339 Matching Annotations
  1. Jan 2023
    1. MATERIALS AND METHODS

      What do you notice about the position of the method section in the paper? Is this the same as in the Report Writing Guidelines?

    1. Course MaterialsThe assigned reading for this class is Just Mercy: A Story of Justice and Redemption by Bryan Stevenson.This text and other reading are available on Carmen.

      Course materials.

    1. Another problem arises from the very nature of documentary material astexts not written for posterity. When reading Geniza letters, one is often in theposition of an uninvited guest at a social event, that is, someone who is unfa-miliar with the private codes and customs shared by the inner circle. Writersoften do not bother to explain themselves in a complete manner when they

      know that the recipient is already familiar with the subject. 17

      17 Indeed, writers often used this shared understanding to stress the relationship they had with the recipients.

  2. Oct 2022
    1. Der Nachlass ist aber nicht nur ein wissenschaftshistorisches Dokument, sondern auch wegen der Rückseiten interessant: Jungius verwendete Predigttexte und Erbauungsliteratur, Schülermitschriften und alte Briefe als Notizpapier. Zudem wurde vieles im Nachlass belassen, was ihm irgendwann einmal zugeordnet wurde, darunter eine Reihe von Manuskripten fremder Hand, z. B. zur Astronomie des Nicolaus Reimers.

      machine translation (Google):

      The estate is not only a scientific-historical document, but also interesting because of the back: Jungius used sermon texts and devotional literature, school notes and old letters as note paper. In addition, much was left in the estate that was assigned to him at some point, including a number of manuscripts by someone else, e.g. B. to the astronomy of Nicolaus Reimers.

      In addition to the inherent value of the notes which Jungius took and which present a snapshot of the state-of-the art of knowledge for his day, there is a secondary source of value as he took his notes on scraps of paper that represent sermon texts and devotional literature, school notes, and old letters. These represent their own historical value separate from his notes.


      link to https://hypothes.is/a/m2izykwGEe2TaktJuW0Qgg

    1. one recognizes in the tactile realitythat so many of the cards are on flimsy copy paper, on the verge of disintegration with eachuse.

      Deutsch used flimsy copy paper, much like Niklas Luhmann, and as a result some are on the verge of disintegration through use over time.

      The wear of the paper here, however, is indicative of active use over time as well as potential care in use, a useful historical fact.

  3. Aug 2022
    1. I was doing some random searches for older material on zettelkasten in German and came across this.

      Apparently I've come across this before in a similar context: https://hypothes.is/a/CsgyjAXQEeyMfoN7zLcs0w

      The description now makes me want to read it all the more!

      This is a book about a box that contained the world. The box was the Picture Academy for the Young, a popular encyclopedia in pictures invented by preacher-turned-publisher Johann Siegmund Stoy in eighteenth-century Germany. Children were expected to cut out the pictures from the Academy, glue them onto cards, and arrange those cards in ordered compartments—the whole world filed in a box of images.

      As Anke te Heesen demonstrates, Stoy and his world in a box epitomized the Enlightenment concern with the creation and maintenance of an appropriate moral, intellectual, and social order. The box, and its images from nature, myth, and biblical history, were intended to teach children how to collect, store, and order knowledge. te Heesen compares the Academy with other aspects of Enlightenment material culture, such as commercial warehouses and natural history cabinets, to show how the kinds of collecting and ordering practices taught by the Academy shaped both the developing middle class in Germany and Enlightenment thought. The World in a Box, illustrated with a multitude of images of and from Stoy's Academy, offers a glimpse into a time when it was believed that knowledge could be contained and controlled.

      Given the portions about knowledge and control, it might also be of interest to @remikalir wrt his coming book.

    1. “I do all my own research,” she said, “though reviewers have speculatedthat I must have a band of hirelings. I like to be led by a footnote ontosomething I never thought of. I rarely photocopy research materials because, for me, note-taking is learning, distilling. That’s the whole essence ofthe business. In taking notes, you have to discard what you don’t need. If you[photocopy] it, you haven’t chewed it.”
    1. Historical Hypermedia: An Alternative History of the Semantic Web and Web 2.0 and Implications for e-Research. .mp3. Berkeley School of Information Regents’ Lecture. UC Berkeley School of Information, 2010. https://archive.org/details/podcast_uc-berkeley-school-informat_historical-hypermedia-an-alte_1000088371512. archive.org.

      https://www.ischool.berkeley.edu/events/2010/historical-hypermedia-alternative-history-semantic-web-and-web-20-and-implications-e.

      https://www.ischool.berkeley.edu/sites/default/files/audio/2010-10-20-vandenheuvel_0.mp3

      headshot of Charles van den Heuvel

      Interface as Thing - book on Paul Otlet (not released, though he said he was working on it)

      • W. Boyd Rayward 1994 expert on Otlet
      • Otlet on annotation, visualization, of text
      • TBL married internet and hypertext (ideas have sex)
      • V. Bush As We May Think - crosslinks between microfilms, not in a computer context
      • Ted Nelson 1965, hypermedia

      t=540

      • Michael Buckland book about machine developed by Emanuel Goldberg antecedent to memex
      • Emanuel Goldberg and His Knowledge Machine: Information, Invention, and Political Forces (New Directions in Information Management) by Michael Buckland (Libraries Unlimited, (March 31, 2006)
      • Otlet and Goldsmith were precursors as well

      four figures in his research: - Patrick Gattis - biologist, architect, diagrams of knowledge, metaphorical use of architecture; classification - Paul Otlet, Brussels born - Wilhelm Ostwalt - nobel prize in chemistry - Otto Neurath, philosophher, designer of isotype

      Paul Otlet

      Otlet was interested in both the physical as well as the intangible aspects of the Mundaneum including as an idea, an institution, method, body of work, building, and as a network.<br /> (#t=1020)

      Early iPhone diagram?!?

      (roughly) armchair to do the things in the web of life (Nelson quote) (get full quote and source for use) (circa 19:30)

      compares Otlet to TBL


      Michael Buckland 1991 <s>internet of things</s> coinage - did I hear this correctly? https://en.wikipedia.org/wiki/Internet_of_things lists different coinages

      Turns out it was "information as thing"<br /> See: https://hypothes.is/a/kXIjaBaOEe2MEi8Fav6QsA


      sugane brierre and otlet<br /> "everything can be in a document"<br /> importance of evidence


      The idea of evidence implies a passiveness. For evidence to be useful then, one has to actively do something with it, use it for comparison or analysis with other facts, knowledge, or evidence for it to become useful.


      transformation of sound into writing<br /> movement of pieces at will to create a new combination of facts - combinatorial creativity idea here. (circa 27:30 and again at 29:00)<br /> not just efficiency but improvement and purification of humanity

      put things on system cards and put them into new orders<br /> breaking things down into smaller pieces, whether books or index cards....

      Otlet doesn't use the word interfaces, but makes these with language and annotations that existed at the time. (32:00)

      Otlet created diagrams and images to expand his ideas

      Otlet used octagonal index cards to create extra edges to connect them together by topic. This created more complex trees of knowledge beyond the four sides of standard index cards. (diagram referenced, but not contained in the lecture)

      Otlet is interested in the "materialization of knowledge": how to transfer idea into an object. (How does this related to mnemonic devices for daily use? How does it relate to broader material culture?)

      Otlet inspired by work of Herbert Spencer

      space an time are forms of thought, I hold myself that they are forms of things. (get full quote and source) from spencer influence of Plato's forms here?

      Otlet visualization of information (38:20)

      S. R. Ranganathan may have had these ideas about visualization too

      atomization of knowledge; atomist approach 19th century examples:S. R. Ranganathan, Wilson, Otlet, Richardson, (atomic notes are NOT new either...) (39:40)

      Otlet creates interfaces to the world - time with cyclic representation - space - moving cube along time and space axes as well as levels of detail - comparison to Ted Nelson and zoomable screens even though Ted Nelson didn't have screens, but simulated them in paper - globes

      Katie Berner - semantic web; claims that reporting a scholarly result won't be a paper, but a nugget of information that links to other portions of the network of knowledge.<br /> (so not just one's own system, but the global commons system)

      Mention of Open Annotation (Consortium) Collaboration:<br /> - Jane Hunter, University of Australia Brisbane & Queensland<br /> - Tim Cole, University of Urbana Champaign<br /> - Herbert Van de Sompel, Los Alamos National Laboratory annotations of various media<br /> see:<br /> - https://www.researchgate.net/publication/311366469_The_Open_Annotation_Collaboration_A_Data_Model_to_Support_Sharing_and_Interoperability_of_Scholarly_Annotations - http://www.openannotation.org/spec/core/20130205/index.html - http://www.openannotation.org/PhaseIII_Team.html

      trust must be put into the system for it to work

      coloration of the provenance of links goes back to Otlet (~52:00)

      Creativity is the friction of the attention space at the moments when the structural blocks are grinding against one another the hardest. —Randall Collins (1998) The sociology of philosophers. Cambridge, MA: Harvard University Press (p.76)

  4. Jul 2022
    1. When deposits of silt are compressed and the grains are pressed together, rocks such as siltstone form.

      Siltstone is a potentially valuable by-product material from de-silting of riverbeds as means of flood aid.

    1. The Focus of Comprehension Questions

      [35]

      SUPER IMPORTANT

      1. Types of comprehension exercises/activities over comprehension questions. This has a big co-relation to the last paragraph of this page.
    2. At their easiest, such questions could beanswered by quoting parts of the text. These questions would bemore demanding if the learners were not allowed to look at the textwhile answering the questions.

      Quoting answers is the easiest form of answering a questions. This means I should have more of these types of questions at low-level class.

    3. The Deliberate Study of Regular Correspondences and Rules

      20.

      Suggested teaching methods

    1. In this high-speed PCB design guide, we will encapsulate the high-speed PCB layout techniques, high-speed layout guidelines to help designers.

      Would you like to speed up the performance of your product?

      With innovative and fast electric equipment, designers and engineers can speed up the product. Not only this, you need a high speed PCB run faster.

      Read the blog further to understand the rules and challenges of high-speed PCB design.

    1. At the time, BYD used lithium iron phosphate batteries

      safer, longer life, less exotic materials, & what we seem to be switching back to.

  5. Jun 2022
    1. The course Marginalia in Books from Christopher Ohge is just crying out to have an annotated syllabus.

      Wish I could follow along directly, but there's some excellent reference material hiding in the brief outline of the course.


      Perhaps a list of interesting people here too for speaking at https://iannotate.org/ 2022 hiding in here? A session on the history of annotation and marginalia could be cool there.

    2. Archaeology of Reading project

      https://archaeologyofreading.org/

      The Archaeology of Reading in Early Modern Europe (AOR) uses digital technologies to enable the systematic exploration of the historical reading practices of Renaissance scholars nearly 450 years ago. This is possible through AOR’s corpus of thirty-six fully digitized and searchable versions of early printed books filled with tens of thousands of handwritten notes, left by two of the most dedicated readers of the early modern period: John Dee and Gabriel Harvey.


      Perhaps some overlap here with: - Workshop in the History of Material Texts https://pennmaterialtexts.org/about/events/ - Book Traces https://booktraces.org via Andrew Stauffer, et al. - Schoenberg Institute's Coffe with a Codex https://schoenberginstitute.org/coffee-with-a-codex/ (perhaps to a lesser degree)

    3. https://www.sas.ac.uk/events/event/25322

      <small><cite class='h-cite via'> <span class='p-author h-card'>Jeremy Cherfas</span> (email) (<time class='dt-published'>06/16/2022 07:18:14</time>)</cite></small>

    1. The box makes me feel connected to a project. It is my soil. I feel this evenwhen I’ve back-burnered a project: I may have put the box away on a shelf, but Iknow it’s there. The project name on the box in bold black lettering is a constantreminder that I had an idea once and may come back to it very soon.

      Having a physical note taking system also stands as a physical reminder and representation of one's work and focus. It may be somewhat out of the way on a shelf, but it takes up space in a way that digital files and notes do not. This invites one into using and maintaining it.


      Link to - tying a string on one's finger as a reminder - method of loci - orality

  6. May 2022
  7. Apr 2022
    1. The bookitself participates in the history it recounts: it has a title page, table of contents,footnotes, a bibliography and an index to assist the reader, while the digitalcopy enables the reader to search for individual words and phrases as well asto copy-and-paste without disfiguring a material object.

      Some scholars study annotations as part of material culture. Are they leaving out too much by solely studying those physically left in the books about which they were made, or should we instead also be looking at other sources like commonplace books, notebooks, note cards, digital spaces like e-readers that allow annotation, social media where texts are discussed, or even digital marginalia in services like Hypothes.is or Perusall?

      Some of these forms of annotation allow a digital version of cut and paste which doesn't cause damage to the original text, which should be thought of as a good thing though it may separate the annotations from the original physical object.

    1. same with our with the with the dendrites we will always tell you the story tell the story to the juvenile who's coming through the novices who's coming through the ceremony will tell them so as they 00:47:47 get to a certain age or a certain time or a certain experience in the ceremony we will then pass that knowledge onto him and we'll take it to him so these hieroglyphs and 00:47:58 petroglyphs and the etchings on the rocks and the paintings on there on the cave walls that's our library that is our library

      The dendroglyphs (markings on trees) or the petroglyphs (markings on stone in the stony territories) are the libraries of the indigenous peoples who always relate their stories from the markings back up to the sky.

      via Uncle Ghillar Michael Anderson


      Can this be linked to the practices of the Druids who may have had similar methods? How about linking the petroglyphs in the Celtic (English) countryside?

  8. Mar 2022
    1. the going through abstraction and re-specification so i think i became interested in cetera carson also because i saw a lot of similarities 01:11:30 to what historians of science describe as experimental work in laboratories and that is especially in the field of science and technology 01:11:43 studies especially the work of hanzio greinberger he works for the max planck institute for history of science in berlin and the way he describes 01:11:55 um experimental work as a form of material deconstruction um is my blueprint for understanding 01:12:10 the work of lumen

      Sönke Ahrens used Hans-Jörg Rheinberger's description of experimental work as a form of material deconstruction as a framework for looking at Niklas Luhmann.

    1. my article crap 00:23:20 detection 101 is a start I'm going to be working on expanding that into a book and a set of materials and I'm going to invite you and others to help me in 00:23:34 creating a public resource whereby strategies tools puzzles and tests that enable educators at all levels to teach 00:23:49 critical thinking critical consumption will be able to to provide support to anybody out there who wants to get the students started right 00:24:01 on the Internet

      Rheingolds Internetseite checken - vllt finde ich hier etwas, das ich im krit. Denken Seminar und/oder für die Workshops/den Arbeitskreis nutzen kann

    1. onChange

      The callback seems to receive 2 arguments. e and reactChild

      In the past I got the selected value using e.target.value This seems to work.

      Not sure of the use of the reactChild element that the callback receives.

      Another important note regarding recording the recorded value of the select is noted in the "value" prop explanition ( below, on this very page )

  9. Feb 2022
    1. Changing the semantic element

      You might want to turn it into a span for any number of reasons. eg if you want one word in a sentence to be another color / style eg. I wear a red hat

      <Typography component="div" > Contact Details : <Typography component="div" display="inline" variant="body2" color="black"> elroinoronha2@gmail.com </Typography> </Typography>

      (copy it to a code editor for the code to make sense)

      is a good solution since it defeats the "h1 cannot be a child of h1" DOM error + let us use the sx prop.

      We would not be able to use sx prop to style the inline part if we would use the native <span> component ie. <Typography > yo mama <span> so fat </span> </Typography>

      You would have to use inline style styling instead.

    1. Another option (at least in v5) is to use the Box component and select the underlying html element to be img as given in the example below (copied from official docs for v5)

      This <Box/> method is the preffered way of doing it. The <Paper/> method too is a good idea. The basic reasoning is that only MUI components support the sx prop ie. only they can fully use the MUI systems features. Thus, it doesnt make sense to use the native <img/> component in the markup, as it does not support sx

    1. The SX prop does not work with non MUI components eg. native <img/> component. To style this, you will have to use the native inline styling ie. <img style=" ............". /> If you want to style the img and use some MUI system specific features, ie. you need to use sx ; do the following. Use <Box component="img" sx={{ }} /> instead. This supports the sx prop, thus your image will be customizable with sx prop.

    1. Color

      The color prop does not support all MUI theme colors / their shades DIRECTLY through its color prop. Eg. The color prop supports primary but not primary.main/dark. It does not support the palette warning color at all.

      To remedy this you have 2 options 1 BETTER -- give the icon the desired color through the sx prop OR 2. wrap the icon in a box and give the box to desired color

  10. Jan 2022
  11. Nov 2021
    1. Honestly, I don't know. Strictly speaking it's different to a window being opened at a specific size (I can see the difference). I don't know whether that difference is material. Seeing as these are tests, I'd like to remove as many unknowns as possible. If someone can tell me that it makes no difference then I'd be happy.
  12. Oct 2021
    1. Material is a design system – backed by open-source code – that helps teams build high-quality digital experiences.
    1. We did most of the heavy lifting for you to provide a default stylings that incorporate our custom components.

      (The English here sounds awkward.)

      Gyuri Lajos, in the Stop Reset Go team, recommended using Materialize CSS.

      If it is based on Google’s Material Design, there are a lot of resources available to explore the possibilities. If I was building a Progressive Web App, this might be the place to start.

      The project appears to be at an early stage of development, with a 1.0.0 release.

    1. Created and designed by Google, Material Design is a design language that combines the classic principles of successful design along with innovation and technology.
  13. Jul 2021
  14. May 2021
  15. Apr 2021
  16. Mar 2021
  17. Feb 2021
  18. parsejournal.com parsejournal.com
    1. Their modes of operating present an image of how thinking takes shape in and through material and embodied practice
    2. Knowles, however, does not make this point by means of an argument expressed in language, like Barad does, but by means of a material discursive formation
  19. Jan 2021
    1. Open About Popover

      I have to say, I like how it looks in their Apple and Desktop preview better than the Android/Material preview. I wish they had the arrow in Android Material too.

      But on https://sveltematerialui.com/demo/menu-surface it doesn't bother me quite as much...

    1. In my opinion, it can sometimes look odd. Very interestingly, this is by design and is part of the Material design specification. This article isn’t to argue whether it should be this way or not, though; it’s just to change yours such that your MenuItem(s) show below the menu selection, like so:
    1. Material is the metaphor The metaphor of material defines the relationship between space and motion. The idea is that the technology is inspired by paper and ink and is utilized to facilitate creativity and innovation. Surfaces and edges provide familiar visual cues that allow users to quickly understand the technology beyond the physical world.
    1. By default, menus open with an entrance animation. However, on desktop, menus can skip the animation and open instantly instead.

      Why only on desktop? That delay drives me crazy. I would like to skip on web/mobile too.

    1. Outlined buttons are also a lower emphasis alternative to contained buttons, or a higher emphasis alternative to text buttons.
    2. Dialogs use text buttons because the absence of a container helps unify the action with the dialog text. Align text buttons to the right edge for left-to-right scripts.
    3. Text buttons are often embedded in contained components like cards and dialogs, in order to relate themselves to the component in which they appear. Because text buttons don’t have a container, they don’t distract from nearby content.
  20. Dec 2020
    1. There is no denying to the fact that Google is one of the biggest influencers in the design trends every year. The designs by Google have a tremendous impact on how new products will be designed and launched.

      in this write up, I will take you through the new material design guidelines introduced by Google. With that, I will even share a few tips for applying the designs in your business and products.

  21. Nov 2020
    1. I love the Material Design System’s buttons just because their principles are really well thought through.
    1. After a few hours experimenting (updated NPM, NODE, ...) I found that renaming _smui-theme.scss to smui-theme.scss (without underscore prefix) solved the problem. I don't understand the mechanics behind (why in documentation is file with prefix).
  22. Oct 2020
  23. Sep 2020
    1. In this study, we focused on MgO ceramic doped with Tb as apotential dosimeter material. MgO ceramics have excellent thermaland mechanical properties with a high melting point (2800C). Upto now, MgO ceramics doped with several different transition andrare earth elements have been studied for dosimeters[17e21]

      En este estudio, nos enfocamos en el cerámico de MgO dopado con Tb como un potencial material dosimétrico. . Los cerámicos de MgO tienen excelentes propiedades térmicas y mecánicas con un alto punto de fusión (2800°C). Hasta ahora, los cerámicos de MgO dopados con varios diferentes transiciones y elementos de tierras raras han sido estudiados para dosímetros.

    Tags

    Annotators

  24. Aug 2020
    1. I found that many people have bad experience when it comes to styling in Material-UI, so I want to help them overcome that point and see the beauty of it.
  25. Jul 2020
  26. Apr 2020
    1. material complementario

      ¿Cómo se define materiales complementarios para obras que recurren a múltiples recursos, como los transmedia?

  27. Feb 2020
  28. Dec 2019
    1. appropriately drafted material transfer agreement (MTA), as there is currently no legal requirement to that effect

      Are there templates available for "appropriately drafted MTAs"?

  29. Nov 2019
    1. Since the checkbox is rendering an input I would work with it rather than focusing on the image. You could do something like this: const c