3,236 Matching Annotations
  1. Dec 2021
    1. 10 Cultivating Change for Inclusive Practice: Creating a Community of Learners By Lisa Mauro-Bracken, Head of Department Health and Well-being; School of Allied Health and Community This case study illustrates an innovative, department-wide approach to learning and professional development of staff. Higher Education encounters increasing numbers of students from diverse linguistic, cultural and ethnic backgrounds requiring personalised learning (V1; V2). To cultivate a ‘new’ inclusive culture within the Department of Health and Well-being, I organised a workshop introducing Universal Design for Learning (UDL) as part of a team away day (K5). UDL is a framework to improve and optimize teaching and learning for all people based on scientific insights into how humans learn (CAST, 2019). The UDL framework supports inclusive practice and relies on multiple means of: ‘engagement,’ ‘representation’ and ‘action and expression.’ In other words, a focus on personalised learning and meaningful choice to ensure all students can access the curriculum in a way that develops their strengths. To embed this approach within the department, I delivered workshops on implementing University of Worcester’s Inclusive Assessment Policy. This was implemented using Technology Enhanced Learning and Blackboard in an inclusive way and auditing module resources using de Montfort University’s UDL self-assessment checklist. This proved to be an effective reflective tool to further inform learning, teaching and assessment (Bracken, 2019; Moriarty and Scarffe, 2019). The values underpinning our department are student-focused and this was reflected in our approach of implementing new ideas, as it required staff and student involvement and regular consultation with students about inclusive design for learning. Staff enthusiasm for the innovative approach was balanced against accepting a response of hesitancy and fear of change (Dasborough, Lamb and Suseno, 2015). However, one colleague stated ‘UDL allows me... [to] reflect, listen, change my pedagogical approach...getting input from colleagues and feel safe[ty] in questioning

      Current practice in UK on UDL- updated references and useful publication linked to HEA accreditation

    1. What differs here from other data storage (as in the medium of the codex book) is a simple and obvious principle: information is available on separate, uniform, and mobile carriers and can be further arranged and processed according to strict systems of order.

      The primary value of the card catalogue and index cards as tools for thought is that it is a self-contained, uniform and mobile carrier that can be arranged and processed based on strict systems of order. Books have many of these properties, but the information isn't as atomic or as easily re-ordered.

  2. Nov 2021
    1. Finally, I think Actions are great for animations, because you will definitely need to apply the same logic to many different elements. One of my favorite examples are FLIP animations, where a change in DOM position can be animated. For example shuffling a list of items. I will not dive deep into the topic in this article: I've written about some techniques in this article about FLIP animations in React and in this article about how to create spring animations with Web Animation API. Although they are not about Svelte, at the end of the day it all boils down to manipulating the HTML element directly. And Svelte Actions are a great place to do it.
    1. rofessional development was designed using the Adaptation of Blended Learning framework to meet the new requirements of online schooling. Twenty-six teachers participated in the intervention of professional development, spanning six months.

      rofessional development was designed using the Adaptation of Blended Learning framework to meet the new requirements of online schooling. Twenty-six teachers participated in the intervention of professional development, spanning six months.

    1. https://threadreaderapp.com/thread/1459547762517688327.html

      Anthony Baker experimenting with ideas from Necromant and Eleanor Konik to cross link digital notes with physical paper notes.

      I've thought about doing something similar to this with my physical notebooks in the past, though hadn't done block level linking as a means of potentially pulling in and linking pieces in the future.

      Often for more important linked things, I'll simply import the physical version into my digital copy at the time of first use/reference, but this could be interesting for large bodies of notes which aren't digital.

    1. A fluorescence of note taking tools

      What is missing in this train of thought is search. The real challenge is recalling of information easily, whether that is traditional search or something more AI-ish that can uncover connections between items that I don't see myself. What I want is a tool that can search across all my repositories, and that requires either APIs for communication or standard data storage formats. I prefer APis.

    1. If and when you need some kind of behaviour that waits for things, wait_until is a giant big sledgehammer. There are more fine grained, sophisticated tools built into Capybara, and I want you to learn about them, because those are some of the best features of the library. And when the built in tools aren’t enough, there are more sophisticated tools available than that clunky hammer. So hopefully the removal of wait_until encourages you to write better tests.
  3. Oct 2021
    1. sometimes you de- yelop a whole passage, not with the intention of completing it, but because it comes of itself and because inspiration is like grace, which passes by and does not come back.

      So very few modern sources describe annotation or note taking in these terms.

      I find often in my annotations, the most recent one just above is such a one, where I start with a tiny kernel of an idea and then my brain begins warming up and I put down some additional thoughts. These can sometimes build and turn into multiple sentences or paragraphs, other times they sit and need further work. But either way, with some work they may turn into something altogether different than what the original author intended or discussed.

      These are the things I want to keep, expand upon, and integrate into larger works or juxtapose with other broader ideas and themes in the things I am writing about.

      Sadly, we're just not teaching students or writers these tidbits or habits anymore.

      Sönke Ahrens mentions this idea in his book about Smart Notes. When one is asked to write an essay or a paper it is immensely difficult to have a perch on which to begin. But if one has been taking notes about their reading which is of direct interest to them and which can be highly personal, then it is incredibly easy to have a starting block against which to push to begin what can be either a short sprint or a terrific marathon.

      This pattern can be seen by many bloggers who surf a bit of the web, read what others have written, and use those ideas and spaces as a place to write or create their own comments.

      Certainly this can involve some work, but it's always nicer when the muses visit and the words begin to flow.

      I've now written so much here in this annotation that this note here, is another example of this phenomenon.

      With some hope, by moving this annotation into my commonplace book (or if you prefer the words notebook, blog, zettelkasten, digital garden, wiki, etc.) I will have it to reflect and expand upon later, but it'll also be a significant piece of text which I might move into a longer essay and edit a bit to make a piece of my own.

      With luck, I may be able to remedy some of the modern note taking treatises and restore some of what we've lost from older traditions to reframe them in an more logical light for modern students.

      I recall being lucky enough to work around teachers insisting I use note cards and references in my sixth grade classes, but it was never explained to me exactly what this exercise was meant to engender. It was as if they were providing the ingredients for a recipe, but had somehow managed to leave off the narrative about what to do with those ingredients, how things were supposed to be washed, handled, prepared, mixed, chopped, etc. I always felt that I was baking blind with no directions as to temperature or time. Fortunately my memory for reading on shorter time scales was better than my peers and it was only that which saved my dishes from ruin.

      I've come to see note taking as beginning expanded conversations with the text on the page and the other texts in my notebooks. Annotations in the the margins slowly build to become something else of my own making.

      We might compare this with the more recent movement of social annotation in the digital pedagogy space. This serves a related master, but seems a bit more tangent to it. The goal of social annotation seems to be to help engage students in their texts as a group. Reading for many of these students may be more foreign than it is to me and many other academics who make trade with it. Thus social annotation helps turn that reading into a conversation between peers and their text. By engaging with the text and each other, they get something more out of it than they might have if left to their own devices. The piece I feel is missing here is the modeling of the next several steps to the broader commonplacing tradition. Once a student has begun the path of allowing their ideas to have sex with the ideas they find on the page or with their colleagues, what do they do next? Are they being taught to revisit their notes and ideas? Sift them? Expand upon them. Place them in a storehouse of their best materials where they can later be used to write those longer essays, chapters, or books which may benefit them later?

      How might we build these next pieces into these curricula of social annotation to continue building on these ideas and principles?

    1. The research is addressed to students of Hotel and Tourism Management programme at Fundación Universitaria para el Desarrollo Humano - UNINPAHU, who currently study three levels of English (which are given to all the study programmes of the university and that provides the contents of a general English class for all the students—regardless the major they are taking).

      A

    1. Students should already know the meaning of these expressions from pre-reading activity when we went through all questions in questionnaire together. If they do not remember it I do not translate them before. It will be too easy so in that occasion they are supposed to guess the right meaning on their own.

      ESP

    1. What I'm interested in is doing this with visual artefacts as source material. What does visual pkm look like? Journaling, scrapbooking, collecting and the like. The most obvious tool is the sketchbook. How does a sketchbook work?

      It builds on many of these traditions, but there is a rather sizeable movement in the physical world as well as lots online of sketchnotes which might fit the bill for you Roy.

      The canonical book/textbook for the space seems to be Sketchnote Handbook, The: the illustrated guide to visual note taking by Mike Rohde.

      For a solid overview of the idea in about 30 minutes, I found this to be a useful video: https://www.youtube.com/watch?v=evLCAYlx4Kw

  4. builderscollective.com builderscollective.com
    1. Victor Papanek’s Design Problem, 1975.

      The Design Problem

      Three diagrams will explain the lack of social engagement in design. If (in Figure 1) we equate the triangle with a design problem, we readily see that industry and its designers are concerned only with the tiny top portion, without addressing themselves to real needs.

      Figure 1: The Design Problem

      (Design for the Real World, 2019. Page 57.)

      The other two figures merely change the caption for the figure.

      • Figure 1: The Design Problem
      • Figure 2: A Country
      • Figure 3: The World
    1. Jamstack

      The legacy version of the Run for Water site designed by Stephen Bau. Featured on Behance.

      This version is built with Jamstack, using Harp and DatoCMS.

      A similar approach could be used for the Co-Operating Manual for Spaceship Earth.

      A Modest Proposal

      Since the Buckminster Fuller Institute is using Airtable, it would be possible to follow the CSS-Tricks article on Going Jamstack with React, Serverless, and Airtable.

    1. Website by Stephen Bau

      I used a UIkit theme (Trek) for the redesign of the Run for Water site. I transitioned away from Jamstack, because the organization is centred around volunteers, and it was important to empower them to easily make changes to the marketing front end of their organization.

      The WordPress theme has a beautiful interface for managing content. However, it goes against the philosophy of COPE, recommended by Karen McGrane in her presentations on Content in a Zombie Apocalypse.

    1. In ecology, edge effects are changes in population or community structures that occur at the boundary of two or more habitats.[1] Areas with small habitat fragments exhibit especially pronounced edge effects that may extend throughout the range. As the edge effects increase, the boundary habitat allows for greater biodiversity.

      Edge Effects

      It was in the Design Science Studio that I learned about edge effects.

      Yesterday, I was thinking about how my life embodies the concept of edge effects. That same day, a book was delivered to our door, Design for the Real World by Victor Papanek.

      Today, I was reading these words:

      Design for the Real World

      Design for Survival and Survival through Design: A Summation

      Integrated, comprehensive, anticipatory design is the act of planning and shaping carried on across the various disciplines, an act continuously carried on at interfaces between them.

      Victor Papanek goes on to say:

      It is at the border of different techniques or disciplines that most new discoveries are made and most action is inaugurated. It is when two differing areas of knowledge are brought into contact with one another that… a new science may come into being.

      (Page 323)


      Exiles and Emigrés

      The Bauhaus spread its ideas because it existed at the boundaries, the avant-garde, the edges of what was thought to be possible, especially as a socialist utopian idea found its way to a capitalist industrial-military complex, where the concept of modernism was co-opted and colonized by globalizing economic forces beyond the control of the individual. Design was the virus that propagated around the world through the vehicle of corporate globalization.

      That same design ethic is infecting corporations with a conscience, with empathy, with a process that begins with listening to people. Design is the virus that can spread the values of unconditional love throughout the body of neoliberal capitalism.

    1. Design for the Real World

      by Victor Papanek

      Papanek on the Bauhaus

      Many of the “sane design” or “design reform” movements of the time, such as those engendered by the writings and teachings of William Morris in England and Elbert Hubbard in the United States, were rooted in a sort of Luddite antimachine philosophy. By contrast Frank Llloyd Wright said as early as 1894 that “the machine is here to stay” and that the designer should “use this normal tool of civilization to best advantage instead of prostituting it as he has hitherto done in reproducing with murderous ubiquity forms born of other times and other conditions which it can only serve to destroy.” Yet designers of the last century were either perpetrators of voluptuous Victorian-Baroque or members of an artsy-craftsy clique who were dismayed by machine technology. The work of the Kunstgewerbeschule in Austria and the German Werkbund anticipated things to come, but it was not until Walter Gropius founded the German Bauhaus in 1919 that an uneasy marriage between art and machine was achieved.

      No design school in history had greater influence in shaping taste and design than the Bauhaus. It was the first school to consider design a vital part of the production process rather than “applied art” or “industrial arts.” It became the first international forum on design because it drew its faculty and students from all over the world, and its influence traveled as these people later founded design offices and schools in many countries. Almost every major design school in the United States today still uses the basic foundation course developed by the Bauhaus. It made good sense in 1919 to let a German 19-year-old experiment with drill press and circular saw, welding torch and lathe, so that he might “experience the interaction between tool and material.” Today the same method is an anachronism, for an American teenager has spent much of his life in a machine-dominated society (and cumulatively probably a great deal of time lying under various automobiles, souping them up). For a student whose American design school slavishly imitates teaching patterns developed by the Bauhaus, computer sciences and electronics and plastics technology and cybernetics and bionics simply do not exist. The courses the Bauhaus developed were excellent for their time and place (telesis), but American schools following this pattern in the eighties are perpetuating design infantilism.

      The Bauhaus was in a sense a nonadaptive mutation in design, for the genes contributing to its convergence characteristics were badly chosen. In boldface type, it announced its manifesto: “Architects, sculptors, painters, we must all turn to the crafts.… Let us create a new guild of craftsmen!” The heavy emphasis on interaction between crafts, art, and design turned out to be a blind alley. The inherent nihilism of the pictorial arts of the post-World War I period had little to contribute that would be useful to the average, or even to the discriminating, consumer. The paintings of Kandinsky, Klee, Feininger, et al., on the other hand, had no connection whatsoever with the anemic elegance some designers imposed on products.

      (Pages 30-31)

    1. Synthesis is about describing a clear idea that can be represented in a (atomic) succinct note, with supporting evidence as applicable.

      At the moment, I guess I’m currently doing this in Drafts, but without any real rigour. What I’ve intended to do is host my atomic notes in iThoughts. But maybe this is part of my system that needs closer attention. Maybe there’s legitimate cause for another tool in the stack? Or maybe this just calls for another workspace? I think this is the space I wanted Project Meta to fill…

  5. Sep 2021
    1. https://via.hypothes.is/https://finiteeyes.net/pedagogy/extending-the-mind/

      A well written review of Annie Murphy Paul's The Extended Mind. Matthew Cheney has distilled a lot out of the book from his notes with particular application to improving pedagogy.

      I definitely want to read this with relation to not only using it to improve teaching, but with respect to mnemotechniques and the methods oral and indigenous societies may have either had things right or wrong and what Western culture may have lost as a result. I'm also particularly interested in it for its applications to the use of commonplace books and zettelkasten as methods of extending the mind and tools for thought.

  6. developer.mozilla.org developer.mozilla.org
    1. The question is similar but its in a Rails context. The solutions would answer my question, but I'm almost certain that he could probably leverage Arel to solve his problem. The question I posted was designed purely as a Ruby question so that it was easier to search for. You might want to suggest an edit of the title of his question because it didn't show up when I searched for a solution to my problem.
  7. Aug 2021
    1. COGNITIVE CONSEQUENCES OF FORCED COMPLIANCE

      The title of the article immediately made me think of the world we are living in now. For example it is becoming more and more evident that the country has mixed opinions on the vaccine. The government, state agencies and other public entities are requiring proof of a vaccine to even enter the premises. Some companies are offering incentives across the country to incentivize the vaccine by offering free products and discounts. To an extent from a medical perspective you want everyone as healthy as possible, but from a freedom perspective it is on the verge of violating an individual's freedom of choice through forced compliance.

  8. developer.mozilla.org developer.mozilla.org
    1. " Havens' inclusive approach and argument for a broad definition of the commonplace book responds to previous scholarship whose scope has been restricted to documents that fit classical theories of the commonplace. In Havens' view, this exclusivity obscures much of the actual history and personal practices of compilers of commonplaces, particularly because it focuses on Renaissance humanist compilations that were made for print.

      I take this more inclusive approach to note taking as well.

    1. U.S. Senate Subcommittee on Communications, Technology, Innovation, and the Internet, "Optimizing for Engagement: Understanding the Use of Persuasive Technology on Internet Platforms," 25 June 2019, www.commerce.senate.gov/2019/6/optimizing-for-engagement-understanding-the-use-of-persuasive-technology-on-internet-platforms.

      Perhaps we need plurality in the areas for which social data are aggregated?

      What if we didn't optimize for engagement, but optimized for privacy, security, or other axes in the space?

  9. Jul 2021
    1. Coding is a problem-solving skill, and few of theproblems that beset young people today, or are likely to in thefuture, can be solved by writing scripts or programs for computersto execute. I suggest a less ambitious enterprise with broaderapplications, and I’ll begin by listing the primary elements of thatenterprise. I think every young person who regularly uses acomputer should learn the following:

      Alan Jacobs eschews the admonishment that everyone should learn to code and posits a more basic early literacy stepping-stone to coding: learning some basic preliminaries of self-hosting. This is likely much easier for most people and could build a better runway for those who would like to learn to code later on.

    1. How can writers bridge the gap between what they want to say and what someone else understands? Eleven months later, a line from Anne Helen Petersen’s announcement of her Substack newsletter haunts me still: Writing a newsletter, Petersen wrote, meant she could publish “pieces that take ten paragraphs to get to the nut graf, if there’s one at all.”

      There's something in this quote that sounds more like old school blogging to me. Putting ideas out there and allowing the community to react and respond as a means of honing an idea can be useful and powerful. However, are writers actually doing this meaningfully over time? Are they objectively doing this and providing thoughtful updates over time?

    1. Rodolfo: I'm a victim of sexual abuse in the United States and there was a police report made and everything. And I've also been a victim of gang violence. I was never, you can check my background and everything. I was never into gangs or anything, but around the area I lived in there was a bunch of gangs and... I was beat up two or three times bad just by walking home. And it was all documented, I had police reports and everything. And because of that I was in therapy for while. My mother sought out a help from a psychiatrist because of the sexual abuse I had as a child in California, as a matter of fact.Rodolfo: I took Risperdal and a Ritalin, Risperdal for the anxiety and the Ritalin and for the ADHD. So, we tried everything. The mental health side, the mental health asylum, everything. But it was just going to take longer and longer and longer and I was tired of it. I didn't want to be locked up anymore. So, finally I just told my mom, “You know what man, that's it, I'm done. I don't want to do this anymore.” She asked me, “Is this what you want to do?” And I told her, “Yeah.”Rodolfo: She told me, “You know what? I'd much rather see you over there and be free then not being able to see you here at all.” Because there was a lot of people that went to go visit their loved ones and they used to get picked up. Sometimes they wouldn't even let you see your loved ones and right away ask you for your identification, your social security card, your nationality and everything and they would get picked up.Rodolfo: And I always told my mom, “Don't ever come visit me. Don't ever come visit me because if you do, chances are they're going to take you too.” And you know, that would always break my heart because I would want to see my mom. I'd want to see my dad and everything, but I wasn't able to. So, that experience was just horrible.Sergio: When you were in the detention center what were the conditions? Did you have access the medicine you needed? Did you have access to food and water?Rodolfo: The company that made the jail was called GEO Corp and they were actually, I'm not going to lie to you, they actually were pretty good, health-wise, not so much security-wise. A lot of things would happen in there that definitely shouldn't have ever happened. But with the food and everything, it was good. In my opinion it was because of the company. I feel as though if it was up to the government... Thank God it was an independent company that was hired by DHS as opposed to if DHS were to make their own jail, I feel they would be completely different.Rodolfo: It was [Pause] a pleasantly... there's no way to describe it, it was bad. It was bad, but for what it was I guess it was okay. I don't see there being an in-between or any pretty way to paint that picture as to how good or bad it was in there. Because at the end of the day you're deprived of your freedom. You can't just pick up the phone whenever you want and call your loved ones because you've got to pay for that too. You got pay for that. And if you want to take a shower, you have to buy your soap, right? You've got to buy it yourself, you've got to buy everything. And now you're becoming a liability for your family, you're becoming another bill.Rodolfo: You're becoming another bill and that's what I didn't want. So, that's why I started working. And now, older, I'm becoming another bill. So, I don't get it. You're taking us away from the jobs that we have and everything. You know? So, take us back to our country. And I'm not sure if it this is a fact or not, but I was reading when I first got in here, there was a time where there wasn't enough field workers for, I think, avocado—or, not avocado, I think it was oranges or something like that.Rodolfo: And I remember me saying, “Well, there goes all the deportees. There goes all the people you guys deported. Where are the people that were so outraged because we took your jobs? Go ahead, there you go. There are a lot of vacancies, making these open for those jobs, go ahead, man. All yours buddy, knock yourself out.”Rodolfo: But nobody wants to work those jobs, right? You see what I'm saying though, right?

      Leaving the US, Reason for Return, Deportation, Voluntary departure, Family decision, No hope for a future in the US, Detention, Treatment by; Time in the US, Violence, Sexual Abuse, Gangs, Bullying, Fear of, Jobs/employment/work

  10. test-prof.evilmartians.io test-prof.evilmartians.io
    1. Not all the ancients are ancestors.

      I'll definitely grant this and admit that there may be independent invention or re-discovery of ideas.

      However, I'll also mention that it's far, far less likely that any of these people truly invented very much novel along the way, particularly since Western culture has been swimming in the proverbial waters of writing, rhetoric, and the commonplace book tradition for so long that we too often forget that we're actually swimming in water.

      It's incredibly easy to reinvent the wheel when everything around you is made of circles, hubs, and axles.

  11. Jun 2021
    1. Giving peers permission to engage in dialogue about race and holding a lofty expectation that they will stay engaged in these conversations throughout the semester or year is the first of the four agreements for courageous conversation. While initially, some participants may be eager to enter into these conversations, our experience indicates that the more personal and thus risky these topics get, the more difficult it is for participants to stay committed and engaged." Singleton and Hays

    1. History of Computer Aided Language Learning Infographic by E-learning Infographics is included on the basis of fair use as described in the Code of Best Practices in Fair Use for Open Education 

      Attributions for non original content can be handled many ways - due to the brevity and simulated nature of this example, I managed them this way. But as in the original OER, a full attributions page would eventually become necessary for clean attribution and decluttered document layout.

    1. Chapter 4 Revision by Colleen Sanders is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted.

      This is where I would work out, with instructor, what license this revision should bear. I opted for CC BY for now, but that could change depending up on whether the instructor wanted to move into remixing more copyrighted/openly licensed content.

    1. CMC gives language learners access to more knowledgeable individuals, either native speakers of the target language or more advanced nonnative speakers, than they might be able to encounter in a face-to-face environment, thus increasing their potential ability to learn. Indeed, in some environments, CMC provides the only possibility for access to NSs. (p. 12)

      Indented and italicized to offset the quote for navigability and readability.

    1. The more pieces of information we can “access” and the faster we can extract their gist, the more productive we become as thinkers.

      But are Google's tools really making us more productive thinkers? One might argue that it's attempting to do all the work for us and take out the process of thought all together. We're just rats in a maze hitting a bar to get the food pellet.

      What if the end is a picture of us as the people on the space ship at the end of WALL-E? What if it's keeping us from thinking?

      What if it's making us more shallow thinkers rather than deep thinkers?

      Cross reference P.M. Forni.

    2. As we use what the sociologist Daniel Bell has called our “intellectual technologies”—the tools that extend our mental rather than our physical capacities—we inevitably begin to take on the qualities of those technologies.

      Similar to the way in which people begin to resemble their dogs?! :)

      Daniel Bell defines "intellectual technologies" as tools that extend our mental capacities.

    1. I've seen (and fixed) Ruby code that needed to be refactored for the client objects to use the accessor rather than the underlying mechanism, even though instance variables aren't directly visible. The underlying mechanism isn't always an instance variable - it can be delegations to or manipulations of a class you're hiding behind a facade, or a session store with a particular format, or all kinds. And it can change. 'Self-encapsulation' can help if you need to swap a technology, a library, an object specification, etc.
    1. Though it is often assumedthat mnemonics were used to memorize speeches, the importance of memory to theinventionofspeech was readily apparent to ancient orators—thus the famous praise of memory as athesauruminventorum(Herennium3.16.28). As Cicero writes inDe Oratore, the orator must commit tomemory“the whole past with its storehouse of examples and precedents,”as well as a knowledgeof all laws general and civil, for without such memories, the orator is left speechless (1.17–18).Expanding on Cicero’s point, Quintilian claims that“it is the power of memory alone that bringsbefore us all the store of precedents, laws, rulings, sayings, and facts which the orator must possessin abundance . . . and hold ready for immediate use”(Institutio11.2.1). The art of memory was thusto be used to recollect not only pre-written orations but also knowledge from a variety of sources tobe called upon when constructing new texts, speakingex tempore, or responding to an interlocutor’sarguments.

      Too often, this seems to me to be a missing piece that few talk about now. Those posting to the Art of Memory forum are usually talking about the need to memorize for memorization's sake. Rarely are they talking about or noticing the second or third level order changes as the result of an improved memory.

  12. May 2021
    1. I want to avoid nginx overhead (especially if they have tons of alias and rewrites) for in-server communication. Basically, you can have sveltekit server, backend server and nginx server, in that case, communicate inside your internal network will be very expensive like: browser->nginx server(10.0.0.1)->sveltekit server(10.0.0.3)->nginx server(10.0.0.1)->backend server(10.0.0.2) instead just: browser->nginx server(10.0.0.1)->sveltekit server(10.0.0.3)->backend server(10.0.0.2)
    1. In his “On the gradual fabrication of thoughts while speaking,” Kleist was in turn musing on Immanuel Kant’s metaphor of the teacher as the midwife at the birth of the student’s thought. When stuck in developing a thought, Kleist recommends, find an acquaintance to talk at. No responses are required. The mere presence of the silent interlocutor, and even more so the imminent threat of losing their attention during lengthy stretches of boredom or incoherence will trigger, or so Kleist claims, the “fabrication of my idea in reason’s workshop.”

      This sounds a lot like a broader case than rubber duck debugging, which is obviously not a "new" thing.

    2. Ideas have a history, but so do the tools that lend disembodied ideas their material shape −− most commonly, text on a page. The text is produced with the help of writing tools such as pencil, typewriter, or computer keyboard, and of note-taking tools such as ledger, notebook, or mobile phone app. These tools themselves embody the merging of often very different histories. Lichtenberg’s notebooks are a good example, drawing as they do on mercantile bookkeeping, the humanist tradition of the commonplace book, and Pietist autobiographical writing (see Petra McGillen’s detailed analysis).

      I like the thought of not only the history of thoughts and ideas, but also the history of the tools that may have helped to make them.

      I'm curious to delve into Pietist autobiographical writing as a concept.

  13. gordonbrander.com gordonbrander.com
    1. There are rumors Pascal wrote the Pensées on notecards, and pinned these cards to a wall, connecting related thoughts with yarn. An early example of hypertext?

      This certainly fits into the broad general ideas surrounding note taking, commonplace books, and zettelkasten as tools for thought. People generally seemed to have used relatively similar methods but shoehorned them into the available tools they had at the time.

      This also, incidentally isn't too far off from how indigenous peoples the world over have used memory techniques (memory palaces, songlines, etc.) to hold together and pollinate their own thinking.

      Raymond Llull took things a step further with his combinatoric methods, though I've yet to see anyone attempting that in the area of digital gardens.

    1. But “humane technology” is precisely the sort of pleasant sounding but ultimately meaningless idea that we must be watchful for at all times. To be clear, Harris is hardly the first critic to argue for some alternative type of technology, past critics have argued for: “democratic technics,” “appropriate technology,” “convivial tools,” “liberatory technology,” “holistic technology,” and the list could go on.

      A reasonable summary list of alternatives. Note how dreadful and unmemorable most of these names are. Most noticeable in this list is that I don't think that anyone actually built any actual tools that accomplish any of these theoretical things.

      It also makes more noticeable that the Center for Humane Technology seems to be theoretically arguing against something instead of "for" something.

  14. Apr 2021
    1. GRADE K-4 GRADE 5-6 GRADE 7-8 GRADE 9-12 SPANISH TECH TEACHER Teacher Sign Up Sign In Teacher Sign Up Sign In GRADE K-4 GRADE 5-6 GRADE 7-8 GRADE 9-12 SPANISH TECH TEACHER TT GRADE K-4 GRADE 5-6 GRADE 7-8 GRADE 9-12 SPANISH TECH TEACHER Teacher sign up Sign In Why did ancient Greeks and Romans eat lying down? (Thinkstock) Why did ancient Greeks and Romans eat lying down? By: Ask Smithsonian, Smithsonianmag.com November 25, 2015 Published: November 25, 2015 Lexile: 1230L var addthis_config = { services_exclude: 'print,printfriendly', data_ga_property: 'UA-6457029-1', data_track_clickback: true }; var addthis_share = { url_transforms : { shorten: { twitter: 'bitly' } }, shorteners : { bitly : {} }, templates : { twitter : '{' + '{title}' + '}: {' + '{url}' + '} via @TweenTribune' } }; 530L 780L 1040L 1230L Assign to Google Classroom You asked us, "Why did ancient Greeks and Romans eat lying down?"   Reclining and dining in ancient Greece started at least as early as the 7th century BCE and was later picked up by the Romans.   To eat lying down, while others served you, was a sign of power and luxury enjoyed by the elite. People further down the social ladder copied the laid-back dining style, if they could afford to.   I mean, who wouldn't want to stretch out while chowing down, but not everyone was so lucky in ancient Greece. You see, women didn't generally get invited to banquets except for rare occasions like wedding feasts and even then they had to sit upright.   It was only in ancient Rome that customs changed, allowing upper-class women to lounge alongside men, and while it sounds sweet, all that lying down and eating can't have been good for the heartburn. Source URL: https://www.tweentribune.com/article/teen/why-did-ancient-greeks-and-romans-eat-lying-down/ Filed Under:   Video Culture Odd news Smithsonian Assigned 49 times CRITICAL THINKING QUESTION Why did people “further down the social ladder” copy people above them? Write your answers in the comments section below Please log in to post a comment COMMENTS (15) arellanoj-rob 11/30/2015 - 09:46 a.m. I think that people "further down the social ladder" copied people above them because they thought it'd earn them some sort of respect. It probably gave them sense of power back then. julianc-bag 11/30/2015 - 07:32 p.m. I don;t like eating at the dinner table I prefer the living room. ShawnaWeiser-Ste 12/02/2015 - 03:56 p.m. This seems quite unnecessary and dangerous. Its very common for people lying down to choke while they are eating, I mean come on. Good thing the women and the poor were not allowed to engage in such activities; they probably lived much longer than the rich men. laurenc-bag 12/03/2015 - 09:18 p.m. People "further down the social ladder" copied people above them, possibly to make themselves look a little wealthier than they were. It was a sign of luxury and was only enjoyed by the elite, so they wanted to experience that as well. laurenc-bag 12/03/2015 - 09:21 p.m. And, most likely, my weirdest custom at home is listening to music while watching a video on my phone while FaceTiming my friends, if that even counts as a strange custom... But, I also pray before I eat every meal with my family, which might seem strange to some people. laurenc-bag 12/03/2015 - 09:30 p.m. (It didn't allow me to take the test for some reason...) carsonb-2-bar 12/03/2015 - 10:28 p.m. In the early 7th century reclining and dining in Greece started and later on picked up by the Romans. According to the article it was a sign of power, especially when others served you. People in lower social classes copied it. The lower class people probably copied the upper-class people to be cool. Maybe it made them feel powerful. I thought the article was interesting. I never knew why many pictures back in the 7th century show people eating while lying down. I guess you could say they were the first couch potatoes! bellae1-lin 12/04/2015 - 02:57 p.m. People "further down the social ladder" copied people above them because they wanted to feel luxurious and wealthy. They would want to feel this way because they may not be treated like luxury, and they wanted to see with the eyes of a wealthy being. briannec-ste 12/07/2015 - 05:09 p.m. I personally don't like to eat laying down because I feel like I am being choked. I don't understand how laying down and being fed was a sign of wealth. The laying down not at all but the getting fed I understand. gisellem-pay 12/08/2015 - 11:11 a.m. I think that this concept is similar to our current society. Many people find or develop a custom, in which will catch on to others just to prove their power or how modern they believe they are. This also reminds me of China and foot binding. This tradition was passed down for women as a beauty concept. Page 1 of 2 Next » Take the Quiz Leave a comment ADVERTISEMENT TOPICS Animals Video Education Art Entertainment Culture Food & Health Inspiration National news Odd news Science Technology World news ADVERTISEMENT LEXILE LEVELS 500L-590L 600L-690L 700L-790L 800L-890L 900L-990L 1000L-1090L 1100L-1190L 1200L-1290L 1300L-1600L ADVERTISEMENT Take the Quiz Leave a comment ABOUT US FAQs Terms of Use Privacy Statement LOGIN Sign In Teacher Sign Up Can't Login GET IN TOUCH Contact Us Facebook Twitter Pinterest RSS The Smithsonian Institution is a trust instrumentality of the United States established by an act of Congress in 1846 "for the increase and diffusion of knowledge" googletag.cmd.push(function() { googletag.display('div-gpt-ad-tt-outofpage'); }); window.webtrendsAsyncInit=function(){ var dcs=new Webtrends.dcs().init({ dcsid:"dcs8v0iiladzpxfcn5y7c8cy2_5j6f", domain:"logs1.smithsonian.museum", timezone:-5, i18n:true, fpcdom:".tweentribune.com", plugins:{ } }).track(); }; (function(){ var s=document.createElement("script"); s.async=true; s.src="https://static.media.tweentribune.com/js/webtrends.min.js"; var s2=document.getElementsByTagName("script")[0]; s2.parentNode.insertBefore(s,s2); }()); <img alt="dcsimg" id="dcsimg" width="1" height="1" src="//logs1.smithsonian.museum/dcs8v0iiladzpxfcn5y7c8cy2_5j6f/njs.gif?dcsuri=/nojavascript&amp;WT.js=No&amp;WT.tv=10.4.23&amp;dcssip=www.tweentribune.com"/>

      The central idea of the text is that people ate lying down during Ancient Greece because lying down when eating was considered to be a luxury, and symbolized a high class, although high class men and women had different standards. High class women didn't have the right to lie beside men until Ancient Rome, when the customs finally changed.

    1. It should be defined inline. If you are using the img tag, that image should have semantic value to the content, which is why the alt attribute is required for validation. If the image is to be part of the layout or template, you should use a tag other than the img tag and assign the image as a CSS background to the element. In this case, the image has no semantic meaning and therefore doesn't require the alt attribute. I'm fairly certain that most screen readers would not even know that a CSS image exists.

      I believed this when I first read it, but changed my mind when I read this good rebuttal: https://hyp.is/f1ndKJ5eEeu_IBtubiLybA/stackoverflow.com/questions/640190/image-width-height-as-an-attribute-or-in-css