Which contradicts her desire to treat her body, to have skin cream, forcing her to use even butter. Both women are pitted against each other because they have one but not the other -- one has their fertility and the other has their vanity.

for - comparison of death in - material vs idealist theories

This seems to be more than just a thin wrapper like https://github.com/rainerschuster/final-form-material-ui was. I kind of prefer the simplicity of focus of final-form-material-ui.

This appears to be attempting to do too much. Though if it gives you exactly what you want, great.

for - sustainable building - phase change material - PCM - DIY - wearable cooling vest - phase change material - PCM

for - sustainable building - PCM - phase change material

for - definition - progress - material - economist Sydney Pollard - improvement

This is not only a nice quote by itself, but seems to be saying something deeper to me about productivity.

There's a difference in productivity for it's own sake, but being both productive in the send of time spent efficiently and productive in the sense of producing something of greater value with your time than you might have spent doing something else which was less valuable, but which might still have been time well spent.

Eine neue Studie der Universität für Bodenkultur beziffert erstmals, wieviel Kohlenstoff zwischen 1900 und 2015 langfristig oder kurzfristig in menschlichen Artefakten wie Gebäuden gespeichert wurde. Die Menge des dauerhaft gespeicherten Kohlenstoffs hat sich seit 1900 versechzehnfacht. Sie reicht aber bei weitem nicht aus, um die globale Erhitzung wirksam zu beeinflussen. Die Möglichkeiten, Boot in Gebäuden zu nutzen, um der Atmosphäre CO2 zu entziehen, werden bisher nicht genutzt. https://www.derstandard.at/story/3000000208522/co2-entnahme-durch-holzbau-ist-bisher-nicht-relevant-fuer-den-klimaschutz

Studie: https://iopscience.iop.org/article/10.1088/1748-9326/ad236b

quoted section from:

St Augustine, Letters, trans. by Wilfrid Parsons, 5 vols. (Baltimore, MD: Catholic University of America Press, 1956), V, Letter 211, ‘To a Convent of Consecrated Virgins’, p. 43.

quote from:<br /> The Booke of the Common Prayer and Administration of the Sacraments (London: 1549), sig. B iiv.

for - building - material - earth - Elisabetta Carnevale - BC Materials - Cycle Terre - Joseph Colzani - Center of the Earth

summary - A good outline of contemporary earth building techniques.

to - Cycle Terre - https://hyp.is/p2mdqLuTEe6W0XcNljBbWA/www.cycle-terre.eu/mise-en-oeuvre/les-materiaux/ - BC Material - https://hyp.is/BY5_nLuVEe6v4-dubnc59A/bcmaterials.org/ - BC Material Studies - https://hyp.is/BY5_nLuVEe6v4-dubnc59A/bcmaterials.org/ - Joseph Colzani and Center of the Earth - https://hyp.is/YvQIeLu4Ee6DACOMT1xOdw/www-centredeterre-fr.translate.goog/le-centre-de-terre/?_x_tr_sch=http&_x_tr_sl=fr&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=sc

for - circular economy - building - excavation waste - circular economy - construction - excavation waste - key insight - repurpose excavation waste as building material

key insight - She makes an pretty important observation about the inefficiency of current linear construction process - The excavation part requires enormous amounts of energy, and the earth that is excavated is treated as waste that must be disposed of AT A COST! - Instead, with a paradigm shift of earth as a valuable building resource, the excavation PRODUCES the building materials! - This is precisely what BC Material's circular economy business model is and it makes total sense!<br /> - With a simple paradigm and perspective shift, waste is suddenly transformed into a resource! - waste2resource - waste-to-resource

new meme - Waste-2-Resource

for - helioterra - building - material - earth - phase change

Sounds similar to Umberto Eco's admonition about photocopying: https://hypothes.is/a/U3Sg_r0ZEe25T2tD3U-nmw

This is quite similar to the advice by Sonke Ehrens and Nikolas Luhmann.

Gilmore, William J. Reading Becomes Necessity of Life: Material Cultural Life in Rural New England, 1780-1835. Knoxville: University of Tennessee Press, 1992. https://www.amazon.com/Reading-Becomes-Necessity-Life-1780-1835/dp/0870497685

ᔥ[[Dan Allosso]] in Darwin's Grandfather

evidence of comedy shift from 50s/60s of one liners to more story-based comedy of the 2000s onward. Some of this may come about through idea links or story links as seen in some of Diller's paperclipped cards (see https://hypothes.is/a/W9Wz-EXsEe6nZxew_8BUCg).

BredenbeckCorp, Hanna. “The Evolution of Phyllis Diller’s Career in 7 Objects.” Smithsonian Institution (blog), March 13, 2017. https://www.si.edu/object/evolution-phyllis-dillers-career-7-objects%3Aposts_f0bf8f9142b02dbb88d3d720517f6697

quote by Hanna BredenbeckCorp, of Smithsonian on Phyllis Diller's gag file

E-books have caused the missions of many libraries to shift away from institutions that provide democratic access to a preserved culture.

quote is from Highsmith's Plotting and Writing Suspense Fiction

I love the concept of "slender ideas" as small, fleeting notes which might accumulate into something if written down. In saying "Close the notebook and think about it for a few days" Patricia Highsmith seems to be suggesting that one engage in diffuse thinking, passive digesting, or mulling rather than active or proactive thinking.

She also invokes the magic word "presto!" (which she exclaims) as if to indicate that magically the difficult work of writing is somehow no longer difficult. Many writers seem to indicate that this is a phenomenon, but never seem to put their finger on the mechanism of why it happens. Some seems to stem from the passive digestion over days with diffuse thinking, with portions may also stem from not starting from a blank page and having some material to work against instead of a vacuum.

From Patricia Highsmith: Her Diaries and Notebooks: 1941-1995 (Swiss Literary Archives)

In addition to the honeybee metaphor, Seneca compared note taking and collecting sententiae to a stomach digesting food and a choir producing a harmonized sound out of many voices.

(Sources from these last two? Potentially Epistle LXXXIV?)

This is a fascinating bit of reading practice.

A book can't only be about the text, it has to be about the reader's interaction with it and thoughts about it. Without these, the object has no value.

Annotations are the traces left behind of how one valued a book as they read and interacted with it.

reply https://forum.zettelkasten.de/discussion/comment/16622/#Comment_16622

Adler has an excellent primer on this subject that covers a lot of the basics in reasonable depth: - Adler, Mortimer J. “How to Mark a Book.” Saturday Review of Literature, July 6, 1940. (https://stevenson.ucsc.edu/academics/stevenson-college-core-courses/how-to-mark-a-book-1.pdf)

Marking books can be useful not only to the original reader, but future academics and historians studying material culture (eg: https://apps.lib.umich.edu/online-exhibits/exhibits/show/marks-in-books), and as @GeoEng51 indicates they might be shared by friends, family, romantic interests, or even perhaps all of the above (see: https://newcriterion.com/issues/2017/4/mrs-custers-tennyson).

For those interested in annotation marks and symbols (like @ctietze's "bolt" ↯) I outlined a few ideas this last month at: https://www.reddit.com/r/Zettelkasten/comments/10qw4l5/comment/j6vxn6a/?utm_source=reddit&utm_medium=web2x&context=3

What do you notice about the position of the method section in the paper? Is this the same as in the Report Writing Guidelines?

Bacon, Bennett, Azadeh Khatiri, James Palmer, Tony Freeth, Paul Pettitt, and Robert Kentridge. “An Upper Palaeolithic Proto-Writing System and Phenological Calendar.” Cambridge Archaeological Journal, January 5, 2023, 1–19. https://doi.org/10.1017/S0959774322000415.

https://www.cambridge.org/core/journals/cambridge-archaeological-journal/article/an-upper-palaeolithic-protowriting-system-and-phenological-calendar/6F2AD8A705888F2226FE857840B4FE19

There may be questions as to whether or not this represents written language, but, if true, this certainly represents one of the oldest examples of annotation in human history!

cc: @remikalir

Course materials.

know that the recipient is already familiar with the subject. 17

17 Indeed, writers often used this shared understanding to stress the relationship they had with the recipients.

relatable to: https://hypothes.is/a/wIyvtm0oEeyNypNtc--Clw

machine translation (Google):

The estate is not only a scientific-historical document, but also interesting because of the back: Jungius used sermon texts and devotional literature, school notes and old letters as note paper. In addition, much was left in the estate that was assigned to him at some point, including a number of manuscripts by someone else, e.g. B. to the astronomy of Nicolaus Reimers.

In addition to the inherent value of the notes which Jungius took and which present a snapshot of the state-of-the art of knowledge for his day, there is a secondary source of value as he took his notes on scraps of paper that represent sermon texts and devotional literature, school notes, and old letters. These represent their own historical value separate from his notes.

link to https://hypothes.is/a/m2izykwGEe2TaktJuW0Qgg

Deutsch used flimsy copy paper, much like Niklas Luhmann, and as a result some are on the verge of disintegration through use over time.

The wear of the paper here, however, is indicative of active use over time as well as potential care in use, a useful historical fact.

Hamblin, J. (2021, December 9). Perspective | Omicron won’t keep us from ending the pandemic. We’re doing that ourselves. Washington Post. https://www.washingtonpost.com/outlook/2021/12/09/omicron-coronavirus-individual-threat/

I was doing some random searches for older material on zettelkasten in German and came across this.

Apparently I've come across this before in a similar context: https://hypothes.is/a/CsgyjAXQEeyMfoN7zLcs0w

The description now makes me want to read it all the more!

This is a book about a box that contained the world. The box was the Picture Academy for the Young, a popular encyclopedia in pictures invented by preacher-turned-publisher Johann Siegmund Stoy in eighteenth-century Germany. Children were expected to cut out the pictures from the Academy, glue them onto cards, and arrange those cards in ordered compartments—the whole world filed in a box of images.

As Anke te Heesen demonstrates, Stoy and his world in a box epitomized the Enlightenment concern with the creation and maintenance of an appropriate moral, intellectual, and social order. The box, and its images from nature, myth, and biblical history, were intended to teach children how to collect, store, and order knowledge. te Heesen compares the Academy with other aspects of Enlightenment material culture, such as commercial warehouses and natural history cabinets, to show how the kinds of collecting and ordering practices taught by the Academy shaped both the developing middle class in Germany and Enlightenment thought. The World in a Box, illustrated with a multitude of images of and from Stoy's Academy, offers a glimpse into a time when it was believed that knowledge could be contained and controlled.

Given the portions about knowledge and control, it might also be of interest to @remikalir wrt his coming book.

Historical Hypermedia: An Alternative History of the Semantic Web and Web 2.0 and Implications for e-Research. .mp3. Berkeley School of Information Regents’ Lecture. UC Berkeley School of Information, 2010. https://archive.org/details/podcast_uc-berkeley-school-informat_historical-hypermedia-an-alte_1000088371512. archive.org.

https://www.ischool.berkeley.edu/events/2010/historical-hypermedia-alternative-history-semantic-web-and-web-20-and-implications-e.

https://www.ischool.berkeley.edu/sites/default/files/audio/2010-10-20-vandenheuvel_0.mp3

Interface as Thing - book on Paul Otlet (not released, though he said he was working on it)

• W. Boyd Rayward 1994 expert on Otlet
• Otlet on annotation, visualization, of text
• TBL married internet and hypertext (ideas have sex)
• V. Bush As We May Think - crosslinks between microfilms, not in a computer context
• Ted Nelson 1965, hypermedia

t=540

• Michael Buckland book about machine developed by Emanuel Goldberg antecedent to memex
• Emanuel Goldberg and His Knowledge Machine: Information, Invention, and Political Forces (New Directions in Information Management) by Michael Buckland (Libraries Unlimited, (March 31, 2006)
• Otlet and Goldsmith were precursors as well

four figures in his research: - Patrick Gattis - biologist, architect, diagrams of knowledge, metaphorical use of architecture; classification - Paul Otlet, Brussels born - Wilhelm Ostwalt - nobel prize in chemistry - Otto Neurath, philosophher, designer of isotype

Paul Otlet

• wrote bibliography on law
• book: Something on Bibliography #wanttoread
• universal decimal classification system
• mundaneum
• Le Corbusier - architect worked with Otlet for building for Mundaneum; See: https://socks-studio.com/2019/05/05/the-shape-of-knowledge-the-mundaneum-by-paul-otlet-and-henri-la-fontaine/

Otlet was interested in both the physical as well as the intangible aspects of the Mundaneum including as an idea, an institution, method, body of work, building, and as a network.<br /> (#t=1020)

Early iPhone diagram?!?

(roughly) armchair to do the things in the web of life (Nelson quote) (get full quote and source for use) (circa 19:30)

compares Otlet to TBL

Michael Buckland 1991 <s>internet of things</s> coinage - did I hear this correctly? https://en.wikipedia.org/wiki/Internet_of_things lists different coinages

Turns out it was "information as thing"<br /> See: https://hypothes.is/a/kXIjaBaOEe2MEi8Fav6QsA

sugane brierre and otlet<br /> "everything can be in a document"<br /> importance of evidence

The idea of evidence implies a passiveness. For evidence to be useful then, one has to actively do something with it, use it for comparison or analysis with other facts, knowledge, or evidence for it to become useful.

transformation of sound into writing<br /> movement of pieces at will to create a new combination of facts - combinatorial creativity idea here. (circa 27:30 and again at 29:00)<br /> not just efficiency but improvement and purification of humanity

put things on system cards and put them into new orders<br /> breaking things down into smaller pieces, whether books or index cards....

Otlet doesn't use the word interfaces, but makes these with language and annotations that existed at the time. (32:00)

Otlet created diagrams and images to expand his ideas

Otlet used octagonal index cards to create extra edges to connect them together by topic. This created more complex trees of knowledge beyond the four sides of standard index cards. (diagram referenced, but not contained in the lecture)

Otlet is interested in the "materialization of knowledge": how to transfer idea into an object. (How does this related to mnemonic devices for daily use? How does it relate to broader material culture?)

Otlet inspired by work of Herbert Spencer

space an time are forms of thought, I hold myself that they are forms of things. (get full quote and source) from spencer influence of Plato's forms here?

Otlet visualization of information (38:20)

S. R. Ranganathan may have had these ideas about visualization too

atomization of knowledge; atomist approach 19th century examples:S. R. Ranganathan, Wilson, Otlet, Richardson, (atomic notes are NOT new either...) (39:40)

Otlet creates interfaces to the world - time with cyclic representation - space - moving cube along time and space axes as well as levels of detail - comparison to Ted Nelson and zoomable screens even though Ted Nelson didn't have screens, but simulated them in paper - globes

Katie Berner - semantic web; claims that reporting a scholarly result won't be a paper, but a nugget of information that links to other portions of the network of knowledge.<br /> (so not just one's own system, but the global commons system)

Mention of Open Annotation (Consortium) Collaboration:<br /> - Jane Hunter, University of Australia Brisbane & Queensland<br /> - Tim Cole, University of Urbana Champaign<br /> - Herbert Van de Sompel, Los Alamos National Laboratory annotations of various media<br /> see:<br /> - https://www.researchgate.net/publication/311366469_The_Open_Annotation_Collaboration_A_Data_Model_to_Support_Sharing_and_Interoperability_of_Scholarly_Annotations - http://www.openannotation.org/spec/core/20130205/index.html - http://www.openannotation.org/PhaseIII_Team.html

trust must be put into the system for it to work

coloration of the provenance of links goes back to Otlet (~52:00)

Creativity is the friction of the attention space at the moments when the structural blocks are grinding against one another the hardest. —Randall Collins (1998) The sociology of philosophers. Cambridge, MA: Harvard University Press (p.76)

https://www.levenger.com/reading-1140/bookends-and-bookstands-23025/tree-of-knowledge-book-stand-17300.aspx

Interesting piece of material culture hearkening back to an older analog era, but compatible with new digital technology (note the cut out for a power cord with use of a tablet or other digital reading/display device.)

Siltstone is a potentially valuable by-product material from de-silting of riverbeds as means of flood aid.

[35]

SUPER IMPORTANT

1. Types of comprehension exercises/activities over comprehension questions. This has a big co-relation to the last paragraph of this page.

Quoting answers is the easiest form of answering a questions. This means I should have more of these types of questions at low-level class.

20.

Suggested teaching methods

Would you like to speed up the performance of your product?

With innovative and fast electric equipment, designers and engineers can speed up the product. Not only this, you need a high speed PCB run faster.

Read the blog further to understand the rules and challenges of high-speed PCB design.

safer, longer life, less exotic materials, & what we seem to be switching back to.

https://hcommons.org/deposits/item/hc:33585/

See also Wiki created in combination with this course: https://digitalbookhistory.com/culturesofthebook/Main_Page

https://digitalbookhistory.com/culturesofthebook/Main_Page

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'> whitney trettien </span> in whitney trettien on Twitter: "Curious about the development of different book technologies? The students in my "Cultures of the Book" seminar last semester made a wiki for you! Each entry is a short essay that uses examples from @upennlib. Open & free to use/remix: https://t.co/XN0C51MLrv" / Twitter (<time class='dt-published'>06/20/2022 01:10:21</time>)</cite></small>

The course Marginalia in Books from Christopher Ohge is just crying out to have an annotated syllabus.

Wish I could follow along directly, but there's some excellent reference material hiding in the brief outline of the course.

Perhaps a list of interesting people here too for speaking at https://iannotate.org/ 2022 hiding in here? A session on the history of annotation and marginalia could be cool there.

https://archaeologyofreading.org/

The Archaeology of Reading in Early Modern Europe (AOR) uses digital technologies to enable the systematic exploration of the historical reading practices of Renaissance scholars nearly 450 years ago. This is possible through AOR’s corpus of thirty-six fully digitized and searchable versions of early printed books filled with tens of thousands of handwritten notes, left by two of the most dedicated readers of the early modern period: John Dee and Gabriel Harvey.

Perhaps some overlap here with: - Workshop in the History of Material Texts https://pennmaterialtexts.org/about/events/ - Book Traces https://booktraces.org via Andrew Stauffer, et al. - Schoenberg Institute's Coffe with a Codex https://schoenberginstitute.org/coffee-with-a-codex/ (perhaps to a lesser degree)

https://www.sas.ac.uk/events/event/25322

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Jeremy Cherfas</span> (email) (<time class='dt-published'>06/16/2022 07:18:14</time>)</cite></small>

Having a physical note taking system also stands as a physical reminder and representation of one's work and focus. It may be somewhat out of the way on a shelf, but it takes up space in a way that digital files and notes do not. This invites one into using and maintaining it.

Link to - tying a string on one's finger as a reminder - method of loci - orality

Discussion on

Bellinger C, Drozdyuk A, Crowley M, Tamblyn I. Balancing Information with Observation Costs in Deep Reinforcement Learning. Proceedings of the Canadian Conference on Artificial Intelligence [Internet]. 2022 May 27; Available from: https://caiac.pubpub.org/pub/0jmy7gpd

Some scholars study annotations as part of material culture. Are they leaving out too much by solely studying those physically left in the books about which they were made, or should we instead also be looking at other sources like commonplace books, notebooks, note cards, digital spaces like e-readers that allow annotation, social media where texts are discussed, or even digital marginalia in services like Hypothes.is or Perusall?

Some of these forms of annotation allow a digital version of cut and paste which doesn't cause damage to the original text, which should be thought of as a good thing though it may separate the annotations from the original physical object.

The dendroglyphs (markings on trees) or the petroglyphs (markings on stone in the stony territories) are the libraries of the indigenous peoples who always relate their stories from the markings back up to the sky.

via Uncle Ghillar Michael Anderson

Can this be linked to the practices of the Druids who may have had similar methods? How about linking the petroglyphs in the Celtic (English) countryside?

Sönke Ahrens used Hans-Jörg Rheinberger's description of experimental work as a form of material deconstruction as a framework for looking at Niklas Luhmann.

Rheingolds Internetseite checken - vllt finde ich hier etwas, das ich im krit. Denken Seminar und/oder für die Workshops/den Arbeitskreis nutzen kann

The callback seems to receive 2 arguments. e and reactChild

In the past I got the selected value using e.target.value This seems to work.

Not sure of the use of the reactChild element that the callback receives.

Another important note regarding recording the recorded value of the select is noted in the "value" prop explanition ( below, on this very page )

https://pennmaterialtexts.org/homepage

How awesome looking is this? Note the regular online meetings/presentations and the backlog of videos on their YouTube channel: https://www.youtube.com/channel/UC8Ng6px3fgc4Yjw-en1GcsA

You might want to turn it into a span for any number of reasons. eg if you want one word in a sentence to be another color / style eg. I wear a red hat

<Typography component="div" > Contact Details : <Typography component="div" display="inline" variant="body2" color="black"> elroinoronha2@gmail.com </Typography> </Typography>

(copy it to a code editor for the code to make sense)

is a good solution since it defeats the "h1 cannot be a child of h1" DOM error + let us use the sx prop.

We would not be able to use sx prop to style the inline part if we would use the native <span> component ie. <Typography > yo mama <span> so fat </span> </Typography>

You would have to use inline style styling instead.

This <Box/> method is the preffered way of doing it. The <Paper/> method too is a good idea. The basic reasoning is that only MUI components support the sx prop ie. only they can fully use the MUI systems features. Thus, it doesnt make sense to use the native <img/> component in the markup, as it does not support sx

The SX prop does not work with non MUI components eg. native <img/> component. To style this, you will have to use the native inline styling ie. <img style=" ............". /> If you want to style the img and use some MUI system specific features, ie. you need to use sx ; do the following. Use <Box component="img" sx={{ }} /> instead. This supports the sx prop, thus your image will be customizable with sx prop.

The color prop does not support all MUI theme colors / their shades DIRECTLY through its color prop. Eg. The color prop supports primary but not primary.main/dark. It does not support the palette warning color at all.

To remedy this you have 2 options 1 BETTER -- give the icon the desired color through the sx prop OR 2. wrap the icon in a box and give the box to desired color

https://site.pennpress.org/material-texts-2021/

Came across as the result of the Schoenberg Symposium on Manuscript Studies on 2021-11-17.

https://site.pennpress.org/material-texts-2021/9780812224955/bitstreams/

Something about this seems related to the ideas of archiving and saving digital and physical culture.

https://infohist.fas.harvard.edu/news/information-cultures-series-john-hopkins-university-press

This looks like a fascinating series and who could go wrong with Ann Blair, Anthony Grafton, and Earle Havens?

Also interesting to see what sorts of things they will find interesting at the cutting edge of all these disciplines.

(The English here sounds awkward.)

Gyuri Lajos, in the Stop Reset Go team, recommended using Materialize CSS.

If it is based on Google’s Material Design, there are a lot of resources available to explore the possibilities. If I was building a Progressive Web App, this might be the place to start.

The project appears to be at an early stage of development, with a 1.0.0 release.

Sheetal, A., Feng, Z., & Savani, K. (2020). Using Machine Learning to Generate Novel Hypotheses: Increasing Optimism About COVID-19 Makes People Less Willing to Justify Unethical Behaviors. Psychological Science, 31(10), 1222–1235. https://doi.org/10.1177/0956797620959594

Hoogeveen, S., Sarafoglou, A., & Wagenmakers, E.-J. (2020). Laypeople Can Predict Which Social-Science Studies Will Be Replicated Successfully: Advances in Methods and Practices in Psychological Science. https://doi.org/10.1177/2515245920919667

I guess this is what we would use for a popover, but why doesn't https://material.io/components/ (neither https://www.material.io/components/menus nor https://material.io/components/tooltips) say anything about popovers?

I have to say, I like how it looks in their Apple and Desktop preview better than the Android/Material preview. I wish they had the arrow in Android Material too.

But on https://sveltematerialui.com/demo/menu-surface it doesn't bother me quite as much...

Why only on desktop? That delay drives me crazy. I would like to skip on web/mobile too.