https://www.demco.com/demco-reg-permalife-catalog-cards
The old school Library of Congress card catalog cards with the red ruling.

https://www.demco.com/demco-reg-permalife-catalog-cards
The old school Library of Congress card catalog cards with the red ruling.

library card catalog featured in Leonard's apartment
https://forum.the-big-bang-theory.com/topic/357-card-catalog/
Likely just decoration, but did Leonard or Sheldon ever interact with the card catalog in their apartment? A zettelkasten perhaps?
Owners Paddy Calistro and Scott McAuley donated their publishing company Angel City Press to the Los Angeles Public Library in 2024.
https://www.nytimes.com/2024/01/29/us/la-public-library-book-publisher.html
https://www.ebay.com/itm/325982715454
35 drawer modular card catalog in light mid century modern design. Table with stick legs a 5x6 section including two pull out writing drawers, a 5x1 section and a top. Likely maple, in great shape. All wood and metal, includes all rods.
Listed in 2024-01-29 for $3995.00 with freight shipping extra from South Bend, IN
Labeled as a Centura 400 (model?)

Cost per drawer: $114.00
This is the first time I've seen a catalog from Sjöström on the market though on searching there are a handful floating around.
https://www.ebay.com/itm/305374515970
12 drawer (3 x 4) card index from Library Bureau in generally good looking shape from January 2024-01-28 listed for $385.00 (+ a ridiculous $203.77 shipping fee from North Canton, OH to Los Angeles).
Looks to be ex-library from Colgate University, in all wood and metal and in excellent shape. Missing all the catalog rods however.
I'm doing the cost per drawer based only on the opening bid price despite the gouging of the shipping price. Many sellers seem to be tacking on an above average shipping charge to pad their sale prices and potentially shift commissions from ebay.

Cost per drawer: $32.00
The Charging This consists in its interior arrangement ofCabinet rows of pigeon-holes constructed on an inclineupwards so that the base of each horizontalrow of pigeon-holes is higher than its predecessor. Into thesepigeon-holes the charging shps are placed and there is a guidecard to each pigeon-hole marking the divisions of the charging slipsby giving the number of the slip which is to be filed immediatelybehind it.
While slightly different in its physical configuration, the office charging cabinet (with a bleacher-like set up) is very similar to the similarly named library card charging tray.
Which came first?
Collection in Focus: Sir Isaac Newton's Pocket Memorandum Book<br /> by The Morgan Library & Museum
https://www.youtube.com/watch?v=h0Zpo5yla7w
More details and a digitized version of this memorandum book at https://www.themorgan.org/collection/isaac-newton/memorandum-book
Reply to @Denny @richnewman @patrickrhone at https://beardystarstuff.net/2024/01/16/i-finished-reading.html
I started reading Parable of the Sower exactly one year to the date mentioned at the start of the book at the public library in Pasadena where she grew up. As a 49 year old father of a 12 year old daughter, it was a much more visceral and eerie experience than I could ever have expected. She has forever changed the perspective I have driving down the streets of our shared neighborhood.
I'm not sure if they'll have open remote registrations for it or if it will only be broadcast locally, but the local Octavia Butler Book Club has an upcoming zoom session on Feb 24 which can be found in the Pasadena Public Library's newsletter (.pdf). It will feature Dr. Kendra Parker via Zoom from Georgia to present her lecture: "Walking a Mile in Her Shoes: Exploring Octavia Butler's Archives."
The nearby Huntington Library houses her papers and some of her materials there may be accessible online.
Instance methods Instances of Models are documents. Documents have many of their own built-in instance methods. We may also define our own custom document instance methods. // define a schema const animalSchema = new Schema({ name: String, type: String }, { // Assign a function to the "methods" object of our animalSchema through schema options. // By following this approach, there is no need to create a separate TS type to define the type of the instance functions. methods: { findSimilarTypes(cb) { return mongoose.model('Animal').find({ type: this.type }, cb); } } }); // Or, assign a function to the "methods" object of our animalSchema animalSchema.methods.findSimilarTypes = function(cb) { return mongoose.model('Animal').find({ type: this.type }, cb); }; Now all of our animal instances have a findSimilarTypes method available to them. const Animal = mongoose.model('Animal', animalSchema); const dog = new Animal({ type: 'dog' }); dog.findSimilarTypes((err, dogs) => { console.log(dogs); // woof }); Overwriting a default mongoose document method may lead to unpredictable results. See this for more details. The example above uses the Schema.methods object directly to save an instance method. You can also use the Schema.method() helper as described here. Do not declare methods using ES6 arrow functions (=>). Arrow functions explicitly prevent binding this, so your method will not have access to the document and the above examples will not work.
Certainly! Let's break down the provided code snippets:
In Mongoose, a schema is a blueprint for defining the structure of documents within a collection. When you define a schema, you can also attach methods to it. These methods become instance methods, meaning they are available on the individual documents (instances) created from that schema.
Instance methods are useful for encapsulating functionality related to a specific document or model instance. They allow you to define custom behavior that can be executed on a specific document. In the given example, the findSimilarTypes method is added to instances of the Animal model, making it easy to find other animals of the same type.
methods object directly in the schema options:javascript
const animalSchema = new Schema(
{ name: String, type: String },
{
methods: {
findSimilarTypes(cb) {
return mongoose.model('Animal').find({ type: this.type }, cb);
}
}
}
);
methods object directly in the schema:javascript
animalSchema.methods.findSimilarTypes = function(cb) {
return mongoose.model('Animal').find({ type: this.type }, cb);
};
Schema.method() helper:javascript
animalSchema.method('findSimilarTypes', function(cb) {
return mongoose.model('Animal').find({ type: this.type }, cb);
});
Imagine you have a collection of animals in your database, and you want to find other animals of the same type. Instead of writing the same logic repeatedly, you can define a method that can be called on each animal instance to find similar types. This helps in keeping your code DRY (Don't Repeat Yourself) and makes it easier to maintain.
```javascript const mongoose = require('mongoose'); const { Schema } = mongoose;
// Define a schema with a custom instance method const animalSchema = new Schema({ name: String, type: String });
// Add a custom instance method to find similar types animalSchema.methods.findSimilarTypes = function(cb) { return mongoose.model('Animal').find({ type: this.type }, cb); };
// Create the Animal model using the schema const Animal = mongoose.model('Animal', animalSchema);
// Create an instance of Animal const dog = new Animal({ type: 'dog', name: 'Buddy' });
// Use the custom method to find similar types dog.findSimilarTypes((err, similarAnimals) => { console.log(similarAnimals); }); ```
In this example, findSimilarTypes is a custom instance method added to the Animal schema. When you create an instance of the Animal model (e.g., a dog), you can then call findSimilarTypes on that instance to find other animals with the same type. The method uses the this.type property, which refers to the type of the current animal instance. This allows you to easily reuse the logic for finding similar types across different instances of the Animal model.
Your having said "Friends of the Library" makes me think that your set likely isn't actually ex-Library (reference or otherwise), but likely was privately owned and donated directly to the library or their friends, who then sold them to raise money for the library itself. This is a common pattern in libraries across America and explains how you've gotten such a pristine copy.
https://www.ebay.com/itm/155791697888
Offered for $1,292.00 for auction on 2023-09-24 with free local pick up from Bayonne, NJ. Modular, unlabeled Card catalog with standalone (non-interlocking) 5x3 set of drawers and a section with two pull out writing drawers.

Cost per drawer: $86.13
This has been listed separately in the past year, but taken off eBay for several months before this relisting. (versus being continually relisted...)
2023-10-11: Relisted at https://www.ebay.com/itm/155822159839 for $1292.00
2023-12-02: Relisted at https://www.ebay.com/itm/155923155812 for 1292.00
Given the security implications of getting the implementation correct, we strongly encourage you to use OAuth 2.0 libraries when interacting with Google's OAuth 2.0 endpoints. It is a best practice to use well-debugged code provided by others, and it will help you protect yourself and your users. For more information, see Client libraries.
In December 1998, the Andrew W. Mellon Foundation awarded the Library of Congress a grant to support a two-year project to digitize the Hannah Arendt Papers manuscript collection. The staff of the Manuscript Division at the Library administered the project, with assistance from the National Digital Library Program (NDLP) and in cooperation with the New School University in New York City.
The collection was digitized in 1998-2000 through the generous support of the Andrew W. Mellon Foundation. Initially, some digital content was limited to onsite access through dedicated work stations available only at the Library of Congress, The New School in New York City, and the Hannah Arendt Center at the University of Oldenburg, Germany. This updated digital presentation of the Hannah Arendt Papers at the Library of Congress is now available publicly online in its entirety.
The nice point of Kiwi is that it supports Chrome extensions, this is why I am trying it. Browser extensions are something which I believe should be rather more widespread in Android by now.
If you want to give your site members access to your Content Libraries, you can use the Libraries component, which is available in templates such as Customer Service, Build Your Own (Aura), Partner Central, and Customer Account Portal. Once the component is added, site members can view and open the libraries they have access to, either in a list view or a tile view.
I've been exploring Salesforce Experience Cloud recently, and it's great to know that I can easily grant site members access to our Content Libraries using the Libraries component. This feature makes it easier to access the resources they need.
ArtistWorks provides world-class instruction for the most popular string and band instruments through self-paced video lessons from professional musicians.
Under "Extras" in the Libby app: https://libbyapp.com
https://www.ebay.com/itm/385498338372
30 drawer card catalog in 2 parts with two writing drawers in the middle and a matching table stand. In mediocre shape and has two replaced drawers (metal and/or plastic, not wood). Drawers are maed in all wood
Listed at $1,5000 for over 3 months. $50 per drawer.
2023-10-12: Still listed for sale. Local pick up only from Brentwood, CA

cost per drawer: $50
Father emptied a card le for Margot and me and lled it withindex cards that are blank on one side. This is to become ourreading le, in which Margot and I are supposed to note down thebooks we’ve read, the author and the date. I’ve learned two newwords: “brothel” and “coquette.” I’ve bought a separate notebookfor new words.
—Anne Frank (1929-1945), diary entry dated Saturday, February 27, 1943 (age 13)
Anne Frank was given an empty card file by her father who filled it with index cards that were blank on one side. They were intended to use it as a "reading file" in which she and Margot were "supposed to note down the books we've read, the author and the date."
In the same entry she mentioned that she'd bought a separate notebook for writing down new words she encountered. Recent words she mentions encountering were "brothel" and "coquette".
https://www.ebay.com/itm/155811111944
2023-10-05 72 drawer library card catalog listed for sale at $850.00 with local pick up only from Mechanicsville, VA. No brand name listed. Plastic drawers with wooden fronts. Two sections of 6x6 drawers separated by a section with three writing drawers. Appears to be a solid piece with a solid base. In generally good condition.
cost per drawer: $11.80
Not a bad deal here, esp. if you're local.
https://www.ebay.com/itm/166354962733
Library Bureau library card catalog with what looks like two 5x5, and two 5x6 sections, one section of five pull out writing desks, and a top making up 110 drawers.
In rough but serviceable shape, has a few fittings issues and some of the finish is in tough shape along with some wood pieces gouged out. Looks to be all oak (including internals of drawers aside from usual drawer pulls and rods, almost all of which are present.
Listed on 2023-09-30 for $3,000 for free local pick up from Merced, CA.

Cost per drawer: $27.27
2023-10-03: Seller made me an offer to purchase for $2,500.
https://www.ebay.com/itm/126117193513
Library card catalog section listed for $329.00. Single section of 5x1 with 10 drawers. It's had pieces of material stapled on the top/bottom to cover up the stacking holes. Missing card rods. Drawer internals appear to be plastic (70s or later), rods removed and replaced with carpet/material to cover up holes. For free local pick up in Sacramento, CA.
Most likely a Gaylord Bros., but not labeled.

cost per drawer: $32.90
https://www.ebay.com/itm/275465128542
Saw for sale on/around 2023-05-17 for $3,000, though willing to accept $2,500 (or lower). Still on offer 2023-09-24.
Gaylord Bros. 5 piece sectional library card catalog with two 5x3 sections of drawers, a pull out writing desk (with two pull outs), a top and a base table.

cost per drawer: $100
Well-thought-out, idiomatic APIs
https://www.ebay.com/itm/335030637598 (The card catalog here appears to be late 1970s/ early 80s and looks dreadful)

Free standing low table unit with no legs and a single 5x3 section offered in September 2023 for opening bid of $600 and a buy now price of $785.00 with free local pick up in Eugene, OR.
2023-09-22: Relisting https://www.ebay.com/itm/335040502888
Cost per drawer: $40 (bid); 52.33 (purchase)
In the mid to late 1900s, the Buckstaff Company manufactured wooden library card catalogs.
They still make library carrels and other related furniture, though they no longer appear to make card catalogs.
See also: http://www.buckstaff.com/index.html
https://offerup.com/item/detail/aa30b5cf-993e-3077-9c86-5b36b7d7fee9?q=library+card+catalog
Offered circa July 2023 for $200 and sold circa September 2023.
Gaylord brothers three piece modular library card catalog circa 1950's. Acquired by seller prior to a school demolition. Top cover appears to be homemade and covered with cloth. Other pieces are standard 5x3 grouping of 15 drawers and lower table unit. Missing all the catalog rods.

cost per drawer: $13.30
In 1896, they invented a simple mending tape to fix torn currency, but it soon became a hit with librarians for mending books. Gaylord Bros. became a purveyor of supplies to libraries across the country.
https://www.ebay.com/itm/195819504280
Brodart 72 drawer library card catalog offered for sale for $1995.00 in at least mid 2023 if not earlier. Local pick up from Twin Lake, MI. A bit beat up. Appears to be maybe late 60s/early 70s. Has plastic drawers.
Two sections of 6x6 separated by three pull out writing desks.

Cost per drawer. $27.70
https://www.ebay.com/itm/225779061741
Listed on 2023-09-17 for starting bid of $600 with a purchase price of $795.00. With $100 shipping to Los Angeles from Bartow, FL.<br /> In excellent looking condition. Restored?<br /> two drawers, but each one has two rows of cards, so technically four drawers.
Missing card catalog rods, so likely used for something other than cards at one point.

Cost per drawer: $150 per "drawer" at the opening bid price.
As card catalogs lost their functionality in libraries and were de-acquisitioned there was a wave of nostalgia which caused people to purchase them, often in auctions, at higher than expected prices. Once they had them, most of these purchasers realized that they didn't have functional uses in their homes for them (beyond wine or liquor bottle storage, small crafts, or use as a zettelkasten, which seem to be the only reasonable upcycling use cases I've seen and the last seems to be very rare and niche). They sit and take up space for very little value in return beyond some esthetic beauty and nostalgia. As a result many soured on their ownership. Most owners naturally want to recoup their original purchase price thinking that relative rarity will save them.
Combined with this there was a resurgence in mid-century design esthetic which had some furniture restorers and designers buying and doing full (and very pretty) expensive restorations of older 20s - 40s versions which sold at auctions for $4,500 and up. Given the rarity of some of these older, fine furniture versions along with the work in restoration and the limited market only those who had a tinge of nostalgia and money to burn made purchases which resulted in a limited number of actual sales.
These two factors mean that almost all of the listings for library card catalogs are heavily overvalued on eBay, Facebook Marketplace, Craig's List, Etsy, etc. The fine furniture restorations have set an artificially high price point which some feel theirs must match as well. The difference in quality however is stark. Because of their size and lack of functionality, there is a relative glut of them on the market which all bear inflated prices. Those who originally spent inordinate amounts for them, feel they will still have that same value to others, so they list them online for inflated prices.
I've been closely watching the online "market" for them for over a year and see the same several dozen or more listed across the country usually in the range of about $30-$60 per drawer. Many are listed as local pick up only, which further hampers the overall market. This also brings up the issue of shipping a 60 drawer card catalog which can easily run in the $800-$1,500+ range which usually requires additional shipping logistics involved with freight. Most catalogs are already overpriced, but adding an additional $1000 tax on top is a bridge too far for all but the highest end of the market. Some platforms like Etsy and eBay which take cuts of the final sale also add to the cost of the sale.
In the year and a half or more that I've been watching, I've only seen a handful of actual sales, all of which were local, and many of which were in the Los Angeles area. All of these sales have been for listings which eventually were reduced down to the $15 per drawer range. One local sale was in Wisconsin was for $10 per drawer (a 30 drawer file) and another in Los Angeles was for $12.50 per drawer (on a 20 drawer file).
Outside of a small handful of fine furniture listings in the $4,000+ range, most ex-Library card catalogs are generally very well worn and not in great condition which makes them less valuable as decoration pieces. In fact, many are often missing their original card catalog rods, have dents, dings, or other cosmetic issues. Some are missing drawers or have replacement drawers which don't match. Some may be slightly mismatched having been purchased in different eras as modular pieces and put together. Frequently they have been modified from their original states to include inserts or other material to fill in the holes which where almost standard in the bottoms of the drawers.
If you're in the market, know that it is tremendously inflated, a fact which most sellers are aware of as they've got them listed, some for many years, not resulting in actual sales. If you really want one and find it in a reasonable condition, I highly recommend making an offer for it at about $10 per drawer and potentially go up to $15. Anything higher than that is overpaying based on actual recent market conditions. If you have the money to burn, feel free, but keep in mind that like many others in the past, once the initial nostalgia has passed, you've probably got a large piece of relatively non-functional furniture in your home.
It's not common, but some government auction sites will list card catalogs for auction from time to time. Because they actively want to sell them these can be purchased in the $2-10 per drawer range or less. Often they tend toward the larger 60+ drawer range, aren't in good condition, or need to be picked up and shipped to your final destination, usually within a few days of purchase as the original owners don't or explicitly won't handle shipping. These are likely to need some restoration work to be decorative pieces in many homes.
If you want something brand new, you can check out Brodart, which is the only remaining card catalog manufacturer/sales firm I'm aware of in the United States. Their systems are modular, so you can pick and choose what you'd like to have. The only caveat is that they start at $1,700 for their smallest 9 drawer model and can go up to $11,648 (plus shipping) for a full 60 drawer model. The other potential drawback, for some, is that they are made of a mixture of wood, metal and plastic versus the all wood and metal fittings of older vintage models.
If you're in the market primarily for nostalgic reasons, then you might also consider looking at some of the older desktop wooden card catalogs which are often much less expensive, take up far less space, and can be wonderfully decorative. Some of the smaller two to six drawer desktop models have the benefit of potentially serving as recipe boxes or paper rolodexes, zettelkasten, or simply small office storage. Here again, the online markets are likely to be heavily overpriced with 2 drawer models being continually listed at $150 and 4 drawer models in the $250-400 range. These sellers know that these prices don't result in actual sales as they've been sitting on them for long periods of time (presumably hoping to get lucky). Here I'd recommend you make offers in the $20-30 per drawer range to see what you can find. Another benefit is that these smaller models are far cheaper to ship across the country. For additional advice on these, see: The Ultimate Guide to Zettelkasten Index Card Storage.
https://www.ebay.com/itm/285357243415
Gaylord Bros. 20 drawer library card catalog<br /> listed for $495 in July 2023<br /> $24.75 per drawer
Reduced to $295.00 in September 2023<br /> $14.95 per drawer
Acquired on 2023-09-16 for $250<br /> $12.50 per drawer<br /> local sale

https://www.facebook.com/marketplace/item/271076511951674/
Appears to be a single piece with two sections of 6x5 drawers for a total of 60 separated by three drawer pulls. In excellent shape, but missing many rods.
$18.33 per drawer
Listed in Mid-May 2023 for $1,100 in La Palma, CA

"Surrendering" by Ocean Vuong
He moved into United State when he was age of five. He first came to United State when he started kindergarten. Seven of them live in the apartment one bedroom and bathroom to share the whole. He learned ABC song and alphabet. He knows the ABC that he forgot the letter is M comes before N.
He went to the library since he was on the recess. He was in the library hiding from the bully. The bully just came in the library doing the slight frame and soft voice in front of the kid where he sit. He left the library, he walked to the middle of the schoolyard started calling him the pansy and fairy. He knows the American flag that he recognize on the microphone against the backdrop.
https://yalebooks.yale.edu/anchor-yale-bible-series/
Ran into a copy of the collection at Pasadena City College Shatford Library on Friday 2023-09-09.
https://www.ebay.com/itm/134584432272
Library card catalog with 72 drawers (brand?) has three drawer pulls<br /> Listed in summer (July?) 2023 for $1,850
cost per drawer is $25.69
Timson printing press at Edwards Brothers Malloy in Ann Arbor, one of only three locations in the United States that meet Library of America’s rigorous production standards. [All LOA books are now printed at Edwards Brothers Malloy.]
As I’d mentioned, the problem is not with the first printing, when our usual press run ranges from 7,000 to 15,000 copies, but with subsequent printings of a many of our titles. In many cases, a few years after a title’s initial publication, a three- to five-year supply can be as low as 500 copies. The cost to set up the book (called “make-ready” in the industry) is so high that the printing/binding cost per book is far more than most readers would be willing to pay. To “break even” on some of these titles, we’d have to charge $100 or more in bookstores, which would decrease sales even further. As it is, we subsidize those volumes with donations and with sales of other books.
https://www.librarything.com/topic/286378
LOAs first print runs are in the 7,000 - 15,000 copy range. Often after initial publication the stock for a 3-5 year supply is about 500 copies.
Each Everyman's Library book has a colored cloth binding denoting the period of the work: Scarlet - Contemporary Classics Navy - 20th Century Burgundy - Victorian Literature/19th Century Dark Green - Pre-Victorian/Romantic/18th Century Light Blue - 17th Century and Earlier Celadon Green - Non-Western Classics Mauve - Ancient Classics Sand - Poetry The above information relating to the colored cloth binding of Everyman's Library books is 100% resourced from Random House’s Everyman’s Library page, found immediately below:http://www.randomhouse.com/knopf/classics/about.htm
DCloyceSmithEdited: Mar 23, 2010, 12:22 pm It's a closely held secret: There is in fact no scheme to the color scheme. I can't speak for my predecessors, but I've "chosen" the colors for the last ten years, and the primary considerations have been (1) break up the colors for contiguous authors/titles when the volumes are alphabetized on the shelf (and try to keep additional tan volumes away from all those Henry James volumes), and (2) balance the collection as a whole. A couple of times, an author's son or daughter has specifically requested a cloth color, and of course I'll accommodate their decision. (And sometimes, the colors do pick themselves, like green cloth for the American Earth volume.)For the record, here are the color breakdowns through the Emerson volumes (not including the Twain Anthology and the Lincoln Anthology, when we used unique colors):Red -- 52 Blue -- 51 Green -- 48 Tan -- 50 (counting the Franklin as 2 volumes)David
https://www.librarything.com/topic/87541
No real rhyme or reason for Library of America book covers.
https://github.com/kzwa/PhyllisDillerGagFile
Librarian Kate Zwaard of the Library of Congress has a GitHub repo of Phyllis Diller's Gag File.
Other comedians have maintained their material in joke files, among them Bob Hope, whose file is in the collections at the Library of Congress.
https://alexandrianpl.org/comfort-cabinet/
A library has repurposed their library card catalogs as a comfort cabinet to provide their community with necessities like toothbrushes, combs, band aids, socks, etc.
I make a file named: app/models/active_storage/attachment.rb. Because it's in your project it takes loading precedence over the Gem version. Then inside we load the Gem version, and then monkeypatch it using class_eval: active_storage_gem_path = Gem::Specification.find_by_name('activestorage').gem_dir require "#{active_storage_gem_path}/app/models/active_storage/attachment" ActiveStorage::Attachment.class_eval do acts_as_taggable on: :tags end The slightly nasty part is locating the original file, since we can't find it normally because our new file takes precedence. This is not necessary in production, so you could put a if Rails.env.production? around it if you like I think.
the Deformed Humanities shares affinities with Ian Bogost’s notion of carpentry, the practice of making philosophical and scholarly inquiries by constructing artifacts rather than writing words.
related: Library carpentries
$1,200 for 60 drawer library card catalog in wood. No brand listed. $20/drawer.
Sold, but for unknown amount in July 2023.
looked like a single piece though may have been two sections of 6 x 5 with a three pull writing section on a small pedestal and a top.
https://blackwells.co.uk/bookshop/search/?keyword=loeb+classical+library
Blackwell's seems to have Loeb Classical Library titles on perma-sale and includes shipping to the United States, so perhaps one of the least expensive means of collecting them.
https://www.ebay.com/itm/354851703411
2 drawer Library Bureau catalog listed for $199, but sold for a lower amount.
https://www.ebay.com/itm/364287692051
60 drawer cabinet listed for auction on eBay starting at $800 with a buy now price of $1,800 buy now price. Listed in June and unsold and relisted. Unknown brand, though it looks like late 60/early 70s Remington-Rand.
$13/drawer at the low end going up to $30/drawer.
https://www.ebay.com/itm/266292541330
Gaylord Bros. 30 drawer card catalog (6 x 5 configuration) with somewhat mismatched table listed for 999.99 on Ebay. This has been on the market for about 2 months and relisted for bid at least 4 times.
$33.33/drawer
https://www.facebook.com/marketplace/item/961017808666751/
60 drawer cabinet in two sections with three pull out writing surfaces, and table. Listed for $1,700, took over a month to sell and likely not for listing price.
The industry has changed from being fragmented to consolidated
Hans H. Wellisch died on 2004-02-06.
https://huntington.org/exhibition/octavia-e-butler-telling-my-stories
After Butler’s death, The Huntington became the recipient of her papers, which arrived in 2008 in two file cabinets and 35 large cartons, comprising more than 8,000 items.
It makes me happy to see all the fantastic programming going on at my local libraries.
In the 20th century it mostly came to be regarded like graffiti: something polite and respectful people did not do.AdvertisementContinue reading the main storyPaul F. Gehl, a curator at the Newberry, blamed generations of librarians and teachers for “inflicting us with the idea” that writing in books makes them “spoiled or damaged.”
https://www.folger.edu/blogs/collation/the-key-to-removing-a-rod/
There are broadly five types of card catalog rod configurations: - no rod - threaded rod - friction fit rod - lift and pull rod - hidden release rod
https://www.librarybureausteel.com/index.html
Library Bureau got spun off of Remington Rand and still sells library products in 2023, though primarily shelving units now. It doesn't list any card catalogs as part of its offerings.
This leads to an override of the controller as well
The Lost Art of Library Card Catalogues<br /> by Claire Voon
Broadly a synopsis/advertisement for The Card Catalog: Books, Cards, and Literary Treasures (Chronicle, 2017), which I've put on my to read list.
Aus dem Nachlass von James Peter Zollinger<br /> Swiss National Library NL
ᔥ u/atomicnotes in r/Zettelkasten - Zettelkasten, or "hopeless paper chaos"? <br /> (accessed:: 2023-03-20 04:49:15)
https://www.indiamart.com/proddetail/charging-tray-for-library-readers-tickets-14436111112.html
A wooden 5 tray charging tray with lid! This could make a fascinating portable zettelkasten. It has options for both 2"x3" and 3"x5"Cards.

Brodart Full-Length Single Charging Tray<br /> Full- length charging tray with 1,000-card capacity<br /> Price: $96.32

See also: https://hypothes.is/a/ao89RMQmEe2zIvsu3lf6kw for a smaller version
Brodart Mini Single Charging Tray Mini single charging tray with 600-card capacity More Info Price: $76.76

This could be used for a modern day Memindex box for portrait oriented 3 x 5" index cards.
https://www.universityproducts.com/catalogsearch/result/?q=card%20catalog
In 2023, University Products offered catalog cards for printing, but no longer offers physical card catalogs.
https://www.consumerreports.org/
Los Angeles Public Library Proxy: https://laplca.patronpoint.com/r/ffaea26f523272f96d2969d76?ct=YTo1OntzOjY6InNvdXJjZSI7YToyOntpOjA7czo1OiJlbWFpbCI7aToxO2k6MjQzO31zOjU6ImVtYWlsIjtpOjI0MztzOjQ6InN0YXQiO3M6MjI6IjYzZmZiYzM1Nzk5ZmQ0MTg1OTc2MjYiO3M6NDoibGVhZCI7czo2OiIyMzE2MDUiO3M6NzoiY2hhbm5lbCI7YToxOntzOjU6ImVtYWlsIjtpOjI0Mzt9fQ%3D%3D&
Amazon removing titles from Kindle Unlimited due to ebook piracy issues<br /> by Sovan Mandal
Read at Tue 2023-02-28 6:50 AM
1478-1518, Notebook of Leonardo da Vinci (''The Codex Arundel''). A collection of papers written in Italian by Leonardo da Vinci (b. 1452, d. 1519), in his characteristic left-handed mirror-writing (reading from right to left), including diagrams, drawings and brief texts, covering a broad range of topics in science and art, as well as personal notes. The core of the notebook is a collection of materials that Leonardo describes as ''a collection without order, drawn from many papers, which I have copied here, hoping to arrange them later each in its place according to the subjects of which they treat'' (f. 1r), a collection he began in the house of Piero di Braccio Martelli in Florence, in 1508. To this notebook has subsequently been added a number of other loose papers containing writing and diagrams produced by Leonardo throughout his career. Decoration: Numerous diagrams.
The Codex Arundel, named after a British collector, the Earl of Arundel, who acquired it early in the 17th century. Da Vinci composed the collection of hundreds of papers between 1478 and 1518 — that is, between the ages of 26 and 66 — the year before his death. The papers now reside in the British Library. The collection features his famous mirror-writing as well as diagrams, drawings and texts covering a range of topics in art and science.
Da Vinci composed a collection of hundreds of papers from 1478 and 1518 which are now bound in the Codex Arundel, named for the Earl of Arundel who acquired it in the 17th century.
The official Bambora Ruby library is not thread-safe. This means you will run into errors when using it with Sidekiq or Puma. This gem is a thread-safe client for the Bambora and Beanstream APIs.
He compiled hundreds of them over the course of his career. Some were lost or given away as souvenirs, but 91 were recently discovered at the Reagan Library, stored in boxes that contained the contents of Reagan’s desk at his Los Angeles office on the day he died in June 2004.
Ronald Reagan compiled hundreds of index card-based notes over his career. Some were lost or given away as souvenirs, but 91 we discovered at the Reagan library (circa 2011). They were discovered among boxes which contained the contents of his Los Angeles office desk after his death in June 2004,
One of his secrets was a stack of 4 x 6 inch note cards that he compiled over the span of four decades.
Though other sources like the CBS News article look like 3 x 5" index cards, John Hunt indicates that Ronald Reagan used 4 x 6" inch cards for his notes.
Ronald Reagan's index cards of one-liners at 2014-07-20 <br /> (accessed:: 2023-02-23 11:41:42)
archived version: https://web.archive.org/web/20200305070906/https://www.cbsnews.com/pictures/ronald-reagans-index-cards-of-one-liners/12/
ᔥ Manfred Kuehn in Ronald Reagan's Notecards at 2015-01-25<br /> (accessed:: 2023-02-23 11:34:10)
lack of any other Open Educational Resources addressing social welfare policy history
Need to verify this again before we publish.
Gershom Scholem’s card catalogue of mystical texts and termswhich has been furnished with its own reading room at the National Library of Israel;
[Cicero], and Harry Caplan (1896-1980). Ad C. Herennium de Ratione Dicendi (Rhetorica Ad Herennium). Loeb Classical Library, 403. Harvard University Press, 1964.
Delicate and precise, neatly arranged in alphabetical lemmas. I stumbled across the manuscripts in the Special Collections of the Leiden University Library, where they were listed in the inventory as ‘Adversaria of mixed content’. Without further explanation, except that their author was Jan Wagenaar. This eighteenth-century author was a household name in his time, writing about history, theology, and politics. Now here I was, looking at the notes he had used to write all those books, sermons, and pamphlets.The four leather-bound volumes contained pages and pages of lemmas on a variety of topics, from ‘concubines’ to ‘thatched roofs in the cities of Holland’. The lemmas included excerpts from a variety of texts, including snippets in French, English and Hebrew. This was how Wagenaar tried to organise his information flows, subsequently using this information to produce new texts.
Jan Wagenaar's four leather-bound commonplace books are housed in the Special Collections of the Leiden University Library inventoried as "Adversaria of mixed content."
They contain excerpts in French, English, and Hebrew and are arranged by topical heading.
The LibNFT Project: Leveraging Blockchain-Based Digital Asset Technology to Sustainably Preserve Distinctive Collections and Archives
CNI Fall 2022 Project Briefings
K. Matthew Dames, Edward H. Arnold Dean, Hesburgh Libraries and University of Notre Dame Press, University of Notre Dame, President, Association of Research Libraries
Meredith Evans, President, Society of American Archivists
Michael Meth, University Library Dean, San Jose State University
Nearly 12 months ago, celebrities relentlessly touted cryptocurrency during Super Bowl television ads, urging viewers to buy now instead of missing out. Now, digital currency assets like Bitcoin and Ethereum are worth half what they were this time last year. We believe, however, that the broader public attention on cryptocurrency’s volatility obscures the relevance and applicability of non-fungible tokens (NFTs) within the academy. For example, Ingram has announced plans to invest in Book.io, a company that makes e-books available on the blockchain where they can be sold as NFTs. The famed auction house Christie’s launched Christie’s 3.0, a blockchain auction platform that is dedicated to selling NFT-based art, and Washington University in St. Louis and the University of Wyoming have invested in Strike, a digital payment provider built on Bitcoin’s Lightning Network. Seeking to advance innovation in the academy and to find ways to mitigate the costs of digitizing and digitally preserving distinctive collections and archives, the discussants have formed the LibNFT collaboration. The LibNFT project seeks to work with universities to answer a fundamental question: can blockchain technology generally, and NFTs specifically, facilitate the economically sustainable use, storage, long-term preservation, and accessibility of a library’s special collections and archives? Following up on a January 2022 Twitter Spaces conversation on the role of blockchain in the academy, this session will introduce LibNFT, discuss the project’s early institutional partners, and address the risks academic leaders face by ignoring blockchain, digital assets, and the metaverse.
Shlomo Dov (Fritz) Goitein Archive | Language: Hebrew, English, German, Size: LargeShlomo Dov (Fritz) Goitein (1900-1985), educator, linguist, orientalist and scholar of Geniza.
https://www.nli.org.il/en/discover/archives/archives-list
Archive listing for Goitein's papers at NLI.
https://www.youtube.com/watch?v=WIfH-iSGa5M
2021-05-12
Dr. Hanan Harif started out as a Geniza scholar but is now a biographer of Shlomo Dov Goitein.
In the 1920s Goitein published his only play Pulcellina about a Jewish woman who was burned at the stake in France in 1171.
Had a friendship with Levi Billig (1897-1936)
You know very well the verse on Tabari that says: 'You wrote history with such zeal that you have become history yourself.' Although in your modesty you would deny it, we suggest that his couplet applies to yourself as well." —Norman Stillman to S.D. Goitein in letter dated 1977-07-20
Norman Stillman was a student of Goitein.
What has Hanan Harif written on Goitein? Any material on his Geniza research and his note cards? He addressed some note card material in the Q&A, but nothing direct or specific.
Goitein's Mediterranean Society project was from 1967-1988 with the last volume published three years after his death. The entirety of the project was undertaken at University of Pennsylvania.
The India Book, India Traders was published in 2007 (posthumously) as a collaboration with M.A. Friedman.
Goitein wrote My Life as a Scholar in 1970, which may have some methodological clues about his work and his card index.
He also left his diaries to the National Library of Israel as well and these may also have some clues.
His bibliography is somewhere around 800 publications according to Harif, including his magnum opus.
Harif shows a small card index at 1:15:20 of one of Goitein's collaborators (and later rival) Professor Eliasto (unsure of this name, can't find direct reference?). Harif indicates that the boxes are in the archives where he's at (https://www.nli.org.il/en/discover/archives/archives-list ? though I don't see a reasonable name/materials there, so perhaps it's at his home at Rothberg International School of the Hebrew University of Jerusalem).
Then two things happened. Goitein had bequeathed his “geniza lab” of 26,000 index cards and thousands of transcriptions, translations and photocopies of fragments to the National Library of Israel (then the Jewish National and University Library). But Mark R. Cohen(link is external) and A. L. Udovitch(link is external) arranged for copies to be made and kept in Princeton. That was the birth of the Princeton Geniza Lab.
https://genizalab.princeton.edu/about/history-princeton-geniza-lab/text-searchable-database
Mark R. Cohen and A. L. Udovitch made the arrangements for copies of S.D. Goitein's card index, transcriptions and photocopies of fragments to be made and kept at Princeton before the originals were sent to the National Library of Israel. This repository was the birth of the Princeton Geniza Lab.
When Goitein died in 1985, his paperswere sent to the National Library of Israel in Jerusalem, where his laboratorycan be accessed today.
Following his death in 1985, S.D. Goitein's papers, including his zettelkasten, were sent to the National Library of Israel in Jerusalem where they can still be accessed.
the majority of Geniza documents are found in the Taylor-Schechter (T-S) collection in the Cambridge University Library
I want to insist on an amateur internet; a garage internet; a public library internet; a kitchen table internet.
Social media should be comprised of people from end to end. Corporate interests inserted into the process can only serve to dehumanize the system.
Robin Sloan is in the same camp as Greg McVerry and I.
Plato. Euthyphro. Apology. Crito. Phaedo. Phaedrus. Translated by Harold North Fowler. Loeb Classical Library 36. Cambridge, MA: Harvard University Press, 1914. https://www.loebclassics.com/view/LCL036/1914/volume.xml.
InAD 117, a great library was built there in honour of the Romansenator Celsus, who was buried in a mausoleum beneath it. Thisimpressive building housed 12,000 scrolls, making it the third largestcollection, after those of Alexandria and Pergamon.
https://www.modernlibrary.com/top-100/100-best-nonfiction/
What a solid looking list of non-fiction books.
Dilemma: Do I use this unofficial library with its really nice idiomatic API or the official library (https://github.com/mailgun/mailgun-ruby) with its inferior API?
I wish this one was still/better maintained because I'd much rather use this API, like:
@mailgun.lists.create "devs@your.mailgun.domain"
@mailgun.lists.list
@mailgun.lists.find "devs@your.mailgun.domain"
but it's not maintained, and looks like it doesn't have the word events in the source at all, so it's missing any way to use the Events API. :(
11/30 Youth Collaborative
I went through some of the pieces in the collection. It is important to give a platform to the voices that are missing from the conversation usually.
Just a few similar initiatives that you might want to check out:
Storycorps - people can record their stories via an app
Project Voice - spoken word poetry
Living Library - sharing one's story
Freedom Writers - book and curriculum based on real-life stories
We find favorwith Mortimer J. Adler’s stance, from 1940,that “marking up a book is not an act ofmutilation but of love.”18
also:
Full ownership of a book only comes when you have made it a part of yourself, and the best way to make yourself a part of it—which comes to the same thing—is by writing in it. —Adler, Mortimer J., and Charles Van Doren. How to Read a Book. Revised and Updated edition. 1940. Reprint, New York: Simon & Schuster, 1972.
They also suggest that due to the relative low cost of books, it's easier to justify writing in them, though they carve out an exception for the barbarism of scribbling in library books.
Until now, we had a lot of code. Although we were using a plugin to help with boilerplate code, ready endpoints, and webpages for sign in/sign up management, a lot of adaptations were necessary. This is when Doorkeeper comes to the rescue. It is not only an OAuth 2 provider for Rails but also a full OAuth 2 suite for Ruby and related frameworks (Sinatra, Devise, MongoDB, support for JWT, and more).
For eight years, the US Library of Congress took it upon itself to maintain a public record of all tweets, but it stopped in 2018, instead selecting only a small number of accounts’ posts to capture. “It never, ever worked,” says William Kilbride, executive director of the Digital Preservation Coalition. The data the library was expected to store was too vast, the volume coming out of the firehose too great. “Let me put that in context: it’s the Library of Congress. They had some of the best expertise on this topic. If the Library of Congress can’t do it, that tells you something quite important,” he says.
Although complicated, Gen Z’s relationship with data privacy should be a consideration for brands when strategizing their data privacy policies and messaging for the future. Expectations around data privacy are shifting from something that sets companies apart in consumers’ minds to something that people expect the same way one might expect a service or product to work as advertised. For Gen Zers, this takes the form of skepticism that companies will keep their data safe, and their reluctance to give companies credit for getting it right means that good data privacy practices will increasingly be more about maintaining trust than building it.
The Gen-Z generation have notably different expectations about data privacy than previous generations. "Libraries" wasn't among the industry that showed up in their survey results. That Gen-Z expects privacy built in makes that factor a less differentiating characteristic as compared to older generations. It might also be harder to get trust back from members of the Gen-Z population if libraries surprise those users with data handling practices that they didn't expect.
I agree that these fields should be whitelisted by ActiveAdmin automatically as it generates them via the form helpers. Regardless of if you use :raise or :log you wouldn't usually want these causing unnecessary noise.
https://library.harvard.edu/collections/reading-harvard-views-readers-readership-and-reading-history
Reading: Harvard Views of Readers, Readership, and Reading History<br /> Exploring the intellectual, cultural, and political history of reading as reflected in the historical holdings of the Harvard's libraries.
It is possible this Miscellany collection was assembled by Schutz as part of his own research as an historian, as well as the letters and documents collected as autographs for his interest as a collector;
https://catalog.huntington.org/record=b1792186
Is it possible that this miscellany collection is of a zettelkasten nature?
Found via a search of the Huntington Library for Frederic L. Paxson's zettelkasten
Frederick Jackson Turner died in 1932 in Pasadena, California,[1] where he had been a research associate at the Huntington Library.
Turner was never comfortable at Harvard; when he retired in 1922 he became a visiting scholar at the Huntington Library in Los Angeles, where his note cards and files continued to accumulate, although few monographs got published. His The Frontier in American History (1920) was a collection of older essays.
Where did Turner's note cards and files end up? Are they housed at the Huntington Library? What other evidence or indication is there that this was an extensive zettelkasten practice here?
A Midwestern hospital system is treating its use of Google and Facebook web tracking technologies as a data breach, notifying 3 million individuals that the computing giants may have obtained patient information.
In an alternate universe: “A Midwestern library system is treating its use of Google and Facebook web tracking technologies as a data breach, notifying 3 million individuals that the computing giants may have obtained search and borrowing histories.”
The pencilled dots in the margin of many books in the Codrington Library at All Souls are certain evidence that A.L. Rowse was there before you.
academic law libraries pool resources, through a consortium, to create a centralizedcollection of legal materials, including copyrighted materials, and to digitize thosematerials for easy, cost-effective access by all consortium members. For the sake ofexpediency, this proposal will be referred to here as TALLO (Taking Academic LawLibraries Online) and the proposed consortium as the TALLO consortium.
Libraries Online)
The [[Controlled Digital Lending]] theory was first proposed as a way for academic law libraries to form a consortium to share the expense of collection-building.
Note that one extra type that is accepted by convention is the Boolean type, which represents both the TrueClass and FalseClass types.
https://hobohm.edublogs.org/2013/03/15/zettelkasten-maschinen-der-phantasie/
Short blogpost about the Marbach 2013 zettelkasten exhibition with a few photos:


Scholem’s, given their own reading room at the National Library of Israel.
Hebrew University Jewish mysticism scholar Gershom Scholem's zettelkasten has its own reading room at the National Library of Israel.
Gershom Scholem (1897-1982)
Sisto, M.C. Publishing and Library E-Lending: An Analysis of the Decade Before Covid-19. Pub Res Q 38, 405–422 (2022). https://doi.org/10.1007/s12109-022-09880-7
Portion of a hand-written card file listing manuscripts, documents, and portraits contained in the Boston Public Library's Chamberlain Collection of Autographs. Cards are organized by last name of the creator or subject. Names of persons who have signed documents are also listed.
https://archive.org/details/chamberlain-card-file.-kem-mur/mode/2up
By the way, Luhmann's system is said to have had 35.000 cards. Jules Verne had 25.000. The sixteenth-century thinker Joachim Jungius is said to have had 150.000, and how many Leibniz had, we do not know, though we do know that he had one of the most ingenious piece of furniture for keeping his copious notes.
Circa late 2011, he's positing Luhmann had 35,000 cards and not 90,000.
Jules Verne used index cards. Joachim Jungius is said to have had 150,000 cards.
Tillman, Ruth Kitchin. Indispensable, Interdependent, and Invisible: A Qualitative Inquiry into Library Systems Maintenance. College and Research Libraries Journal. January 2023
But the library? In this country, they’re oases in a desert of social infrastructure. In many regions they’re more than functional, people rely on them. It’s part of their routine. It’s a safe haven for anyone, literally anyone, to use.
Libraries are community centers, public infrastructure. Vgl the networked agency work with Fers regional libraries in Fryslan "Impact Through Connection" https://www.zylstra.org/blog/2017/03/more-fun-than-annual-class-trip-making-at-school-some-first-observations/
Almost all the jobs I had before and after that have felt abstract, distant from people’s real problems. They’ve involved me having to convince myself that the work was important and that it was making an impact. When I’m theorizing and organizing for the “digital commons,” I constantly questioned myself if I was making the right kind of interventions. If the things I’m fighting for — platform co-operatives, community networks, digital research and cultural archives, Free and Open Source projects — will ever become so full-fledged as to help us confront the planetary crisis that lies ahead of us. At the library, I wasn’t fighting for a future that I wanted to manifest, I was standing in it. All the books that passed through my hands, the kindergarteners that sang along with me during story time, the patrons who gleefully placed an item in front of me to be checked out. I’d never seen so many grateful people day to day, week to week. The high you get from helping someone find exactly what they were looking for, is right there on the shelf (and they don’t need to pay for it because it’s already theirs!). There’s seriously nothing else like it.
Direct gratitude from library readers vs impact of organisational work in the face of climate urgency seems an asymmetrical comparison. Recognisable though. Perhaps 'bullshit job' feelings come from working immersed in bureaucratic/process logic while aiming to change it, whereas the joy comes from being immersed in human logic of work ('the high of...'). Vgl. [[Logica van bureaucratie vs mensen 20220813074112]] Does this help me [[Het Reboot gevoel vaker hebben 20161023145654]]? Phrasing it as injecting human logic into a place where process logic is otherwise dominant?
The narrator considers this as vandalism and finds it hard to believe how anyone "educated enough to have access to a university library should do this to a book." To him "the treatment of books is a test of civilized behaviour."
Highlighted portion is a quote from Kuehn sub-quoting David Lodge, Deaf Sentence (New York: Viking 2008)
Ownership is certainly a factor here, but given how inexpensive many books are now, if you own it, why not mark it up? See also: Mortimer J. Adler's position on this.
Marking up library books is a barbarism; not marking up your own books is a worse sin.
While the admin-istrative scientist Luhmann ignores the librarian’s dictum in his consideration of theproper paper for the project out of spatial concerns, DIN 1504, which, apart from theInternational Library Format, only allows DIN A 6 and DIN A 7 for “literature cards,”18regrettably goes unused.
Despite his career as an administrative scientist, Luhmann eschewed the International Library Format which allows for DIN A6 and DIN A7 for "literature cards."
Cross reference:
- See Deutsches Institut für Normung e.V. (DIN), Publikation und Dokumentation 2. Erschließung von Dokumenten, Informationsverarbeitung, Reprographie, Bibliotheksverwaltung, Normen, vol. 154 of DIN-Taschenbuch , 2nd ed. (Berlin, Kö ln: Beuth, 1984), 64f.
Während es schon im ersten Jahrzehnt des 20. Jahrhunderts Pläne für eine weitereRationalisierung der Katalogisierung durch die Einführung des Zetteldruck derpreußischen (wissenschaftlichen) Bibliotheken gab, entstand ab 1919 auf der Seiteder öffentlichen Bibliotheken die „deutsche Büchereihandschrift“.Die von Erwin Ackerknecht entworfene Schreibanleitung diente primär dazu,noch handschriftlich geführten Katalogen ein einheitliches, leserliches Schriftbildzu geben. Als Ausgangsschrift wählte er von daher die „Latein-Schreibschrift“,die im Gegensatz zur damals gebräuchlichen Sütterlin-Kurrentschrift leichter zulesen war.
Machine translation (Google):
While there were already plans in the first decade of the 20th century for a further rationalization of cataloging by introducing label printing in the Prussian (academic) libraries, from 1919 the “German library handwriting” was created on the part of the public libraries. The writing instructions designed by Erwin Ackerknecht primarily served to give handwritten catalogs a uniform, legible typeface. He therefore chose the “Latin cursive” as his starting script, which was easier to read than the Sütterlin cursive script that was common at the time.
Ackerknecht, Erwin: Deutsche Büchereihandschrift: mit 21 Tafeln. - 3. Aufl., Berlin1948.
Deutsche Büchereihandschrift looks very familiar to me. I've seen this loopy sort of script in many early 20th Century library card catalogs, including many cards at the Library of Congress

theGerman library handwriting style invented by E. Ackerknecht is recommended in order toensure equal handwriting style.
https://en.wikipedia.org/wiki/Erwin_Ackerknecht<br /> Influential historian of medicine
<ins datetime="2022-08-24T15:44:48+00:00"> Erwin Heinz Ackerknecht (1 June 1906, in Stettin – 18 November 1988, in Zurich), the historian of medicine, did some library related work, but didn't invent this handwriting style, his father Erwin Julius Ackerknecht did. see: https://de.wikipedia.org/w/index.php?title=Erwin_Ackerknecht</ins>
What does this handwriting style look like?
Politique documentaire Ensemble des objectifs et processus pilotant la gestion de l’information, incluant la politique d’acquisition, la politique de conservation et la politique de médiation des collections. La politique documentaire est une partie intégrante et essentielle du projet d'établissement, permettant de répondre aux missions de la structure et aux attentes des usagers.
OCLC began automated catalog card production in 1971, when the shared cataloging system first went online. Cardproduction increased to its peak in 1985, when OCLC printed 131 million. At peak production, OCLC routinelyshipped 8 tons of cards each week, or some 4,000 packages. Card production steadily decreased since then asmore and more libraries began replacing their printed cards with electronic catalogs. OCLC has printed more than1.9 billion catalog cards since 1971.
DUBLIN, Ohio, October 1, 2015 —OCLC printed its last library catalog cards today, officially closing the book onwhat was once a familiar resource for generations of information seekers who now use computer catalogs andonline search engines to access library collections around the world.
CIP - The Classification of Instructional Programs
Another classification scheme
Because I wanted to make use of a unified version of the overall universe of knowledge as a structural framework, I ended up using the Outline of Knowledge (OoK) in the Propædia volume that was part of Encyclopedia Britannica 15th edition, first published 1974, the final version of which (2010) is archived at -- where else? -- the Internet Archive.
The Outline of Knowledge appears in the Propædia volume of the Encyclopedia Britannica. It is similar to various olther classification systems like the Dewey Decimal system or the Universal Decimal Classification.
https://collectionbuilder.github.io/
CollectionBuilder is a set of flexible, static web templates for creating digital collection websites. These templates are driven by metadata and powered by modern static web technology. Using three primary components—a spreadsheet of metadata, a directory of assets, and a configuration file—CollectionBuilder helps users to build and customize sustainable, digital collections and exhibits for free, learning valuable development practices in the process.
https://udcsummary.info/php/index.php?lang=en
Interesting defined vocabulary and concatenation/auxiliary signs for putting ideas into proximity.
Could be useful for note taking. Probably much harder to get people to adopt this sort of thing with shared notes/note taking however.
Somewhat similar to the Dewey Decimal classification system.
Create a new controller to override the original: app/controllers/active_storage/blobs_controller.rb
Original comment:
I've never seen monkey patching done quite like this.
Usually you can't just "override" a class. You can only reopen it. You can't change its superclass. (If you needed to, you'd have to remove the old constant first.)
Rails has already defined ActiveStorage::BlobsController!
I believe the only reason this works:
class ActiveStorage::BlobsController < ActiveStorage::BaseController
is because it's reopening the existing class. We don't even need to specify the < Base class. (We can't change it, in any case.)
They do the same thing here: - https://github.com/ackama/rails-template/pull/284/files#diff-2688f6f31a499b82cb87617d6643a0a5277dc14f35f15535fd27ef80a68da520
Correction:
I guess this doesn't actually monkey patch it.
I guess it really does override the original from activestorage gem and prevent it from getting loaded.
How does it do that?
I'm guessing it's because activestorage relies on autoloading constants, and when the constant ActiveStorage::BlobsController is first encountered/referenced, autoloading looks in paths in a certain order, and finds the version in the app's app/controllers/active_storage/blobs_controller.rb before it ever gets a chance to look in the gem's paths for that same path/file.
If instead of using autoloading, it had used require_relative (or even require?? but that might have still found the app-defined version earlier in the load path), then it would have loaded the model from activestorage first, and then (possibly) loaded the model from our app, which (probably) would have reopened it, as I originally commented.
Compared to https://github.com/aki77/activestorage-validator, I slightly prefer this because
- it has more users and has been battle tested more
- is more flexible: can specify exclude as well as allow
- has more expansive Readme documentation
- is mentioned by https://github.com/thoughtbot/paperclip/blob/master/MIGRATING.md#migrating-from-paperclip-to-activestorage
- mentions security: whether or not it's needed, at least this makes extra attempt to be secure by using external tool to check content_type; https://github.com/aki77/activestorage-validator/blob/master/lib/activestorage/validator/blob.rb just uses blob.content_type, which I guess just trusts whatever ActiveStorage gives us (which seems fair too: perhaps this should be kicked up to them to be their concern)
In fact, it looks like ActiveStorage does do some kind of mime type checking...
activestorage-6.1.6/app/models/active_storage/blob/identifiable.rb
```
def identify_without_saving
unless identified?
self.content_type = identify_content_type
self.identified = true
end
end
def identify_content_type
Marcel::MimeType.for download_identifiable_chunk, name: filename.to_s, declared_type: content_type
end
```
https://www.zylstra.org/blog/2022/06/spring-83/
I've been thinking about this sort of thing off and on myself.
I too almost immediately thought of Fraidyc.at and its nudge at shifting the importance of content based on time and recency. I'd love to have a social reader with additional affordances for both this time shifting and Ton's idea of reading based on social distance.
I'm struck by the seemingly related idea of @peterhagen's LindyLearn platform and annotations: https://annotations.lindylearn.io/new/ which focuses on taking some of the longer term interesting ideas as the basis for browsing and chewing on. Though even here, one needs some of the odd, the cutting edge, and the avant garde in their balanced internet diet. Would Spring '83 provide some of this?
I'm also struck by some similarities this has with the idea of Derek Siver's /now page movement. I see some updating regularly while others have let it slip by the wayside. Still the "board" of users exists, though one must click through a sea of mostly smiling and welcoming faces to get to it the individual pieces of content. (The smiling faces are more inviting and personal than the cacophony of yelling and chaos I see in models for Spring '83.) This reminds me of Stanley Meyers' frequent assertion that he attempted to design a certain "sense of quiet" into the early television show Dragnet to balance the seeming loudness of the everyday as well as the noise of other contemporaneous television programming.
The form reminds me a bit of the signature pages of one's high school year book. But here, instead of the goal being timeless scribbles, one has the opportunity to change the message over time. Does the potential commercialization of the form (you know it will happen in a VC world crazed with surveillance capitalism) follow the same trajectory of the old college paper facebook? Next up, Yearbook.com!
Beyond the thing as a standard, I wondered what the actual form of Spring '83 adds to a broader conversation? What does it add to the diversity of voices that we don't already see in other spaces. How might it be abused? Would people come back to it regularly? What might be its emergent properties?
It definitely seems quirky and fun in and old school web sort of way, but it also stresses me out looking at the zany busyness of some of the examples of magazine stands. The general form reminds me of the bargain bins at book stores which have the promise of finding valuable hidden gems and at an excellent price, but often the ideas and quality of what I find usually isn't worth the discounted price and the return on investment is rarely worth the effort. How might this get beyond these forms?
It also brings up the idea of what other online forms we may have had with this same sort of raw experimentation? How might the internet have looked if there had been a bigger rise of the wiki before that of the blog? What would the world be like if Webmention had existed before social media rose to prominence? Did we somehow miss some interesting digital animals because the web rose so quickly to prominence without more early experimentation before its "Cambrian explosion"?
I've been thinking about distilled note taking forms recently and what a network of atomic ideas on index cards look like and what emerges from them. What if the standard were digital index cards that linked and cross linked to each other, particularly in a world without adherence to time based orders and streams? What does a new story look like if I can pull out a card either at random or based on a single topic and only see it or perhaps some short linked chain of ideas (mine or others) which come along with it? Does the choice of a random "Markov monkey" change my thinking or perspective? What comes out of this jar of Pandora? Is it just a new form of cadavre exquis?
This standard has been out for a bit and presumably folks are experimenting with it. What do the early results look like? How are they using it? Do they like it? Does it need more scale? What do small changes make to the overall form?
For more on these related ideas, see: https://hypothes.is/search?q=tag%3A%22spring+%2783%22
Thus began a lifelong relationship with her commonplace books.Butler would scrape together twenty-five cents to buy small Meadmemo pads, and in those pages she took notes on every aspect ofher life: grocery and clothes shopping lists, last-minute to-dos,wishes and intentions, and calculations of her remaining funds forrent, food, and utilities. She meticulously tracked her daily writinggoals and page counts, lists of her failings and desired personalqualities, her wishes and dreams for the future, and contracts she
would sign with herself each day for how many words she committed to write.
Not really enough evidence for a solid quote here. What was his source?
He cites the following shallowly: <br /> - Octavia E. Butler, Bloodchild and Other Stories: Positive Obsession (New York: Seven Stories, 2005), 123–36.<br /> - 2 Lynell George, A Handful of Earth, A Handful of Sky: The World of Octavia Butler (Santa Monica: Angel City Press, 2020).<br /> - 3 Dan Sheehan, “Octavia Butler has finally made the New York Times Best Seller list,” LitHub.com, September 3, 2020, https://lithub.com/octavia- butler-has-finally-made-the-new-york-times-best-seller-list/.<br /> - 4 Butler’s archive has been available to researchers and scholars at the Huntington Library since 2010.
Before we begin, please note that this piece assumes intermediate familiarity with Zettelkasten and its original creator, the social scientist Niklas Luhmann (1927–1998).
Even the long running (2013) zettelkasten.de website credits Niklas Luhmann as being the "original creator" of the zettelkasten.
sigh
We really need to track down the origin of linking one idea to another. Obviously writers, and especially novelists, would have had some sort of at least linear order in their writing due to narrative needs in using such a system. What does this tradition look like on the non-fiction side?
Certainly some of the puzzle stems from the commonplace book tradition, but this is more likely to have relied on natural memory as well as searching and finding via index methods.
Perhaps looking more closely at Hans Blumenberg's instantiation would be more helpful. Similarly looking at the work of Claude Lévi-Strauss and his predecessors like Marcel Mauss may provide at least an attack on this problem.
My working hypothesis is that given the history of the Viennese numbering system, it may have stemmed from the late 1700s and this certainly wasn't an innovation by Luhmann.
link to: https://hyp.is/hLy7NNtqEeuWQIP1UDkM6g/web.archive.org/web/20130916081433/https://christiantietze.de/posts/2013/06/zettelkasten-improves-thinking-writing/ for evidence of start of zettelkasten.de
The focus of the dev container specification is to describe how to enrich a container for the purposes of development, rather than acting as a multi-container orchestrator format.
The Library Bookshelves plugin allows you to curate virtual bookshelves just like you would a shelf around a theme in your library. Bookshelves are displayed as customizable Slick carousels, using cover art from, and links to, your library catalog. The plugin creates a Bookshelves post type, shortcode, widget, and custom taxonomy.

The biggest mistake—and one I’ve made myself—is linking with categories. In other words, it’s adding links like we would with tags. When we link this way we’re more focused on grouping rather than connecting. As a result, we have notes that contain many connections with little to no relevance. Additionally, we add clutter to our links which makes it difficult to find useful links when adding links. That being said, there are times when we might want to group some things. In these cases, use tags or folders.
Most people born since the advent of the filing cabinet and the computer have spent a lifetime using a hierarchical folder-based mental model for their knowledge. For greater value and efficiency one needs to get away from this model and move toward linking individual ideas together in ways that they can more easily be re-used.
To accomplish this many people use an index-based method that uses topical or subject headings which can be useful. However after even a few years of utilizing a generic tag (science for example) it may become overwhelmed and generally useless in a broad search. Even switching to narrower sub-headings (physics, biology, chemistry) may show the same effect. As a result one will increasingly need to spend time and effort to maintain and work at this sort of taxonomical system.
The better option is to directly link related ideas to each other. Each atomic idea will have a much more limited set of links to other ideas which will create a much more valuable set of interlinks for later use. Limiting your links at this level will be incredibly more useful over time.
One of the biggest benefits of the physical system used by Niklas Luhmann was that each card was required to be placed next to at least one card in a branching tree of knowledge (or a whole new branch had to be created.) Though he often noted links to other atomic ideas there was at least a minimum link of one on every idea in the system.
For those who have difficulty deciding where to place a new idea within their system, it can certainly be helpful to add a few broad keywords of the type one might put into an index. This may help you in linking your individual ideas as you can do a search of one or more of your keywords to narrow down the existing ones within your collection. This may help you link your new idea to one or more of those already in your system. This method may be even more useful and helpful for those who are starting out and have fewer than 500-1000 notes in their system and have even less to link their new atomic ideas to.
For those who have graphical systems, it may be helpful to look for one or two individual "tags" in a graph structure to visually see the number of first degree notes that link to them as a means of creating links between atomic ideas.
To have a better idea of a hierarchy of value within these ideas, it may help to have some names and delineate this hierarchy of potential links. Perhaps we might borrow some well ideas from library and information science to guide us? There's a system in library science that uses a hierarchical set up using the phrases: "broader terms", "narrower terms", "related terms", and "used for" (think alias or also known as) for cataloging books and related materials.
We might try using tags or index-like links in each of these levels to become more specific, but let's append "connected atomic ideas" to the bottom of the list.
Here's an example:
Chances are that within a particular text, one's notes may connect and interrelate to each other quite easily, but it's important to also link those ideas to other ideas that are already in your pre-existing body of knowledge.
See also: Thesaurus for Graphic Materials I: Subject Terms (TGM I) https://www.loc.gov/rr/print/tgm1/ic.html
Since most of our feeds rely on either machine algorithms or human curation, there is very little control over what we actually want to see.
While algorithmic feeds and "artificial intelligences" might control large swaths of what we see in our passive acquisition modes, we can and certainly should spend more of our time in active search modes which don't employ these tools or methods.
How might we better blend our passive and active modes of search and discovery while still having and maintaining the value of serendipity in our workflows?
Consider the loss of library stacks in our research workflows? We've lost some of the serendipity of seeing the book titles on the shelf that are adjacent to the one we're looking for. What about the books just above and below it? How do we replicate that sort of serendipity into our digital world?
How do we help prevent the shiny object syndrome? How can stay on task rather than move onto the next pretty thing or topic presented to us by an algorithmic feed so that we can accomplish the task we set out to do? Certainly bookmarking a thing or a topic for later follow up can be useful so we don't go too far afield, but what other methods might we use? How can we optimize our random walks through life and a sea of information to tie disparate parts of everything together? Do we need to only rely on doing it as a broader species? Can smaller subgroups accomplish this if carefully planned or is exploring the problem space only possible at mass scale? And even then we may be under shooting the goal by an order of magnitude (or ten)?
It is always about the new The frontpage of any content-driven media is often geared towards the latest happenings. But what if there are old gems hidden beyond? A new user wouldn’t be able to discover them.
Older content may broadly be considered more valuable than newer content. The fact that it has been "tried and true" gives it enormously more value than newer and untested content.
Newer content is primarily valuable solely because it is new. How much of it will live on to become old content without falling off of the long tail of the value distribution?
Link this to the idea of imitation > innovation in Annie Murphy Paul's book The Extended Mind.
Link this to the fact that NASA uses 30+ year old software and systems in their outer-space program because all the glitches and bugs have been found and it's far more reliable.
Finding the older gems has generally been the sort of driving idea behind @peterhagen and his https://lindylearn.io/ site -- particularly his Hacker News tool.
t's annoying there's no native event for this yet (popstate did not work for me)
mainstream way: ActiveRecord
capacity building
In 2021, our eight-week mentoring programme helped educators and teachers to achieve this by combining collaborative learning experiences and digital technologies with the values of accessibility, inclusivity and sustainability that are at the heart of the European Commission’s New European Bauhaus movement.
The programme explored how virtual experiences can be used within education and is designed for teachers and educators working with students in secondary education in Greece, Italy, Spain and Portugal.
Shared during Open Education Week 2022 https://oeweek.oeglobal.org/resources/2022/built-with-bits/
https://www.fermatslibrary.com/margins
A tool for creating and sharing marginalia. Geared toward the education space, but has relatively limited UI and isn't as feature rich as Hypothes.is.
biggs is a small ruby gem/rails plugin for formatting postal addresses from over 60 countries.
4. What follows is the compilation of the basic catalog; that is, all book titles are copied on a piece of paper (whose pagina aversa must remain blank) according to a specifi c order, so that together with the title of every book and the name of the author, the place, year, and format of the printing, the volume, and the place of the same in the library is marked.
Benedictine abbot Franz Stephan Rautenstrauch (1734 – 1785) in creating the Catalogo Topographico for the Vienna University Library created a nine point instruction set for cataloging, describing, and ordering books which included using paper slips.
Interesting to note that the admonishment to leave the backs of the slips (pagina aversa), in the 1780's seems to make its way into 20th century practice by Luhmann and others.
Indeed, the Jose-phinian card index owes its continued use to the failure to achieve a bound
catalog, until a successor card catalog comes along in 1848. Only the<br /> absence of a bound repertory allows the paper slip aggregate to answer all inquiries about a book ’ s whereabouts after 1781. Thus, a failed undertaking tacitly turns into a success story.
The Josephinian card index was created, in part on the ideas of Konrad Gessner's slip method, by accumulating slips which could be rearranged and then copied down permanently. While there was the chance that the original cards could be disordered, the fact that the approximately 300,000 cards in 205 small boxes were estimated to fill 50 to 60 folio volumes with time and expense to print it dissuaded the creation of a long desired compiled book of books. These problems along with the fact that new books being added later was sure to only compound problems of having a single reference. This failure to have a bound catalog of books unwittingly resulted in the success of the index card catalog.
but you want to style your components yourself and not be constrained by existing design systems like Material UI
This is an unofficial, complete Svelte port of the Headless UI component library (https://headlessui.dev/)
https://annotations.lindylearn.io/
What a great UI for annotations on Hypothes.is and Hacker News.
I wonder if this is pulling data from the public Hypothesis API? What triggers inclusion into the lists?
The Annotations API is an extension to the Europeana REST API which allows you to create, retrieve and manage annotations on Europeana objects. Annotations are user-contributed or system-generated enhancements, additions or corrections to (or a selection of) metadata or media. We adopted the Web Annotation Data Model as a base model for the representation of annotations and as a format for exchanging annotations between client applications and the API, but also the Web Annotation Protocol as base HTTP protocol for the API.
Example:
{
"@context": “http://www.w3.org/ns/anno.jsonld”
"id": "http://data.europeana.eu/annotations/1",
"type": "Annotation",
"created": "2015-03-10T14:08:07Z",
"creator": {
"type": "Person",
"name": "John Smith"
},
"generated": "2015-04-01T09:00:00Z",
"generator": {
"type": "Software",
"name": "HistoryPin",
"homepage": "https://www.historypin.org/"
},
"motivation": "tagging",
"bodyValue": "MyBeautifulTag",
"target": "http://data.europeana.eu/item/92062/BibliographicResource_1000126189360"
}
Sit in your local coffee shop, and your laptop can tell you a lot. If you want deeper, more local knowledge, you will have to take the narrower path that leads between the lions and up the stairs.
Grafton cleverly brings us back to his beginning with the New York Library, whose entrance famously has a set of stairs flanked by two majestic lions.