https://www.youtube.com/watch?v=vww7JLcrJl4

8:05 - 16:20 GTD - Capture - Clarify - What is it? - Is it actionable? What is the action? - Is it a project? - Batching - Reflect - Review over lists/calendars daily/weekly - Engage

17:30 They use the phrase "atomic" paper based index cards, so they've been infected by the idea of "atomic notes" from somewhere, though it seems as if he's pitching that he's "invented" his card system as if from scratch.

19:45 He mentions potentially using both sides of the card, against the usual (long term) advice.

20:00 Analogizes his cards as ballerinas which work together, but each have their own personalities and function within the ballet

He's using a leather cover for Moleskine pocket notebook and Manufactum A7 index cards, as well as a box

Sections of his box: - to erase - inbox - next actions - projects (3 categories of projects) - someday - to delegate - tickler (by month and by day; 12 months and 31 days) - blank cards

Mentions erasing cards as he finishes them rather than archiving them.

Inspiration by How to Take Smart Notes by Ahrens

Recommends one item per card to make things easier and more actionable; also improves focus versus having a longer list. (28:00)

Portability

Sustainable (he erases)

High quality textile experience

The ability to shift between associative modes and sequential modes seems to work well with such a system.

They distinguish between atomic notes and "stellar" notes. Stellar being longer lists or more dense notes/outlines/etc.

Project cards<br /> titles and project numbers (for reference) Project numbers in the top right with a P and/or M below it for<br /> - P for paper<br /> - M for email data<br /> - D for digital files which helps him find reference materials

Weekly review with all cards out on the table

Expansion pack includes: - action - calendar - waiting

Search was quick and easy, but had to carry his box back and forth to work.

Stopping doing it because he was losing the history (by erasing it). Moving to notebook and he likes fountain pens. He likes the calendar portion in his notebook.

He tried it out for the sake of experiment.

In the paper world things are more present and "in your face" versus digital formats where things can disappear.

How might one use quirky algorithms in interestingly destructive or even generative ways to combinatorially create new things?

This famous paper gives a great review of the DQN algorithm a couple years after it changed everything in Deep RL. It compares six different extensions to DQN for Deep Reinforcement Learning, many of which have now become standard additions to DQN and other Deep RL algorithms. It also combines all of them together to produce the "rainbow" algorithm, which outperformed many other models for a while.

link to https://hypothes.is/a/U95jEs0eEe20EUesAtKcuA

Is this phenomenon of "complex narratives" related to misinformation spread within the larger and more complex social network/online network? At small, local scales, people know how to handle data and information which is locally contextualized for them. On larger internet-scale communication social platforms this sort of contextualization breaks down.

For a lack of a better word for this, let's temporarily refer to it as "complex narratives" to get a handle on it.

How fitting that the amanuensis in a short story written with the help of artificial intelligence has done the opposite of what the author intended!

Just as using a text for writing generative annotations (having a conversation with a text) is a useful exercise for writers and thinkers, creative writers can stand to have similar textual creativity prompts.

Compare Wordcraft affordances with tools like Nabokov's card index (zettelkasten) method, Twyla Tharp's boxes, MadLibs, cadavre exquis, et al.

The key is to have some sort of creativity catalyst so that one isn't working in a vacuum or facing the dreaded blank page.

Author's note by Robin Sloan<br /> November 2022

"I see what you did there" as a genre of writing is interesting for its cleverness, but many authors will prefer readers to love their work instead of admiring their cleverness in one part.

http://www.wisdomofchopra.com/...

A random generator using Deepak Chopra tweets.

Reminiscent of https://hypothes.is/a/bzlr9l06Ee23w7voPzbY5g

https://web.archive.org/web/20160325224838/http://www.nic-las.com/

https://en.wikipedia.org/wiki/Fluxus

https://www.granarybooks.com/pages/books/GB_176/aram-saroyan/the-letter-book?soldItem=true

Aram Saroyan decomposed a 1968 letter to his father into 195 recto pages containing fragments of the original.

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>taurusnoises</span> in (2) Oblique Strategies, a custom zettelkasten for creativity : antinet (<time class='dt-published'>12/14/2022 13:07:14</time>)</cite></small>

https://meso.tzyl.nl/2022/12/04/a-two-month-experiment/

https://www.methexis.ai/join-the-collaboration

https://en.wikipedia.org/wiki/Oblique_Strategies

So much to unpack here.

Similar to experiments I've seen by Henry James Korn (esp. The Pontoon Manifesto), John Irwin, etc.

Similarities to means of forcing Llullan combinatorial creativity, but in alternate form.

Brian Eno's experiments in generative music mirror some of the ideas of generative and experimental fiction which had been in the zeitgeist and developing for a while.

Certainly the fictional ideas were influential to the zeitgeist here, but the technology for doing these sorts of things in the musical realm lagged the ability to do them in the word realm.

We're just starting to see some of these sorts of experimental things in the film space and with artificial intelligence they're becoming much easier to do in all of these media spaces.

In some of the film spaces, they exist, but may tend to be short in nature, in part given the technology and processing power required.

see also: Deepfake TikTok of Keanu Reeves which I've recently run across (algorithmically) on Instagram: https://www.dailydot.com/debug/unreal-keanu-reeves-ai-deepfake/

Had anyone been working on generative art? Marcel Duchamp, et al? Some children's toys can mechanically create generative art which can be subtly modified by the children using axes of color, form, etc. Etch-a-sketch, kaleidoscopes, doodling robots (eg: https://www.amazon.com/4M-Doodling-Robot-Packaging-Vary/dp/B002EWWW9O).

Given your talents, if you've not explored some of the experimental fiction side of things (like Mark Bernstein's hypertext fiction http://www.eastgate.com/catalog/Fiction.html, Robin Sloan's fish http://www.robinsloan.com/fish/ or Writing with the Machine https://www.robinsloan.com/notes/writing-with-the-machine/, or a variety of others https://hypothes.is/users/chrisaldrich?q=tag%3A%22experimental+fiction%22), perhaps it may be fun and allow you to use some of your technology based-background at the same time?

https://www.robinsloan.com/notes/writing-with-the-machine/

Related work leading up to this video: https://vimeo.com/232545219

Historically the vast majority of zettelkasten didn't have the sort of structure and design of Luhmann's, though with indexing they certainly create a network of notes and excerpts. These examples are just subsets or excerpts of someone's reading of these books and surely anyone else reading any book is going to have a unique set of notes on them. These sets were specifically honed and curated for a particular purpose.

The interesting pattern here is that someone is selling a subset of their work/notes as a set of cards rather than as a book. Doing this allows different sorts of reading and uses than a "traditional" book would.

I'm curious what other sort of experimental things people might come up with? The "novel" Cain's Jawbone, for example, could be considered a "Zettelkasten mystery" or "Zettelkasten puzzle". There's also the subset of cards from Roland Barthes' fichier boîte (French for zettelkasten), which was published posthumously as Mourning Diary.

Participants were randomly assigned to an experimental (cross-group) or control (same-group) condition. The independent variable being manipulated is race of person interacted with (different or the same), and the dependent variable being measured was is university satisfaction.

https://www.zylstra.org/blog/2022/06/spring-83/

I've been thinking about this sort of thing off and on myself.

I too almost immediately thought of Fraidyc.at and its nudge at shifting the importance of content based on time and recency. I'd love to have a social reader with additional affordances for both this time shifting and Ton's idea of reading based on social distance.

I'm struck by the seemingly related idea of @peterhagen's LindyLearn platform and annotations: https://annotations.lindylearn.io/new/ which focuses on taking some of the longer term interesting ideas as the basis for browsing and chewing on. Though even here, one needs some of the odd, the cutting edge, and the avant garde in their balanced internet diet. Would Spring '83 provide some of this?

I'm also struck by some similarities this has with the idea of Derek Siver's /now page movement. I see some updating regularly while others have let it slip by the wayside. Still the "board" of users exists, though one must click through a sea of mostly smiling and welcoming faces to get to it the individual pieces of content. (The smiling faces are more inviting and personal than the cacophony of yelling and chaos I see in models for Spring '83.) This reminds me of Stanley Meyers' frequent assertion that he attempted to design a certain "sense of quiet" into the early television show Dragnet to balance the seeming loudness of the everyday as well as the noise of other contemporaneous television programming.

The form reminds me a bit of the signature pages of one's high school year book. But here, instead of the goal being timeless scribbles, one has the opportunity to change the message over time. Does the potential commercialization of the form (you know it will happen in a VC world crazed with surveillance capitalism) follow the same trajectory of the old college paper facebook? Next up, Yearbook.com!

Beyond the thing as a standard, I wondered what the actual form of Spring '83 adds to a broader conversation? What does it add to the diversity of voices that we don't already see in other spaces. How might it be abused? Would people come back to it regularly? What might be its emergent properties?

It definitely seems quirky and fun in and old school web sort of way, but it also stresses me out looking at the zany busyness of some of the examples of magazine stands. The general form reminds me of the bargain bins at book stores which have the promise of finding valuable hidden gems and at an excellent price, but often the ideas and quality of what I find usually isn't worth the discounted price and the return on investment is rarely worth the effort. How might this get beyond these forms?

It also brings up the idea of what other online forms we may have had with this same sort of raw experimentation? How might the internet have looked if there had been a bigger rise of the wiki before that of the blog? What would the world be like if Webmention had existed before social media rose to prominence? Did we somehow miss some interesting digital animals because the web rose so quickly to prominence without more early experimentation before its "Cambrian explosion"?

I've been thinking about distilled note taking forms recently and what a network of atomic ideas on index cards look like and what emerges from them. What if the standard were digital index cards that linked and cross linked to each other, particularly in a world without adherence to time based orders and streams? What does a new story look like if I can pull out a card either at random or based on a single topic and only see it or perhaps some short linked chain of ideas (mine or others) which come along with it? Does the choice of a random "Markov monkey" change my thinking or perspective? What comes out of this jar of Pandora? Is it just a new form of cadavre exquis?

This standard has been out for a bit and presumably folks are experimenting with it. What do the early results look like? How are they using it? Do they like it? Does it need more scale? What do small changes make to the overall form?

For more on these related ideas, see: https://hypothes.is/search?q=tag%3A%22spring+%2783%22

http://www.robinsloan.com/fish/

I'd seen this before, but never read it as it was iOS only...

u/sscheper in writing your book, have you thought about the following alternative publishing idea which I'm transcribing from a random though I put on a card this morning?

I find myself thinking about people publishing books in index card/zettelkasten formats. Perhaps Scott Scheper could do this with his antinet book presented in a traditional linear format, but done in index cards with his numbers, links, etc. as well as his actual cards for his index at the end so that readers could also see the power of the system by holding it in their hands and playing with it?

It could be done roughly like Edward Powys Mathers' Cain's Jawbone or Henry Korn's Pontoon Manifesto? Perhaps numbered consecutively to make it easier to bring back into that format, but also done with your zk numbering so that people could order it and use it that way too? This way you get the book as well as a meta artifact of what the book is about as an example of how to do such a thing for yourself. Maybe even make a contest for a better ordering for the book than the one you published it in ?

Link to: - https://hyp.is/6IBzkPfeEeyo9Suq-ZmCKg/www.scientificamerican.com/article/reading-paper-screens/

Yup. This is basically a version of "don't coddle your students".

http://boffosockobooks.com/books/authors/henry-james-korn/the-pontoon-manifesto/

link to: - https://hypothes.is/a/peuV1MBBEeyz03uCkPkBqA

Marcel Duchamp announced his project the Green Box in 1934 as an edition of 320 copies of a box of 94 items. Most of the items were supposed "facsimiles" as described by Duchamp, of notes he wrote from 1911 to 1915.

How is or isn't this like a zettelkasten or card index, admittedly a small collection?

Vladimir Nabokov died in 1977 leaving an unfinished manuscript in note card form for the novel The Original of Laura. Penguin later published the incomplete novel with in 2012 with the subtitle A Novel in Fragments. Unlike most manuscripts written or typewritten on larger paper, this one came in the form of 138 index cards. Penguin's published version recreated these cards in full-color reproductions including the smudges, scribbles, scrawlings, strikeouts, and annotations in English, French, and Russian. Perforated, one could tear the cards out of the book and reorganize in any way they saw fit or even potentially add their own cards to finish the novel that Nabokov couldn't.

Link to the idea behind Cain’s Jawbone by Edward Powys Mathers which had a different conceit, but a similar publishing form.

https://en.wikipedia.org/wiki/Georges_Perec

Georges Perec (born George Peretz) (French: [peʁɛk, pɛʁɛk];[1] 7 March 1936 – 3 March 1982) was a French novelist, filmmaker, documentalist, and essayist. He was a member of the Oulipo group. His father died as a soldier early in the Second World War and his mother was murdered in the Holocaust, and many of his works deal with absence, loss, and identity, often through word play.

Mary Douglas has a fascinating looking text on ring composition, a literary style which puts the meaning of the text in the middle and frames it with the beginning and end which are in parallel.

Texts like the Bible, Homer, and even Tristram Shandy might be looked at from a different perspective with this lens.

Suggested to me by Ann Bergin within the context of The Extended Mind

Lehnen, N., Glasauer, S., Schröder, L., Regnath, F., Biersack, K., Bergh, O. V. den, & Werder, D. von. (2022). Post-COVID symptoms in the absence of organic deficit—Lessons from diseases we know. PsyArXiv. https://doi.org/10.31234/osf.io/yqar2

Bago, Bence, David Rand, and Gordon Pennycook. ‘Does Deliberation Decrease Belief in Conspiracies?’ PsyArXiv, 8 March 2022. https://doi.org/10.31234/osf.io/86jhw.

ReconfigBehSci. (2021, December 20). RT @CaulfieldTim: Timothy Caulfield: Misinformation – Vaccines, Vaccine Hesitancy & Media https://youtu.be/wQSIo1AmQMw via @CARPNews @Zoomer… [Tweet]. @SciBeh. https://twitter.com/SciBeh/status/1472984068291764224

https://www.mentalfloss.com/article/653534/cains-jawbone-book-puzzle

Link this to Henry James Korn's experimental novel/cards in the early 1970s and late 1990s hypertext fiction.

The phrase "ways of knowing" is fascinating and seems to have a particular meaning across multiple contexts.

I'd like to collect examples of its use and come up with a more concrete definition for Western audiences.

How close is it to the idea of ways (or methods) of learning and understanding? How is it bound up in the idea of pedagogy? How does it relate to orality and memory contrasted with literacy? Though it may not subsume the idea of scientific method, the use, evolution, and refinement of these methods over time may generally equate it with the scientific method.

Could such an oral package be considered a learning management system? How might we compare and contrast these for drawing potential equivalencies of these systems to put them on more equal footing from a variety of cultural perspectives? One is not necessarily better than another, but we should be able to better appreciate what each brings to the table of world knowledge.

The hermeneutic circle is the idea that understanding a text in whole is underpinned by understanding its constituent parts and understanding the individual parts is underpinned by understanding the whole thereby making a circle of understanding. This understanding of a text is going to be heavily influenced by a text's cultural, historical, literary, and other contexts.

Replicating scientific results is tough—But essential. (2021). Nature, 600(7889), 359–360. https://doi.org/10.1038/d41586-021-03736-4

Leder, J., Lauer, T., Schütz, A., & Gürerk, Ö. (2021). Background Uncertainty Can Increase Risk Aversion in Decision Making. PsyArXiv. https://doi.org/10.31234/osf.io/6s4vf

The process, the visuals, the sound - this is appealing. Not sure if/where/how it fits, but I appreciate knowing about this.

This idea of playing hopscotch#%22Table_of_Instructions%22_and_structure) through a text reminds me of some mathematics texts I've come across where the author draws out a diagram of potential readings and which portions are prerequisites so that professors using the book might pick and choose chapters to skip in their presentations.

Also reminiscent of the Choose Your Own Adventure books from childhood too.

cross reference: [[John Barth]], [[Henry James Korn]] and [[experimental fiction]], and [[hypertext]]

Jigsaw. (2021, March 17). Distraction Helps Misinformation Spread. Thinking About Accuracy Can Reduce it. Medium. https://medium.com/jigsaw/distraction-helps-misinformation-spread-thinking-about-accuracy-can-reduce-it-a4e5d8371a85

Białek, M., & Grossmann, I. (2021). Social bias insights concern judgments rather than real-world decisions. PsyArXiv. https://doi.org/10.31234/osf.io/y3h7n

I'm not 100% sure I understand where this may go, but it sounds like a fun thing with which to experiment.

2.1. Mecanismos de reacción. El mecanismo fundamental de crecimiento de CBD involucra el transporte de masa de los reactantes, adsorción, difusión de superficie, reacción, nucleación y crecimiento. Las películas delgadas de ZnS-NPS pueden ser preparadas por descomposición de Tiourea [SC (NH₂) ₂].(con S como el ión fuente) en una solución alkaina conteniendo un sulfato de Zinc y ammonia como un agente quelante que permite controlar la concentración Zn. El proceso de deposición esta basado en la lenta liberación de iones Zn y S en la solución, que entonces condensa en un base ion-por-ion en el sustrato que es propiamente montado en una solución de reacción. La deposición de una delgada película de ZnS ocurre cuando el producto iónico de Zn(+2) y los iones S (2-) exceden la producto de solubilidad de ZnS. El mecanismo de reacción para la deposición de la pelicula delgada (ZnS) es dada como sigue:

COVID-19 and the Labor Market. (n.d.). IZA – Institute of Labor Economics. Retrieved October 10, 2020, from https://covid-19.iza.org/publications/dp13578/

McArdle, Elaine, August 26, and 2020. ‘COVID Adaptation’. Harvard Law Today. Accessed 7 September 2020. https://today.law.harvard.edu/covid-adaptation/.

Yang, Scott Cheng-Hsin, Chirag Rank, Jake Alden Whritner, Olfa Nasraoui, and Patrick Shafto. ‘Unifying Recommendation and Active Learning for Information Filtering and Recommender Systems’. Preprint. PsyArXiv, 25 August 2020. https://doi.org/10.31234/osf.io/jqa83.

Independent variable manipulation is the hallmark of experimental design.

Effective writing is a core principle in education, emphasized by the most noted national psychological associations (APA; American Psychological Association). The following sections outline efforts to streamline the methods used instructor to student feedback for essays in a psychology class.

Ballard, Timothy, Ashley Luckman, and Emmanouil Konstantinidis. ‘How Meaningful Are Parameter Estimates from Models of Inter-Temporal Choice?’, 21 August 2020. https://doi.org/10.31234/osf.io/mvk67.

Gruijters, Stefan L.K. ‘The Fallacy of Manipulation “Checks” in Psychological Experiments’. Preprint. PsyArXiv, 20 August 2020. https://doi.org/10.31234/osf.io/fkzv5.

Laghaie, A., & Otter, T. (2020). Measuring evidence for mediation in the presence of measurement error [Preprint]. PsyArXiv. https://doi.org/10.31234/osf.io/5bz3f

Manski, C. F., & Tetenov, A. (2020). Statistical Decision Properties of Imprecise Trials Assessing COVID-19 Drugs (Working Paper No. 27293; Working Paper Series). National Bureau of Economic Research. https://doi.org/10.3386/w27293

Al-Ubaydli, O., Lee, M. S., List, J. A., Mackevicius, C. L., & Suskind, D. (undefined/ed). How can experiments play a greater role in public policy? Twelve proposals from an economic model of scaling. Behavioural Public Policy, 1–48. https://doi.org/10.1017/bpp.2020.17

Lyttelton, T., Zang, E., & Musick, K. (2020). Gender Differences in Telecommuting and Implications for Inequality at Home and Work. https://doi.org/10.31235/osf.io/tdf8c

Malhi, S. (2017, December 5). Policy shouldn’t rely on economic theory, but on data about actual human behavior [Text]. TheHill. https://thehill.com/opinion/finance/363245-policy-shouldnt-rely-on-economic-theory-but-on-data-about-actual-human

Borsboom, D., Blanken, T., Dablander, F., Tanis, C., van Harreveld, F., & van Mieghem, P. (2020). BECON methodology [Preprint]. PsyArXiv. https://doi.org/10.31234/osf.io/53ey9

Vargas Salfate, S. (2020, April 16). A Response to Do higher-class individuals feel more entitled? The role of system -justifying belief (Xu et al., 2019). https://doi.org/10.31234/osf.io/hr39n

To me, this seems to weigh against their main claim. In the one case in which a majority favored the consequentialist choice, the consequentialists are not disfavored! They are really playing this down. Am I missing something?

But it is still in the domain of HARMING people (more versus fewer).

Note that this is a very small stake. (And was it even perhaps hypothetical?)

This is a really interesting article in so many ways; it speaks to a larger political issue of our time, it uses an innovative method (an experiment!), and it follows a very generic and general structure of a social science research paper. Think of this as an ideal or prototype of social science research.

DAWs typically don’t mesh so well with prototyping culture. When Ableton brought clip launching through Live, its flagship DAW, it had some of this effect: experiment with clips then play with them instead of just playing them. Of course, Cycling ’74 has been all about prototyping, long before Ableton bought the company. But “Max for Live” devices are closer to plugins in that users expect to just be able to use them, not have to create them from scratch. What this marketing copy is emphasizing is that this really is about getting a box of LEGO blocks, not just about getting a DIY kit to create your own instance of something which somebody else designed. The framing sure is specific.

Missing Data Processing Procedures

commenting again

At least, they’ve become unavoidable in class discussions even tangentially related to social psychology. In intro sociology, they lead to some interesting thoughts about lab vs. field experiments.

make an interesting point that most studies assume that no-feedback is a status quo.

Compared it to grades only and no-feedback.

The method. Should see if I could replicate this.

Reivindicación de espazos tradicionalmente femininos e, por iso, minusvalorados e de espazos non masculinizados ou heteropatriarcais.

Novas elites e oligarquías fundamentadas no coñecemento. Lab implica exclusión