- Aug 2022
-
www.youtube.com www.youtube.com
-
For the sake of simplicity, go to Graph Analysis Settings and disable everything but Co-Citations, Jaccard, Adamic Adar, and Label Propogation. I won't spend my time explaining each because you can find those in the net, but these are essentially algorithms that find connections for you. Co-Citations, for example, uses second order links or links of links, which could generate ideas or help you create indexes. It essentially automates looking through the backlinks and local graphs as it generates possible relations for you.
comment on: https://www.youtube.com/watch?v=9OUn2-h6oVc
-
-
slate.com slate.com
-
Its account of how Heft made his flag closely resembled the standard story, but instead of any assertion that it became the basis for the official design, it merely said that it was “considered Lancaster’s first.”
I'm having trouble parsing this.
-
-
thoughtcatalog.com thoughtcatalog.com
-
https://thoughtcatalog.com/ryan-holiday/2013/08/how-and-why-to-keep-a-commonplace-book/
An early essay from Ryan Holiday about commonplace books including how, why, and their general value.
Notice that the essay almost reads as if he's copying out cards from his own system. This is highlighted by the fact that he adds dashes in front 23 of his paragraphs/points.
-
As Raymond Chandler put it, “when you have to use your energy to put those words down, you are more apt to make them count.”
-
-
danallosso.substack.com danallosso.substack.com
-
https://danallosso.substack.com/p/announcing-how-to-make-notes-and
Congratulations @danallosso!
-
- Jul 2022
-
minnstate.pressbooks.pub minnstate.pressbooks.pub
-
For those curious about the idea of what students might do with the notes and annotations they're making in the margins of their texts using Hypothes.is, I would submit that Dan Allosso's OER handbook How to Make Notes and Write (Minnesota State Pressbooks, 2022) may be a very useful place to turn. https://minnstate.pressbooks.pub/write/
It provides some concrete advice on the topic of once you've highlighted and annotated various texts for a course, how might you then turn your new understanding, ideas, and extant thinking work into a blogpost, essay, term paper or thesis.
For a similar, but alternative take, the book How to Take Smart Notes: One Simple Technique to Boost Writing, Learning and Thinking by Sönke Ahrens (Create Space, 2017) may also be helpful as well. This text however requires purchase via Amazon and doesn't carry the Creative Commons Attribution NonCommercial ShareAlike (by-nc-sa 4.0) license that Dr. Allosso's does.
In addition to the online copy of the book, there's an annotatable .pdf copy available here: http://docdrop.org/pdf/How-to-Make-Notes-and-Write---Allosso-Dan-jzdq8.pdf/ though one can download .epub and .pdf copies directly from the Pressbooks site.
-
-
docdrop.org docdrop.org
-
Finally, new notes should be connected with anexisting note when you add them to your system. I’lldescribe this in greater detail shortly; the point for now isthat linking a new thought to an existing train of thoughtseems to be a key to your note-making system workingfor you. Where does this new idea fit into your thoughtson an issue? Your questions about a topic? Your ideasabout a puzzle you’re working on understanding?Disciplining yourself to make this connection can be abit tough and time-consuming at first. It is worth theinvestment. Without understanding how these ideas thatinterest us fit together, all we have is a pile of unrelatedtrivia.
Writing and refining one's note about an idea can be key to helping one's basic understanding of that idea, but this understanding is dramatically increased by linking it into the rest of one's framework of understanding of that idea. A useful side benefit of creating this basic understanding and extending it is that one can also reuse one's (better understood) ideas to create new papers for expanding other's reading and subsequent understanding.
-
Also, trust me on this: the “Aha!” momentsbecome more frequent and rewarding, when you’rewriting thoughts down.
-
Writing is a craft for most of us, not an art.
Or framed differently:
The art in writing is knowing that it is really a craft.
-
-
writingcommons.org writingcommons.org
-
Synthesis notes are a strategy for taking and using reading notes that bring together—synthesize—what we read with our thoughts about our topic in a way that lets us integrate our notes seamlessly into the process of writing a first draft. Six steps will take us from reading sources to a first draft.
Similar to Beatrice Webb's definition of synthetic notes in My Apprentice (1926), thought this also includes movement into actually drafting writing.
What year was this written?
The idea here seems to be less discrete in the steps of the writing process and subsumes multiple things instead of breaking them into discrete conceptual parts. Has this been some of what has caused issues in the note taking to creation process in the last century?
-
-
www.hardscrabble.net www.hardscrabble.net
-
Here’s a quick blog post about a specific thing (making FactoryBot.lint more verbose) but actually, secretly, about a more general thing (taking advantage of Ruby’s flexibility to bend the universe to your will). Let’s start with the specific thing and then come back around to the general thing.
-
-
luhmann.surge.sh luhmann.surge.sh
-
Perhaps the best method would be to take notes—not excerpts, but condensed reformulations of what has been read.
One of the best methods for technical reading is to create progressive summarizations of what one has read.
-
-
medium.com medium.com
-
-
Robert uses a system based on flashcards
flashcards?!?!! A commonplace book done in index cards is NOT based on "flashcards". 🤮
Someone here is missing the point...
-
-
winnielim.org winnielim.org
-
I knew if I wanted this website – which is an extension of my consciousness – to truly thrive, I needed to work on it in a sustainable manner. Bit by bit I slowly transformed the way I thought about it. Previously I would only work on it if I had the energy to make wholesale, dramatic changes. These days I am glad if I made one small change.
Winnie later goes on to point out that this is much like gardening: it is a slow process, and the process has its seasons which wax and wane, expanding and contracting. You sow. You seed. You water. You fertilize. You wait. You pick weeds. You water. Pick some more weeds. You might prune. You flick off the japanese beetles. And because of the cyclical nature of the planet we inhabit, we also have periods where nothing grows, and the soil lies dormant. Waiting. Resting. This, too, can be embraced as we carve out our little corners of the web, and really all aspects of our lives. I know I'm nearly as tender to myself as I should be.
-
-
training.gov.au training.gov.au
-
store surplus and re-usable
Write labels / dates
Tags
Annotators
URL
-
-
www.solimanwrites.com www.solimanwrites.com
-
But I later realized writing is many things, one of which is the finished article you’re reading now. Mainly though, it’s a tool for thinking things through.
I've mentioned this elsewhere, but I'm skeptical of this popularly recurring take that says writing is thinking, or that thinking without writing really isn't thinking. If writing helps you think, it's better for you to know that than the alternative. But thinking is thinking, and writing is writing.
I worry with all the insistence around this view of writing as a precondition to real thinking that people who are thinking at or near capacity without writing will believe they're somehow missing something and waste a lot of cycles in frustration as they attempt to write and find that it doesn't do anything for them thoughtwise that they weren't already getting before.
-
Think about the sad essay we all used to write for your (insert language here) class: back then you didn’t have permission to generate original ideas.
I'm not sure that's the correct diagnosis.
Alternative take: you were not, at that point in your life, equipped to understand that you could be generating new ideas and that you should walk away from that writing course with an appreciation for writing as a vehicle for what you'd like to accomplish with a given subject/format. It's fine that you didn't—many people don't—and your instructors, institution, parents, community, etc. probably could have done a better job at communicating this to you, but it was there, and it was the point all along.
-
-
www.zylstra.org www.zylstra.org
-
At the same time, like Harold, I’ve realised that it is important to do things, to keep blogging and writing in this space. Not because of its sheer brilliance, but because most of it will be crap, and brilliance will only occur once in a while. You need to produce lots of stuff to increase the likelihood of hitting on something worthwile. Of course that very much feeds the imposter cycle, but it’s the only way. Getting back into a more intensive blogging habit 18 months ago, has helped me explore more and better. Because most of what I blog here isn’t very meaningful, but needs to be gotten out of the way, or helps build towards, scaffolding towards something with more meaning.
Many people treat their blogging practice as an experimental thought space. They try out new ideas, explore a small space, attempt to come to understanding, connect new ideas to their existing ideas.
Ton Zylstra coins/uses the phrase "metablogging" to think about his blogging practice as an evolving thought space.
How can we better distill down these sorts of longer ideas and use them to create more collisions between ideas to create new an innovative ideas? What forms might this take?
The personal zettelkasten is a more concentrated form of this and blogging is certainly within the space as are the somewhat more nascent digital gardens. What would some intermediary "idea crucible" between these forms look like in public that has a simple but compelling interface. How much storytelling and contextualization is needed or not needed to make such points?
Is there a better space for progressive summarization here so that an idea can be more fully laid out and explored? Then once the actual structure is built, the scaffolding can be pulled down and only the idea remains.
Reminiscences of scaffolding can be helpful for creating context.
Consider the pyramids of Giza and the need to reverse engineer how they were built. Once the scaffolding has been taken down and history forgets the methods, it's not always obvious what the original context for objects were, how they were made, what they were used for. Progressive summarization may potentially fall prey to these effects as well.
How might we create a "contextual medium" which is more permanently attached to ideas or objects to help prevent context collapse?
How would this be applied in reverse to better understand sites like Stonehenge or the hundreds of other stone circles, wood circles, and standing stones we see throughout history.
-
-
-
// NB: Since line terminators can be the multibyte CRLF sequence, care // must be taken to ensure we work for calls where `tokenPosition` is some // start minus 1, where that "start" is some line start itself.
I think this satisfies the threshold of "minimum viable publication". So write this up and reference it here.
Full impl.:
getLineStart(tokenPosition, anteTerminators = null) { if (tokenPosition > this._edge && tokenPosition != this.length) { throw new Error("random access too far out"); // XXX } // NB: Since line terminators can be the multibyte CRLF sequence, care // must be taken to ensure we work for calls where `tokenPosition` is some // start minus 1, where that "start" is some line start itself. for (let i = this._lineTerminators.length - 1; i >= 0; --i) { let current = this._lineTerminators[i]; if (tokenPosition >= current.position + current.content.length) { if (anteTerminators) { anteTerminators.push(...this._lineTerminators.slice(0, i)); } return current.position + current.content.length; } } return 0; }
(Inlined for posterity, since this comes from an uncommitted working directory.)
-
- Jun 2022
-
www.reddit.com www.reddit.com
-
I used to tell students (including PhD students) that 90% of what they will write will not be any good. But the only way they will get to the 10% that is good is by writing the 90% that isn't. So, they'd better start writing now! ;-)
-
-
www.nytimes.com www.nytimes.com
-
All this hoopla seems out of character for the sedate man who likes to say of his work: ''Whatever I did, there was always someone around who was better qualified. They just didn't bother to do it.''
Very similar to Nike's tagline "Just Do It"
https://www.nytimes.com/1985/09/08/magazine/the-michener-phenomenon.html
-
-
warrenellis.ltd warrenellis.ltd
-
https://warrenellis.ltd/isles/wrangling-writing-on-wordpress/
-
-
Local file Local file
-
send off your draft or beta orproposal for feedback. Share this Intermediate Packet with a friend,family member, colleague, or collaborator; tell them that it’s still awork-in-process and ask them to send you their thoughts on it. Thenext time you sit down to work on it again, you’ll have their input andsuggestions to add to the mix of material you’re working with.
A major benefit of working in public is that it invites immediate feedback (hopefully positive, constructive criticism) from anyone who might be reading it including pre-built audiences, whether this is through social media or in a classroom setting utilizing discussion or social annotation methods.
This feedback along the way may help to further find flaws in arguments, additional examples of patterns, or links to ideas one may not have considered by themselves.
Sadly, depending on your reader's context and understanding of your work, there are the attendant dangers of context collapse which may provide or elicit the wrong sorts of feedback, not to mention general abuse.
-
Hemingway Bridge.” He wouldalways end a writing session only when he knew what came next inthe story. Instead of exhausting every last idea and bit of energy, hewould stop when the next plot point became clear. This meant thatthe next time he sat down to work on his story, he knew exactlywhere to start. He built himself a bridge to the next day, using today’senergy and momentum to fuel tomorrow’s writing.
It's easier to write when you know where you're going. As if to underline this Ernest Hemingway would end his writing sessions when he knew where he was going the following day so that it would be easier to pick up the thread of the story and continue on. (sourcing?)
(Why doesn't Forte have a source for this Hemingway anecdote? Where does it come from? He footnotes or annotates far more obscure pieces, why not this?!)
link to - Stephen Covey quote “begin with the end in mind” (did this prefigure the same common advice in narrative circles including Hollywood?)
-
An Archipelago of Ideas separates the two activities your brainhas the most difficulty performing at the same time: choosing ideas(known as selection) and arranging them into a logical flow (knownas sequencing).*
A missed opportunity to reference the arts of rhetoric here. This book is a clear indication that popular Western culture seems to have lost the knowledge of it.
As a reminder, in the review be sure to look at and critique the invention, arrangement, style, memory, and delivery of the piece as well as its ethos, pathos, and logos. :)
-
If we overlay the four steps of CODE onto the model ofdivergence and convergence, we arrive at a powerful template forthe creative process in our time.
The way that Tiago Forte overlaps the idea of C.O.D.E. (capture/collect, organize, distill, express) with the divergence/convergence model points out some primary differences of his system and that of some of the more refined methods of maintaining a zettelkasten.
<small>Overlapping ideas of C.O.D.E. and divergence/convergence from Tiago Forte's book Building a Second Brain (Atria Books, 2022) </small>
Forte's focus on organizing is dedicated solely on to putting things into folders, which is a light touch way of indexing them. However it only indexes them on one axis—that of the folder into which they're being placed. This precludes them from being indexed on a variety of other axes from the start to other places where they might also be used in the future. His method requires more additional work and effort to revisit and re-arrange (move them into other folders) or index them later.
Most historical commonplacing and zettelkasten techniques place a heavier emphasis on indexing pieces as they're collected.
Commonplacing creates more work on the user between organizing and distilling because they're more dependent on their memory of the user or depending on the regular re-reading and revisiting of pieces one may have a memory of existence. Most commonplacing methods (particularly the older historic forms of collecting and excerpting sententiae) also doesn't focus or rely on one writing out their own ideas in larger form as one goes along, so generally here there is a larger amount of work at the expression stage.
Zettelkasten techniques as imagined by Luhmann and Ahrens smooth the process between organization and distillation by creating tacit links between ideas. This additional piece of the process makes distillation far easier because the linking work has been done along the way, so one only need edit out ideas that don't add to the overall argument or piece. All that remains is light editing.
Ahrens' instantiation of the method also focuses on writing out and summarizing other's ideas in one's own words for later convenient reuse. This idea is also seen in Bruce Ballenger's The Curious Researcher as a means of both sensemaking and reuse, though none of the organizational indexing or idea linking seem to be found there.
This also fits into the diamond shape that Forte provides as the height along the vertical can stand in as a proxy for the equivalent amount of work that is required during the overall process.
This shape could be reframed for a refined zettelkasten method as an indication of work
Forte's diamond shape provided gives a visual representation of the overall process of the divergence and convergence.
But what if we change that shape to indicate the amount of work that is required along the steps of the process?!
Here, we might expect the diamond to relatively accurately reflect the amounts of work along the path.
If this is the case, then what might the relative workload look like for a refined zettelkasten? First we'll need to move the express portion between capture and organize where it more naturally sits, at least in Ahren's instantiation of the method. While this does take a discrete small amount of work and time for the note taker, it pays off in the long run as one intends from the start to reuse this work. It also pays further dividends as it dramatically increases one's understanding of the material that is being collected, particularly when conjoined to the organization portion which actively links this knowledge into one's broader world view based on their notes. For the moment, we'll neglect the benefits of comparison of conjoined ideas which may reveal flaws in our thinking and reasoning or the benefits of new questions and ideas which may arise from this juxtaposition.
This sketch could be refined a bit, but overall it shows that frontloading the work has the effect of dramatically increasing the efficiency and productivity for a particular piece of work.
Note that when compounded over a lifetime's work, this diagram also neglects the productivity increase over being able to revisit old work and re-using it for multiple different types of work or projects where there is potential overlap, not to mention the combinatorial possibilities.
--
It could be useful to better and more carefully plot out the amounts of time, work/effort for these methods (based on practical experience) and then regraph the resulting power inputs against each other to come up with a better picture of the efficiency gains.
Is some of the reason that people are against zettelkasten methods that they don't see the immediate gains in return for the upfront work, and thus abandon the process? Is this a form of misinterpreted-effort hypothesis at work? It can also be compounded at not being able to see the compounding effects of the upfront work.
What does research indicate about how people are able to predict compounding effects over time in areas like money/finance? What might this indicate here? Humans definitely have issues seeing and reacting to probabilities in this same manner, so one might expect the same intellectual blindness based on system 1 vs. system 2.
Given that indexing things, especially digitally, requires so little work and effort upfront, it should be done at the time of collection.
I'll admit that it only took a moment to read this highlighted sentence and look at the related diagram, but the amount of material I was able to draw out of it by reframing it, thinking about it, having my own thoughts and ideas against it, and then innovating based upon it was incredibly fruitful in terms of better differentiating amongst a variety of note taking and sense making frameworks.
For me, this is a great example of what reading with a pen in hand, rephrasing, extending, and linking to other ideas can accomplish.
-
Writers diverge by collecting raw material for the story they wantto tell, sketching out potential characters, and researching historicalfacts.
Missing here is the creative divergence of creating plot points which could be later connected. This part of the process is incredibly difficult for many as seen in the poor second act development in most of narrative history. Beginnings and endings are usually incredibly easy, but the middle portions for connecting the two is incredibly hard.
Is this because creating connections between the ends when there no intervening ideas to connect is nearly impossible? How can one brainstorm middle plot points so that they might be more easily connected?
-
the time you sit down tomake progress on something, all the work to gather and organize thesource material needs to already be done. We can’t expectourselves to instantly come up with brilliant ideas on demand. Ilearned that innovation and problem-solving depend on a routine thatsystematically brings interesting ideas to the surface of ourawareness.
By writing down and collecting ideas slowly over time, working on them in small fits and spurts, when one finally comes to do the final work on their writing project or other work, the pieces only need minor shaping to take their final form. This process allows for a much greater level of serendipity, creativity, and potential sustained genius of connecting ideas across time to take shape in a final piece.
How does this relate to diffuse thinking? How can slow diffuse thinking be leveraged into this process?
Writing down fleeting notes while walking around can be valuable as one's ideas brew slowly in the mind (diffuse thinking) in combination with active combinatorial creativity, thus a form of Llullan combinatorial diffusion.
Many business books seem so shallow and often only have one real insight which is repeated multiple times, perhaps to drive the point home or perhaps just to have enough filler to seem being worth the purchase of a book.
Napoleon Hill's Think and Grow Rich is an example of this, though it shows a different form of genius in expanding the idea from a variety of perspectives so that eventually everyone will absorb the broader idea which is distilled to great effect into the title.
-
When a few of his friends became interested in thetopic, he took eight minutes to progressively summarize the bestexcerpts before sharing the summarized article with them. The timethat he had spent reading and understanding a complex subject paidoff in time savings for his friends, while also giving them a newinterest to connect over.
To test one's own understanding of a topic one has read about and studied, it can be useful to discuss it or describe one's understanding to friends or colleagues in conversations. This will help you discover where the holes are based on the person's understanding and comprehension of what you've said. Can you fill in all the holes where they have questions? Are their questions your new questions which have exposed holes that need to be filled in your understanding or in the space itself.
I do this regularly in conversations with people. It makes the topics of conversation more varied and interesting and helps out your thinking at the same time. In particular I've been doing this method in Dan Allosso's book club. It's almost like trying on a new idea the way one might try on a piece of clothing to see how it fits or how one likes it for potential purchase. If an idea "fits" then continue refining it and add it to your knowledge base. These conversations also help to better link ideas in my thought space to those of what we're reading. (I wonder if others are doing these same patterns, Dan seems to, but I don't have as good a grasp on this with other participants).
Link to :<br /> - Ahren's idea of writing to expose understanding<br /> - Feynman technique<br /> - Socratic method (this is sort of side or tangential method to this) <- define this better/refine
-
We’ve been taught that it’s important to work “with the end inmind.” We are told that it is our responsibility to deliver outcomes,whether that is a finished product on store shelves, a speechdelivered at an event, or a published technical document.
Example of someone else saying this...
We focus too much on the achievement and the end goal and the work and process doesn't receive its due.
-
Be regular and orderly in your life so that you may be violent andoriginal in your work.—Gustave Flaubert
In addition to this as a standalone quote...
If nothing else, one should keep a commonplace book so that they have a treasure house of nifty quotes to use as chapter openers for the books they might write.
Tags
- social annotation
- knowledge work
- working in public
- processes
- combinatorial creativity
- arrangement
- Napoleon Hill
- note taking
- work
- Socratic method
- Feynman Technique
- writing
- understanding
- work with the end in mind
- Gustave Flaubert
- loss of rhetoric
- Stephen Covey
- Llullan combinatorial diffusion
- divergence/convergence
- Hemingway's White Bull
- misinterpreted-effort hypothesis
- trolling
- innovation
- writing advice
- examples
- context collapse
- zettelkasten
- writing for understanding
- rhetoric
- fashion
- Llullan combinatorial arts
- constructive criticism
- feedback
- creativity
- commonplace books vs. zettelkasten
- storytelling
- diffuse thinking
- goals
- social media
- imitation for innovation
- Hemingway's bridge
- productivity
- visualizations
- narrative forms
- testing understanding
- C.O.D.E.
- cognitive bias
- second acts
- behavioral economics
- creative writing
- metaphors
- criticism
- feedback loops
- archipelago of ideas
- writing process
- idea links
- conversations
- efficiency
- compounding value
- putting in the work
- time
- Tiago Forte
- note taking why
- outlining
- commonplace books
- Ernest Hemingway
Annotators
-
-
boingboing.net boingboing.net
-
www.robinsloan.com www.robinsloan.com
-
It was the experience of drafting the spec that changed my view, and my pace. Writing! Gets you every time!
-
-
www.reddit.com www.reddit.com
-
The slipbox and index cards on which Vladimir Nabokov wrote his novel Lolita.
Vladimir Nabokov famously wrote most of his works including Lolita using index cards in a slip box. He ultimately died in 1977 leaving an unfinished manuscript in note card form for the novel The Original of Laura. Penguin later published the incomplete novel with in 2012 with the subtitle A Novel in Fragments. Unlike most manuscripts written or typewritten on larger paper, this one came in the form of 138 index cards. Penguin's published version recreated these cards in full-color reproductions including the smudges, scribbles, scrawlings, strikeouts, and annotations in English, French, and Russian. Perforated, one could tear the cards out of the book and reorganize in any way they saw fit or even potentially add their own cards to finish the novel that Nabokov couldn't.
Index card on which Nabokov collated notes on ages, heights, and measurements for school aged girls as research for his title character Lolita.
More details at: https://www.openculture.com/2014/02/the-notecards-on-which-vladimir-nabokov-wrote-lolita.html
-
-
-
it is very important to have perspective on your work and you get that in only two ways one is taking a lot of time 00:44:00 away from it and coming back do not read on a computer print it out on paper the way somebody's going to read it take it out of your office take it take it to the park take it to the beach wherever you're going and read it as if you've 00:44:14 never read it
Finding the red herrings by author itself
-
misdirecting readers with red herrings can be really challenging there's something you do very well what is your philosophy on the best way to get readers looking in the wrong direction
Misdirecting Readers with Red herrings - distracting readers
https://examples.yourdictionary.com/red-herring-examples.html
it has to be the the [[Hercule Poirot scene]] and all the Agatha Christie books where he says let me tell you what really happened and and she does it so well that you go like of course that's what happened it's the only way it could have happened why didn't I see it
-
I find it very very hard to watch the 00:33:35 news read other novels or read nonfiction to be stimulated with ideas I don't read any fiction when I'm writing
-
one of the problems of writing in 00:07:42 a really comfortable setting is it's hard to commit yourself to any work it's just too comfortable and and this will sound very very strange but it is very honest in some ways it was easier for me to write when I was a starving writer
Make less comfortable during writing
-
lot of people think that writing a novel is 90 percent inspiration and 10 percent perspiration it's actually the reverse 00:02:31 writing a novel is about a routine
Writing the novel is 90% persipiration (physical and mental routine)
-
-
-
No matter what system you use, I recommend having a goal and putting it inwriting. I read once that people who write down their New Year’s resolutions have agreater chance of achieving them than people who don’t. This is the sort of factoidthat is probably apocryphal but, like many urban legends, sounds as though it shouldbe true.
This quote from Twyla Tharp seems like another instantiation of Napoleon Hill's mantra "Think and Grow Rich", but is more concrete and literate: "Write and Grow Rich" (or successful, at least.)
-
I also like the simplicity of a box. There’s a purpose here, and it has a lot to dowith efficiency. A writer with a good storage and retrieval system can write faster.He isn’t spending a lot of time looking things up, scouring his papers, and patrollingother rooms at home wondering where he left that perfect quote. It’s in the box.
A card index can be a massive boon to a writer as a well-indexed one, in particular, will save massive amounts of time which might otherwise be spent searching for quotes or ideas that they know they know, but can't easily recreate.
-
-
danallosso.substack.com danallosso.substack.com
-
https://danallosso.substack.com/p/note-cards?s=r
Outline of one of Dan's experiments writing a handbook about reading, thinking, and writing. He's taking a zettelkasten-like approach, but doing it as a stand-alone project with little indexing and crosslinking of ideas or creating card addresses.
This sounds more akin to the processes of Vladimir Nabokov and Ryan Holiday/Robert Greene.
-
-
-
One conclusion follows from the opposition between the can-ons of good writing and those of good written speeches: unless youare threatened with jail and a heavy fine, do not allow a writtenlecture to be published without extensive rewriting on your part.
-
Or else, imagine the need to instruct someone in a piece of learningyou possess.
Barzun suggests using a rubber duck debugging approach to writing as motivation for getting started.
-
You have, of course, another guide to the right sequence: thenotes in front of you; but let them spur, not drag you onward.In short, write from memory-as far as possible-with only oc-casional pron1pting from the notes, and make everything correctand shipshape later.
Rather than using his notes as the actual writing, Barzun suggests writing "from memory" and only occasionally using prompting from one's notes.
This is wholly opposed to the idea of reusing the writing of one's notes in more advanced zettelkasten methods.
-
I strongly recommend writingahead full tilt, not stopping to correct. Cross out no more thanthe few words that will permit you to go on when you foreseea blind alley. Leave some words in blank, some sentences notcomplete: Keep going!
When you've got motivation, write away as fast as you can and don't stop.
-
As SherlockHolmes says to Watson on a famous occasion: "If page 534 findsus only in Chapter Two, the length of the first one must have beenreally intolerable."
Interesting to see Barzun quote Arthur Conan Doyle here. Not surprising given his penchant for mystery novels however.
-
the notes and the outline must be played with in combination,each by its nature presenting you with choices to follow or rejectuntil the whole is set.
-
Barzun, Jacques. Simple and Direct : A Rhetoric for Writers. Revised edition. University of Chicago Press, 1985.
-
-
writing.kemitchell.com writing.kemitchell.com
-
enablingly vague
Nice turn of phrase.
-
Many a
This was tired the second time it occurred in this piece. Three times is def. too much.
-
-
tomcritchlow.com tomcritchlow.com
-
Flow is the feed. It’s the posts and the tweets. It’s the stream of daily and sub-daily updates that reminds people you exist. Stock is the durable stuff. It’s the content you produce that’s as interesting in two months (or two years) as it is today. It’s what people discover via search. It’s what spreads slowly but surely, building fans over time.
Thinking a lot about permanency on the web - there is so much amazing work that exists on the web, and so much of it is already lost because it was written and saved on websites that have come and gone. IndieWeb.org attempts to address this with its principles: https://indieweb.org/principles
-
- May 2022
-
via3.hypothes.is via3.hypothes.is
-
commenting in an interview: “By the way, many people havecome here to see that.”13 The writing tool became an object of desire, especially foryoung academics seeking to add a carefully planned card index to their carefully plannedcareers: “After all, Fred wants to be a professor.” 1
Luhmann indicates that aspiring academics came to visit to see his card collection in potentially planning their own.
- Ralf Klassen, “Bezaubernde Jeannie oder Liebe ist nur ein Zeitvertreib,” in Wir Fernsehkinder. Eine Generation ohne Programm, ed. Walter Wüllenweber (Berlin: Rowohlt Berlin Verlag, 1994), 81 – 97, at 84.
-
-
www.goodreads.com www.goodreads.com
-
“A writer only begins a book. A reader finishes it.” ― Samuel Johnson, Works of Samuel Johnson
An active reader finishes an author's book by writing in its margins.
-
-
www.reddit.com www.reddit.com
-
For Eco on using something like a ZK, see his short book How to Write an Essay. Basically, he writes about making something that we could say is like a ZK, but one card system for each writing assignment.
Umberto Eco's book How to Write a Thesis (MIT Press, 2015, #) can broadly be thought of as a zettelkasten system, but it advises a separate system for each project or writing assignment. This is generally good advice, and potentially excellent for students on a one-time basis, but it prevents one from benefitting from the work over multiple projects or even a lifetime.
In some sense, a more traditional approach, and one seen used in Niklas Luhmann's example is to keep different sections separated by broad topics.
Niklas Luhmann's zettelkasten #1 had 108 broad topics (along with a bibliography and a subject index), and zettelkasten #2 had 11 broad topics. (Cross reference: https://niklas-luhmann-archiv.de/bestand/zettelkasten/inhaltsuebersicht)
The zettelkasten structure allowed a familiar "folder" like top level structure, but the bibliographic and subject indices allowed them to interlink ideas from one space to the next for longer term work on multiple projects simultaneously.
-
-
www.otherlife.co www.otherlife.co
-
Apps and courses that help you make these pretty pictures are not helping you to advance your knowledge or to write increasingly insightful works.
Based on my preliminary reading of Tiago Forte's forthcoming book, this seems broadly true.
-
-
www.bbc.com www.bbc.com
-
central Pangaea remains to be explored by palaeontologists.
fossils
Tags
Annotators
URL
-
-
wordpress.com wordpress.com
-
"I'd want to learn a lot from Professor Zimmerman so that I may obtain as much information as possible and use it in reality. It's not about the work."
Tags
- (Shorter Piece) First two-sentences
- The backdrop of this annotation is that it was a late-semester free writing for an essay brainstorm. In this piece of writing, I mentioned how I didn't know what to expect going into the project and wanted to learn as much as possible for my own betterment.
Annotators
URL
-
-
www.heinrichhartmann.com www.heinrichhartmann.com
-
If you want your voice to be heard (and also improve the usability of your text) you have to design your document for “skim-ability”. You do this by providing anchor points that allow the user to gauge the content without actually reading it. You want the outline and key arguments to keep standing out in the final version of the document.
This is why I like using bullet points
-
When writing an article, I generally visualize a concrete person as representative of the audience, that I am directing this text towards.
I also tend to write to my old self
-
Writing is generally a great way to learn, but one has to realize that you are doing it. Learning is a slow process and requires patience. It is not helped much by agonizing in front of a screen, trying to squeeze out another sentence. Doing more research on the topic by reading a book, blog or paper and taking notes may be a better time investment.
Writing is a great learning method
-
The realization that you don’t have the complete message in your head, will often only become apparent while writing. This surfaces as inability to find a good punch-line or to express yourself clearly. In fact, writing is a great test to see if you have a good understanding of a topic, and have a firm grasp on the vocabulary of the domain.
-
-
fieldnotesbrand.com fieldnotesbrand.com
-
The minute we saw his frantic, hand-lettered presentation of the Field Notes credo — “I’m not writing it down to remember it later, I’m writing it down to remember it now” — we knew just what to do.
https://fieldnotesbrand.com/apparel/remember-it-now-tee
Field Notes, a manufacturer of notebooks, uses the credo "I'm not writing it down to remember it later, I'm writing it down to remember it now." This is an fun restatement of the idea behind the power of the Feynman technique.
Link to Ahrens' version of this idea.
-
-
cbea.ms cbea.ms
-
Look at Spring Boot, or any repository managed by Tim Pope.
2 great examples of clean commits: * https://github.com/spring-projects/spring-boot/commits/master * https://github.com/tpope/vim-pathogen/commits/master
-
- Apr 2022
-
-
Theories of note-taking can tell us about how memory and writingwere understood, and practices of note-taking, about the tools that proved mostuseful in managing textual information in early modern Europe.
Historical note taking practices can tell us many things aside from just the ways in which textual information was managed. They can also tell us about how people lived, how they thought, how they used memory and writing and how these things were understood culturally.
We do however need to be careful in how we interpret these documents historically. We need to attempt to view them exegetically and not eisegetically. We also need to be careful to look at them from a "large world" perspective and not presume that small things had large and heavy influence on things to come in the future.
-
During the same period zibaldone designated notebooks kept bywriters, artists, and merchants to record a wide variety of information: outgoingletters, copies of documents, indexes to books, lists of paintings, and excerptscopied from all kinds of texts, including poetry, prose, merchants’ manuals, legalsources, and tables of weights and measures.27
-
Some florilegia focused on poetic excerpts and were used to teach prosody, others specialized in prose. Both kinds were likely used in teaching at many levels—from the young boys (pueri) mentioned in the Opus prosodiacum of Micon Centulensis in the mid- ninth century to the twenty- year- old Heiric who wrote under dictation from Lupus of Ferrières, ca. 859–62, a Col-lectanea comprising excerpts from Valerius Maximus and Suetonius, followed by philosophical and theological sententiae.104
Some florilegia were used as handbooks to teach composition. Those with poetic excerpts were used to teach prosody while others specialized in prose.
Examples of these sorts of florilegia include Micon Centulensis' Opus prosodiacum from the mid-ninth century and a Collectanea by Heiric who wrote under dictation from Lupus of Ferrières, ca. 859–62.
-
-
cagrimmett.com cagrimmett.com
-
Why public? There is something about making your posts available to the rest of the world that holds your feet to the fire and makes you commit. I’ve tried dozens of times to keep a private ongoing digital notebook in Evernote, Devonthink, Roam, and Obsidian, but they never stick. But making my notes available to the world in my digital garden keeps me coming back and updating it daily.
-Chuck Grimmett
-
-
www.reddit.com www.reddit.com
-
The Zettelkasten System is a Superset of the Feynman Technique
Sönke Ahrens outlines this broad idea of how one practices the Feynman technique for understanding using one's notes in How to Take Smart Notes, but he doesn't use the name Feynman technique. Certainly the idea of writing things down to test one's understanding predated Feynman, does anyone know of historical examples of this pattern/technique prior to Feynman? Does it have other names in the literature?
-
-
-
INTERVIEWER: Could you say something of your work habits?Do you write to a preplanned chart? Do you jump from onesection to another, or do you move from the beginning throughto the end?NABOKOV: The pattern of the thing precedes the thing. I fill inthe gaps of the crossword at any spot I happen to choose. Thesebits I write on index cards until the novel is done. My schedule
is flexible, but I am rather particular about my instruments: lined Bristol cards and well sharpened, not too hard, pencils capped with erasers.
Nabokov on his system of writing.
-
The Nabokov interview originally appeared in
Gold, Herbert. “Vladimir Nabokov, The Art of Fiction No. 40.” The Paris Review, 1967. https://www.theparisreview.org/interviews/4310/the-art-of-fiction-no-40-vladimir-nabokov.
-
A first-rate college library with a comfortable cam-pus around it is a fine milieu for a writer.
-
NABOKOV: By “editor” I suppose you mean_proofreader.Among these I have known limpid creatures of limitless tact andtenderness who would discuss with me a semicolon as if it werea point of honor—which, indeed, a point of art often is. But Ihave also come across a few pompous avuncular brutes who wouldattempt to “make suggestions” which I countered with a thunder-ous “‘stet!”’
-
Derivative writers seem versa-tile because they imitate many others, past and present. Artisticoriginality has only its own self to copy.
-
My characters are galley slaves.
-
Nabokov arises early in the morning and works. He does hiswriting on filing cards, which are gradually copied, expanded, andrearranged until they become his novels.
-
Mr. Nabokov’s writing method is to compose his stories and novels on index cards,shuffling them as the work progresses since he does not write in consecutive order.Every card is rewritten many times. When the work is completed,the cards in final order, Nabokov dictates from them to his wifewho types it up in triplicate.
Vladimir Nabokov's general writing method consisted of composing his material on index cards so that he could shuffle them as he worked as he didn't write in consecutive order. He rewrote and edited cards many times and when the work was completed with the cards in their final order, Nabokov dictated them to his wife Vera who would type them up in triplicate.
-
-
boffosockobooks.com boffosockobooks.com
-
-
www.themarginalian.org www.themarginalian.org
-
https://www.themarginalian.org/2011/06/20/inside-notebooks/
There are a number of books which feature the sketchbooks and notebooks of famous writers, researchers and artists. However, most of their work is presented as art in and of itself. Rarely are the messiest and ugliest pages pictured. Most of the layouts in these books are laid out as art. Frequently missing are the structural parts and interviews with the original authors talking about their process. How do they actually use these notebooks in practice? How do ideas move from their heads into the notebooks and from there into their practical work? The notebooks only capture raw ideas as a scaffolding for extending the user's brain and thinking, but it doesn't capture the intangible ideas and portions of process which are still trapped within their brains. To be able to evaluate these portions, the author needs to talk or write about those missing portions of the process otherwise the way they create genius is wholly missing. A viewer of such notebooks would be no closer to creating genius for themselves by attempting to follow the same patterns without these additional structures. It's like the indigenous peoples who talk with rocks as part of their cultural practice—so much of what is happening is missing from the description of "talking with rocks" that most people wouldn't even know where to begin, but for the initiated, the process would be imminently crystal clear.
Which of these books actually delves into the process and does interviews as well?
This article actually lays out the notebooks as their own form of art rather than centering the idea of creative process as a means of helping others to follow these same patterns. We need the book that does for the art and design area what Sönke Ahrens' book How to Take Smart Notes does for the note taking space. It's interesting to see Niklas Luhmann's collection of 90,000 index cards, but without knowing how he used them and what purpose they served, the enterprise is lost. Similarly the depiction of Roland Barthes' index cards in Roland Barthes has a similar function. Showing them is not equivalent to actually understanding them.
-
-
warrenellis.ltd warrenellis.ltd
-
https://warrenellis.ltd/jot/morning-routine-and-work-day-spring-2022/
-
-
www.masoncurrey.com www.masoncurrey.com
-
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Winnie Lim</span> in peeking into people’s routines (<time class='dt-published'>04/24/2022 02:40:01</time>)</cite></small>
Tags
Annotators
URL
-
-
www.themarginalian.org www.themarginalian.org
-
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Winnie Lim</span> in peeking into people’s routines (<time class='dt-published'>04/24/2022 02:40:01</time>)</cite></small>
-
-
www.lesswrong.com www.lesswrong.com
-
There’s this trap people fall into when writing, especially for a place like LessWrong where the bar for epistemic rigor is pretty high. They have a good idea, or an interesting belief, or a cool model. They write it out, but they’re not really sure if it’s true. So they go looking for evidence (not necessarily confirmation bias, just checking the evidence in either direction) and soon end up down a research rabbit hole.
-
-
www.newyorker.com www.newyorker.com
-
https://www.newyorker.com/books/page-turner/barthess-hand
Interesting use of a card index as a diary.
Cross reference: Review of Mourning Diaries: Wallowing in Grief Over Maman by Dwight Garner, New York Times, Oct. 14, 2010 https://www.nytimes.com/2010/10/15/books/15book.html
-
I was fortunate enough to see—and now share with you—a handful of these diaries from 1977 in their original, hand-written form. (A collection of more than three hundred entries, entitled “Mourning Diary,” will be published by Hill and Wang next month.)
Hill and Wang published Mourning Diary by Roland Barthes on October 12, 2010. It is a collection of 330 entries which he wrote following the death of his mother Henriette in 1977.
Kristina Budelis indicates that she saw them in person and reproduced four of them as index card-like notes in The New Yorker (September 2010).
-
-
Local file Local file
-
But there were for Leiris earlierassociations of Mallarmé’s work with more literal containers. In his preface to his1925 first edition of Igitur, a text to which Leiris refers on a variety of occasions,Dr. Bonniot, the son-in-law of the poet, had written: “Mallarmé, as we know, usedto jot down his first ideas, the first outlines of his work on eighths of half-sheets ofschool notebook size—notes he would keep in big wooden boxes of China tea.” 15
Bonniot quoted in Michel Leiris, La Règle du jeu (Paris: Gallimard, 2003), p. 1658.
Stéphane Mallarmé's son in law Dr. Bonniot indicates that "Mallarmé, as we know, used to jot down his first ideas, the first outlines of his work on eighths of half-sheets of school notebook size—notes he would keep in big wooden boxes of China tea.”
Given that Mallarmé lived from 1842 to 1898, his life predated the general rise and mass manufacture of the index card, but like many of his generation and several before, he relied on self-made note tools like standard sized sheets of paper cut in eighths which he kept in somewhat standard sized boxes.
-
There are 399 cardsfiled in Leiris’s box for La Règle du jeu1
I published them as an appendix in the Pléiade edition of La Règle du jeu (Paris: Gallimard, 2003), pp. 1155–1265
Michael Leiris wrote La Règle du jeu on 399 cards which he kept in a box.
-
-
docdrop.org docdrop.org
-
the index card. This is despite the fact that itfunctions as such in a variety of different ways in relation to textualorganisation, composition and authorship. In the space that remains,I wish to tease out this idea of the index card as a creative agent inknowledge production by returning to reconsider the issue of theindex card as an archival or ‘mnemotechnical’ device.
The simple card index can serve a number of functions including as an archive, a mnemonic device, a teacher, an organizational tool, a composition device, a creativity engine, and an authorship tool.
-
The Card Index as Creativity Machine
Rowan Wilken admits that Cornelia Vismann's use of files for transmission, storage, cancellation, manipulation, and destruction are remarkable, but that the key feature of the card index as a file type is its use for creative production.
-
it ispossible to view Barthes’ concept of the lexia as an almost literaltranslation of his own use of index cards for recording various ‘unitsof reading’ and other ideas and associations.
-
All of the major books that were to follow – Sade /Fourier / Loyola (1997), The Pleasure of the Text (1975), RolandBarthes by Roland Barthes (1977), A Lover’s Discourse (1990), andCamera Lucida (1993) – are texts that are ‘plural’ and ‘broken’, andwhich are ‘constructed from non-totalizable fragments and fromexuberantly proliferating “details”’ (Bensmaïa, 1987: xxvii-xxxviii).In all of the above cases the fragment becomes the key unit ofcomposition, with each text structured around the arrangement ofmultiple (but non-totalisable) textual fragments.
Does the fact that Barthes uses a card index in his composition and organization influence the overall theme of his final works which could be described as "non-totalizable fragments"?
-
According to Krapp, admissions like this, along with Barthes’inclusion of facsimiles of his cards in Roland Barthes by RolandBarthes, are all part of Barthes ‘outing’ his card catalogue as ‘co-author of his texts’ (Krapp, 2006: 363). The precise wording of thisformulation – designating the card index as ‘co-author’ – and theagency it ascribes to these index cards are significant in that theysuggest a usage that extends beyond mere memory aid to formsomething that is instrumental to the very organisation of Barthes’ideas and the published representations of these ideas.
-
As Calvet explains, this consisted of Barthes ‘writing out his cardsevery day, making notes on every possible subject, then classifyingand combining them in different ways until he found a structure or aset of themes’ (1994: 113) which he could proceed to work with.
-
What is evident from this discussion of Michelet and the earlierinterview excerpt is the way that Barthes used index cards both as anorganisational and as a problem-solving tool
Barthes used his card index as an organizational tool as well as a problem-solving tool.
-
As Calvetexplains, in thinking through the organisation of Michelet, Barthes‘tried out different combinations of cards, as in playing a game ofpatience, in order to work out a way of organising them and to findcorrespondences between them’ (113).
Louis-Jean Calvet explains that in writing Michelet, Barthes used his notes on index cards to try out various combinations of cards to both organize them as well as "to find correspondences between them."
-
Louis-Jean Calvet details the pivotal role played by indexcards in the organisation of Barthes’ Michelet.
-
published under the title‘An Almost Obsessive Relation to Writing Instruments’, which firstappeared in Le Monde in 1973, Barthes describes the method thatguides his use of index cards:I’m content to read the text in question, in a ratherfetishistic way: writing down certain passages,moments, even words which have the power tomove me. As I go along, I use my cards to writedown quotations, or ideas which come to me, asthey do so, curiously, already in the rhythm of asentence, so that from that moment on, things arealready taking on an existence as writing. (1991:181)
In an interview with Le Monde in 1973, Barthes indicated that while his note taking practice was somewhat akin to that of a commonplace book where one might collect interesting passages, or quotations, he was also specifically writing down ideas which came to him, but doing so in "in the rhythm of a sentence, so that from that moment on, things are already taking on an existence as writing." This indicates that he's already preparing for future publications in which he might use those very ideas and putting them into a more finished form than most might think of when considering shorter fleeting notes used simply as a reminder. By having the work already done, he can easily put his own ideas directly into longer works.
Was there any evidence that his notes were crosslinked or indexed in a way so that he could more rapidly rearrange his ideas and pre-written thoughts to more easily copy them into longer articles or books?
Tags
- Louis-Jean Calvet
- Roland Barthes
- card index
- 1973
- card index for writing
- Cornelia Vismann
- Rowan Wilken
- card index as co-author
- combinatorial creativity
- note taking
- aide-mémoire
- Le Monde
- creative work
- creative writing
- fragments
- mnemonic devices
- writing process
- lexias
- zettelkasten
- open questions
- form versus function
- quotes
- commonplace books
- Peter Krapp
Annotators
URL
-
-
www.jeyamohan.in www.jeyamohan.in
-
மனதிலிருந்த கதையில் இருந்த மாயக்கொப்பளிப்பு புறயதார்த்தத்துடன் ஒன்றவில்லை. ஒரு செவ்வியல் காவிய வடிவை உருவகித்தபின், செவ்வியல் அளிக்கும் வடிவச் சுதந்திரத்தைப் பயன்படுத்திக்கொண்டு உள்ளே யதார்த்தவாதம் உட்பட எல்லாவகையான எழுத்துமுறைகளையும் கையாளும் வெண்முரசின் எழுத்துமுறையே இதற்கு உகந்தது. ஆனால் அதைக் கண்டுபிடிக்க பன்னிரண்டு ஆண்டுகள் மேலும் தேவைப்பட்டிருக்கின்றன. இது ஒரு மானசீகமான பாவனைதான். ஆனால் இதுதான் இலக்கியத்திற்கு அடிப்படையானது. ஆசிரியன் தன்னை எப்படி நினைத்துக்கொள்கிறான் என்பது. நான் என்னை ஒரு ‘காலம்கடந்த’ கதைசொல்லியாக உருவகிக்கவேண்டியிருந்தது. மாநாகத்தில் இருந்தது ஒரு அரசியல். வெண்முரசில் எல்லா அரசியல்களும் உள்ளன.
Venmurasu philosophical writing style
-
சுவாரசியமான விஷயம் ஒன்றுண்டு, நான் நாவல்களின் முதல் வடிவை ஒருபக்கத் தாள்களில்தான் எழுதுவது. இந்நாவல் விஷ்ணுபுரம் நாவலை தட்டச்சுப் பிரதிசெய்த தாளின் மறுபக்கத்தில் எழுதப்பட்டுள்ளது. அதுவே ஏதோ குறியீடுபோல தோன்றுகிறது.
-
இந்த மூன்றாம் நாவல்வடிவில் இருந்து ஒருபகுதியைத்தான் இறுதிவிஷம் என்றபெயரில் ஓம்சக்தி இதழுக்கு நீள்கதையாக பின்னர் எழுதினேன். அதுதான் முதற்கனல் நாவலின் தொடக்கமாக பின்னர் மாறியது. வெண்முரசு தொடங்குவதற்கு முன்னரே நான் திசைகளின் நடுவே, பத்மவியூகம், நதிக்கரையில், விரித்த கரங்களில், இறுதிவிஷம் ஆகிய மகாபாரத நாவல்களும் பதுமை, வடக்குமுகம் ஆகிய மகாபாரத நாடகங்களும் எழுதிவிட்டேன். அவையனைத்தையுமே உள்ளடக்கித்தான் வெண்முரசு அமைந்திருக்கிறது.
Venmurasu Prelude
-
-
-
Iris Murdoch argued that we can only perceive things based on the way that we conceptualize them. And then our perceptions necessarily guide our actions. If we have bad concepts, then we will see things badly, and then we will act badly. So being a good person, she thought, or being a better person in your world, is about shifting those concepts and shifting your perception. When your perception shifts, it shifts your actions.
Iris Murdoch about our morale ethics ideology perspective in writing
- [?] In the name of unfiltered transparent expression of thoughts in my writing, am i exposing immature ideology of my life outlook in writing
unselfing|unlearning
- [∆] i do get an idea of unselfing my mood
-
-
takingnotenow.blogspot.com takingnotenow.blogspot.com
-
On Zettel 9/8a2 he called the Zettelkasten "eine Klärgrube" or a "septic tank;" (perhaps even "cesspool"). Waste goes in, and gets separated from the clearer stuff.
Niklas Luhmann analogized his zettelkasten to a septic tank. You put in a lot of material, a lot of seemingly waste, and it allows a process of settling and filtering to allow the waste to be separated and distill into something useful.
-
-
-
https://herbertlui.net/8-lessons-from-800-note-cards-in-the-zettelkasten
A writer with over 800 note cards positively describes some of his experience in using the zettelkasten note taking system.
-
-
sambleckley.com sambleckley.com
-
We’re going to build the query from the inside out; concentrate on what each step means and how we combine them, not what it will return if run in isolation.
-
-
www.imaginarycloud.com www.imaginarycloud.com
-
www.zylstra.org www.zylstra.org
-
2. What influence does annotating with an audience have on how you annotate? My annotations and notes generally are fragile things, tentative formulations, or shortened formulations that have meaning because of what they point to (in my network of notes and thoughts), not so much because of their wording. Likewise my notes and notions read differently than my blog posts. Because my blog posts have an audience, my notes/notions are half of the internal dialogue with myself. Were I to annotate in the knowledge that it would be public, I would write very differently, it would be more a performance, less probing forwards in my thoughts. I remember that publicly shared bookmarks with notes in Delicious already had that effect for me. Do you annotate differently in public view, self censoring or self editing?
To a great extent, Hypothes.is has such a small footprint of users (in comparison to massive platforms like Twitter, Facebook, etc.) that it's never been a performative platform for me. As a design choice they have specifically kept their social media functionalities very sparse, so one also doesn't generally encounter the toxic elements that are rampant in other locations. This helps immensely. I might likely change my tune if it were ever to hit larger scales or experienced the Eternal September effect.
Beyond this, I mostly endeavor to write things for later re-use. As a result I'm trying to write as clearly as possible in full sentences and explain things as best I can so that my future self doesn't need to do heavy work or lifting to recreate the context or do heavy editing. Writing notes in public and knowing that others might read these ideas does hold my feet to the fire in this respect. Half-formed thoughts are often shaky and unclear both to me and to others and really do no one any good. In personal experience they also tend not to be revisited and revised or revised as well as I would have done the first time around (in public or otherwise).
Occasionally I'll be in a rush reading something and not have time for more detailed notes in which case I'll do my best to get the broad gist knowing that later in the day or at least within the week, I'll revisit the notes in my own spaces and heavily elaborate on them. I've been endeavoring to stay away from this bad habit though as it's just kicking the can down the road and not getting the work done that I ultimately want to have. Usually when I'm being fast/lazy, my notes will revert to highlighting and tagging sections of material that are straightforward facts that I'll only be reframing into my own words at a later date for reuse. If it's an original though or comment or link to something important, I'll go all in and put in the actual work right now. Doing it later has generally been a recipe for disaster in my experience.
There have been a few instances where a half-formed thought does get seen and called out. Or it's a thought which I have significantly more personal context for and that is only reflected in the body of my other notes, but isn't apparent in the public version. Usually these provide some additional insight which I hadn't had that makes the overall enterprise more interesting. Here's a recent example, albeit on a private document, but which I think still has enough context to be reasonably clear: https://hypothes.is/a/vmmw4KPmEeyvf7NWphRiMw
There may also be infrequent articles online which are heavily annotated and which I'm excerpting ideas to be reused later. In these cases I may highlight and rewrite them in my own words for later use in a piece, but I'll make them private or put them in a private group as they don't add any value to the original article or potential conversation though they do add significant value to my collection as "literature notes" for immediate reuse somewhere in the future. On broadly unannotated documents, I'll leave these literature notes public as a means of modeling the practice for others, though without the suggestion of how they would be (re-)used for.
All this being said, I will very rarely annotate things privately or in a private group if they're of a very sensitive cultural nature or personal in manner. My current set up with Hypothesidian still allows me to import these notes into Obsidian with my API key. In practice these tend to be incredibly rare for me and may only occur a handful of times in a year.
Generally my intention is that ultimately all of my notes get published in something in a final form somewhere, so I'm really only frontloading the work into the notes now to make the writing/editing process easier later.
-
-
www.theparisreview.org www.theparisreview.org
-
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Colin Marshall</span> in The Notecards on Which Vladimir Nabokov Wrote Lolita: A Look Inside the Author's Creative Process | Open Culture (<time class='dt-published'>04/10/2022 12:18:34</time>)</cite></small>
-
-
www.openculture.com www.openculture.com
-
Reviewing The Original of Laura, Alexander Theroux describes the cards as a “portable strategy that allowed [Nabokov] to compose in the car while his wife drove the devoted lepidopterist on butterfly expeditions.”
While note cards have a certain portability about them for writing almost anywhere, aren't notebooks just as easily portable? In fact, with a notebook, one doesn't need to worry about spilling and unordering the entire enterprise.
There are, however, other benefits. By using small atomic pieces on note cards, one can be far more focused on the idea and words immediately at hand. It's also far easier in a creative and editorial process to move pieces around experimentally.
Similarly, when facing Hemmingway's White Bull, the size and space of an index card is fall smaller. This may have the effect that Twitter's short status updates have for writers who aren't faced with the seemingly insurmountable burden of writing a long blog post or essay in other software. They can write 280 characters and stop. Of if they feel motivated, they can continue on by adding to the prior parts of a growing thread. Sadly, Twitter doesn't allow either editing or rearrangements, so the endeavor and analogy are lost beyond here.
-
Having died in 1977, Nabokov never completed the book, and so all Penguin had to publish decades later came to, as the subtitle indicates, A Novel in Fragments. These “fragments” he wrote on 138 cards, and the book as published includes full-color reproductions that you can actually tear out and organize — and re-organize — for yourself, “complete with smudges, cross-outs, words scrawled out in Russian and French (he was trilingual) and annotated notes to himself about titles of chapters and key points he wants to make about his characters.”
Vladimir Nabokov died in 1977 leaving an unfinished manuscript in note card form for the novel The Original of Laura. Penguin later published the incomplete novel with in 2012 with the subtitle A Novel in Fragments. Unlike most manuscripts written or typewritten on larger paper, this one came in the form of 138 index cards. Penguin's published version recreated these cards in full-color reproductions including the smudges, scribbles, scrawlings, strikeouts, and annotations in English, French, and Russian. Perforated, one could tear the cards out of the book and reorganize in any way they saw fit or even potentially add their own cards to finish the novel that Nabokov couldn't.
Link to the idea behind Cain’s Jawbone by Edward Powys Mathers which had a different conceit, but a similar publishing form.
Tags
- focus
- experimental fiction
- card index
- lepidopterists
- card index for writing
- creativity
- publishing
- The Original of Laura
- combinatorial creativity
- tools for creativity
- writing
- Vladimir Nabokov
- butterflies
- Penguin
- Edward Powys Mathers
- atomic notes
- Hemingway's White Bull
- Cain's Jawbone
- portability
Annotators
URL
-
-
en.wikipedia.org en.wikipedia.org
-
https://en.wikipedia.org/wiki/Georges_Perec
Georges Perec (born George Peretz) (French: [peʁɛk, pɛʁɛk];[1] 7 March 1936 – 3 March 1982) was a French novelist, filmmaker, documentalist, and essayist. He was a member of the Oulipo group. His father died as a soldier early in the Second World War and his mother was murdered in the Holocaust, and many of his works deal with absence, loss, and identity, often through word play.
-
-
members.aect.org members.aect.org
-
Getting Started in Instructional Technology ResearchFourth Edition by Steven M. Ross and Gary R. Morrison
-
-
reallifemag.com reallifemag.com
-
I had to admit that once again my attempts to disrupt thinking with a technology of note-taking had only resulted in an enormous, useless accumulation of busywork.
I am starting to think the Zettelkasten is impossible for most people. Luhmann worked on his manically, as do I. That isn't sustainable or the goal for most, increased magical efficiency is, and is does not seem that technology has been able to make it more accessible.
Still though, I cannot believe that their note taking practice produced no value. Even if it failed to write the dissertation, where would they have been without it? I guess that they wish they had spent their time on something different, but what would that have been and would if have inspired them like their professor's note archive?
Tags
Annotators
URL
-
-
strengejacke.wordpress.com strengejacke.wordpress.com
-
Links or references do not emphasize the relationship between notes (ideas, content). The context of connections usually remains unclear due to arbitrary relationships. Folgezettel, however, create specific relationships – adding manual links (references) to these relationships create relationship of relationships, the core aspect of Luhmann’s working principle
I think the distinction between Folgezettel and direct links isn't useful. The real distinction is between connections that are defined relationships, and connections that are undefined.
-
-
www.iantay.dev www.iantay.dev
-
to develop concepts for thinking about how programmable attention systems can extend beyond productivity (which is where these systems are most prolific, as can be seen from above examples)
Netflix-like autoplay but for binge reading...
Although it is productive: Incremental Writing
-
- Mar 2022
-
zettelkasten.de zettelkasten.de
-
In short, to collect connections without an explicit intention, captured meaning, or statement of relevance is not knowledge production, and as a habit, it is even counter-productive: You make shallowness of work a habit and lower your skill as a creative knowledge worker in consequence.
I both agree and disagree. Filling your notes up with only surface level or tangentially related notes will make using your web harder, but actively recalling notes that are even a little related is part of the reason we use this method. Sometimes I will just link five or ten notes without thinking about it, and then I will go and revise those connections down to the most relevant ones.
-
-
idratherbewriting.com idratherbewriting.com
-
You should link abundantly to other content. Wikipedia articles provide some of the best examples of “every page is page one” style.
-
-
-
sometimes it's 00:55:43 not the actual information bit but in a combined order that this is what it's all about and that often makes a difference between yeah you understand it and 00:56:00 you really understand it and um so maybe that's a good reminder that when we write it's it's not so much about new information and yeah don't have to 00:56:15 be too worried about not having the new information but about making this difference to really understanding it as something that 00:56:28 a significant or makes a difference
For overall understanding and creating new writing output from it, the immediate focus shouldn't be about revealing new information or simple facts so much as it's about being able to place that new information into your own context. Once this has been done then the focus can shift to later being able to potentially use that new knowledge and understanding in other novel and enlightening contexts to create new insights.
-
-
every.to every.to
-
You also need to design a compensation structure that pays writers what they’re worth.
A writer's collective trying to gather writers using the bait that they've managed to crack the problem of "paying writers what they're worth" seems to be a lot of hype.
This seems to put the already extant fear into a writer's mind that they're not being paid enough. Doesn't the broader economics of a capitalistic system already solve this issue? Where are the inequalities? What about paying the website designers and developers? What about the advertising and other marketing people?
Tags
Annotators
URL
-
-
www.gutenberg.org www.gutenberg.org
-
For all have perished, all!
Truth bending
-
Yea verily—in mighty wreck hath sunk the Persian world!
Truth bending
-
Woe falls on Persia’s race, yea, woe again, again!
Truth bending
-
Alas, the woe and cost!
Truth bending
-
Cry out, and learn the tale of woe! Where are thy comrades? where the band Who stood beside thee, hand in hand, A little while ago? Where now hath Pharandákes gone, Where Psammis, and where Pelagon? Where now is brave Agdabatas, And Susas too, and Datamas? Hath Susiscanes past away, The chieftain of Ecbatana?
Using personal narratives to strengthen story, some truth bending
-
With plashing tears our sorrow’s tale, Lamenting for the loved and lost!
truth bending, expanding on fate
-
O king and lord! thine Asian land Down, down upon its knee is bent!
Truth bending
-
For Persia’s honour, pass’d away, For glory and heroic sway Mown down by Fortune’s hand to-day! Hark, how the kingdom makes its moan,
Bending the truth, fate as a tool
-
On Persia’s land what power of Fate Descends, what louring gloom of hate?
Political consequences, using fate as a tool instead an end in itself.
-
But now there are none to gainsay that the gods are against us; we lie Subdued in the havoc of wreck, and whelmed by the wrath of the sky!
Punished by gods because of political reasons
-
The land is wasted of its men, And down to death are rolled Wreckage of sail and oar, Ships that are ships no more, And bodies of the slain!
Visual depiction of Persian defeat, like a war movie.
-
Of Persia’s fallen power, that none can lift nor save!
Bending the truth to make point.
-
My son went forth to wreak his great revenge On famous Athens! all too few they seemed, Our men who died upon the Fennel-field!
Changing history to fit point
-
Woe on us, woe! disaster’s mighty sea Hath burst on us and all the Persian realm!
False description of total devastation of Persia
-
Thou, Athens, art our murderess
Depicts Athens as 'murdering' the Persian empire.
-
Yet must I all the tale of death unroll! Hark to me, Persians! Persia’s host lies low.
Although the Persian empire actually flourished in other ways after the attempted invasion of Athens, Aeschylus bends the truth in order to strengthen his point and make the play more 'marketable', like a modern day war movie. EoG, on the other hand, is based more in general historical beliefs at the time that were commonly accepted (eg: the flood).
-
Marshals who serve the great king’s word Chieftains of all the mighty horde! Horsemen and bowmen streamed away, Grim in their aspect, fixed to slay, And resolute to face the fray! With troops of horse, careering fast, Masistes, Artembáres passed: Imaeus too, the bowman brave, Sosthánes, Pharandákes, drave— And others the all-nursing wave Of Nilus to the battle gave; Came Susiskánes, warrior wild, And Pegastágon, Egypt’s child: Thee, brave Arsámes! from afar
More realist description than EoG; great army, uses individual names of soldiers and paints mortals against mortals, such as a large army returning in defeat, compared to EoG (deity consequences for godlike actions)
-
-
impedagogy.com impedagogy.com
-
writing non-fiction
I feel like the process is similar. It's about making connections, right? So, a long walk is instructive. Letting one's mind wander and paying attention to whatever floats in. Then sifting through it all to try and make sense. I feel like the older we get, the more connections we make, as well, because we've read more widely and have experienced more things. This little stream of consciousness vomit reminded me of an exercise of several years ago, a "twisted pair." Taking seemingly unrelated things and finding connections. I think at the end of the day, pretty much everything is connected in some way. In non-fiction, maybe the trick is to identify the strands that you want to focus on in making the connections.
-
-
lithub.com lithub.com
-
To fully understand quipu, we must shed our preconceived notions of what defines writing.
We need to get rid of conceived notions of what constitutes writing to be able to better understand quipu.
-
-
www.edwardtufte.com www.edwardtufte.com
-
The report is 33 slides long; yet about 10 slide-equivalents are essentially content-free (compulsive repetitive branding, twiddly hierarchical organization, empty space, assorted title pages, and so on). This PP fluffed-up material here and quite a bit more could easily be placed in a technical report on 4 pages of an 11" by 17" piece of paper (folded in half)
-
One does not read a printout of someone's two-month old PowerPoint slides, one guesses, decodes, and attempts to glean meaning from the series of low-resolution titles, bullets, charts, and clipart. At least they do that for a while...until they give up. With a written document, however, there is no reason for shallowness or ambiguity (assuming one writes well).
-
-
mcdreeamiemusings.com mcdreeamiemusings.com
-
The Board views the endemic use of PowerPoint briefing slides instead of technical papers as an illustration of the problematic methods of technical communication at NASA.
-
-
lincs.ed.gov lincs.ed.gov
-
Make Use of Frames FacebookLinkedInTwitterPinterestEmailPrint Using frames or templates is a great way to scaffold instruction and build learners’ confidence in writing, particularly in writing tasks and genres with which they have little prior experience. A writing frame consists of a skeleton outline given to learners to scaffold their writing. By providing a few sentence starters and some rhetorical phrases common to the task or genre, frames give learners a structure that allows them to focus on expressing their thoughts
- enough guidance to get people going with writing about what they are learning, but not being super rigigd to be limited
-
-
blog.jupyter.org blog.jupyter.org
-
Announcing the new Jupyter Book
-
-
www.theverge.com www.theverge.com
-
- The Verge has a unique mission statement: see technology through the culture it creates, optimistically. How many high quality writing is a product of such deliberate mission statements (incentives setting)?
-
-
www.thehindu.com www.thehindu.com
-
Black holes are extraordinarily dense objects possessing gravitational pulls so powerful even light cannot escape them. Supermassive black holes, which reside at the centre of many galaxies, including our own, are the largest of them
... கோள்களின் நடுவே சூரியன் உள்ளது. அது வெளிச்சத்தின் மயத்தை குறிக்கிறது. அதுவே திரள் ஆனது black hole மயம்மாய் கொண்டு இயங்குகிறது. காரிருளே மையமாய் உள்ளது.
-
places at the centres of many large galaxies that have tremendous luminosity – sometimes outshining all of a galaxy's billions of stars combined – and produce the universe's most energetic outbursts seen since the Big Bang event 13.8 billion years ago. The energy arises from gas violently falling into a supermassive black hole that is surrounded by a cloud of tiny particles of rock and soot along with mostly hydrogen gas.
- சிவன் நெற்றிக்கண் திறக்கும் பொது வெளிப்படும் சக்தி.அந்த நெற்றிகண்ணின் கருவிழியானது [[supermassive black hole]] aagum
-
-
kiriska.com kiriska.com
-
And it’s easier to share a personal story when you’re composing it 280 characters at a time and publishing it as you go, without thinking about or knowing where the end may be. It’s at least easier than staring down a blank text editor with no limit and having to decide later how much of a 2,500 word rant is worth sharing, anyway.
Ideas fill their spaces.
When writing it can be daunting to see a long blank screen and feel like you've got to fill it up with ideas de novo.
From the other perspective if you're starting with a smaller space like a Twitter input box or index card you may find that you write too much and require the ability to edit things down to fit the sparse space.
I do quite like the small space provided by Hypothes.is which has the ability to expand and scroll as you write so that it has the Goldilocks feel of not too small, not too big, but "just right".
Micro.blog has a feature that starts with a box that can grow with the content. Once going past 280 characters it also adds an optional input box to give the post a title if one wants it to be an article rather than a simple note.
Link to idea of Occamy from the movie Fantastic Beasts and Where to Find Them that can grow or shrink to fit the available space: https://harrypotter.fandom.com/wiki/Occamy
-
-
Local file Local file
-
“Noteson paper, or on a computer screen [...] do not make contemporaryphysics or other kinds of intellectual endeavour easier, they make itpossible” is one of the key takeaways in a contemporary handbookof neuroscientists (Levy 2011, 290) Concluding the discussions inthis book, Levy writes: “In any case, no matter how internalprocesses are implemented, insofar as thinkers are genuinelyconcerned with what enables human beings to perform the
spectacular intellectual feats exhibited in science and other areas of systematic enquiry, as well as in the arts, they need to understand the extent to which the mind is reliant upon external scaffolding.” (Ibid.)
Does Neil Levy go into anything on orality with respect to this topic? Check: Levy, Neil. 2011. “Neuroethics and the Extended Mind.” In Judy Illes and B. J. Sahakian (Ed.), Oxford Handbook of Neuroethics, 285–94, Oxford University Press
Link this to P.M. Forni's question about how I think about mathematics and my answer relating to scaffolding or the construction of the Great Pyramid of Giza.
Link this to the 9/8 zettel quote from Luhmann about writing being thinking.
Compare the ideas of visual thinking (visualizations) and a visualization of one's thinking being instantiated in writing along with the Feynman quote about the writing being the thinking. What ways are they similar or different? Is there a gradation in which one subsumes the other?
What does Annie Murphy Paul have to say on this topic in The Extended Mind?
-
Make a Career One Note at a Time
Ahrens compares the writing output of Anthony Trollope to Niklas Luhmann and suggests that Luhmann wins hands down because the zettelkasten provides some additional leverage above and beyond the basic linear output of Trollope.
-
half ofall doctoral theses will stay unfinished forever (Lonka, 2003, 113).
Half of all doctoral theses are never finished.
-
-
www.jeyamohan.in www.jeyamohan.in
-
வரலாற்றுக்கு ஊடாக சாமானியர்களை ஊடாடவிட்டு விளையாட்டும் விமர்சனமுமாக கதைசொல்வது இரா.முருகனின் பாணி. அரசூர் வம்சம் போன்ற அவருடைய பெருநாவல்களில் உருவான அந்தப்பாணி முழுமையை அடைந்திருக்கும் நாவல் இது.
pepper மிளகு novel
- [[@ இ ரா முருகன் Murugan]]
-
- Feb 2022
-
www.ship30for30.com www.ship30for30.com
-
The Curiosity Gap
Best headlines tell the beginning (what, who...) and the end (outcome, promise...) of an idea or story, but leave out the middle part (why?) to pique the interest. For example: "9 reasons writers // suffer from writer's block & give up writing forever" (// represents the middle)
-
-
materchristi.libguides.com materchristi.libguides.com
-
When you read widely, your brain is exposed to different ways in which a sentence or paragraph is written. There are patterns in the use of nouns, pronouns, verbs and other parts of speech; there are patterns in syntax and in sentence variation; and there are patterns in sound devices, such as alliteration and assonance. You can annotate these with different symbols or colors, and develop understanding as patterns emerge, and style emerges from patterns. To read like a writer, you need to annotate like one, too.
I haven't seen very much in the area of annotating directly as a means of learning to write. This is related to the idea of note taking for creating content for a zettelkasten, but the focus of such a different collection is for creating a writing style.
Similar to boxing the boring words (see Draft #4; http://jsomers.net/blog/dictionary), one should edit with an eye toward the overall style of a particular piece.
Annotating structures and patterns in books is an interesting exercise to evaluate an author's style as a means of potentially subsuming, modifying, or learning other styles.
-
-
-
Argument that popular modern dictionaries are taking the wrong approach by defining words as plainly as possible. That makes it no fun to use them except for definitions.
For writing at least, using something like the original Websters dictionary is a great help to improve your style.
-
-
www.jeyamohan.in www.jeyamohan.in
-
கோர்மக் மெக்கார்த்தியின் The Road (2006) நாவலைஆரம்பமாகச் சொல்லலாம். நாவல் ஒரு பிரளய நிகழ்வுக்குப்பின் ஒரு தந்தையும், மகனும் சாம்பல் படிந்த பெரும் பரப்பை கடப்பதைசொல்லுகிறது. அணு ஆயுதங்களையும், உலகப்போர் அழிவுகளையும் எண்ணி அஞ்சிய தலைமுறைக்கும், உருகும் பனிப்பிரதேசத்தையும், பரவும் காட்டுத்தீக்களையும் எண்ணி அஞ்சும் அடுத்த தலைமுறைக்கும், நாவல் களம் பாலமாக அமைகிறது.
transition of generation fear from catastrophe on world war to catastrophe on natural disasters
-
நிகழ்காலத்தை அவதானிக்க கடந்த காலத்தின் கூறுகளை கையாள்கிறது. வருங்காலத்தை நோக்குவதில்லை. தொழில் மயமாகிக் கொண்டிருந்த, சமூக ஏற்றத் தாழ்வுகள் உருமாறிக் கொண்டிருந்த விக்டோரியன் காலகட்டத்தின் பெரும் படைப்புகள் அன்று சரித்திரமாகி விட்ட கால கட்டத்தை கதை களமாக கொண்டுள்ளன. (Middlemarch, A Tale of Two Cities) தற்கால நாவலாசிரியர்களும் உலகப் போர்களிலோ, அதற்கும் பிந்தைய காலத்திலோ தங்கள் கதை பொருட்களை தேடுகிறார்கள்.
Novel Literature disadvantage - no outlook on future
-
-
founder-fodder.ghost.io founder-fodder.ghost.io
-
More backlinks to you and your work: Being the teammate that contributes to the system of knowledge shared shows how much you care about the success of the organization. And, it does it in a way that helps you have more documented and attributable credibility for the value you create within your organization.
Why it is important to write clear documentation in an organization
-
Writing supplants meetings: When there is good documentation around a meeting (briefs, meeting notes, etc.), meetings can be leaner and more productive because people don’t have to be in the room to know what’s happening. So, only those who are actively contributing to the discussion need to attend.
-
Without meeting notes and documentation, companies become reliant on unreliable verbal accounts, 1:1 updates, and needing to be in the room to get things done.
-
Scales everyone’s knowledge: think about how many people you interact with on a given work day. I’m talking about the real human to human kind where you relay your ideas to others. It’s probably in the 5-20 range. If you put those same ideas into a doc or an email, your distribution goes to infinity. Anyone can read it.
Writing can greatly scale up
Tags
Annotators
URL
-
-
-
Steven Johnson indicates that the word processor is a terrible tool for writing because it doesn't have usable affordances for building up longer pieces from one's notes or basic ideas.
He discusses his specific workflow of note taking and keeping ideas in Scrivener where he arranges them into folders and outlines which then become the source of his writing.
Different from the typical zettelkasten workflow, he's keeping his notes hierarchically organized in folders based on topic keywords and only later when creating a specific writing project making explicit links and orders between his notes to create longer pieces. It's here that his work diverges most dramatically to the zettelkasten method described by Sönke Ahrens.
-
One subtle advantage of this approach is that it helps you avoid the “blank page problem,” one of the major drivers of writerly procrastination.
Steven Johnson's "blank page problem" isn't as prosaic as Ernest Hemingway's "white bull", but is an encapsulation of the same problem writers face.
-
You can just visually scan the existing cards in the left-hand panel, or do a quick search inside of Scrivener itself. The interface doesn’t just let you to see the forest and the trees of your project. It also lets you see the seedlings.
Note the use of the word "seedlings" here in a context reminiscent of the metaphor of the digital garden.
-
In the research phase, you’re just creating a disorganized pile of cards, with quotes, ideas, links, fragments, hunches. There’s no order, no sequence; just a non-linear collection of vaguely related ideas. But as the project takes shape, certain themes begin to emerge, and those become folders housing other cards. Eventually those themes start to map onto actual sections of the book, or individual chapters. At this point, sequence does begin to matter, but you can change the sequence just by dragging cards and folders around in the left hand outline view.
Example of writing advice that builds the links in after-the-fact instead of cross-linking ideas into initial networks as they're finding them. Compare/contrast this to the creation of these networks in the zettelkasten tradition as well as Sönke Ahrens description.
There's less upfront work in creating these links at the start than there is in reloading the context in one's brain to create these links after the fact. Collecting ideas without filing, linking, or organizing them upfront also means that one is more likely to only use these ideas in the context of specific projects which one already has in mind rather than keeping them for a lifetime's work which might also create generative projects one hadn't expected.
-
In fact, my allegiance to Scrivener basically boils down to just three tricks that the software performs, but those tricks are so good that I’m more than willing to put up with all the rest of the tool’s complexity.Those three tricks are:Every Scrivener document is made up of little cards of text — called “scrivenings” in the lingo — that are presented in an outline view on the left hand side of the window. Select a card, and you see the text associated with that card in the main view.If you select more than one card in the outline, the combined text of those cards is presented in a single scrolling view in the main window. You can easily merge a series of cards into one longer card.The cards can be nested; you can create a card called, say, “biographical info”, and then drag six cards that contain quotes about given character’s biography into that card, effectively creating a new folder. That folder can in turn be nested inside another folder, and so on. If you select an entire folder, you see the combined text of all the cards as a single scrolling document.
Steven Johnson identifies the three features of Scrivener which provide him with the most value.
Notice the close similarity of these features to those of a traditional zettelkasten: cards of text which can be linked together and rearranged into lines of thought.
One difference is the focus on the creation of folders which creates definite hierarchies rather than networks of thought.
-
-
getpocket.com getpocket.com
-
With schools open now, State governments must set clear priorities, says Anurag Behar, CEO, Azim Premji Foundation. The syllabus from Classes I to XII must be re-configured, reducing content without compromising on core learning objectives.
Meet atleast any one Core objectives for each student
... If I was asked in a teaching staff meeting, about my role as a teacher in a semester, I will say, fulfilling atleast any one core objective in the subject curriculum to each and every student is my highest priority *if this has been the priority for every teacher and the pressurising management during covid online classes, the [[covid batch wisdom catastrophe]] would not be this much impact - I can certainly write an feature article on this covid batch catastrophe topic - especially who passed 10th as covid batch, during start of the covid now directly face 12th public face-off with [[post-covid zero knowledge calibre]]. And then going to join college without learning subject fundamentals [[Devastating post-covid college education for freshers]]
-
-
www.jeyamohan.in www.jeyamohan.in
-
எழுத்தாளனுக்கு வாழ்க்கையில் இருந்து அவனுள் செல்லவேண்டிய அனுபவ சாரம் தேவை. அந்த அனுபவங்களுக்கு அவன் அளிக்கும் எதிர்வினைதான் ஒருவகையில் இலக்கியப்படைப்பு. அனுபவம் சிறு துளியாகக்கூட இருக்கலாம். ஆனால் அது அவனை சீண்டுகிறது, அமைதியிழக்கச் செய்கிறது, மேலும் மேலும் என சிந்தனை விரியச் செய்கிறது, கண்டடைதல்களை அளிக்கிறது.
Writing is an act of oppposing reaction to our life experience
Tags
Annotators
URL
-
-
www.thehindu.com www.thehindu.com
-
aspirations of constituent groups — linguistic, religious, ethnic or political.
My story-telling background social issues
- linguistic
- religious
- ethnic
- political
-
-
Local file Local file
-
The linear process promoted by most study guides, which insanelystarts with the decision on the hypothesis or the topic to write about,is a sure-fire way to let confirmation bias run rampant.
Many study and writing guides suggest to start ones' writing or research work with a topic or hypothesis. This is a recipe for disaster to succumb to confirmation bias as one is more likely to search out for confirming evidence rather than counter arguments. Better to start with interesting topic and collect ideas from there which can be pitted against each other.
-
Give Each Task the Right Kind of Attention
Ahrens talks about the variety of different tasks that underpin writing and the varieties of attention that each can take. He suggests that for increased productivity that one focus on one sort or type of tasks at a time in each part of the process.
This sort of structural planning in one's work is possibly the most important planning one can do.
-
We need to getour thoughts on paper first and improve them there, where we canlook at them. Especially complex ideas are difficult to turn into alinear text in the head alone. If we try to please the critical readerinstantly, our workflow would come to a standstill. We tend to callextremely slow writers, who always try to write as if for print,perfectionists. Even though it sounds like praise for extremeprofessionalism, it is not: A real professional would wait until it wastime for proofreading, so he or she can focus on one thing at a time.While proofreading requires more focused attention, finding the rightwords during writing requires much more floating attention.
Proofreading while rewriting, structuring, or doing the thinking or creative parts of writing is a form of bikeshedding. It is easy to focus on the small and picayune fixes when writing, but this distracts from the more important parts of the work which really need one's attention to be successful.
Get your ideas down on paper and only afterwards work on proofreading at the end. Switching contexts from thinking and creativity to spelling, small bits of grammar, and typography can be taxing from the perspective of trying to multi-task.
Link: Draft #4 and using Webster's 1913 dictionary for choosing better words/verbiage as a discrete step within the rewrite.
Linked to above: Are there other dictionaries, thesauruses, books of quotations, or individual commonplace books, waste books that can serve as resources for finding better words, phrases, or phrasing when writing? Imagine searching through Thoreau's commonplace book for finding interesting turns of phrase. Naturally searching through one's own commonplace book is a great place to start, if you're saving those sorts of things, especially from fiction.
Link this to Robin Sloan's AI talk and using artificial intelligence and corpuses of literature to generate writing.
-
On closer look, it becomes obvious how different the tasks are thatare usually summarised under “writing” and how different the kindsof attention are that they require.
What are the constituent parts of writing and how do they differ based on their functions with respect to attention?
- note taking
- composing
- invention
- creativity
- thinking
- editing
- structuring
- outlining
- proofreading
- etc.
Where do each of these sit with respect to the zettelkasten? How can one create flow with respect to each of these or with respect to one or two which may necessarily need to be bound together to accomplish them?
-
The slip-box provides not only a clear structure to work in, but also forces usto shift our attention consciously as we can complete tasks inreasonable time before moving on to the next one.
Ahrens provides a quick overview of some research on distraction, attention, and multi-tasking to make the point that:
The simple structure and design of the zettelkasten forces one's focus and attention on small individual tasks that cumulatively build into better thinking and writing.
(Summary of Section 9.2)
-
Who can blame you forprocrastinating if you find yourself stuck with a topic you decided onblindly and now have to stick with it as the deadline is approaching?
Students may potentially built up enough context within a particular course to be able to luckily stumble upon an interesting question or idea about which to write, but the procrastination and wait times required to get lucky means that they don't have enough time to research and read additional material to move towards ultimate solutions. As a result, their work product is boring and dull and doesn't advance the space in which they're working. And these are the lucky ones which will stumble upon something interesting or be able to remember it. The results of the rest will be even less interesting.
-
There is one reliable sign if you managedto structure your workflow according to the fact that writing is not alinear process, but a circular one: the problem of finding a topic isreplaced by the problem of having too many topics to write about.
Writing is a circular generative process and not a finite, linear one.
-
Every intellectual endeavour starts from an already existingpreconception, which then can be transformed during further inquiresand can serve as a starting point for following endeavours. Basically,that is what Hans-Georg Gadamer called the hermeneutic circle
(Gadamer 2004).
All intellectual endeavors start from a preexisting set of ideas. These can then be built upon to create new concepts which then influence the original starting point and may continue ever expanding with further thought.
Ahrens argues that most writing advice goes against the idea of the hermeneutic circle and pretends as if the writer is starting with a blank page. This can prefigure some of the stress and difficulty Ernest Hemingway spoke of when he compared writing to "facing the white bull which is paper with no words on it."
While it can be convenient to think of the idea of tabula rasa, in practice it really doesn't exist. As a result the zettelkasten more readily shows its value in the writing process.
-
no underlinedsentence will ever present itself when you need it in the developmentof an argument.
-
Even ifyou decide never to write a single line of a manuscript, you willimprove your reading, thinking and other intellectual skills just bydoing everything as if nothing counts other than writing.
Is there evidence that this is true?
-
Everything You Need to Do
Ahrens looks at the discrete steps of writing a paper or book in reverse order... all the way back to creating the initial notes and ideas. By framing it this way, he shows the value of note taking as a means of making the entire enterprise so much easier.
-
A good structure is something you can trust. It relieves you fromthe burden of remembering and keeping track of everything. If youcan trust the system, you can let go of the attempt to hold everythingtogether in your head and you can start focusing on what isimportant:
Whether it's for writing, to do lists, or other productivity spaces, a well designed system is something that one can put their absolute trust into. This allows one to free themselves from the burden of tracking and dealing with minutiae so they can get serious work done.
-
They struggle because they believe, asthey are made to believe, that writing starts with a blank page.
Writing does not begin with the blank page!
-
What can we do differently in the weeks,months or even years before we face the blank page that will get usinto the best possible position to write a great paper easily?
Tags
- scientific method
- networked thinking
- words matter
- underlining
- artificial intelligence
- tools for thought
- note taking
- design
- multitasking
- bikeshedding
- writing
- circular processes
- linear processes
- zettelkasten design
- Hemingway's White Bull
- students
- Hans-Georg Gadamer
- Finding Forrester
- zettelkasten
- tabula rasa
- waste books
- Webster's dictionary
- research
- attention
- Heraclitus
- topics
- psychology
- note taking methods
- context shifting
- planning
- confirmation bias
- phrasing
- ideas have sex
- generative thought
- building blocks
- productivity
- creative writing
- Draft #4
- learning
- to do lists
- Robin Sloan
- hermeneutic circle
- writing process
- highlights
- hypotheses
- Henry David Thoreau
- blank page
- open questions
- dictionaries
- quotes
- proofreading
- commonplace books
- books of quotations
Annotators
-
-
everything2.com everything2.com
-
It was like a miracle. Three months before I started chemo, pot and pot products were legalized here in Arizona.
THIS is how you start a good essay.
Tags
Annotators
URL
-
-
gingkowriter.com gingkowriter.comGingko1
-
This looks like an interesting tool for moving from notes to an outline to a written document. Could be interesting for dovetailing with a zettelkasten.
How to move data from something like Obsidian to Ginko Writer though?
-
-
every.to every.to
-
I've observed for myself that not all weeks of writing are made equal. When I do try to impose a schedule on myself – like resolving that ‘I'll write for three hours every day and hit 1200 words’ – it can work out OK, but it’s usually not that great.But I have learned that when I’m really on a roll – when I’ve found a voice that’s really working and that I’m excited about – I need to just clear the decks and go with it. I will empty my schedule, dive in, and stay up late in order to be as productive as I can. I would say this is how I got both of my novels written.
Robin Sloan's writing process sounds similar to that of Niklas Luhmann where he chose to work on things that seemed exciting and fun. This is, in part, helped by having a large quantity of interesting notes to work off of. They both used them as stores to fire their internal motivation to get work done.
-
Transferring my notes from notebooks into nvALT is a process that I always enjoy. When I fill up a physical notebook, I'll go through it, acting as a sort of loose, first filter for the material I’ve accumulated. I’ll cross out a few things that are obviously garbage, but most of my notes make the cut, and I transcribe them into nvALT.When that’s done, I throw away the notebook.
Robin Sloan has a waste book practice where he takes his notes in small Field Note notebooks and transcribes them into nvAlt. When he's done, he throws away the notebook.
-
-
every.to every.to
-
Most writing is chasing clout, rather than insight
As the result of online business models and SEO, most writing becomes about chasing clout and audience eyeballs rather than providing thought provoking insight and razor sharp analysis. The audience reaction has weakened with the anger reaction machines like Twitter.
We need better business models that aren't built on hype.
Tags
Annotators
URL
-
-
boffosocko.com boffosocko.com
-
It should be recognized that these basic note types are very different than the digital garden framing of 📤 (seedbox), 🌱 (seedling), 🪴 (sapling), 🌲 (evergreen), etc. which are another measure of the growth and expansion of not just one particular idea but potentially multiple ideas over time. These are a project management sort of tool for focusing on the growth of ideas. Within some tools, one might also use graph views and interconnectedness as means of charting this same sort of growth.
Sönke Ahrens' framing of fleeting note, literature note, and permanent note are a value assignation to the types of each of these notes with respect to generating new ideas and writing.
-
-
learningaloud.com learningaloud.com
-
Highlighting would be a crude form of knowledge telling. Knowledge transforming involves interpretation on the part of the content producer.
Scholars who study writing differentiate between knowledge telling and knowledge transforming.
Highlighting can be seen as a weak form of knowledge telling. It's a low level indicator that an idea is important, but doesn't even go so far as the reader strengthening the concept by restating the idea in their own words similar to the Feynman technique.
One could go steps further by not only restating it but transforming it and linking it into one's larger body of knowledge or extending into other contexts.
-
- Jan 2022
-
vimeo.com vimeo.com
-
from: Eyeo Conference 2017
Description
Robin Sloan at Eyeo 2017 | Writing with the Machine | Language models built with recurrent neural networks are advancing the state of the art on what feels like a weekly basis; off-the-shelf code is capable of astonishing mimicry and composition. What happens, though, when we take those models off the command line and put them into an interactive writing environment? In this talk Robin presents demos of several tools, including one presented here for the first time. He discusses motivations and process, shares some technical tips, proposes a course for the future — and along the way, write at least one short story together with the audience: all of us, and the machine.
Notes
Robin created a corpus using If Magazine and Galaxy Magazine from the Internet Archive and used it as a writing tool. He talks about using a few other models for generating text.
Some of the idea here is reminiscent of the way John McPhee used the 1913 Webster Dictionary for finding words (or le mot juste) for his work, as tangentially suggested in Draft #4 in The New Yorker (2013-04-22)
Cross reference: https://hypothes.is/a/t2a9_pTQEeuNSDf16lq3qw and https://hypothes.is/a/vUG82pTOEeu6Z99lBsrRrg from https://jsomers.net/blog/dictionary
Croatian acapella singing: klapa https://www.youtube.com/watch?v=sciwtWcfdH4
Writing using the adjacent possible.
Corpus building as an art [~37:00]
Forgetting what one trained their model on and then seeing the unexpected come out of it. This is similar to Luhmann's use of the zettelkasten as a serendipitous writing partner.
Open questions
How might we use information theory to do this more easily?
What does a person or machine's "hand" look like in the long term with these tools?
Can we use corpus linguistics in reverse for this?
What sources would you use to train your model?
References:
- Andrej Karpathy. 2015. "The Unreasonable Effectiveness of Recurrent Neural Networks"
- Samuel R. Bowman, Luke Vilnis, Oriol Vinyals, et al. "Generating sentences from a continuous space." 2015. arXiv: 1511.06349
- Stanislau Semeniuta, Aliaksei Severyn, and Erhardt Barth. 2017. "A Hybrid Convolutional Variational Autoencoder for Text generation." arXiv:1702.02390
- Soroush Mehri, et al. 2017. "SampleRNN: An Unconditional End-to-End Neural Audio Generation Model." arXiv:1612.07837 applies neural networks to sound and sound production
-
-
blogs.baruch.cuny.edu blogs.baruch.cuny.edu
-
Attending class means doing the work required rather than coming to campus this spring. Much of the learning in this course happens through your doing the writing and reading assignments each week,
I will be coming to class EVERYDAY
-
Digital Literacy Narrative
I think this project will build on my knowledge of literacy narratives and will improve my ability to reflect on my development.
-
-
www.youtube.com www.youtube.com
-
just speaking instead of having to type with my with my fingers is that i can 00:02:11 kind of think out loud a little bit more and get more information and i sometimes find i generate more insights being able to speak versus uh type things so i find that really useful
Voiceliner advantage for Obsidian and Logseq
Tags
Annotators
URL
-
-
hypothes.is hypothes.is
-
The nature of technical writing is explained in "The nature of technical writing". Technical communication is something we do every day without even noticing. Having strong communication skills is beneficial in all areas of one's life, from personal to professional. From a business standpoint, communication is key to every transaction. Communicating effectively allows others and yourself to understand information at a faster and more accurate rate. A lack of communication skills leads to frequent misunderstandings and frustration.
-
Technical communication/writing is something that has been around for a very long time. The earliest examples belong to Aristotle and his dictionary of "philosophical terms" and his summary of the "Doctrines of Pythagoras". World War I is considered the "Golden Age" of technical writing due to advances in medicine and aerospace.
-
-
getpocket.com getpocket.com
-
I used Obsidian daily notes to keep records of an interesting three-minute meditation practice. I used Python to copy those records from my daily notes and summarize them in a log. Then as a crude sort of theme-extraction, I wrote a Python program that calculated the frequency of words in these meditations.
Linking Python with Obsidian Daily Journaling for my meditiation
Tags
Annotators
URL
-
-
web.archive.org web.archive.org
-
I could quote Luhmann on this as well, who thought that "without writing one cannot think," But there is nothing peculiarly "Luhmannian" about this idea. Isaac Asimov is said to have said "Writing to me is simply thinking through my fingers." And, to give one other example, E. B. White (of "Strunk and White" fame) claimed that "writing is one way to go about thinking." In other words, writing is thinking. And since I do almost all my significant writing in ConnectedText these days, it might be called my "writing environment."
Various quotes along the lines of "writing is thinking".
What is the equivalent in oral societies? Memory is thinking?
-
-
hypothes.is hypothes.is
-
Literature Essay Outline
An essay is a paper in prose, small in length, and free in composition. It expresses the individual impressions and thoughts of the author on a particular topic or issue. The structure of writing an essay is determined by the requirements of the genre: the thoughts of the author of the text are set out as brief theses, each thesis must be substantiated, supported by evidence.
A person who does not often have to write various texts may find it difficult to grasp all the nuances and requirements of an essay. The work on the chosen topic will be written by professionals https://studyessay.org/, they will reveal the problem, select convincing arguments and examples, as well as properly format the text.
Consequently, the structure of the essay is circular:
- introduction;
- theses and arguments;
- conclusion.
The number of theses and arguments depends on the topic, the written plan of the essay, and the direction of thought development. Also, the introduction and conclusion should focus on the chosen issue. The scheme of the essay assumes the presence of paragraphs, red lines, which help in achieving the integrity of the work. Contact us here https://studyessay.org/research-proposal-writing-service/, If you need more information and help with writing your assignments.
How to write an essay: outline
The scheme of writing an essay is looser than that of other written works. That is why the author must independently think about the structure of the future text. The structure depends on the goals, form, volume of the work. The scheme will be most conveniently perceived if you fix it on paper. The plan of writing an essay is a kind of "skeleton", on which the author builds up thoughts and ideas. Work on the essay begins with a writing plan. To make the text connected, it is convenient to act according to the following scheme:
- choose a topic;
- fix theses and thoughts on the issue;
- justify the stated ideas, pick up arguments;
- build the theses in a logical sequence, the thoughts should follow one another.
Essay writing tips
- The main recommendation for writing an essay is to outline the text. This will help to keep the thought in one line, remember the topic and purpose.
- The essay is a genre that does not involve writing long texts. Thoughts should be expressed briefly, but understandable to the reader.
- It is helpful to reread your essay to make sure that the text is connected logically, the topic is not lost and all theses and arguments are mentioned.
Despite the fact that the essay does not have any strict rules of writing, there are still a number of recommendations and peculiarities of the genre, which are worth adhering to.
-