the erosion between whiteness andgainful employment that Davidson and Saul arguedled to a cultural backlash from white Americans andhas caused them to move from the left to the far-rightas a form of retaliation against the neoliberal cosmo-politan left.

The job losses described here are notupper management positions but rather jobs formerlyoccupied by the white working class.

On-Demand Food Delivery App Solution

Alan Clark Agreed...also; learning = change in behaviour, is another widely held belief.

Or, you may say that this business of marking books is going to slow up your reading. It probably will. That's one of the reasons for doing it. Most of us have been taken in by the notion that speed of reading is a measure of our intelligence. There is no such thing as the right speed for intelligent read-ing. Some things should be read quick-ly and effortlessly, and some should be read slowly and even laboriously. The sign of intelligence in reading is the ability to read different things dif-ferently according to their worth.

Bette Nesmith Graham (March 23, 1924 – May 12, 1980) was an American typist, commercial artist, and the inventor of the correction fluid Liquid Paper. She was the mother of musician and producer Michael Nesmith of The Monkees.

Typewriter Correction

A NorthCarolina proprietor, John Colleton, observed in Barbados that poor whiteswere called “white slaves” by black slaves; it struck him that the samecontempt for white field hands prevailed in the southern colonies in NorthAmerica.47

Many contemporaries connected slavery to English idleness. WilliamByrd weighed in on the ban against slavery in Georgia in a letter to aGeorgia trustee. He saw how slavery had sparked discontent among poorwhites in Virginia, who routinely refused to “dirty their hands with Labourof any kind,” preferring to steal or starve rather than work in the fields.Slavery ruined the “industry of our White People,” he confessed, for theysaw a “Rank of Poor Creatures below them,” and detested the thought ofwork out of a perverse pride, lest they might “look like slaves.”

By 1700, we should note, slaves comprised half the population of thesouthern portion of the Carolina colony, an imbalance that widened to 72percent by 1740. Beginning in 1714, a series of laws required that for everysix slaves an owner purchased, he had to acquire one white servant.Lamenting that the “white population do not proportionally multiply,”South Carolina lawmakers had one more reason to wish that a corps ofLeet-men and women had actually been formed. Encouraged to marry andmultiply, tied to the land, they might have provided a racial and class barrierbetween the slaves and the landed elites.13

These efforts were magnified as a result of promotional skillsdemonstrated by such organizations as the Colonial Dames, who worked toelevate the Mayflower Pilgrims and Winthrop’s Puritans into some of theforemost figures in our national memory.

Brian Stephenson@bstephen2·Aug 4, 2020Interesting to see this database, which I had read about. In the UK a #chess study enthusiast called Richard Harman built up a collection of endgame studies on index cards, indexed by material and features. He was regularly consulted by judges for 'anticipations' of new studies.1Brian Stephenson@bstephen2·Aug 4, 2020Richard died in 1986 and his Harman Database is now in my house. I kept it up-to-date for a few years but it was superseded many years ago by Harold van der Heijden's electronic database.1Brian Stephenson@bstephen2·Aug 4, 2020Card indices of #ChessProblem s exist around the World. The White-Hume Collection was split up years ago but some of it still exists. The Albrecht Collection in Germany is now on computer database and kept by Udo Degener.

Brian Stephenson@bstephen2·Aug 5, 2020As for the Pirnie collection, not counted it, but I am slowly going through it for my online #ChessProblem database: http://bstephen.me.uk/meson/meson.pl?opt=top… . Also going through several boxes of the White-Hume Collection which I have.

Once Satoshi Nakamoto published his white paper on Bitcoin on the P2P Foundation Ning forum

The role of white women in leadership has evolved in contrast to black women, who are underrepresented in these positions.

Notwithstanding, studies have shown that a large proportion of black women aspire to be leaders, but encounter barriers and challenges during their journey, which are quite different from those experienced by white women and black men.

By the time Andrew White wrote his A History of the Warfare of Science with Theology in Christendom (1896) (online here), Columbus’s struggles to overcome a medieval Church that believed in a flat earth had become historical fact.

the "Drawing on the Right Side of the Brain" lady, shows these two tables

we have all sorts of stupid biases when it comes to leadership selection.

For many people, “Camelot” is more familiar as a metaphor than as a musical — it depicts a noble effort to create a just society, often associated with the Kennedy administration, because Jacqueline Kennedy, in an interview shortly after President John F. Kennedy’s assassination, mentioned her husband’s fondness for the show, and quoted a final lyric: “Don’t let it be forgot, that once there was a spot, for one brief shining moment, that was known as Camelot.”

Sam Charter’s LP anthology on Folkways, The Country Blues. This opened up a rabbit hole that still has no end. The LP was meant as a supplement to Charter’s book of the same name, although I didn’t read the book until much later. I first heard the album cold, with no historical context or biographical information. The music was stunning. ‘Careless Love’ by Lonnie Johnson I played over and over again. To this day I love Lonnie Johnson. There was ‘Fixin’ To Die’ by Bukka White and ‘Statesboro Blues’ by Blind Willie McTell. Masterpieces! These performances knocked my socks off. And Gus Cannon’s ‘Walk Right In’—I remembered that as a radio hit by the Rooftop Singers, only this was a thousand times better. The Country Blues anthology gave me an appetite to hear more of this stuff, and to find out more about these musicians.

there is a peculiar behavior among most Caucasians. As soon as I become critical of Europe and its impact on other cultures, they become defensive. They begin to defend themselves. But I'm not attacking them personally; I'm attacking Europe. In personalizing my observations on Europe they are personalizing European culture, identifying themselves with it. By defending themselves in this context, they are ultimately defending the death culture. This is a confusion which must be overcome, and it must be overcome in a hurry. None of us has energy to waste in such false struggles.  Caucasians have a more positive vision to offer humanity than European culture. I believe this. But in order to attain this vision it is necessary for Caucasians to step outside European culture--alongside the rest of humanity--to see Europe for what it is and what it does.  To cling to capitalism and Marxism and all other "isms" is simply to remain within European culture. There is no avoiding this basic fact. As a fact, this constitutes a choice. Understand that the choice is based on culture, not race. Understand that to choose European culture and industrialism is to choose to be my enemy. And understand that the choice is yours, not mine.  This leads me back to address those American Indians who are drifting through the universities, the city slums, and other European institutions. If you are there to resist the oppressor in accordance with your traditional ways, so be it. I don't know how you manage to combine the two, but perhaps you will succeed. But retain your sense of reality. Beware of coming to believe the white world now offers solutions to the problems it confronts us with. Beware, too, of allowing the words of native people to be twisted to the advantages of our enemies. Europe invented the practice of turning words around on themselves. You need only look to the treaties between American Indian peoples and various European governments to know that this is true. Draw your strength from who you are.  A culture which regularly confuses revolt with resistance, has nothing helpful to teach you and nothing to offer you as a way of life. Europeans have long since lost all touch with reality, if ever they were in touch with who you are as American Indians.  So, I suppose to conclude this, I should state clearly that leading anyone toward Marxism is the last thing on my mind. Marxism is as alien to my culture as capitalism and Christianity are. In fact, I can say I don't think I'm trying to lead anyone toward anything. To some extent I tried to be a "leader," in the sense that the white media like to use that term, when the American Indian Movement was a young organization. This was a result of a confusion I no longer have. You cannot be everything to everyone. I do not propose to be used in such a fashion by my enemies. I am not a leader. I am an Oglala Lakota patriot. That is all I want and all I need to be. And I am very comfortable with who I am." 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a new and insidious tactic is threatening to undermine our efforts to build a more sustainable future: climate delay

so this was something that was in the air was that if they mainstreamed white supremacy correctly they could get 00:06:13 people to buy into it and not back away because they were afraid of being called racist

trying to figure out ways 00:06:38 that you could access people and make them feel like it's okay to lean into white nationalism that they don't have to be afraid of being branded with that label

they come from every socioeconomic status they're lawyers they have grad degrees they have college degrees and there's also people who come into it who only have a high school degree 00:01:53 but i think we really miss something if we believe that the white people in america and in other countries who are attracted to this movement come only from poverty or uneducated it's not accurate

i try to use the term white supremacy to talk about that history and white nationalism to talk about this 00:02:31 social movement and because it's a movement where people recognize each other they know uh their friends

Credential Engine Learning and Employment RecordsAction Guide

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There’s a printed facsimile of the White Book, (Llyfr Gwyn Rhydderch) one of the two central medieval Welsh manuscripts of the Mabinogi and the other tales, all in Welsh.

“Usethe smallest word that does the job,”advised essayist and journalist E. B.White.20

From these considerations, I hope the reader will un-derstand that in a way I never " s t a r t " writing on a project;I am writing continuously, either in a more personal vein,in the files, in taking notes after browsing, or in moreguided endeavors

this of course makes our Declaration of Independence a systemically white supremacist document that assumes the dehumanization of indigenous peoples

Jack London, the noted American writer who summed up all the collective teeth-gnashing going on by openly calling for a "great white hope" to step up and win back their race's pride. London wrote: "Jim Jeffries must now emerge from his Alfalfa farm and remove that golden smile from Jack Johnson's face. Jeff, it's up to you. The White Man must be rescued."

In his interviews, he likes to emphasize that, in each book, he’s back to square one.

Hemingway Bridge.” He wouldalways end a writing session only when he knew what came next inthe story. Instead of exhausting every last idea and bit of energy, hewould stop when the next plot point became clear. This meant thatthe next time he sat down to work on his story, he knew exactlywhere to start. He built himself a bridge to the next day, using today’senergy and momentum to fuel tomorrow’s writing.

The myth of the writer sitting down before a completely blankpage, or the artist at a completely blank canvas, is just that—a myth.

And the added bonus here is that Devonthink has a wonderful feature where you can take the entire contents of a folder and condense it down into a single text document. So that's how I launch myself into the actual writing of the book. I grab the first chapter folder and export it as a single text document, open it up in my word processor, and start writing. Instead of confronting a terrifying blank page, I'm looking at a document filled with quotes: from letters, from primary sources, from scholarly papers, sometimes even my own notes.

American journalist, author, and filmmaker Sebastian Junger oncewrote on the subject of “writer’s block”: “It’s not that I’m blocked. It’sthat I don’t have enough research to write with power and knowledgeabout that topic. It always means, not that I can’t find the right words,[but rather] that I don’t have the ammunition.”7

Reviewing The Original of Laura, Alexander Theroux describes the cards as a “portable strategy that allowed [Nabokov] to compose in the car while his wife drove the devoted lepidopterist on butterfly expeditions.”

An early example of a timber circle witnessed by Europeans was recorded by watercolor artist John White in July 1585 when he visited the Algonquian village of Secotan in North Carolina. White was the artist-illustrator and mapmaker for the Roanoke Colony expedition sent by Sir Walter Raleigh to begin the first attempts at British colonization of the Americas.[2] White's works represent the sole-surviving visual record of the native inhabitants of the Americas as encountered by England's first colonizers on the Atlantic seaboard.[3] White's watercolor and the writings of the chronicler who accompanied him, Thomas Harriot, describes a great religious festival, possibly the Green Corn ceremony, with participants holding a ceremonial dance at a timber circle. The posts of the circle were carved with faces. Harriot noted that many of the participants had come from surrounding villages and that "every man attyred in the most strange fashion they can devise havinge certayne marks on the backs to declare of what place they bee." and that "Three of the fayrest Virgins" danced around a central post at the center of the timber circle.[4]

which by Geber is called white lead, who teachethteaches allsoalso, which way SaturneSaturn may by washing with Mercury be converted into Jupiter

One subtle advantage of this approach is that it helps you avoid the “blank page problem,” one of the major drivers of writerly procrastination.

Every intellectual endeavour starts from an already existingpreconception, which then can be transformed during further inquiresand can serve as a starting point for following endeavours. Basically,that is what Hans-Georg Gadamer called the hermeneutic circle

ere we only white birds, my

I could quote Luhmann on this as well, who thought that "without writing one cannot think," But there is nothing peculiarly "Luhmannian" about this idea. Isaac Asimov is said to have said "Writing to me is simply thinking through my fingers." And, to give one other example, E. B. White (of "Strunk and White" fame) claimed that "writing is one way to go about thinking." In other words, writing is thinking. And since I do almost all my significant writing in ConnectedText these days, it might be called my "writing environment."

The main feature of iA Writer is not having many features. The program is, essentially, a white rectangle, where the user can do little else but type in a custom monospaced font. There are no headers, footers, drawing tools, or chatty paper-clip assistants. The bare-bones interface uses special characters in a simple formatting language called Markdown to bold, italicize, or otherwise transform text—a way of encouraging writers to keep their hands on the keyboard and their minds on their work.

“One of the vital things for a writer who’s writing a book, which is a lengthy project and is going to take about a year, is how to keep the momentum going. It is the same with a young person writing an essay. They have got to write four or five or six pages. But when you are writing it for a year, you go away and you have to come back. I never come back to a blank page; I always finish about halfway through. To be confronted with a blank page is not very nice. But Hemingway, a great American writer, taught me the finest trick when you are doing a long book, which is, he simply said in his own words, “When you are going good, stop writing.” And that means that if everything’s going well and you know exactly where the end of the chapter’s going to go and you know just what the people are going to do, you don’t go on writing and writing until you come to the end of it, because when you do, then you say, well, where am I going to go next? And you get up and you walk away and you don’t want to come back because you don’t know where you want to go. But if you stop when you are going good, as Hemingway said…then you know what you are going to say next. You make yourself stop, put your pencil down and everything, and you walk away. And you can’t wait to get back because you know what you want to say next and that’s lovely and you have to try and do that. Every time, every day all the way through the year. If you stop when you are stuck, then you are in trouble!” ― Roald Dahl

White finds reason for optimism: the end of protest inaugurates a new era of social change.

Powerful Global North governments, corporations, and individuals today don’t need to resort to explicit violence — invasion, seizure, genocide, and enslavement — in order to control other countries. Instead, they can use structural violence — leveraging aid, market access, and philanthropic interventions in order to force lower-income countries to do what they want.

The agenda item did bring in one detractor in resident Mike Mohill, who called it “polarizing” and described the city as being “very fine” in its current era.

monopoly over public discourse

So these two classes, rising professionals and sinking workers, which a couple of generations ago were close in income and not so far apart in mores, no longer believe they belong to the same country. But they can’t escape each other, and their coexistence breeds condescension, resentment, and shame.

‘Don’t get fooled by those mangled teeth she sports on camera!’ says the ABC News host introducing the woman who plays Pennsatucky. ‘Taryn Manning is one beautiful and talented actress.’ This suggestion that bad teeth and talent, in particular, are mutually exclusive betrays our broad, unexamined bigotry toward those long known, tellingly, as ‘white trash.’ It’s become less acceptable in recent decades to make racist or sexist statements, but blatant classism generally goes unchecked. See the hugely successful blog People of Walmart that, through submitted photographs, viciously ridicules people who look like contemporary US poverty: the elastic waistbands and jutting stomachs of diabetic obesity, the wheelchairs and oxygen tanks of gout and emphysema. Upper-class supremacy is nothing new. A hundred years ago, the US Eugenics Records Office not only targeted racial minorities but ‘sought to demonstrate scientifically that large numbers of rural poor whites were genetic defectives,’ as the sociologist Matt Wray explains in his book Not Quite White: White Trash and the Boundaries of Whiteness (2006). The historian and civil rights activist W E B du Bois, an African American, wrote in his autobiography Dusk of Dawn (1940) that, growing up in Massachusetts in the 1870s, ‘the racial angle was more clearly defined against the Irish than against me. It was a matter of income and ancestry more than colour.’ Martin Luther King, Jr made similar observations and was organising a poor-people’s march on Washington at the time of his murder in 1968.

White-box tests at the system level (formerly known as System / Feature tests)

Levels

White-box testing (also known as clear box testing, glass box testing, transparent box testing, and structural testing) is a method of software testing that tests internal structures or workings of an application, as opposed to its functionality (i.e. black-box testing)

I know tech policy pretty well, and this absolute dumpster fire of a policy area isn’t just a cool new place to build a blockchain-based commons, but a hard-right haven of male libertarians asset-stripping the social democratic state to build global monopolies that re-run nineteenth century colonialism, but bigger.