19,850 Matching Annotations
  1. Apr 2023
    1. There’s the sublimely harmonizing brother duo Ye Vagabonds, who opened shows for Phoebe Bridgers last summer; the mighty bass-baritone singer-songwriter John Francis Flynn; Eoghan O Ceannabhain, a master of Irish-language song in the sean nos tradition; and Lankum, a gang of drone-loving experimentalists who have become a lodestar for the scene, and released their fourth album on March 24.
    2. Irish singer Lisa O’Neill
    3. Barry was a street singer “discovered” by the folklorist Alan Lomax in the 1950s; she busked with a banjo and a beautiful bray of a voice, brazenly Irish, singing songs of the day alongside traditional ballads.
    1. Lying press (German: Lügenpresse, lit. 'press of lies') is a pejorative and disparaging political term used largely for the printed press and the mass media at large. It is used as an essential part of propaganda and is thus usually dishonest or at least not based on careful research.
    1. Now, I've made a number of documentaries about fake news. And what interests me is the first person to use the phrase mainstream media was Joseph Goebbels. And he, in one of his propaganda sheets, said “It's very important that you don't read the mainstream media because they'll tell you lies.” You must read the truth by the ramblings of his boss and his associated work. And you do have to watch this. This is a very, very well-established technique of fascists, is to tell you, don't read this stuff, read our stuff.<br /> —Ian Hislop, Editor, Private Eye Magazine 00:16:00, Satire in the Age of Murdoch and Trump, The Problem with Jon Stewart Podcast

    2. Satire in the Age of Murdoch and Trump. The Problem With Jon Stewart Podcast, 2023-03-09. https://www.youtube.com/watch?v=pbOiXmMnyw4.

      Watched most of this passively while reading on 2023-04-06

    1. How best to incorporate a book of terms? .t3_12e2r50._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } questionHi, so my Zettelkasten is mainly based around learning literary/storytelling techniques. There's a book called the Elements of Eloquence (which I can't recommend enough to those interested in language) which lays down a large number of formulas from rhetoric for creating memorable lines. It varies in complexity from alliteration to hendiadys, and contains 39 of these memorable-line-recipes in total.I want to enter them into my vault, but worry that creating 39 new notes for the individual formula might be overkill. I thought I'd ask here as I am worried about irreducibility - do I create a single note that contains brief descriptions of all the recipes, or fill my zettelkasten with them, creating what feels a little bit like spam?I've had the zettelkasten for a while but have been too busy to properly use it until recently, so I thought I'd be better off asking the people with actual experience!

      reply to u/apricotsareweird at r/Zettelkasten - How best to incorporate a book of terms?

      This sounds a bit like it might fit into the mold of an example like Brian Eno and Peter Schmidt's "Oblique Strategies" which are bits of creative advice that one draws out at random to help improve their work. You could have a custom deck for potential writing work and attempt the recipes at random to see where it takes you. At worst a collection of them could be used for spaced repetition to memorize or familiarize yourself with them. At a later date you could give them numbers and install them into a larger collection, but keeping them as a stand alone collection certainly couldn't hurt at least to start.

    1. Charles Vidor
    2. William S. Paley
    3. Joseph L. Mankiewicz
    4. Henry R. Luce

      founded Time, Life, Fortune, and Sports Illustrated magazines

      This explains the "advertisement" in LIFE in January 1948.

    5. Marshall Field
    6. Frank Capra
    7. TheSyntopicon invites the reader to make on the set whatever demands arisefrom his own problems and interests. It is constructed to enable the reader,nomatter what the stages of his reading in other ways, to find that part of theGreat Conversation in which any topic that interests him is being discussed.

      While the Syntopicon ultimately appears in book form, one must recall that it started life as a paper slip-based card index (Life v24, issue 4, 1948). This index can be queried in some of the ways one might have queried a library card catalog or more specifically the way in which Niklas Luhmann indicated that he queried his zettelkasten (Luhmann,1981). Unlike a library card catalog, The Syntopicon would not only provide a variety of entry places within the Western canon to begin their search for answers, but would provide specific page numbers and passages rather than references to entire books.

      The Syntopicon invites the reader to make on the set whatever demands arise from his own problems and interests. It is constructed to enable the reader, no matter what the stages of his reading in other ways, to find that part of the Great Conversation in which any topic that interests him is being discussed. (p. 85)

      While the search space for the Syntopicon wasn't as large as the corpus covered by larger search engines of the 21st century, the work that went into making it and the depth and focus of the sources make it a much more valuable search tool from a humanistic perspective. This work and value can also be seen in a personal zettelkasten. Some of the value appears in the form of having previously built a store of contextualized knowledge, particularly in cases where some ideas have been forgotten or not easily called to mind, which serves as a context ratchet upon which to continue exploring and building.

  2. books.google.com books.google.com
    1. Two page spread of Life Magazine article with the title "The 102 Great Ideas" featuring a photo of 26 people behind 102 card indexes with categorized topical labels from Angel to Will.

    2. LIFE. “The 102 Great Ideas: Scholars Complete a Monumental Catalog.” January 26, 1948. https://books.google.com/books?id=p0gEAAAAMBAJ&pg=PA92&source=gbs_toc_r&cad=2#v=onepage&q&f=false. Google Books.

      Provides an small example of "the great conversation" on the equality of men and women.

    3. Amidst a number of very gendered advertisements in issue 4 of volume 24 of LIFE magazine from 1948 is a short piece on the pending release of The Encyclopædia Britannica's Great Books of the Western World.

      The piece starts out talking about the 432 classical works written by 71 men and highlights the fact that "Woman, not a main idea, is included [with] in [the topical category] Family Man and Love." The piece goes on by way of example of the work to excerpt portions on Idea number 51: "Man". To show the flexibility of the included Syntopicon categorization they elaborate with 15 excerpted passages from authors from Plato to Freud on Idea 51, subdivision 6b: "Men and Women: their equality or inequality".

      It provides a fantastic mini-study on the emerging conversation on gender studies as seen in a mainstream magazine in 1948.


      Were there any follow up letters to the editor on this topic in subsequent issues? How was this broader piece received with respect to the idea of gender at the time?

    4. A staff of at least 26 created the underlying index that would lay at the heart of the Great Books of the Western World which was prepared in a rented old fraternity house on the University of Chicago campus. (p. 93)

    1. If there is a core theme to the formal position it is that education isabout passing on information; for formalists, culture and civilization represent astore of ideas and wisdom which have to be handed on to new generations.Teaching is at the heart of this transmission; and the process of transmission iseducation.
    2. Oakeshott saw educationas part of the ‘conversation of mankind’, wherein teachers induct their studentsinto that conversation by teaching them how to participate in the dialogue—howto hear the ‘voices’ of previous generations while cultivating their own uniquevoices.

      How did Michael Oakeshott's philosophy overlap with the idea of the 'Great Conversation' or 20th century movement of Adler's Great Books of the Western World.

      How does it influence the idea of "having conversations with the text" in the annotation space?

    3. There are, one might say, conservativeand liberal interpretations of this world view—the conservative putting theemphasis on transmission itself, on telling, and the liberal putting the emphasismore on induction, on initiation by involvement with culture’s established ideas.

      The formal educational viewpoint (in contrast to progressive education) can broadly be broken into conservative and liberal interpretations The conservative viewpoint focuses on transmission of knowledge while the liberal places its focus on initiation or induction into a culture's formative ideas.

    4. While progressive educators stress the child’s development from within,formalists put the emphasis, by contrast, on formation from without—formationthat comes from immersion in the knowledge, ideas, beliefs, concepts, andvisions of society, culture, civilization.
    5. A particularly important figure in the development of progressive education wasJohn Dewey, whose Laboratory School was founded in 1896 with the aim ofproviding the kind of progressive education that it was not possible to find inother schools in the USA at the time.
    6. the Montessori model of education was banned in Nazi Germany in1936
    7. Out of the ideas of Pestalozzi and Froebel, in the early 1900s Maria Montessorideveloped her method, depending on practical tasks such as personal care andcare for the environment, putting independence at the centre of the curriculum.

      Maria Montessori's educational model stemmed from the ideas of Pestalozzi and Froebel.

    8. a walk one day in the Thuringian hills, and meaning ‘children’s garden’ or‘garden of children’, the word ‘kindergarten’ is now used the world over todescribe preschool or nursery education.

      The word 'kindergarten' meaning a 'children's garden' was coined by educator Friedrich Froebel, a student of Johann Pestalozzi, while walking in the Thuringian hills.

    9. How Gertrude Teaches herChildren

      Swiss educator Johann Pestalozzi (1746-1827) developed a holistic teaching philosophy in How Gertrude Teaches Her Children based on John Locke's ideas and used it to open his own schools.

      See copies at https://archive.org/details/texts?query=How+Gertrude+Teaches+Her+

      https://en.wikipedia.org/wiki/Johann_Heinrich_Pestalozzi

    10. Aristotle, who had said, many centuries before in Politics (BookVIII): ‘No one would dispute the fact that it is a lawgiver’s prime duty to arrangefor the education of the young. In states where this is not done the quality of theconstitution suffers.’

      Current American climate indicates that Republicans take this quote of Aristotle's to heart, but they're not closely thinking about how they define "education". They're definitely not defining it with respect to John Locke's views in Some Thoughts Concerning Education which encourages political systems that move away from an electorate that is subservient to authority.

      see: https://hypothes.is/a/upfxCtSiEe2wrdd3cOo-Lg for John Locke

    11. In his essay Of the Conduct of the Understanding, Locke frowned upon those

      ‘who seldom reason at all, but do and think according to the example of others, whether parents, neighbours, ministers...for the saving of themselves the pains and trouble of thinking and examining for themselves’ (p. 169).

    12. A political system, he said, needs people who are fair,open-minded, and think for themselves; it doesn’t want people who aresubservient to authority.

      Is there a better direct quote from Locke for this indirect one?


      Oddly, large portions of the religious right and Republican right are highly subservient to authority while simultaneously espousing the idea of "freedom".

      Apparently the base definition of "freedom" on the right has shifted in large portions of American culture.

    13. We could saythat he was the first progressive educator not simply because he encouraged hiscontemporaries and successors to think about the child as a special kind oflearner, but also because of his views on education’s role in helping to developan open, liberal polity. A political system, he said, needs people who are fair,open-minded, and think for themselves; it doesn’t want people who aresubservient to authority.

      We could say first, though I highly suspect that his ideas came from somewhere else...

    14. best reading, latest school start age—is sometimes called the‘Finnish paradox’

      The Finnish paradox stems from the fact that despite Finland having one of the latest school start ages in the world (at the age of 7), they also have one of the highest literacy achievements as well.

      The paradox is only perceived by those who may feel that hammering knowledge into children's heads from a young age is the best method of education.

    15. Samuel Butler had made the phrase ‘Spare the rod and spoil the child’immortal in his satirical poem Hudibras.

      While the original proverb appears in King James Version of the Bible, Book of Proverbs 13:24, the satirical poem Hudibras is the first appearance of the quote and popularized the aphorism "spare the rod and spoil the child".

      https://en.wikipedia.org/wiki/Hudibras

      https://en.wiktionary.org/wiki/spare_the_rod_and_spoil_the_child

      syndication link: https://en.wikipedia.org/w/index.php?title=Hudibras&oldid=1148518740

    16. He even offeredgrim warnings about children’s bowel movements, stressing the absolute needfor regularity. Regularity should not be achieved, however, at the expense ofdensity or compactness in the, ahem, product, for ‘People that are very loosehave seldom strong thoughts or strong bodies’ (p. 22, original emphasis).

      Locke stressed the need for regular bowel movements in children in his book Some Thoughts Concerning Education and presupposed a link between the looseness of one's stool and the weakness of their bodies. This seemed to be a moralism rather than a question of general health and eating habits which continued into even my own childhood.

    17. Not only does Locke providean intellectual foundation for Rousseau’s view of the child as an experimenter,we can also see the seeds of Rousseau’s notions of the plasticity of the child’smind

      John Locke provides some intellectual foundation in his Some Thoughts Concerning Education (1693) for Rousseau's Émile (1762) progressive and empiricist perspectives of teaching and learning.

    1. Luhmann, Niklas. “Improved Translation of ‘Communications with Zettelkastens.’” Translated by Sascha Fast. Zettelkasten Method, April 5, 2023. https://zettelkasten.de/communications-with-zettelkastens/.

    2. I decided to translate the German “Zettelkasten” as “Zettelkasten” since I consider this an established term.

      An example of a bi-lingual German-English speaker/writer specifically translating and using Zettelkasten as an established word in English.

    3. Without variation on given ideas, there are no possibilities of scrutiny and selection of innovations. Therefore, the actual challenge becomes generating incidents with sufficiently high chances of selection.

      The value of a zettelkasten is as a tool to actively force combinatorial creativity—the goal is to create accidents or collisions of ideas which might have a high chance of being discovered and selected for.

    4. But if you think in evolutionary models, randomness has a prominent role. (9)9 Without it, nothing progresses anyhow.

      Nothing progresses without randomness.


      Think about this for a bit. True/untrue? Provable? Counterexamples?

    5. Compared to this structure that offers actualizable connection possibilities, the relevance of the actual content of the note subsides. Much of it quickly becomes useless or is unusable for a concrete occasion. That is true for both collected quotes, which are only worth collecting when they are exceptionally concise, and for your own thoughts.

      Luhmann felt that quotations aren't worth collecting unless they were "exceptionally concise, and for your own thoughts."

    6. The Zettelkasten provides combinatorial possibilities that were never planned, never pre-meditated, or never designed in this way.
    7. The Zettelkasten needs a couple of years to reach critical mass.

      I find that this is not the case. Even a few hundred cards is more than enough to create something interesting.

      Though what does he mean specifically by "critical mass"?

    8. A Zettelkasten that is constructed based on our instructions can achieve high independence. There may be other ways to achieve this goal. The described reduction to a fixed-placement (but merely formal) order, and the corresponding combination of order and disorder, is at least one of them.

      The structural components of Luhmann's zettelkasten which allow for "achieving high independence" are also the same structures found in an indexed commonplace book: namely fixed placement (formally by the order in which things are found and collected) as well as combinations of order and disorder (the methods by which they can be retrieved and read).

    9. Similarly, you must give up the assumption that there are privileged places, notes of special and knowledge-ensuring quality. Each note is just an element that gets its value from being a part of a network of references and cross-references in the system. A note that is not connected to this network will get lost in the Zettelkasten, and will be forgotten by the Zettelkasten.

      This section is almost exactly the same as Umberto Eco's description of a slip box practice:

      No piece of information is superior to any other. Power lies in having them all on file and then finding the connections. There are always connections; you have only to want to find them. -- Umberto Eco. Foucault's Pendulum

      See: https://hypothes.is/a/jqug2tNlEeyg2JfEczmepw


      Interestingly, these structures map reasonably well onto Paul Baran's work from 1964: Paul Baran's graphs for Centralized, Decentralized, and Distributed systems

      The subject heading based filing system looks and functions a lot like a centralized system where the center (on a per topic basis) is the subject heading or topical category and the notes related to that section are filed within it. Luhmann's zettelkasten has the feel of a mixture of the decentralized and distributed graphs, but each sub-portion has its own topology. The index is decentralized in nature, while the bibliographical section/notes are all somewhat centralized in form.

      Cross reference:<br /> Baran, Paul. “On Distributed Communications: I. Introduction to Distributed Communications Networks.” Research Memoranda. Santa Monica, California: RAND Corporation, August 1964. https://doi.org/10.7249/RM3420.

    10. The result of working with this technique for a long time is a kind of second memory, an alter ego with which you can always communicate. It has, similar to our own memory, no pre-planned comprehensive order, no hierarchy, and surely no linear structure like a book. And by that very fact, it is alive independently of its author. The entire note collection can only be described as a mess, but at least it is a mess with a non-arbitrary internal structure.

      Luhmann attributes (an independent) life to his zettelkasten. It is effectuated by internal branching, opportunities for links or connections, and a register as well as lack of pre-planned comprehensive order, lack of hierarchy, and lack of linear structure.

      Which of these is necessary for other types of "life"? Can any be removed? Compare with other systems.

    11. (Alternating numbers and letters helps the memory and may be an optical aid when searching notes, but is of course not enough).

      The alternation of letters and numbers helps to create some visual differentiation of various branches, but how does it help the memory? Help as in it's easier to search for these sorts of combinations versus remembering strings of only numbers?

    12. A content-based system (like a book’s table of contents) would mean that you would have to adhere to a single structure forever (decades in advance!).

      Potential definition of a table of contents: A table of contents is a linear ordering or traversal of of specific material which could potentially be found within an index.

    13. A content-based system (like a book’s table of contents) would mean that you would have to adhere to a single structure forever (decades in advance!).

      Starting a zettelkasten practice with a table of contents as the primary organization is difficult due to planning in advance.

    14. after decades of using the Zettelkasten it might become impossible to access it from your place at the desk. To mitigate this issue, it is recommended to use normal (thin) paper instead of (thick) index cards.

      After having used his zettelkasten for 26 years, Luhmann mentions that he chose normal paper as his substrate for note taking over thicker index cards to save on storage space and particularly to make it possible to keep more material closer to his desk rather than need to store it at larger distances within his office. This allows more slips per drawer and also tends to have an effect on productivity with respect to daily use and searching.

      One might need to balance this out with frequency of use and slip wear, as some slips in his box show heavy use and wear, especially at the top.

    15. You should only write on the front side of the paper slips, so it is possible to read the note during searches without the need to take it out.

      Luhmann mentions that he only wrote on one side so that he didn't need to physically remove notes from the box when searching it. There is a level of lost productivity if one needs to physically remove a card to read it and then replace it; this lost productivity is magnified if one uses their slip box regularly over the span of many years.

    16. There are two ways for a communication system to maintain its integrity over long periods of time: you need to decide for either highly technical specialisation, or for a setup that incorporates coincidence and ad hoc generated information. Translated to note collections: you can choose a setup categorized by topics, or an open one. We chose the latter and, after 26 successful years with only occasionally difficult teamwork, we can report that this way is successful – or at least possible.

      Luhmann indicates that there are different methods for keeping note collections and specifically mentions categorizing things by topics first. It's only after this that he mentions his own "open" system as being a possible or successful one.

    17. It is an obligatory condition for communication that both partners can surprise each other. Only in that way can information be created in the respective other. Information is an event that happens inside the system. Information is created when a message, an entry [of a note], is compared with other possibilities. Therefore, information is only created in systems that possess a comparison schema (even when this schema is merely: “this or something else”).
    18. If you have to write anyway, it is pragmatic to exploit this activity by creating a system of notes that can act as a competent communication partner.
    19. But don’t count on fast reaction times since I am taking a break from Luhmann because of a Luhmannian overdose.

      "Luhmannian overdose"—Ha!

    1. Armstrong, Dorsey. King Arthur: History and Legend (Course Guidebook). Great Courses 2376. Chantilly, VA: The Teaching Company, 2015.

      King Arthur: History and Legend. Streaming Video. Vol. 2376. The Great Courses: Literature and Language. Chantilly, VA: The Teaching Company, 2015. https://www.wondrium.com/king-arthur-history-and-legend.

    1. Introducing Substack Notes<br /> by Hamish McKenzie, Chris Best, Jairaj Sethi

    2. In Notes, writers will be able to post short-form content and share ideas with each other and their readers. Like our Recommendations feature, Notes is designed to drive discovery across Substack. But while Recommendations lets writers promote publications, Notes will give them the ability to recommend almost anything—including posts, quotes, comments, images, and links.

      Substack slowly adding features and functionality to make them a full stack blogging/social platform... first long form, then short note features...

      Also pushing in on Twitter's lunch as Twitter is having issues.

    3. There are more than 35 million active subscriptions to writers on Substack, including more than 2 million paid subscriptions.

      As of April 2023, only 5.7% of Substack active subscriptions are paid.

      How exactly do they define "active" subscriptions?

    1. There is no real difference if you think about the boundaries between reading and notetaking. Moving the eyes over text: Sounds like reading. Highlighting key words while reading: Still sounds like reading. Jotting down keywords in the margins: Some writing, but still could count as reading. Writing tasks in the marings (e.g. "Should compare that to Buddhism"): Don't know. Reformulating key sections in your own words: Sounds like writing. But could be just the externalisation of what could be internal. Does make a difference if you stop and think about what you read or do it in written form?

      Perhaps there is a model for reading and note taking/writing with respect to both learning and creating new knowledge that follows an inverse mapping in a way similar to that seen in Galois theory?

      Explore this a bit to see what falls out.

    1. By the way, I would now revise the sentence you quote to read: "Fixed numbers, abstracted from any content-based order relying on the entire structure has ..."

      It would seem that the version of the translation of Luhmann's Communication with Zettelkasten at http://luhmann.surge.sh/communicating-with-slip-boxes is more up to date than the older archived version at https://web.archive.org/web/20150825031821/http://scriptogr.am/kuehnm because it takes into consideration smaller updates like this.

      See: - https://github.com/Zettelkasten-Method/luhmann.surge.sh/commits/master/communicating-with-slip-boxes.html

    1. How do I store when coming across an actual FACT? .t3_12bvcmn._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } questionLet's say I am trying to absorb a 30min documentary about the importance of sleep and the term human body cells is being mentioned, I want to remember what a "Cell" is so I make a note "What is a Cell in a Human Body?", search the google, find the definition and paste it into this note, my concern is, what is this note considered, a fleeting, literature, or permanent? how do I tag it...

      reply to u/iamharunjonuzi at https://www.reddit.com/r/Zettelkasten/comments/12bvcmn/how_do_i_store_when_coming_across_an_actual_fact/

      How central is the fact to what you're working at potentially developing? Often for what may seem like basic facts that are broadly useful, but not specific to things I'm actively developing, I'll leave basic facts like that as short notes on the source/reference cards (some may say literature notes) where I found them rather than writing them out in full as their own cards.

      If I were a future biologist, as a student I might consider that I would soon know really well what a cell was and not bother to have a primary zettel on something so commonplace unless I was collecting various definitions to compare and contrast for something specific. Alternately as a non-biologist or someone that doesn't use the idea frequently, then perhaps it may merit more space for connecting to others?

      Of course you can always have it written along with the original source and "promote" it to its own card later if you feel it's necessary, so you're covered either way. I tend to put the most interesting and surprising ideas into my main box to try to maximize what comes back out of it. If there were 2 more interesting ideas than the definition of cell in that documentary, then I would probably leave the definition with the source and focus on the more important ideas as their own zettels.

      As a rule of thumb, for those familiar with Bloom's taxonomy in education, I tend to leave the lower level learning-based notes relating to remembering and understanding as shorter (literature) notes on the source's reference card and use the main cards for the higher levels (apply, analyze, evaluate, create).

      Ultimately, time, practice, and experience will help you determine for yourself what is most useful and where. Until you've developed a feel for what works best for you, just write it down somewhere and you can't really go too far wrong.

    1. Hi I am getting confused as to how to tackle a whole book or research paper and the production of notes. I'm doing a literature review as part of a phd, so academic level critique needed. The referencing I can easily cite at the end of the note so that isn't a concern. Does one research paper produce many notes, how does one title these notes please? Is it the concept or the book etc. thank you (sorry I am trying to move this to the other section but cannot see how to do this, I realise I've posted in the wrong place) Zoe

      reply to ZH215 at https://forum.zettelkasten.de/discussion/2545/lit-review-template-or-not#latest

      For a literature review, you might find Adler & Van Doren more immediate and interesting (compared to Ahrens), particularly chapter 20 on syntopical reading. This may help you to better focus your annotating and note making practices. Consider it a big conversation, but all the participants are writing instead of speaking.

      Adler, Mortimer J., and Charles Van Doren. How to Read a Book: The Classical Guide to Intelligent Reading. Revised and Updated edition. 1940. Reprint, Touchstone, 2011.

      While the more significant notes can be useful in the long run and can be used as the backbone of your work, I often personally find that my shorter annotations and highlights/tags in a literature review are incredibly helpful for comparison and contrast later, so don't discount the value of these.

    1. The first rule of analytical reading can be expressed asfollows : RULE 1. You MUST KNOW WHAT KIND OF BOK YOU AREREADING, AND YOU SHOULD KNOW THIS AS EARLY IN THE PROCESSAS POSSIBLE, PREFERABLY BEFORE YOU BEGIN TO READ.
    2. 20

      Revisit the question from earlier about dialectical notes and "separate sheets". See: https://hypothes.is/a/QJ-tsNKvEe20jVORiPEA0g

    3. Since they are made concerning several books, not just one,they often have to be made on a separate sheet ( or sheets ) ofpaper. Here, a structure of concepts is implied-an order ofstatements and questions about a single subject matter. Wewill return to this kind of note-making in Chapter 20.

      The authors recommend making dialectic notes on "a separate sheet (or sheets"). Presumably here, this is because the notes don't relate to just one text, but to multiple. This doesn't seem to have the same underlying cause or need as that suggested by Konrad Gessner or others to keep separate sheets for individual ideas, but we should revisit this when we get to chapter 20.

    1. Labour Exchange - Encyclopedia

      Encyclopedia Britannica 1911

    2. Based on yesterday's discussion at Dan Allosso's Book Club, we don't include defense spending into the consumer price index for calculating inflation or other market indicators. What other things (communal goods) aren't included into these measures, but which potentially should be to take into account the balance of governmental spending versus individual spending. It seems unfair that individual sectors, particularly those like defense contracting which are capitalistic in nature, but which are living on governmental rent extraction, should be free from the vagaries of inflation?

      Throwing them into the basket may create broader stability for the broader system and act as a brake via feedback mechanisms which would push those corporations to work for the broader economic good, particularly when they're taking such a large piece of the overall pie.

      Similarly how might we adjust corporate tax rates with respect to the level of inflation to prevent corporate price gouging during times of inflation which seems to be seen in the current 2023 economic climate. Workers have seen some small gains in salary since the pandemic, but inflationary pressures have dramatically eaten into these taking the gains and then some back into corporate coffers. The FED can increase interest rates to effect some change, but this doesn't change corporate price gouging in any way, tax or other policies will be necessary to do this.

    3. Why do we devalue education? Is it such a commodity now that its transmission value is worth pennies on the dollar?

      Is Government requirement and support for education part of what causes the devaluation of the "educational market"? If so, how would one decouple this process to increase the wages of educators? Is a capitalistic version the best way to go, or is it better to socialize it further and inject more money into it versus other choices?

      Major nationwide strike forming minimum wage with variances for local consumer indices and city/state costs of living? Something which would drive competition for child care and teaching spaces? Wages that would push up the social value of education? Create a market for competition for teachers at the local level as well as between areas?

    4. Link to: https://hypothes.is/a/lV19ytGBEe2ynWMu34UKUg

      This depreciation is done at the lowest level of exchange and caused the system to collapse rather quickly. What level is our current exchange done at such that the inequalities are pushed up multiple levels making the system seem more stable? How is instability introduced? How could it be minimized?

      Our current system is valued both by time and skill (using the measure of payment per hour).

      Compare this with salespeople who are paid on commission rather than on an hourly basis. They are then using their skill of sales ability and balancing time (and levels of chance) to create their outcomes, but at the same time, some of their work is built on the platform that sales management or the company provides. Who builds this and how do they get paid for it? Who provides sales leads? How is this calculated into the system costs?

      How do these ideas fit into the Bullshit Jobs thesis?

    5. Tradesmen, too, were quick to see that the exchange might be worked to their advantage; they brought unsaleable stock from their shops, exchanged it for labour notes, and then picked out the best of the saleable articles. Consequently the labour notes began to depreciate; trouble also arose with the proprietors of the premises, and the experiment came to an untimely end early in 1834.

      The labour exchange at Gray's Inn Road which began on September 3, 1832, which was based on Robert Owen's idea in The Crisis (June 1832), eventually collapsed in 1834 as the result of Greshham's Law in which "bad money drives out good." In this case, rather than money the object was the relative value of goods which were exchanged based on Labour notes. Labour notes were used to exchange unsaleable stock in shops for labour notes which were then used to purchase more valuable goods. This caused depreciation of the labor notes ultimately causing the experiment to collapse in 1834.

    1. In 1882, work first started on the Sagrada Familia, Antonio Gaudi’s art nouveau masterpiece in Barcelona, Spain. The basilica is still under construction today.

      The Sagrada Familia basilica began construction in 1882, in Barcelona Spain. The art nouveau building designed by Antonio Gaudi is expected to be completed in 2026.

  3. Mar 2023
    1. Edward Pressman, Film Producer Who Bet on Unsung Talent, Dies at 79<br /> by Neil Genzlinger

      One of my favorite producers...

    2. “The hardest thing I’ve learned over the years is that I’m getting paid a lot of money to produce a movie, but sometimes the best thing to do is nothing,” he told The New York Times in 1992, when he was making “Hoffa.” “I don’t need to impose myself.”Nonetheless, he knew he played a vital role.“It’s the creative urge that makes me work,” he told American Film magazine for a 1988 article. “The pleasure is, to some extent, vicarious, but it’s no less creative for that. It is creating a world by bringing together creative financing with creative filmmakers. In a sense, producing can be compared to conceptual art.”
    3. Two years later, he produced Mr. De Palma’s comic drama about a disfigured composer who sells his soul, “Phantom of the Paradise,” which has become a cult favorite.
    1. At the University of California, Berkeley, Tom studied physics and then literature, graduating with a B.A. in English. He also ran a film society and played on the varsity golf team.

      Tom Luddy ran a film society while in college at the University of California, Berkeley.

    2. Mr. Luddy at the 2017 Telluride Film Festival. The festival became a gathering of devotees to the religion of filmmaking, and Mr. Luddy was its most fervent believer and its main officiant.

      "religion of filmmaking"

    3. “I Vitelloni,” Federico Fellini’s 1953 film about a group of young men on the brink of adulthood drifting about in a small Italian village, to George Lucas before he made “American Graffiti.”

      Tom Luddy introduced George Lucas to Federico Fellini's I Vitelloni before he made American Graffiti.

    4. It was a measure of Mr. Luddy’s influence, The Times noted in 1984, that he showed “The Italian,” a 1915 film that is considered a model for the immigrant-gangster epic, to Mr. Coppola before he made “The Godfather,”
    5. As director of special projects for Francis Ford Coppola’s company American Zoetrope, he produced movies like Paul Schrader’s “Mishima: A Life in Four Chapters” (1985), a complicated film about Yukio Mishima, the eccentric Japanese author who killed himself publicly in 1970 — a passion project that Mr. Schrader has described as “the definition of an unfinanceable project.” Mr. Luddy was its tireless booster and supporter, funding it early on with his American Express card.
    1. Open the YouTube video you want to watch and press Ctrl+M. This keyboard shortcut can make YouTube hide the process bar even you haven’t paused the YouTube video.

      To capture a Youtube video screenshot without the player controls, use the Hyde browser extension and the keystroke Ctrl+M to hide/unhide the controls.

      Further, one can use the Windows Snipping Tool via Win-Shift-S to effect a screenshot to the clipboard for saving and editing.

      https://youtubedownload.minitool.com/youtube/how-to-hide-youtube-bar.html

    1. https://www.3m.co.uk/3M/en_GB/post-it-notes/ideas/articles/make-the-leap-from-to-do-to-done-with-the-scrum-methodology/

      "The Scrum method" described here, similar to the Kanban method, the Memindex method, tickler systems, or other card index as productivity systems, seems to be a productized name for selling Post-it Notes.

      Scrum method consists of a project broken down into "story" rows with "to do" items in columns which progress along to "in process", "to verify", and finally "done".

      Other productized names (particular to the note taking space): Antinet zettelkasten, Linking Your Thinking, Second Brain, etc.

    2. The Scrum method, which is powered by Post-it® Products, breaks up a project into bite-sized modules. It helps to track each task through various stages of completion, and ensures that everyone on the team is aware of progress and updates. It can help turn thoughts into actions, and actions into achievement.

      Seeing this, I can't help but think about some of the ads from the early 1900s for filing cabinets and card indexes which had similar named methodologies for productivity, but which were also advertisements for purchasing the associated physical goods.

      Examples: Shaw-Walker, Yawman & Erbe, etc.

    1. The Lost Art of Library Card Catalogues<br /> by Claire Voon

      Broadly a synopsis/advertisement for The Card Catalog: Books, Cards, and Literary Treasures (Chronicle, 2017), which I've put on my to read list.

    1. zettelkasten

      (free of this context, but I need somewhere just to place this potential title/phrase...)

      Purpose Driven Zettelkasten

    1. I do my thinking with pen on paper. Digital tools, even (or especially?) the note-taking ones, are just not for me. <br><br>They may be easy to access or carry around, but what’s the point if they constrain the output?

      — Julia Pappas (@JuliaPappasJoy) March 30, 2023
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

      A common issue of many digital note taking apps is that while they may have ease for cutting and pasting data into them, moving data around, visualizing it in various forms, and exporting it into a final product may be much more difficult. At the opposite end of the spectrum, physical index cards are much easier to sort, resort, and place into an outline form to create output.

    1. By asking students to share their annotations openly, we help students to see a wide range of annotation practices, thus demystifying what has often been a private, individual practice.

      Of course, some of the private, individual practice can be terribly formed and generally useless for many, so it becomes imperative that students have some strong modeling here from the rhetorical side. What exactly do "good" and "useful" practices look like? How are these annotations used after-the-fact? What purposes do they serve? Can they be reused? Even with open annotations, there is still a lot of additional practice and use which happens beyond the visible annotation which is hidden.

      How can we leverage the open annotation and the following process (for example that of Ahrens2017 or Eco2015, 1977) to show more of the workflows of not only learning/understanding/sensemaking, but then taking that material to apply, analyze, evaluate, and then subsequently create new material?

      I see a lot of this sort of community sensemaking in the fora for digital note taking tools like Roam Research, Obsidian, Tana, etc. People there may sometimes be more focused on workflows for productivity sake, but there's a lot of subtle learning about note taking practice which is also going on between the lines.

    1. DeRosa, Robin. Interdisciplinary Studies: A Connected Learning Approach. Rebus Communities, 2016. https://press.rebus.community/idsconnect/.


      found via <br /> Sheridan, Victoria. “A Pedagogical Endeavor.” Inside Higher Ed, August 9, 2017. https://www.insidehighered.com/digital-learning/article/2017/08/09/robin-derosas-oer-pedagogical-endeavor.

      On first blush it looks like I've read portions of some of these chapters as blogposts on the authors' original websites. Should be interesting to see how those are linked/credited.

      Given the writing contained in the book it would be interesting to see Pressbooks and/or the Rebus Community allow support for having the lead of a project be credited as an "editor" on the front page rather than to default them as an "author".

    1. Sheridan, Victoria. “A Pedagogical Endeavor.” Inside Higher Ed, August 9, 2017. https://www.insidehighered.com/digital-learning/article/2017/08/09/robin-derosas-oer-pedagogical-endeavor.

    2. In the fall of 2015, she assigned students to write chapter introductions and translate some texts into modern English.

      continuing from https://hypothes.is/a/ddn4qs8mEe2gkq_1T7i3_Q

      Potential assignments:

      Students could be tasked with finding new material or working off of a pre-existing list.

      They could individually be responsible for indexing each individual sub-text within a corpus by: - providing a full bibliography; - identifying free areas of access for various versions (websites, Archive.org, Gutenberg, other OER corpora, etc.); Which is best, why? If not already digitized, then find a copy and create a digital version for inclusion into an appropriate repository. - summarizing the source in general and providing links to how it fits into the broader potential corpus for the class. - tagging it with relevant taxonomies to make it more easily searchable/selectable within its area of study - editing a definitive version of the text or providing better (digital/sharable) versions for archiving into OER repositories, Project Gutenberg, Archive.org, https://standardebooks.org/, etc. - identifying interesting/appropriate tangential texts which either support/refute their current text - annotating their specific text and providing links and cross references to other related texts either within their classes' choices or exterior to them for potential future uses by both students and teachers.

      Some of this is already with DeRosa's framework, but emphasis could be on building additional runway and framing for helping professors and students to do this sort of work in the future. How might we create repositories that allow one a smörgåsbord of indexed data to relatively easily/quickly allow a classroom to pick and choose texts to make up their textbook in a first meeting and be able to modify it as they go? Or perhaps a teacher could create an outline of topics to cover along with a handful of required ones and then allow students to pick and choose from options in between along the way. This might also help students have options within a course to make the class more interesting and relevant to their own interests, lives, and futures.

      Don't allow students to just "build their own major", but allow them to build their own textbooks and syllabi with some appropriate and reasonable scaffolding.

    3. In the fall of 2015, she assigned students to write chapter introductions and translate some texts into modern English.

      Perhaps of interest here, would not be a specific OER text, but an OER zettelkasten or card index that indexes a variety of potential public domain or open resources, articles, pieces, primary documents, or other short readings which could then be aggregated and tagged to allow for a teacher or student to create their own personalized OER text for a particular area of work.

      If done well, a professor might then pick and choose from a wide variety of resources to build their own reader to highlight or supplement the material they're teaching. This could allow a wider variety of thinking and interlinking of ideas. With such a regiment, teachers are less likely to become bored with their material and might help to actively create new ideas and research lines as they teach.

      Students could then be tasked with and guided to creating a level of cohesiveness to their readings as they progress rather than being served up a pre-prepared meal with a layer of preconceived notions and frameworks imposed upon the text by a single voice.

      This could encourage students to develop their own voices as well as to look at materials more critically as they proceed rather than being spoon fed calcified ideas.

    4. It does not feel patriotic to have my students pay money for public-domain literature on their American heritage.”
    1. It is based in Munich, in elegant accommodation within the Bavarian Academy (Bayerische Akademie der Wissenschaften), which is housed in the Residenz (left), formerly the palace of the Bavarian royal family.

      The massive zettelkasten which powers the Thesaurus Linguae Latinae is befittingly housed on the top floors of the Residenz, the former palace of the Bavarian royal family, now a part of the Bavarian Academy (Bayerische Akademie der Wissenschaften) in Munich, Germany.

    2. Thesaurus Linguae Latinae - Society for Classical Studies

      basic details, particularly administrative ones about the structure of the editors, fellows, et al and funding for attending

    3. Zettel, right

      slip for the word sentio

    1. Mentioned this to someone who moved to Bushwick and kept saying "I wish more of Brooklyn was like this" with a rebuttal saying "this is why the people who made it attractive to you aren't here anymore" and got the "it's not my problem" shit. https://twitter.com/hollley/status/1641149981678530560. I think that's where being a "transplant" into a different place becomes violent - your presence IMMEDIATELY disrupts the environments you're in (and because of that, you have an obligation to minimize it as much as possible).
    1. Just getting started with #Zettelkasten while preparing for my first participation in a workshop. How do you decide on the names/keys of your zettels? E.g., "object-oriented programming" or "rentsch1982object"? Or do you have one zettel for each of both? #academia @academia@a.gup.pe @academicchatter@a.gup.pe @academicsunite@a.gup.pe #zettelkasten @academia@a.gup.pe @zettelkasten@a.gup.pe @zettelkasten@mobilize.berlin

      reply to Christoph Thiede at https://norden.social/@LinqLover/110011970287271976

      @LinqLover@norden.social @academia@a.gup.pe @zettelkasten@a.gup.pe @zettelkasten@mobilize.berlin @academicchatter@a.gup.pe @academicsunite@a.gup.pe If I understand your question properly, you're presumably using a paper zettelkasten and not a digital one? The issue is that of "multiple storage". Niklas Luhmann solved this by numbering his cards (using a Dewey-like system) and then creating an index for the subjects to be able to find them. John Locke did roughly the same thing with his indexing method for commonplace books.

      cf. https://hypothes.is/users/chrisaldrich?q=tag%3A%22multiple+storage%22 and https://publicdomainreview.org/collection/john-lockes-method-for-common-place-books-1685

      In the digital domain I rely on relational databases or heavy tagging and digital search. For an example, see again the Hypothesis link above.

      "Classical" ZK prior to Luhmann simply made multiple copies and distributed them, though updating them was nearly impossible.

    1. Ein Zettel, auf den kein anderer Zettel verweist, ist kein Zettel

      —Detlef Stern, 2023-03-21, https://mastodon.social/@t73fde/110062851811483123

      A note not referenced by another note is not a note. (translation mine)

    1. Another Zettel-related term that comes up in the quote by Magnus Wieland (in the original German version here) is "Zettelwirtschaft", which is simply translated as "paperwork" in the English translation. Not sure how dictionaries translate this word, but my impromptu translation is "loose-leaf business/operation". It is typically used to describe an unstructured mess of free-floating paper slips, as opposed to a notebook or file folder. My teachers in school have often used it to describe my careless maintenance of teaching material. But like "verzetteln", "Zettelwirtschaft" does not invoke thoughts about note making, only indirectly in the sense that it involves a set of pieces of paper.
    1. Smith, Chris. “Thesaurus Linguae Latinae: How the World’s Largest Latin Lexicon Is Brought to Life.” De Gruyter Conversations, July 5, 2021. https://blog.degruyter.com/thesaurus-linguae-latinae-how-the-worlds-largest-latin-lexicon-is-brought-to-life/.

      Basic overview article without much direct data/insight

    2. “Normally, a dictionary just tells you what words mean – and of course we do that – but the scale of the project gives us the space and opportunity to say what we’re not sure of too,” he said. “This is important because it leaves the door open for further scholarship and it gives the reader choices rather than dictating to them what to think. The dictionary can be a catalyst for more research and this is what makes the dictionary a living thing.”

      We need more scholarship which leaves open thinking spaces for future scholars.

    3. Slip box for the word ‘requiro’ © Adam Gitner

    4. TLL slip archive © Adam Gitner

    1. Pinkerton, Byrd. “The Ultimate Latin Dictionary: After 122 Years, Still At Work On The Letter ‘N.’” NPR, May 14, 2016, sec. Parallels. https://www.npr.org/sections/parallels/2016/05/14/476873307/the-ultimate-latin-dictionary-after-122-years-still-at-work-on-the-letter-n.

    2. A sample of the note cards the scholars are using to assemble the comprehensive Latin dictionary. Courtesy of Samuel Beckelhymer. hide caption toggle caption Courtesy of Samuel Beckelhymer.

    3. The archive contains boxes filled with notes on each Latin word. In most cases, the scholars made the notes more than a century ago. Courtesy of Nigel Holmes hide caption toggle caption Courtesy of Nigel Holmes

    4. Stefano Rocchi, a researcher on the Thesaurus Linguae Latinae, the comprehensive Latin dictionary that has been in the works since 1894 in Germany. Researchers are currently working on the letters N and R. They don't expect to finish until around 2050. BAdW/Foto Janina Amendt hide caption toggle caption BAdW/Foto Janina Amendt

    5. They both talk, though, about going over material again and again. The process of writing an article involves putting words in chronological order, but also creating branching, sub-dividing trees of syntax and semantics.

      Interesting to see a reference the branching nature of the meanings of an individual word which has multiple ways of being categorized.

      The TLL categorizes words alphabetically first and then by chronologically second. The rest of the structure shakes out from there as editors write articles for each of the words.

    6. "No one volunteers for res," she says, a little ruefully.
    1. Kathleen Coleman, “The Thesaurus Linguae Latinae” Paideia Lectures 2022, 2022. https://www.youtube.com/watch?v=s98hTIOW1Ug.

      https://www.youtube.com/watch?v=s98hTIOW1Ug

    2. The TLL was moved to a monastery in Bavaria during WWII because they were worried that the building that contained the zettelkasten would be bombed and it actually was.

      The slips have been microfilmed and a copy of them is on store at Princeton as a back up just i case.

      [01:17:00]

    3. Roberta Stewart of Dartmouth has written a description (available on the website) of how an article for the TLL is generally written. [01:10:26]

    4. Remember the Thesaurus is a work of the human brain and therefore it is fallible. —Kathleen M. Coleman

      replace Thesaurus with zettelkasten...

    5. Following volumes I and II (a and b) the editors of the TLL separated out the occurrence of proper names into a supplement, called the Onomasticon, which includes the words beginning with "C" and "D". Following D, they began leaving out proper names because their inclusion was slowing down the progress of the thesaurus and there are other resources like encyclopedias for discussion and inclusion of these. [24:48]

    6. For rare words in Latin, articles may include all surviving attestations of those words. Typically only a representative selection of attestations are included in most articles which is indicated in the text by two "crossed cigars" before the lemma (or headword).

      Within the TLL's work they consider the work on each headword to be an "article" which are also individually credited.

    7. The TLL contains every instance of every know Latin word in every known medium from the beginning of the language down to the 2nd century CE and from then on, every lexicographically significant instance from that time until the 6th century CE. [22:32]

    8. Basic statistics regarding the TLL: - ancient Latin vocabulary words: ca. 55,000 words - 10,000,000 slips - ca. 6,500 boxes - ca. 1,500 slips per box - library 32,000 volumes - contributors: 375 scholars from 20 different countries - 12 Indo-European specalists - 8 Romance specialists - 100 proof-readers - ca. 44,000 words published - published content: 70% of the entire vocabulary - print run: 1,350 - Publisher: consortium of 35 academies from 27 countries on 5 continents

      Longest remaining words: - non / 37 boxes of ca 55,500 slips - qui, quae, quod / 65 boxes of ca. 96,000 slips - sum, esse, fui / 54.5 boxes of ca. 81,750 slips - ut / 35 boxes of ca 52,500 slips

      Note that some of these words have individual zettelkasten for themselves approaching the size of some of the largest personal collections we know about!

      [18:51]

    9. It took approximately five years of collecting and excerpting material before the researchers of the TLL began writing articles.

    10. The Thesaurus Linguae Latinae didn't excerpt every single word in written Latin, just what they thought was lexicographically significant. As an example, they didn't excerpt all of Augustine for had they, the collection would have been approximately 50% larger because he was such a prolific writer. [t=891]

    11. San/sand (? what is the correct word?) box invented with a hinge which moves forward allowing one to more easily thumb through the slips in their box.

    12. The Thesaurus Linguae Latinae used the Meusel system for creating Zettel by utilizing double folio sheets onto which they copied text in hectographic ink which can be reproduced by lithography before cutting them up into slips.

      Done alphabetically and then secondarily by chronological time. (Indicated in a box on the top left of each slip.) The number of copies of each slip is written in the bottom left hand corner and circled.

    1. one can protect by using dictionaries of synonyms and then create enough referencesheets (e.g. Astronomy: cf. Science of the Stars). The only premise for this is that one knowsbeforehand the one location where the sheet belongs in the box.

      use of theausaurus to limit subject headings...

    1. The ability to intentionally and strategically allocateour attention is a competitive advantage in a distracted world. Wehave to jealously guard it like a valuable treasure.

      It would seem that the word treasure here is being used to modify one's attention. Historically in books about "knowledge work" or commonplacing, the word was used with respect to one's storehouse of knowledge itself and not one's attention. Some of the effect is the result of the break in historical tradition being passed down from one generation to another. It's also an indication that the shift in value has moved not from what one knows or has, but that the attention itself is more valued now, even in a book about excerpting, thinking, and keeping knowledge!

      Oh how far we have fallen!

      It's also an indication of the extremes of information overload we're facing that the treasure is attention and not the small tidbits of knowledge and understanding we're able to glean from the massive volumes we face on a daily basis.

    1. Or, we canpicture ourselves collecting bones, breaking and roastingthem, and then boiling them for hours or days in a stockpot to release the nutritious and tasty marrow.

      We can imagine mining the information we encounter, following veins and seams underground, then smelting and refining the ore into useful metals. Occasionally we might come across gems that are nearly perfect when we discover them, perhaps needing only a bit of cutting and setting to reveal their beauty. But mostly the work involves patience and effort, as we go through the steps of finding, collecting, refining, and concentrating information from a raw material into exactly what we need for our structure

      I love these two new clever metaphors (mining and refining and cooking) for note taking for building knowledge. They're a welcome addition to the older and more classical metaphor of bees (Latin: apes) collecting pollen to make honey in the commonplace tradition.

    1. Based on the history and usage of horreum here in this first episode of the Thesaurus Linguae Latinae podcast, a project featuring a 10+ million slip zettelkasten at its core, I can't help but think that not only is the word ever so apropos for an introduction, but it does quite make an excellent word for translating the idea of card index in English or Zettelkasten from German into Latin.

      My horreum is a storehouse for my thoughts and ideas which nourishes my desire to discover and build upon my knowledge.

      This seems to be just the sort of thing that Jeremy Cherfas might appreciate on multiple levels.

      https://mcdn.podbean.com/mf/download/nxm28u/Horreum.mp3

    1. University of Chicago. “Scholars Finish Dictionary of Ancient Egyptian Language.” Substack newsletter. ScienceBlog.com, September 19, 2012. https://scienceblog.com/56681/scholars-finish-dictionary-of-ancient-egyptian-language/.

    2. “Money is the snare the god has placed on earth for the impious man so that he should worry daily.”
    3. “Do not sit or stand still in an undertaking which is urgent”
    4. “Pride and arrogance are the ruin of their owner”
    5. The Assyrian Dictionary was completed last year after 90 years of work,

      The Chicago Assyrian Dictionary was completed in 2011 after 90 years of work.

    6. The advent of computer technology facilitated the assembly of the Demotic Dictionary, which unlike its older sister, the Chicago Assyrian Dictionary, could be organized electronically rather than on index cards.

      The Chicago Demotic Dictionary compiled by the Oriental Institute at the University of Chicago was facilitated by computers compared with the Chicago Assyrian Dictionary which relied on index cards.

    7. The name Susan is indirectly related to the Demotic word for water lily.
    8. Ebony, the dark wood that was traded down the Nile from Nubia (present-day Sudan), also comes from Demotic roots.
    9. The language lives on today in words such as adobe, which came from the Egyptian word for brick. The word moved through Demotic, on to Arabic and eventually to Spain during the time of Islamic domination there
    1. Hayes, William C. Review of Historical Records of Rameses III, by William F. Edgerton and John A. Wilson. American Journal of Archaeology 40, no. 4 (1936): 558–59. https://doi.org/10.2307/498809.

      https://www.jstor.org/stable/498809

      ...have been diligently consulted and compared with the present versions and the authors have also availed themselves of the invaluable material contained in the Zettelkasten of the Berlin Wirterbuch der...

      This is the oldest appearance of the word "Zettelkasten" appearing in a journal article which I could find on JSTOR.

      I'm not surprised it's in a journal in the humanities and specifically on archaeology.

      Update: even better, this has introduced me to a massive new ZK: Wörterbuch der ägyptischen Sprache!


      Where is Indiana Jones' zettelkasten?!

    1. Mit dem Wb.-Browser kann das Wörterbuch der aegyptischen Sprache von A. Erman und H. Grapow durchgeblättert werden. Dabei führen Links, die sich hinter den Belegstellen verstecken, direkt zu den entsprechenden Zetteln im Digitalisierten Zettelarchiv.

      https://aaew.bbaw.de/erman-grapow-wb

      Wörterbuch der ägyptischen Sprache by Adolph Erman and Hermann Grapow can be viewed online using the Wb. browser at https://aaew.bbaw.de/tla/servlet/WbImgBrowser. Links from reference points within the dictionary go directly to corresponding slips of paper in the digitized slip archive.

    1. Structures and Transformations of the Vocabulary of the Egyptian Language: Text and Knowledge Culture in Ancient Egypt. “Altägyptisches Wörterbuch: Berlin-Brandenburgische Akademie der Wissenschaften 1999,” 2007. https://web.archive.org/web/20180627163317/https://aaew.bbaw.de/wbhome/Broschuere/index.html.

    2. Wesentlich gefördert durch die Deutsche Forschungsgemeinschaft, wurde in den Jahren 1997 und 1998 das gesamte Zettelarchiv des Wörterbuches der ägyptischen Sprache, insgesamt 1,5 Millionen Blätter, verfilmt und digitalisiert. Dadurch wurde dieses einmalige Archiv auch erstmals gesichert.

      With support from the German Research Foundation, the 1.5 million sheets of the Wörterbuch der ägyptischen Sprache began to be digitized and put online in 1997.

    3. Die schiere Menge sprengt die Möglichkeiten der Buchpublikation, die komplexe, vieldimensionale Struktur einer vernetzten Informationsbasis ist im Druck nicht nachzubilden, und schließlich fügt sich die Dynamik eines stetig wachsenden und auch stetig zu korrigierenden Materials nicht in den starren Rhythmus der Buchproduktion, in der jede erweiterte und korrigierte Neuauflage mit unübersehbarem Aufwand verbunden ist. Eine Buchpublikation könnte stets nur die Momentaufnahme einer solchen Datenbank, reduziert auf eine bestimmte Perspektive, bieten. Auch das kann hin und wieder sehr nützlich sein, aber dadurch wird das Problem der Publikation des Gesamtmaterials nicht gelöst.

      Google translation:

      The sheer quantity exceeds the possibilities of book publication, the complex, multidimensional structure of a networked information base cannot be reproduced in print, and finally the dynamic of a constantly growing and constantly correcting material does not fit into the rigid rhythm of book production, in which each expanded and corrected new edition is associated with an incalculable amount of effort. A book publication could only offer a snapshot of such a database, reduced to a specific perspective. This too can be very useful from time to time, but it does not solve the problem of publishing the entire material.


      While the writing criticism of "dumping out one's zettelkasten" into a paper, journal article, chapter, book, etc. has been reasonably frequent in the 20th century, often as a means of attempting to create a linear book-bound context in a local neighborhood of ideas, are there other more complex networks of ideas which we're not communicating because they don't neatly fit into linear narrative forms? Is it possible that there is a non-linear form(s) based on network theory in which more complex ideas ought to better be embedded for understanding?

      Some of Niklas Luhmann's writing may show some of this complexity and local or even regional circularity, but perhaps it's a necessary means of communication to get these ideas across as they can't be placed into linear forms.

      One can analogize this to Lie groups and algebras in which our reading and thinking experiences are limited only to local regions which appear on smaller scales to be Euclidean, when, in fact, looking at larger portions of the region become dramatically non-Euclidean. How are we to appropriately relate these more complex ideas?

      What are the second and third order effects of this phenomenon?

      An example of this sort of non-linear examination can be seen in attempting to translate the complexity inherent in the Wb (Wörterbuch der ägyptischen Sprache) into a simple, linear dictionary of the Egyptian language. While the simplicity can be handy on one level, the complexity of transforming the entirety of the complexity of the network of potential meanings is tremendously difficult.

    4. Die schiere Menge sprengt die Möglichkeiten der Buchpublikation, die komplexe, vieldimensionale Struktur einer vernetzten Informationsbasis ist im Druck nicht nachzubilden, und schließlich fügt sich die Dynamik eines stetig wachsenden und auch stetig zu korrigierenden Materials nicht in den starren Rhythmus der Buchproduktion, in der jede erweiterte und korrigierte Neuauflage mit unübersehbarem Aufwand verbunden ist. Eine Buchpublikation könnte stets nur die Momentaufnahme einer solchen Datenbank, reduziert auf eine bestimmte Perspektive, bieten. Auch das kann hin und wieder sehr nützlich sein, aber dadurch wird das Problem der Publikation des Gesamtmaterials nicht gelöst.

      link to https://hypothes.is/a/U95jEs0eEe20EUesAtKcuA

      Is this phenomenon of "complex narratives" related to misinformation spread within the larger and more complex social network/online network? At small, local scales, people know how to handle data and information which is locally contextualized for them. On larger internet-scale communication social platforms this sort of contextualization breaks down.

      For a lack of a better word for this, let's temporarily refer to it as "complex narratives" to get a handle on it.

    5. Die Erfahrungen Ermans und seiner Mitarbeiter lehren nur zu deutlich, dass die Buchform der Präsentation eines solchen Materialbestands durchaus nicht entgegenkommt.

      For some research the book form is just not conducive to the most productive work. Both the experiences of Beatrice Webb (My Apprenticeship, Appendix C) and Adolph Erman (on Wb) show that database forms for sorting, filtering, and comparing have been highly productive and provide a wealth of information which simply couldn't be done otherwise.

    6. Auch die Korrektur einer Textstelle ist in der Datenbank sofort global wirksam. Im Zettelarchiv dagegen ist es kaum zu leisten, alle alphabetisch einsortierten Kopien eines bestimmten Zettels zur Korrektur wieder aufzufinden.

      Correcting a text within a digital archive or database allows the change to propagate to all portions of the collection compared with a physical card index which has the hurdle of multiple storage and requires manual changes on all of the associated copies.

      This sort of affordance can be seen in more modern note taking tools like Obsidian which does this sort of work with global search and replace of double bracketed words which change everywhere in the collection.

    7. Ausgangspunkt und Zentrum der Arbeit am Altägyptischen Wörterbuch ist die Anlage eines erschöpfenden Corpus ägyptischer Texte.

      In the early twentieth century one might have created a card index to study a large textual corpus, but in the twenty first one is more likely to rely on a relational database instead.

    8. Dass das ägyptische Wort p.t (sprich: pet) "Himmel" bedeutet, lernt jeder Ägyptologiestudent im ersten Semester. Die Belegsammlung im Archiv des Wörterbuches umfaßt ca. 6.000 Belegzettel. In der Ordnung dieses Materials erfährt man nun, dass der ägyptische Himmel Tore und Wege hat, Gewässer und Ufer, Seiten, Stützen und Kapellen. Damit wird greifbar, dass der Ägypter bei dem Wort "Himmel" an etwas vollkommen anderes dachte als der moderne westliche Mensch, an einen mythischen Raum nämlich, in dem Götter und Totengeister weilen. In der lexikographischen Auswertung eines so umfassenden Materials geht es also um weit mehr als darum, die Grundbedeutung eines banalen Wortes zu ermitteln. Hier entfaltet sich ein Ausschnitt des ägyptischen Weltbildes in seinem Reichtum und in seiner Fremdheit; und naturgemäß sind es gerade die häufigen Wörter, die Schlüsselbegriffe der pharaonischen Kultur bezeichnen. Das verbreitete Mißverständnis, das Häufige sei uninteressant, stellt die Dinge also gerade auf den Kopf.

      Google translation:

      Every Egyptology student learns in their first semester that the Egyptian word pt (pronounced pet) means "heaven". The collection of documents in the dictionary archive comprises around 6,000 document slips. In the order of this material one learns that the Egyptian heaven has gates and ways, waters and banks, sides, pillars and chapels. This makes it tangible that the Egyptians had something completely different in mind when they heard the word "heaven" than modern Westerners do, namely a mythical space in which gods and spirits of the dead dwell.

      This is a fantastic example of context creation for a dead language as well as for creating proper historical context.

    9. In looking at the uses of and similarities between Wb and TLL, I can't help but think that these two zettelkasten represented the state of the art for Large Language Models and some of the ideas behind ChatGPT

    10. Abb. 9 Im Normalfall erarbeitete man jedoch eine detaillierte interne Feinsortierung des Belegmaterials häufiger Wörter. Naturgemäß hätte jede Dimension der Analyse (chronologisch, grammatisch, semantisch, graphisch) die Grundlage einer eigenen Sortierordnung bilden können.

      Alternate sort orders for the slips for the Wb include chronological, grammatical, semantic, and graphic, but for teasing out the meanings the original sort order was sufficient. Certainly other sort orders may reveal additional subtleties.

    11. Die Auswertung solcher Materialmengen erwies sich als prekär, und im Falle der häufigsten Wörter, z.B. mancher Präpositionen (allein das Wort m "in" ist über 60.000 Mal belegt) oder elementarer Verben mußte man vor den Schwierigkeiten kapitulieren und das Material aussondern.

      The preposition m "in" appears more than 60,000 times in the corpus, a fact which becomes a bit overwhelming to analyze.

    12. Auch das grammatische Verhalten eines Wortes nach Flexion und Rektion ist der Sammlung vollständig zu entnehmen. Und schließlich und vor allen Dingen lag hier der Schlüssel zur Bestimmung der Wortbedeutungen. Statt jeweils ad hoc durch Konjekturen einzelne Textstellen spekulativ zu deuten (das Raten, von dem Erman endlich wegkommen wollte), erlaubte es der Vergleich der verschiedenen Zusammenhänge, in denen ein Wort vorkam, seine Bedeutung durch systematische Eingrenzug zu fixieren oder doch wenigstens anzunähern. Auch in dieser Hinsicht hat sich das Zettelarchiv im Sinne seines Erstellungszwecks hervorragend bewährt.

      The benefit of creating such a massive key word in context index for the Wörterbuch der ägyptischen Sprache meant that instead of using an ad hoc translation method (guessing based on limited non-cultural context) for a language, which was passingly familiar, but not their mother tongue, Adolph Erman and others could consult a multitude of contexts for individual words and their various forms to provide more global context for better translations.

      Other dictionaries like the Oxford English Dictionary attempt to help do this as well as provide the semantic shift of words over time because the examples used in creating the dictionary include historical examples from various contexts.

    13. Dem Konzept nach ist dies ein key word in context (KWIC) Index, ein Typus von Indices, wie sie heute immer noch als Grundoperation der Textdatenverarbeitung erzeugt werden.

      The method used for indexing the Wörterbuch der ägyptischen Sprache and the Thesaurus Linguae Latinae is now generally known as a key word in context (KWIC) index.

    14. questions:

      • What were the exact sizes of the slips? Had they been standardized at the time?
    15. The Wörterbuch der ägyptischen Sprache slip box collection is almost 17 times the size of Niklas Luhmann's by number of slips (1,500,000/90,000 = 16.67) and 58.81 times the size in number of boxes (1588/27).Though keep in mind that due to the multiple storage here each card was copied ~40 times, so if only only counts individual cards then the collection would have been (1.5M/40) 375,000 slips, which is still more than 4 times the size of Luhmann's collection of slips.

      See: https://hypothes.is/a/QMYAQMztEe2disvmvCAEAA for source of Wb number source.

    16. Insgesamt wurde auf diese Art ein Corpus von ca. 1,5 Millionen Textwörtern erschlossen. Allein dieser Teil des Zettelarchivs des Wörterbuches der ägyptischen Sprache füllt heute 1588 Zettelkästen.

      The zettelkasten for the Wörterbuch der ägyptischen Sprache comprises approximately 1.5 million slips for words and the card archive fills 1588 boxes.

    17. Die so angelegten Zettel wurden lithographisch jeweils 40mal kopiert. Sodann wurde für jedes auf dem Zettel verzeichnete ägyptische Wort eine solche Kopie herangezogen, das jeweilige Wort in der Textabschrift rot unterstrichen, und die Lautfolge des Wortes, wie man sie damals zu kennen glaubte, in der gebräuchlichen ägyptologischen Umschrift in der rechten oberen Ecke des Zettels notiert. Die so vorbereiteten Zettel wurden dann alphabetisch und unter Trennung der Homonyme nach Wörtern in eigens für das Wör terbuch angefertigte Zettelkästen einsortiert. Dabei wurden von vornherein bestimmte Sondergruppen, die für das Wörterbuch selbst nur von begrenztem Interesse waren, neben dem lexikalischen Hauptalphabet separat gestellt, so vor allem die Namen von Personen, Königen, Göttern und Orten. Aus diesen Nebenprodukten der Verzettelung entstand z.B. Hermann Rankes maßgebliches Lexikon der ägyptischen Personennamen.

      Once made, the initial note excerpts were copied 40 times using a lithography process. Then each word in the original slip was underlined in red on respective copies to be filed away alphabetically. At the top right corner of each slip was written down the phonetic sound of the rubricated word's Egyptian transcription. Within the collection certain special words were also separated for the names of people, kings, gods, and places to allow for additional study.


      Talk about a problem of multiple storage!!

    18. Textmaterials war zunächst ein technisches Problem. Angelehnt an die Praxis des Thesaurus Linguae Latinae wurde ein ausgeklügeltes Verzettelungssystem entworfen. Die gesammelten Texte wurden dazu in Passagen von jeweils etwa 30 Wörtern Länge unterteilt und in hieroglyphischer Form auf Zettel im Postkartenformat geschrieben. Die Bezeichnung des verzettelten Texts und der aktuellen Textpassage wurden in der Kopfzeile notiert. Wo erforderlich, sind auch Notizen zum szenischen Kontext einer Inschrift beigefügt, und meistens wurde der Versuch gemacht, eine Übersetzung der Textpassage zu geben. Gerade die Lückenhaftigkeit dieser Übersetzungen zeigt deutlich, wie unsicher man sich damals noch an vielen Stellen sein mußte. Die gesamte primäre Textaufnahme hatte bis zu einem gewissen Grade vorläufigen Charakter und war nicht als abschließende Analyse der Textstelle, sondern als Ausgangspunkt eines vertiefenden, vergleichenden Studiums gedacht. Dass heute viele der damals problematischen Passagen keine Schwierigkeiten mehr machen, ist zuallererst ein Verdienst des Wörterbuches und belegt, wie dieses das philologische Textverständnis auf ein neues Niveau gehoben hat.

      The structure of the filing system for the Wörterbuch der ägyptischen Sprache was designed based on the work done for the Thesaurus Linguae Latinae started in 1894. Texts in the collection were roughly divided into passages of about 30 words and written in hieroglyphic form on postcard-sized slips of paper. The heading contained the designation of the text and the body included the texts' context (inscriptions, etc.) as well as a preliminary translation of the passage.

      These passages were then cross-referenced with other occurrences of the hieroglyphics to provide better progressive translations which ultimately appeared in the final manuscript. As a result some of the translations on the cards were incomplete as work proceeded and cross-comparisons of individual words were puzzled out.

      A slip showing a passage of text from the victory stele of Sesostris III at the Nubian fortress of Semna. The handwriting is that of project leader Adolf Erman, who had "already struggled with the text as a high school student".

    19. 27 Notizhefte mit 3240 Seiten, dicht gefüllt mit hieroglyphischen Abschriften, der Ernte der ägyptischen Arbeit Kurt Sethes, bilden den wertvollsten Kern des Abschriftenarchivs am Altägyptischen Wörterbuch, das im ganzen immerhin 201 Hefte unterschiedlicher Stärke umfaßt.

      Out of a total of 201 notebooks, Kurt Sethe's work on the Wörterbuch der ägyptischen Sprache comprised 27 notebooks with 3240 pages of notes on hieroglyphic copies from his travels and research.

    20. wenn man Sethes Lebensprinzip kennt: "Ich arbeite nur, wenn ich mag. Aber ich mag immer arbeiten."

      Kurt Sethes' philosophy was encapsulated as "I only work when I like. But I always like to work." (Translation from German mine.)

    21. The Berlin dictionary project combined the work of more than 60 scholars headed by Adolph Erman with the help of the academies at Berlin, Göttingen, Leipzig and Munich and the International Orientalist Congress.

    22. Nach anderweitig erfolglos gebliebenen Versuchen wurde 1897 ein Immediatgesuch an Kaiser Wilhelm II. gerichtet und "durch Allerhöchsten Erlaß ... Allergnädigst bewilligt". Für das auf 11 Jahre bis zur Manuskripterstellung veranschlagte Wörterbuchprojekt stand damit die damals erkleckliche Summe von 70.000 M aus Mitteln des Reiches zur Verfügung.

      Kaiser Wilhelm II appropriated 70,000 M in 1897 to help fund the estimated 11 year dictionary project that would be known as the Wörterbuch der ägyptischen Sprache.

    23. Jean François Champollion's "Lettre à M. Dacier ... relative à l'alphabet des hiéroglyphes ..." (1822) is therefore rightly celebrated as the "birth certificate" of Egyptology, in which the decisive breakthrough in the decipherment of hieroglyphic writing was achieved.

    Tags

    Annotators

    URL

    1. McCauley, Edward Y. “A Dictionary of the Egyptian Language.” Transactions of the American Philosophical Society 16, no. 1 (1883): 1–241. https://doi.org/10.2307/1005403.

      Prior to the Wörterbuch der ägyptischen Sprache, but nothing brilliant with respect to use of a zettelkasten to create.

    1. Hayes, William C. Review of Historical Records of Rameses III, by William F. Edgerton and John A. Wilson. American Journal of Archaeology 40, no. 4 (1936): 558–59. https://doi.org/10.2307/498809.

      Tagged this because it's the first appearance of Zettelkasten in an English language setting in the JSTOR repository.

      see also: https://hypothes.is/a/RYZOssqXEe2H5wtABI0puA

      Started on 2023-03-24; finished on 2023-03-27.