the full article in 00:28:06 digital reading and writing and composition studies thank
    2. smart bookmark
    3. very meta activity of having people annotate about right reading online

      They're annotating this article in Scientific American: The Reading Brain in the Digital Age: The Science of Paper versus Screens

    4. kathy davidson whose article you see here or whose book

      Cathy N. Davidson. Now You See It: How the Brain Science of Attention Will Transform the Way We Live, Work, and Learn

      https://www.amazon.com/Now-You-See-Attention-Transform/dp/0670022829/

    1. Das gerichtliche Aktenzeichen dient der Kennzeichnung eines Dokuments und geht auf die Aktenordnung (AktO) vom 28. November 1934 und ihre Vorgänger zurück.[4]

      The court file number is used to identify a document and goes back to the file regulations (AktO) of November 28, 1934 and its predecessors.

      The German "file number" (aktenzeichen) is a unique identification of a file, commonly used in their court system and predecessors as well as file numbers in public administration since at least 1934.

      Niklas Luhmann studied law at the University of Freiburg from 1946 to 1949, when he obtained a law degree, before beginning a career in Lüneburg's public administration where he stayed in civil service until 1962. Given this fact, it's very likely that Luhmann had in-depth experience with these sorts of file numbers as location identifiers for files and documents.

      We know these numbering methods in public administration date back to as early as Vienna, Austria in the 1770s.


      The missing piece now is who/where did Luhmann learn his note taking and excerpting practice from? Alberto Cevolini argues that Niklas Luhmann was unaware of the prior tradition of excerpting, though note taking on index cards or slips had been commonplace in academic circles for quite some time and would have been reasonably commonplace during his student years.

      Are there handbooks, guides, or manuals in the early 1900's that detail these sorts of note taking practices?

      Perhaps something along the lines of Antonin Sertillanges’ book The Intellectual Life (1921) or Paul Chavigny's Organisation du travail intellectuel: recettes pratiques à l’usage des étudiants de toutes les facultés et de tous les travailleurs (in French) (Delagrave, 1918)?

      Further recall that Bruno Winck has linked some of the note taking using index cards to legal studies to Roland Claude's 1961 text:

      I checked Chavigny’s book on the BNF site. He insists on the use of index cards (‘fiches’), how to index them, one idea per card but not how to connect between the cards and allow navigation between them.

      Mind that it’s written in 1919, in Strasbourg (my hometown) just one year after it returned to France. So between students who used this book and Luhmann in Freiburg it’s not far away. My mother taught me how to use cards for my studies back in 1977, I still have the book where she learn the method, as Law student in Strasbourg “Comment se documenter”, by Roland Claude, 1961. Page 25 describes a way to build secondary index to receive all cards relatives to a topic by their number. Still Luhmann system seems easier to maintain but very near.


      <small><cite class='h-cite via'> <span class='p-author h-card'> Scott P. Scheper </span> in Scott P. Scheper on Twitter: "The origins of the Zettelkasten's numeric-alpha card addresses seem to derive from Niklas Luhmann's early work as a legal clerk. The filing scheme used is called "Aktenzeichen" - See https://t.co/4mQklgSG5u. cc @ChrisAldrich" / Twitter (<time class='dt-published'>06/28/2022 11:29:18</time>)</cite></small>


      Link to: - https://hypothes.is/a/Jlnn3IfSEey_-3uboxHsOA - https://hypothes.is/a/4jtT0FqsEeyXFzP-AuDIAA

    1. Lois Weber<br /> - First woman accepted to Motion Picture Director's Association, precursor of Director's Guild<br /> - First directors committee of the Academy of Motion Picture Arts and Sciences<br /> - Mayor of Universal City<br /> - One of the highest paid and most influential directors in Hollywood of her day<br /> - one of first directors to form her own production company

      See also: - https://en.wikipedia.org/wiki/Lois_Weber

    2. Where are My Children?, Universal's top film of 1916, written and directed by their top director Lois Weber, discussed abortion and birth control. It was added to the National Film Registry in 1993.

      See also - Stamp, Shelley. Lois Weber in Early Hollywood. University of California Press, May 2015. ISBN 9780520284463


      Watched this last night

      https://www.kcet.org/shows/lost-la/episodes/dream-factory

    1. Weber left home and lived in poverty while working as a street-corner evangelist and social activist for two years with the evangelical Church Army Workers, an organization similar to the Salvation Army, preaching and singing hymns on street corners and singing and playing the organ in rescue missions in red-light districts in Pittsburgh and New York,[13][33] until the Church Army Workers disbanded in 1900.

      This is interesting background given her subsequent blockbuster film Where are My Children? (Universal Studios, 1916) which covered abortion and birth control.

      https://en.wikipedia.org/wiki/Lois_Weber

    1. https://www.kcet.org/shows/lost-la

      This is a stunningly excellent little series! It started auto streaming last night after I watched PBS News Hour and I watched it in the background all evening.

      I'd seen at least one episode previously, but definitely worth re-watching in its entirety. So much history hiding around us...

    1. If a guy got lucky at a restaurant, it got included.” Jauregui waxes poetic about The Address Book, calling it “sexual memory…told by spaces.”

      Something interesting here about a "gossipy collaboration" of an address book that crystallized a "sexual memory...told by spaces".

    1. Numerous studies have shown thatthe fiscal state’s rise in power made a major contribution to the pro-cess of economic development. The new receipts did in fact make itpossible to finance expenditures that proved indispensable not onlyfor reducing inequalities but also for encouraging growth. These ex-penditures included a massive and relatively egalitarian investmentin education and health care (or, at least, a much more massive andegalitarian investment than any previous); expansion of transporta-tion and other community infrastructure; the replacement income,such as retirement pensions, necessary for supporting an aging popu-lation; and reserves, such as unemployment insurance, for stabilizingthe economy and society in the event of a recession.1

      See especially P. Lindert, Growing Public: Social Spending and Economic Growth since the Eighteenth Century (Cambridge: Cambridge University Press, 2004).

      Ample evidence has shown that increasing taxes in Western countries along with the states' power to use it during the majority of the 1900s not only reduced inequalities but encouraged growth.

    2. The Invention of the Welfare State: Education,Health Care, and Social Security

      Welfare state has largely been given a negative connotation in America beginning roughly in the 1980s during the Reagan administration.

      Will Piketty continue this negative tone here?

    3. Between 1914 and 1980, inequalities in income and wealth decreasedmarkedly in the Western world as a whole (the United Kingdom,Germany, France, Sweden, and the United States), and in Japan,Russia, China, and India, although in different ways, which we willexplore in a later chapter. Here we will focus on the Western countriesand improve our understanding of how this “great redistribution”took place.

      Inequalities in income and wealth decreased markedly in the West from 1914 to 1980 due to a number of factors including:<br /> - Two World Wars and the Great Depression dramatically overturned the power relationships between labor and capital<br /> - A progressive tax on income and inheritance reduced the concentration of wealth and helped increase mobility<br /> - Liquidation of foreign and colonial assets as well as dissolution of public debt

    1. https://en.wikipedia.org/wiki/Hodge-podge

      How is this broadly related to the intellectual history of commonplace books, zettelkasten, and other note taking matters.

      I recall an idea of a Hodge-podge book from my youth, but these may have been published children's activity books for fun rather than collecting tidbits as in something closer to a scrapbook.

      Link to: - Eminem's stacking ammo - Thought about this randomly while editing notes for [[Forte2022]]

    1. Just be sure to take notes along the way.

      Not a half bad sentence to end the whole enterprise with.

    2. personal knowledge management (#PKM),#SecondBrain, #BASB, or #toolsforthought. Share your toptakeaways from this book or anything else you’ve realized ordiscovered

      smart marketing for those who may be more naïve...

    3. There is no single right way to build a Second Brain. Your systemcan look like chaos to others, but if it brings you progress anddelight, then it’s the right one.

      All this description and prescription, then say this?!

      I'll agree that each person's system should be their own and work for them, but it would have been more helpful to have this upfront and then to have looked at a broad array of practices and models for imitation to let people pick and choose from a variety of practices instead of presenting just one dish on the menu: P.A.R.A. with a side of C.O.D.E.

    4. In a 1966 book,* the British-Hungarian philosopher MichaelPolanyi made an observation that has since become known as“Polanyi’s Paradox.” It can be summarized as “We know more thanwe can say.”

      The Tacit Dimension, by Michael Polanyi

      how is this related to the curse of knowledge?

    5. Ryder Carroll says in The BulletJournal Method, “Your singular perspective may patch some smallhole in the vast tattered fabric of humanity.”
    6. Knowledge is the only resource that getsbetter and more valuable the more it multiplies.

      He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.<br /> —Thomas Jefferson

    7. We’ve been conditioned to view information through aconsumerist lens: that more is better, without limit.
    8. Giving Your First Brain a New Job

      This entire chapter thus far (to the end of this section at minimum) sounds like it would have been better motivating material.

      It also has a more touchy-feely and less concrete nature which puts in the self-help category and not so much in the tools for thought space.

    9. The paradox of hoarding isthat no matter how much we collect and accumulate, it’s neverenough.

      How is the paradox of hoarding related to the collector's fallacy?

      Regardless of how much you collect, you can't take it with you. So what's the value? - Having and using it to sustain you while you're alive. - Combining it in creative ways to leave behind new ideas and new innovations for those who follow you. - others?

    10. That is why building a Second Brain is a journey of personalgrowth. As your information environment changes, the way yourmind operates starts to be transformed.

      This also happens with the techniques of orality, but from an entirely different perspective. Again, these methods are totally invisible even to an expert on productivity and personal knowledge management.

      Not even a mention here of the ancient Greeks bemoaning the invention of literacy as papering over valuable memory.

    11. You might have arrived at this book because you heard about thisnew field called personal knowledge management, or maybe whenyou were trying to find guidance in how to use a cool new notetakingapp. Maybe you were drawn in by the promise of new techniques forenhancing your productivity, or perhaps it was the allure of asystematic approach to creativity.

      The broad audiences for this book.

      This may have been better place in the introduction to draw these people in.

    12. For most of history, humanity’s challenge was how to acquire scarceinformation. There was hardly any good information to be foundanywhere. It was locked up in difficult-to-reproduce manuscripts orstuck in the heads of scholars. Access to information was limited, butthat wasn’t a problem for most people. Their lives and livelihoodsdidn’t require much information. Their main contribution was theirphysical labor, not their ideas.

      This is an overly painful Western cultural viewpoint and totally erases orality and oral cultures from the discussion. We can and should do better.

    13. The Essential Habits ofDigital Organizers

      This chapter is too entailed with productivity advice, which can be useful to some, but isn't as note taking focused for those who probably need more of that.

      What is the differentiator between knowledge workers, knowledge creators, students, researchers, academics. How do we even clearly delineate knowledge worker as a concept. It feels far too nebulous which makes it more difficult to differentiate systems for them to use for improving productivity and efficiency.

    14. There’s no need to capture every idea; the best ones willalways come back around eventually.

      While one can certainly capture a lot of cruft that isn't actionable or easily reusable, it's a fable that the best ideas will come back around. All too often the really brilliant ideas can be quickly lost to the wind if not captured immediately.

    15. Here are more specific examples of what those opportunitiesmight look like

      He's got a very specific type of notes for productivity compared with the sort of notes a student, academic, or researcher might take. This has consequences to the sort of system one has and how productive or not it is.

      At some point in the book he sounds as if he's talking about notes for content creation/production, but he's also mixing in work productivity sorts of notes which can be treated dramatically differently.

      Modern systems need to better distinguish between these two sorts of modes. (Are there others?) What should we even call these things to distinguish them and how they might be differently handled?

      What do the two things have in common that allow them to be conflated? What is different that suggests distinguishing them and separating them?

      Which digital tools are better for each of these? Do some handle both well? Should there be a mental or physical separation of them?

      Am I just wholly wrong here?

    16. The nice thing about notes, unlike to-dos, is that they aren’turgent. If one important to-do gets overlooked, the results could becatastrophic. Notes, on the other hand, can easily be put on hold anytime you get busy, without any negative impact.

      Nice that he differentiates specifically between notes and to-do items.

    17. Curator’s Perspective
    18. automate the repetitive parts of cooking so they can focuscompletely on the creative parts.

      The creative parts of cooking are all done way before setting out the mise en place. Restaurant cooking is all about process for speed grinding it out. It's about efficiency. Few line cooks or chefs in a professional kitchen are exercising any sort of creativity, it's nearly 100% skill and production in the most repetitive way.

      Anyone who tells you different is selling you something.

    19. Chefs use mise en place—a philosophy and mindset embodied ina set of practical techniques—as their “external brain.”1 It gives thema way to externalize their thinking into their environment

      Dan Charnas, Work Clean: The Life-Changing Power of Mise-en-Place to Organize Your Life, Work, and Mind (Emmaus, PA: Rodale Books, 2016)

      mise-en-place is an example of a means of thinking externally with one's environment

      link to - similar ideas in Annie Murphy Paul's The Extended Mind

    20. This fundamental tension—between quality and quantity—is atension we share as knowledge workers. We also must producework to an extremely high standard, and we must do it fast,continuously, all year long. We are like sprinters who are also tryingto run a marathon.

      Do we? Really? This definitely needs reframing and books like this that play on these sorts of fears are both partially responsible, but are also preying on an atmosphere which they're propagating.

      This is the sort of sad thing that a productivity guru would say...

    21. TIAGO FORTE is one of the world’s foremost experts on productivity
    22. Index

      I'm guessing it's just the fact that I have an advance reader copy of the book that accounts for the missing index in my copy.

      If not, then dear G-d!!!

    23. In addition to the notesbelow, you can find a full list of updated endnotes and corrections atBuildingasecondbrain.com/endnotes.

      A few corrections based on my suggestions already... 😁

      https://www.buildingasecondbrain.com/endnotes

    24. Raphael, you came up with thename of the course—and now the book.

      The origin of the phrase Building a Second Brain.

    25. You can download this chapter at Buildingasecondbrain.com/bonuschapter.

      Come be a part of my sales funnel!!!

      ugh... This should generally be sacrilege, but it's even worse when having a solid index (which is roughly the purpose that tags support) is an important part of any commonplace book, especially since John Locke, which a resource Forte has cited elsewhere in his book.

    26. If you feel resistance to continuing with this project later, tryDialing Down the Scope.

      Another example of [[self-important capitalization]] here. ugh...

      This is possibly a better name for it...

    27. Are there relevant IPs buried in other projects you’ve worked onin the past?

      Sadly, I've already forgotten his self-defined version of IP and I can only think of intellectual property. Is footnote mention linking it to intellectual property certainly didn't help things.

      This is part of why using popular acronyms that aren't descriptive or clever is a bad naming practice.

    28. If you’d like to give this approach to executing projects a try, now isthe perfect time.Start by picking one project you want to move forward on. It couldbe one you identified in Chapter 5, when I asked you to make foldersfor each active project.

      At least two examples of the book attempting to engage the reader in carrying out the principles within.

      I wonder how many tried?

    29. If you want to write a book, you could dial down the scope andwrite a series of online articles outlining your main ideas. If youdon’t have time for that, you could dial it down even further andstart with a social media post explaining the essence of yourmessage.

      This does make me wonder again, how much of this particular book might be found in various forms on Forte's website, much of which is behind a paywall at $10 a month or $100 a year?

      It's become more common in the past decades for writers to turn their blogs into books and then use their platform to sell those books.

    30. You never knowwhen the rejected scraps from one project might become the perfectmissing piece in another. The possibilities are endless.

      He says this, but his advice on how to use them is too scant and/or flawed. Where are they held? How are they indexed? How are they linked so that finding and using them in the future? (especially, other than rote memory or the need to have vague memory and the ability to search for them in the future?)

    31. By dropping or reducing or postponing the least importantparts, we can unblock ourselves and move forward even when timeis scarce.

      When working on a project, to stave off potential procrastination on finishing, one should focus on the minimum viable version and finish that. They can then progressively enhance portions and add on addition pieces which may be beneficial or even nice to have.

      Spending too much time on the things that sound nice or that one "might want to have" in the future will be the death of the thing.

      link to: - you ain't gonna need it - bikeshedding for procrastination

      questions: - Does the misinterpreted-effort hypothesis play a role in creating our procrastination and/or lead to decision fatigue?

    32. send off your draft or beta orproposal for feedback. Share this Intermediate Packet with a friend,family member, colleague, or collaborator; tell them that it’s still awork-in-process and ask them to send you their thoughts on it. Thenext time you sit down to work on it again, you’ll have their input andsuggestions to add to the mix of material you’re working with.

      A major benefit of working in public is that it invites immediate feedback (hopefully positive, constructive criticism) from anyone who might be reading it including pre-built audiences, whether this is through social media or in a classroom setting utilizing discussion or social annotation methods.

      This feedback along the way may help to further find flaws in arguments, additional examples of patterns, or links to ideas one may not have considered by themselves.

      Sadly, depending on your reader's context and understanding of your work, there are the attendant dangers of context collapse which may provide or elicit the wrong sorts of feedback, not to mention general abuse.

    33. • Write down ideas for next steps: At the end of a worksession, write down what you think the next steps could be forthe next one.• Write down the current status: This could include your currentbiggest challenge, most important open question, or futureroadblocks you expect.• Write down any details you have in mind that are likely tobe forgotten once you step away: Such as details about thecharacters in your story, the pitfalls of the event you’re planning,or the subtle considerations of the product you’re designing.• Write out your intention for the next work session: Set anintention for what you plan on tackling next, the problem youintend to solve, or a certain milestone you want to reach.

      A lot of this is geared toward the work of re-contextualizing one's work and projects.

      Why do all this extra work instead of frontloading it? Here again is an example of more work in comparison to zettelkasten...

    34. Ernest Hemingway was one of the most recognized and influentialnovelists of the twentieth century. He wrote in an economical,understated style that profoundly influenced a generation of writersand led to his winning the Nobel Prize in Literature in 1954.

      Forte is fairly good at contextualizing people and proving ethos for what he's about to present. Essentially saying, "these people are the smart, well-known geniuses, so let's imitate them".

      Humans are already good at imitating. Are they even better at it or more motivated if the subject of imitation is famous?

      See also his sections on Twyla Tharp and Taylor Swift...

      link to : - lone genius myth: how can there be a lone genius when the majority of human history is littered with imitation?

    35. One way to think of this is to “end with the beginning in mind,” a cleverrephrasing of author Stephen Covey’s classic advice to “begin with the end inmind.”

      HA!

    36. Hemingway Bridge.” He wouldalways end a writing session only when he knew what came next inthe story. Instead of exhausting every last idea and bit of energy, hewould stop when the next plot point became clear. This meant thatthe next time he sat down to work on his story, he knew exactlywhere to start. He built himself a bridge to the next day, using today’senergy and momentum to fuel tomorrow’s writing.

      It's easier to write when you know where you're going. As if to underline this Ernest Hemingway would end his writing sessions when he knew where he was going the following day so that it would be easier to pick up the thread of the story and continue on. (sourcing?)

      (Why doesn't Forte have a source for this Hemingway anecdote? Where does it come from? He footnotes or annotates far more obscure pieces, why not this?!)

      link to - Stephen Covey quote “begin with the end in mind” (did this prefigure the same common advice in narrative circles including Hollywood?)

    Tags

    Annotators

    1. Looking for advice on how to adapt antinet ideas for my own system .t3_vkllv0._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; }

      Holiday's system is roughly similar to the idea of a commonplace book, just kept and maintained on index cards instead of a notebook. He also seems to advocate for keeping separate boxes for each project which I find to be odd advice, though it's also roughly the same advice suggested by Twyla Tharp's The Creative Habit and Tiago Forte's recent book Building a Second Brain which provides a framing that seems geared more toward broader productivity rather than either the commonplacing or zettelkasten traditions.

      I suspect that if you're not linking discrete ideas, you'll get far more value out of your system by practicing profligate indexing terms on your discrete ideas. Two topical/subject headings on an individual idea seems horrifically limiting much less on an entire article and even worse on a whole book. Fewer index topics is easier to get away with in a digital system which allows search across your corpus, but can be painfully limiting in a pen/paper system.

      Most paperbound commonplaces index topics against page numbers, but it's not clear to me how you're numbering (or not) your system to be able to more easily cross reference your notes with an index. Looking at Luhmann's index as an example (https://niklas-luhmann-archiv.de/bestand/zettelkasten/zettel/ZK_2_SW1_001_V) might be illustrative so you can follow along, but if you're not using his numbering system or linking your cards/ideas, then you could simply use consecutive numbers 1, 2, 3, 4, ..., 92000, 92001, ... on your cards to index against to easily find the cards you're after. It almost sounds to me that with your current filing system, you'd have to duplicate your cards to be able to file them under more than one topic. This obviously isn't ideal.

    1. For Jerome Bruner, the place to begin is clear: “One starts somewhere—where the learner is.”

      One starts education with where the student is. But mustn't we also inventory what tools and attitudes the student brings? What tools beyond basic literacy do they have? (Usually we presume literacy, but rarely go beyond this and the lack of literacy is too often viewed as failure, particularly as students get older.) Do they have motion, orality, song, visualization, memory? How can we focus on also utilizing these tools and modalities for learning.

      Link to the idea that Donald Trump, a person who managed to function as a business owner and president of the United States, was less than literate, yet still managed to function in modern life as an example. In fact, perhaps his focus on oral modes of communication, and the blurrable lines in oral communicative meaning (see [[technobabble]]) was a major strength in his communication style as a means of rising to power?

      Just as the populace has lost non-literacy based learning and teaching techniques so that we now consider the illiterate dumb, stupid, or lesser than, Western culture has done this en masse for entire populations and cultures.

      Even well-meaning educators in the edtech space that are trying to now center care and well-being are completely missing this piece of the picture. There are much older and specifically non-literate teaching methods that we have lost in our educational toolbelts that would seem wholly odd and out of place in a modern college classroom. How can we center these "missing tools" as educational technology in a modern age? How might we frame Indigenous pedagogical methods as part of the emerging third archive?

      Link to: - educational article by Tyson Yunkaporta about medical school songlines - Scott Young article "You should pay for Tutors"


      aside on serendipity

      As I was writing this note I had a toaster pop up notification in my email client with the arrival of an email by Scott Young with the title "You should pay for Tutors" which prompted me to add a link to this note. It reminds me of a related idea that Indigenous cultures likely used information and knowledge transfer as a means of payment (Lynne Kelly, Knowledge and Power). I have commented previously on the serendipity of things like auto correct or sparks of ideas while reading as a means of interlinking knowledge, but I don't recall experiencing this sort of serendipity leading to combinatorial creativity as a means of linking ideas,