Design is not a synonym for decorative creative decisions.

But somewhere between the Renaissance and today, things changed. While Da Vinci and Michelangelo are household names associated with immense creativity, the Art department is first to be defunded when a school’s budget tightens.

Cultural CununDRUM, lessLIE, Acrylic on hide, 2013, 50.8 cm in diameter, 6.99 cm deep

Feeling Artsy? Here's How Making Art Helps Your Brain

Sound Thoughts on Art

Art Therapy to Process Emotions

As the Victoria and Albert Museum present in A History of Computer Art,

The NFT grift works like this: Tell artists there’s a gusher of free money! They need to buy into crypto to get the gusher of free money. They become crypto advocates, and make excuses for proof-of-work and so on. A few artists really are making life-changing money from this! You probably won’t be one of them.

Shepard said at the time, "They Live was the basis for my use of the word 'obey,' The movie has a very strong message about the power of commercialism and the way that people are manipulated by advertising. [...] One of my main concepts with the Obey campaign as a whole was that obedience is the most valuable currency. People rarely consider how much power they sacrifice by blindly following a self-serving corporation's marketing agenda, and how their spending habits reflect the direction in which they choose to transfer power."

To that end, the branding strategy I chose for our project was based on propaganda-themed art in a Constructivist / Futurist style highly reminiscent of Soviet propaganda posters.

Illustration by Shout

The velocity of an image online and the amount of knowledge around it have an inverse relationship.

Manning: I love the cover art. Seriously! It is very apropos and beautiful (for both this Haskell book and the recent Manning F# book).

This region is involved in a range of functions but potentially in things that could be linked to creativity, like visual imagery - being able to manipulate visual images in your brain, combine them and deconstruct them,

This study highlights the potential of digital technology expanding creative palettes and clinical intervention tools for therapeutic sessions.

Prior work This project uses work done in the awesome-typescript-loader.

Moises Sanabria 1:19

prior art

Prior Art

Those who had the capacity to incorporate the clues necessary to wander without feeling lost – mostly owing to their higher level of education – felt ‘at home’ in Les Immatériaux as well as in the Centre Pompidou; those, on the other hand, who did not possess this self-assurance, who could not rely on the cryptic references provided to navigate the exhibition space, experienced a sense of unease, of loss, and occasionally felt threatened or even deceived

The voices streaming through the earphones did not provide any direct ‘explanation’ of what the visitor had in sight, but rather unidentified fragments of discourse indirectly related to what there were supposed to comment on, without requiring the visitor to press a button in front of each exhibit. Most visitors did not make the connection between the voices and their own movement through the exhibition, which inevitably led to some colourful misunderstandings

 Whereas catalogues are the most common element of mediation for exhibitions, Les Immatériaux had none, at least not in the traditional sense. What visitors could buy were two different publications: one was an album that contained, on one side, a sort of diary or ‘making of’ of the exhibition, and, on the other, loose cards listing the content of the various sites, thereby reproducing the deconstructed architecture of the exhibition itself (fig.1). The second publication displayed the results of an interactive experiment between a number of scholars (mainly philosophers) who had been invited to discuss themes provided by Lyotard and his co-curator, Thierry Chaput, with the help of something so new that it was difficult to describe or even name at the time: what today we would call email. In 1985 this technology was far from user-friendly, so that a large part of the distinguished authors’ contributions is dedicated to their difficulties in using the software. Re-reading the transcript of their exchanges today, I cannot help but find their complaints about the technical failures of the programme more instructive of what immaterialisation might mean than most of their attempts to elaborate on such ‘intellectual’ catchphrases as ‘modernity’, ‘time’ or ‘networks’ – catchphrases that date the catalogue as unmistakably as an old-fashioned suit.

And would a hip hop fan question, much less downvote, a “verified” Genius annotation authored by Kendrick Lamar that explains the meaning behind his music?

“Imagery in public space is a reflection of who has the power to tell the story of what happened and what should be remembered,” Bleiberg said. “We are witnessing the empowerment of many groups of people with different opinions of what the proper narrative is.” Perhaps we can learn from the pharaohs; how we choose to rewrite our national stories might just take a few acts of iconoclasm.

This painting was discovered in the Bulu Sipong cave on Sulawesi in 2016 and recent analysis has shown that it is the “oldest pictorial record of storytelling” and the “earliest figurative artwork in the world”, and is at least 43,900 years old. (The oldest known drawing in the world, a 73,000-year-old abstract scribble, was found in South Africa in 2018.)

Alicja Kwade, Gegebenenfalls die Wirklichkeit (2017)granite, copper, paperCourtesy KÖNIG GALERIE, Berlin/London/TokioInstallation view Down to Earth. Climate Art Discourse unglugged, Gropius Bau, Berlin, 2020© Berliner Festspiele/Immersion. Photo: Eike Walkenhorst

glitches

glitches and, what has become known as glitch art,

If art speaks to a milieu, a personal story or psychological state, should we punish it for not 100 percent reflecting our own memories?

when some listeners hear poets read with one or more of these characteristics—slow pitch speed, slow pitch acceleration, narrow pitch range, low rhythmic complexity, and/or slow speaking rate—they hear Poet Voice.”

Asked at the end of the interview if there was anything else she would like to share, Krowy told me that she is a Christian and lately had been having second thoughts about the fandom and the way it is perceived by outside people, because "the whole yiff thing - that's what people immediately think of." She regrets the one porn commission she has done - although it "wasn't that bad, more romantic" - be- cause she is serious about her career as an artist and would not want to be known for that sort of wor

Mr. Speyer’s most famous work is the Ben Rose House near Chicago, a modern glass box known for its supporting role in the 1986 movie ”Ferris Bueller’s Day Off.” Mr. Speyer studied architecture under famed modernist Mies van der Rohe at the Illinois Institute of Technology, and later became curator of 20th century painting and sculpture at the Art Institute of Chicago.

Mr. Speyer was critical of American home-building bombast, declaring in a 1986 interview conducted by the Art Institute of Chicago shortly before his death, “I think the typical suburban style is really not at all based in comfort, it’s based in ostentation,” he said. “Everybody,” he added, is “putting a centerpiece on the table.”

ast becoming the iconic image of a Black woman at t his time was t he 1800 Portrait d ’une negresse (Portrait of a Negress) by French painter Marie-Guillemine Benoist. An African woman sits staring at t he viewer with her head wrapped and breast exposed.

Музей М. А. Булгакова (ГБУК г. Москвы) — первый и единственный государственный мемориальный музей Булгакова в России, учрежденный в 2007 году в пространстве легендарной квартиры №50 в доме 10 по Большой Садовой. В настоящее время Музей М. А. Булгакова активно расширяет поле культурной деятельности, открывает выставки и проводит мероприятия как в самом музее, так и на внешних площадках. Цель Музея — всесторонний рассказ о булгаковском творчестве, булгаковской Москве, культуре булгаковской эпохи.

ce que l’art a toujours fait : transmettre des réalités possibles, donner à voir et à ressentir une vie différente.

un artiste a des antennes, comme un insecte.

pas besoin de réalité virtuelle pour expérimenter d’autres mondes. L’art suffit.

that “it is quite clear thatNietzsche wrote [this work] not as a dialectician.”3

Data visualization is both an art and a science

Rue de la Femme-sans-Tete

The Project Gutenberg EBook of His Masterpiece, by Emile Zola

1) interpret, reflect on, and evaluate the characteristics, purposes, and merits of personal work and the work of others and 2) identify, analyze, and apply criteria for making visual aesthetic judgments of personal work and the work of others.”

Krista Nicole Castrodale

Peer critique in the secondary art classroom:Strategies for best practices

Art Rubric for Assessment of the Discussion & Writing on Art History, Aesthetics and Art Criticism - an Assessment Form

rt Rubric - an Artwork Assessment Form by Marvin Bartel

PLANNING ART LESSONS & Units  

Empathic critique is collaboration, not competition. Empathic class critique in studio art is not a debate session. It is a hunt for visual effects, meaning, purpose, and new ideas. All participants are acting in their own best interest by being their naturally helpful selves. Competition is replaced by mutual discovery.

I give some display guidelines for them to follow so the presentation looks good and work can be seen easily by all participants. Students who are not finished might use the time to keep working to finish. It is sometimes found that students without work on display are not as interested and they are more apt to offer negative comments. 

Successful Art Class Critique

Механизм эмпатии помогает нам понимать друг друга, а в портрете создает между зрителем и героем эмоциональное сцепление. Неосознанно повторяя жест героя, мы начинаем сопереживать ему; это включает те же физиологические реакции, что и наши собственные эмоции, — потоотделение, учащение сердцебиения, усиление дыхания, эффект гусиной кожи. Это касается и ближайшей родственницы эмпатии, системы совместного внимания: она отслеживает действия героя и направление его взгляда на случай, если он заметил что-либо важное раньше нас. Если мы осознаём, что с нами происходит, наша реакция усиливается. Вдумчивый зритель не только лучше понимает портрет, но и острее переживает его. Портрет — тренажер эмпатии.

Работая над портретами, художники могут решать самые разнообразные творческие задачи.

For now, that will have to be my justification. I’m not ready to give up writing. I’m not ready to take up some high-paid job that I’d hate in order to reduce the world’s suffering. Maybe that will change. For now, call me Net-Positive Man.

Artists paint the beautiful landscape in front of them while the rest of the world burns

L’œuvre d’art, l’œuvre littéraire était à ses yeux une fin absolue ; elle portait en soi sa raison d’être

la contingence n’était pas une notion abstraite, mais une dimension réelle du monde : il fallait utiliser toutes les ressources de l’art pour rendre sensible au cœur cette secrète « faiblesse » qu’il apercevait dans l’homme et dans les choses

ce sont choses mortes, inférieures dans la hiérarchie à ces tas de moellons que vomissent les chariots des entrepreneurs, et qui amusent, du moins, l’œil sagace, par l’ordre accidentel qu’ils empruntent de leur chute

Sancho originally started as a fork of Evergreen but has since evolved to incorporate my favourite ideas from Bootstrap and Material-UI. We make substantial use of Reach-UI where possible to ensure proper accessibility. This project is obviously hugely indebted to all of these projects.

The Golden Age Of UX Won’t Last. Here’s How To Prepare For What’s Next

I read this as a medical student. I found this difficult to read because of the long list of characters and character names. However I was impressed when I realised that one of the women had te symptoms of Pernicious anemia (B12 deficiency) and the treatment was raw liver which is rich in B12. However if you cook the liver the vitamin is destroyed. This was not disovered by Europeans until centuries later.

It isn’t a good idea to tip them into the water … The water you see here is clean, but farther on beyond the weir, where it flows on beyond people’s houses, there are all sorts of muck and impurity, and in the end they get spoiled just the same. In that corner over there I’ve got a grave for the flowers, and what I am doing now is sweeping them up and putting them in this silk bag to bury them there, so that they can gradually turn back into earth.

Research from Chelsea and Westminster Hospital has found that placing art in the NHS trust has helped to improve patient wellbeing, decrease hospital stays and reduce anxiety, depression and pain.

Etinosa Yvonne Osayimwen's goal is to get inside her subjects' heads.

a public setting

We attend to the how of research by thinking-with various walking projects from WalkingLab (www.walkinglab.org) and beyond. We use the idea of the walk score as a catalyst for movement. Influenced by the tradition of Fluxus event score

A little magazine called the Blind Man, co-edited by Duchamp, ignited a debate still running today. “Whether Mr Mutt with his own hands made the fountain or not has no importance. He chose it. He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view – and created a new thought for the object.”

My understanding is that morality, benevolence and art are spiritual aspects, while all other disciplines are learned through human nature. Learning in these disciplines requires a diligent and genius mind, while studying art only requires sincerity and love. Therefore, in a certain sense, learning art is a more convenient passage to the truth. May we work together to make the future of art a prosperous one!

“I am very honoured to be an alumnus of Birmingham City University! The study of art is not the same as other professions. Confucius said “志于道、居于德、依于仁、游于艺”– “let the will be set on the path of duty. Let every attainment of what is good be firmly grasped. Let perfect virtue be emulated. Let relaxation and enjoyment be found in the arts”). The general idea is that art is the last energy or path to the soul, which is second only to morality and benevolence. It is firmly placed in front of philosophy and science.

Jun’s artistry has been described as “paintings that are beyond limits” by scholars, meaning they meet or exceed the expression of oil paint material. His artistic process relies entirely on sketching, rather than photographs, ensuring that every work is vivid and intriguing in its visual effect, capturing the minutest details.

Bargue Drawing (Old Middle-Class Thread)

I have done a couple of Bargue copies. I spent 2 months on the first one and about a month on the second. After doing a couple of these, your eye with be HIGHLY trained. You will be able to spot mistakes in your work much easier. Also, you won't be afraid of anything. Taking on a challenge like this makes other drawing tasks seem really easy. I recommend it for anyone who wants to shave a year or two off their training.

This book sounds like an outdated way of training. I was finding out more about it and read a comment describing its history and how its been used predominantly in France's Ecole des Beaux Arts until it "...fell out of favour when those pesky post impressionists stopped worrying about how accurate their drawing was and started worrying about the expression of their personal vision instead." It's no more outdated than studying anatomy. By your logic we should not study anatomy, either. The post-impressionism is just another change in philosophy. If your goal is to learn how to master your drawing tools and copy something with pin-point precision, then Bargue studies will help. if you want to learn to draw an eye correctly, do it by observing and interpreting real life, not by copying exactly another drawing of real life. You don't get the point. Bargue plates are very clear and simplify the forms that would otherwise be harder to read in life. The smooth / flawless gradations allow for clear interpretation of what's in front of you. These plates don't negate from drawing from life, they are good exercises to take before tackling life. The text in that book is very good. @the_allejo05, have you been reading the text, also? It does go over how to do these plates. I can't remember if it mentions what materials to use, though. The huge point about doing these plates is that you do them with exact precision, otherwise there's no real point. Time investment is relative to the objective. You could get more out of one 300 hour drawing than you could 300 1 hour drawings. Quantity doesn't always overpower quality. The plates can take a lot of time to do right, but they'll also build your concentration and patients.

the way they were intended ? they were originally put together by Charles to show kids that for example an eye, isn't just a flat shape on something else that is flat, but actually a 3D form that sits on a plane and which has a relationship with all the other planes surrounding it, which eventually will make another 3D-form. Spending 300 + hours on something like a pencil drawing is ridiculous, especially when starting out. I agree that 2 hours isn't really that much, but it would depend on the size of the drawing though. If you're copying a whole plate, then 2 hours is very fast, and you're saying that this is the longest you've spent ? You might wanna have some more patience with those