https://zirk.us/@shengokai/109440759945863989

If the individuals in an environment don't understand or perceive the affordances available to them, can the interactions between them and the environment make it seem as if the environment possesses agency?

cross reference: James J. Gibson book The Senses Considered as Perceptual Systems (1966)

People often indicate that social media "causes" outcomes among groups of people who use it. Eg: Social media (via algorithmic suggestions of fringe content) causes people to become radicalized.

https://tomfinley.co/friends/

https://projects.propublica.org/represent/

I went through some of the pieces in the collection. It is important to give a platform to the voices that are missing from the conversation usually.

Just a few similar initiatives that you might want to check out:

Storycorps - people can record their stories via an app

Project Voice - spoken word poetry

Living Library - sharing one's story

Freedom Writers - book and curriculum based on real-life stories

Perhaps EIP could partner with On the Media to produce a trope consumer handbook for elections, vaccines, and various conspiracy theory areas?

Cross reference: https://www.wnycstudios.org/podcasts/otm/projects/breaking-news-consumers-handbook

https://www.zylstra.org/blog/2022/09/10-thoughts-after-100-annotations-in-hypothes-is/

https://socialmediaissues.net/

Website for Social Media Issues, A resource for Comm 182/282. A course offered by Howard Rheingold at Stanford, Autumn, 2013

https://lucybellwood.com/never-again/

https://wiki.laptop.org/go/User:Sj/coralline

https://cohost.org/rc/welcome

Brian Eno's experiments in generative music mirror some of the ideas of generative and experimental fiction which had been in the zeitgeist and developing for a while.

Certainly the fictional ideas were influential to the zeitgeist here, but the technology for doing these sorts of things in the musical realm lagged the ability to do them in the word realm.

We're just starting to see some of these sorts of experimental things in the film space and with artificial intelligence they're becoming much easier to do in all of these media spaces.

In some of the film spaces, they exist, but may tend to be short in nature, in part given the technology and processing power required.

see also: Deepfake TikTok of Keanu Reeves which I've recently run across (algorithmically) on Instagram: https://www.dailydot.com/debug/unreal-keanu-reeves-ai-deepfake/

Had anyone been working on generative art? Marcel Duchamp, et al? Some children's toys can mechanically create generative art which can be subtly modified by the children using axes of color, form, etc. Etch-a-sketch, kaleidoscopes, doodling robots (eg: https://www.amazon.com/4M-Doodling-Robot-Packaging-Vary/dp/B002EWWW9O).

https://lucahammer.com/

https://www.iamabook.online/

https://the-federation.info/

An aggregation site with data about the broader Fediverse and projects within it.

Gen-Z is more trusting of data handling by social media companies

For most categories of businesses, Gen Z adults are less likely to trust a business to protect the privacy of their data as compared to other generations. Social media is the one exception.

https://zettelkasten.social/about

Someone has registered the domain and it is hosted by masto.host, but not yet active as of 2022-11-13

If wishing only made it happen...

https://threadreaderapp.com/thread/1589700721121058817.html

https://fedified.com/

meh... This looks dreadful...

Why not just use the built in rel-me verification available in Twitter directly with respect to individual websites?

https://docs.google.com/document/d/1vFWP_eBXrjeDqDkmT6PEbxnsZ_QFC4OgEgUHTrJWhhQ/edit#heading=h.3kytjljlyh06

https://tracydurnell.com/2022/11/01/the-addictive-nature-of-twitter/

https://doctorow.medium.com/how-to-leave-dying-social-media-platforms-9fc550fe5abf

https://pruvisto.org/debirdify/

Tool for moving some of your Twitter data over to Mastodon or other parts of the Fediverse.

https://theconversation.com/mass-migration-from-twitter-is-likely-to-be-an-uphill-battle-just-ask-ex-tumblr-users-193677

This article explains the economic market. Creating 528,000 jobs is an outstanding aspect for the American people. But It also needs to explain the bad parts of creating jobs in this situation. Because challenging the rules of economics should not make a better situation, There are also high risks.

This article describes the disadvantages of high-interest rates. Although there are facts and parts that we need to be concerned about, high-interest rates also have advantages. There are more information about advantages about high-interest.

DHS pivots as "war on terror" winds down

The U.S. Department of Homeland Security pivots from externally-focused terrorism to domestic social media monitoring.

There are lessons in Frederic L. Paxson's 1938 address to the American Historical Association for todays social media culture and the growing realm of cancel culture when he remarked that historians "needed Cheyney's warning... not to write in 1917 or 1918 what might be regretted in 1927 and 1928.

https://mastodon.social/

https://www.theverge.com/2022/10/28/23428132/elon-musk-twitter-acquisition-problems-speech-moderation

Running Twitter is more complicated than you think.

Knowing how to read without the associated apparatus of the trivium, leaves people open to believing just about anything. You can read words, but knowing what to do with those words, endow them with meaning, and reason with them. (summarization)

Oral cultures with knowledge systems engrained into them would likely have included trivium-esque structures to allow their users to not only better remember to to better think and argue.

@1:10:20

With HTML you have, broadly speaking, an experience and you have content and CSS and a browser and a server and it all comes together at a particular moment in time, and the end user sitting at a desktop or holding their phone they get to see something. That includes dynamic content, or an ad was served, or whatever it is—it's an experience. PDF on the otherhand is a record. It persists, and I can share it with you. I can deliver it to you [...]

NB: I agree with the distinction being made here, but I disagree that the former description is inherent to HTML. It's not inherent to anything, really, so much as it is emergent—the result of people acting as if they're dealing in live systems when they shouldn't.

@48:20

I should actually add that the PDF specification only specifies the file format and very few what we call process requirements on software, so a lot of those sort of experiential things are actually not defined in the PDF spec.

https://glasp.co/home

Glasp is a startup competitor in the annotations space that appears to be a subsidiary web-based tool and response to a large portion of the recent spate of note taking applications.

Some of the first users and suggested users are names I recognize from this tools for thought space.

On first blush it looks like it's got a lot of the same features and functionality as Hypothes.is, but it also appears to have some slicker surfaces and user interface as well as a much larger emphasis on the social aspects (followers/following) and gamification (graphs for how many annotations you make, how often you annotate, streaks, etc.).

It could be an interesting experiment to watch the space and see how quickly it both scales as well as potentially reverts to the mean in terms of content and conversation given these differences. Does it become a toxic space via curation of the social features or does it become a toxic intellectual wasteland when it reaches larger scales?

What will happen to one's data (it does appear to be a silo) when the company eventually closes/shuts down/acquihired/other?

The team behind it is obviously aware of Hypothes.is as one of the first annotations presented to me is an annotation by Kei, a cofounder and PM at the company, on the Hypothes.is blog at: https://web.hypothes.is/blog/a-letter-to-marc-andreessen-and-rap-genius/

But this is true for Glasp. Science researchers/writers use it a lot on our service, too.—Kei

cc: @dwhly @jeremydean @remikalir

Spreading misinformation and disinformation is really easy in this day and age because of how accessible information is and how much of it there is on the web. This is explained precisely by Edgerly. Noted in this part of the article, there is a business for the spread of disinformation, particularly in our country. There are people who pay what we call online trolls, to spread disinformation and capitalize on how “chronically online” Filipinos are, among many other factors (i.e., most Filipinos’ information illiteracy due to poverty and lack of educational attainment, how easy it is to interact with content we see online, regardless of its authenticity, etc.). Disinformation also leads to misinformation through word-of-mouth. As stated by Edgerly in this article, “people tend to believe in information… shared by their immediate families and friends”; because of people’s human nature to trust the information shared by their loved ones, if one is not information literate, they will not question their newly received information. Lastly, it most certainly does not help that social media algorithms nowadays rely on what users interact with; the more that a user interacts with a certain information, the more that social media platforms will feed them that information. It does not help because not all social media websites have fact checkers and users can freely spread disinformation if they chose to.

sozial MEdia

Not only programmed accounts are created but also troll accounts that propagate disinformation and spread fake news with the intent to cause havoc on every people. In short, once they start with a malicious comment some people will engage with the said comment which leads to more rage comments and disagreements towards each other. That is what they do, they trigger people to engage in their comments so that they can be spread more and produce more fake news. These troll accounts usually are prominent during elections, like in the Philippines some speculates that some of the candidates have made troll farms just to spread fake news all over social media in which some people engage on.

In all honesty, since I don't usually dwell on technology, coding, and stuff. I thought when you say "Bot" it is controlled by another user like a legit person, never knew that it was programmed and created to learn the usual patterns of posting of some people may be it on Twitter, Facebook, and other social media platforms. I think it is important to properly understand how "Bots" work to avoid misinformation and disinformation most importantly during this time of prominent social media use.

https://www.scientificamerican.com/article/information-overload-helps-fake-news-spread-and-social-media-knows-it/

Good overview article of some of the psychology research behind misinformation in social media spaces including bots, AI, and the effects of cognitive bias.

Probably worth mining the story for the journal articles and collecting/reading them.

Could this be linked to my FUD thesis about decisions based on possibilities rather than realities?

Popularity ≠ quality in social media.

The upshot of this paper seems to be "information overload alone can explain why fake news can become viral."

In the attention economy, social media is the equivalent of fast food. Just like going out for fine dining or even healthier gourmet cooking at home, we need to make the time and effort to consume higher quality information sources. Books, journal articles, and longer forms of content with more editorial and review which take time and effort to produce are better choices.

retention is facilitated by acquisition conditions that prompt people to elaborate information in a way that increases the distinctiveness of their memory representations.” (Stein et al. 1984, 522)

Want to read this paper.

Isn't this a major portion of what many mnemotechniques attempt to do? "increase distinctiveness of memory representations"? And didn't he just wholly dismiss the entirety of mnemotechniques as "tricks" a few paragraphs back? (see: https://hypothes.is/a/dwktfDiuEe2sxaePuVIECg)

How can one build or design this into a pedagogical system? How is this potentially related to Andy Matuschak's mnemonic medium research?

No.

I'm two years shy of 30 and I've been listening to "podcasts" - that is, audio programs distributed over RSS - nearly every day since Middle School. In all of that time, the word - not the medium, I'd argue - podcast has been so unnecessarily stretched to oblivion. Before making statements like this... can we please just... try out a few different words to describe what we're talking about here?

I listen to content because I be Doin Something dog. Cannot and will not look, and the extra production time required to just make a video version has continued to cause friction with the sort of content I actually want to hear.

https://mleddy.blogspot.com/2005/05/tools-for-serious-readers.html

Interesting (now discontinued) reading list product from Levenger that in previous generations may have been covered by a commonplace book but was quickly replaced by digital social products (bookmark applications or things like Goodreads.com or LibraryThing.com).

Presently I keep a lot of this sort of data digitally myself using either/both: Calibre or Zotero.

Artykuł na temat mediów społecznościowych wykorzystywanych przez instytucje kultury i organizacje pozarządowe; o ich roli, charakterze i sposobie podejścia do pracy z treściami tam publikowanych.

Dwoma podstawowymi rolami mediów społecznościowych są: - przekazywanie treści, - budowanie społeczności.

Dlatego istotnym elementem jest komunikacja z publicznością, do tego tak, często, jak często wymaga tego dane zagadnienie, a także bez zbędnego dystansu (zwracamy się "na ty"), czyli z naciskiem na społecznościowy charakter.

Zatem rozmawiamy z ludźmi, jesteśmy blisko nich, tworzymy z nimi przyjazną przestrzeń do wspólnej dyskusji.

Recency bias and social media will turn your daily inputs into useless, possibly rage-inducing, information.

Schafer, B. (2021, October 5). RT Deutsch Finds a Home with Anti-Vaccination Skeptics in Germany. Alliance For Securing Democracy. https://securingdemocracy.gmfus.org/rt-deutsch-youtube-antivaccination-germany/

Bevan, R. (2022, February 27). Discord Bans Covid-19 And Vaccine Misinformation. The Gamer. https://www.thegamer.com/discord-anti-vax-covid-19-misinformation-ban-community-guidelines/

Caulfield, T. (2017, October 24). The Vaccination Picture by Timothy Caulfield. Penguin Random House Canada. https://www.penguinrandomhouse.ca/books/565776/the-vaccination-picture-by-timothy-caulfield/9780735234994

Hunderte Menschen protestierten gegen Corona-Maßnahmen. (2021, November 28). www.t-online.de. https://www.t-online.de/-/91225726

Cubbon, S. (2021, March 17). Fringe communities feed on RT coverage to undermine Covid-19 vaccinations. First Draft. https://firstdraftnews.org:443/articles/rt-fringe-undermine-covid-vaccinations/

Zaig, G. (n.d.). 20% of Americans believe microchips are inside COVID-19 vaccines—Study. The Jerusalem Post | JPost.Com. Retrieved July 21, 2021, from https://www.jpost.com/omg/20-percent-of-americans-believe-microchips-are-inside-covid-19-vaccine-study-674272

Jones, B., Wardman, L., & Tinkler, L. (2021, September 3). Coronavirus vaccine hesitancy in younger adults—Office for National Statistics. https://www.ons.gov.uk/peoplepopulationandcommunity/healthandsocialcare/healthandwellbeing/articles/coronavirusvaccinehesitancyinyoungeradults/june2021

Harford, T. (2021, May 6). What magic teaches us about misinformation. https://www.ft.com/content/5cea69f0-7d44-424e-a121-78a21564ca35

How to report misinformation. (n.d.). Retrieved August 27, 2021, from https://www.who.int/campaigns/connecting-the-world-to-combat-coronavirus/how-to-report-misinformation-online

Mertens, G., Lodder, P., Smeets, T., & Duijndam, S. (2021). Fear of COVID-19 predicts vaccination willingness 14 months later. PsyArXiv. https://doi.org/10.31234/osf.io/rt7u4

Polis. (n.d.). Retrieved April 26, 2022, from https://pol.is/home

Meet the media startups making big money on vaccine conspiracies. (n.d.). Fortune. Retrieved December 23, 2021, from https://fortune.com/2021/05/14/disinformation-media-vaccine-covid19/

Buder, J., Zimmermann, A., Buttliere, B., Rabl, L., & Huff, M. (2022, January 14). Online interaction turns the congeniality bias into an uncongeniality bias. https://doi.org/10.31234/osf.io/r87bm

I wanted to read this article because I love Kon's movies and I'm curious what the link to social media is.

I would have expected this to go the other way. Interesting finding.

All important stats.

1. 95% or teens have a smartphone.
2. 97% use internet daily.
3. Almost half say they use it constantly.

Self perceptions among teens about time spent.

Most feel they spend the "right" amount of time. However, a solid third feel they are on them too much. That's a high number, especially among teenagers. On the whole, teenagers aren't known for self-critical discernment.

This is a tremendously important shift. I can remember 5-7 years ago when the Facebook is for old people talk was starting that data still bore out the reality that teens said they did not use it but were still on it constantly.

That is no longer true.

Again. Important. Almost every teen I'm America lives on YouTube.

Instagram up, Facebook down, TikTok and Snapchat are big

This echos Meta’s concerns that Facebook was losing ground in this age demographic, and likely also the reasoning to make Instagram more TikTok-like. This may also dovetail with the recently announced change to the Facebook algorithm to be even more sticky and TikTok-like.

Crux. And I hate it. This gets back to what I now consider the age-old question, should a Pastor be on social media because his church members are? If we know what toxic place, do we still spend time there because we realize our people are on it, or do we set an example by getting off?

people vs. algorithms

It's a reasonable assumption that with the rise of digital contexts and the ease of cut and paste that people excerpting or quoting material are more likely to excerpt and quote longer passages because it is now easier to do.

Has anyone done research on showing that this is the case?

how Moments came to pass...

Tools which allow for flexibility and creativity are better for knowledge workers than those which attempt to crystalize their tasks into ruts. This may tend to force the outputs in a programmatic way and thereby dramatically decrease the potential for innovative outputs. If the tools force the automation of thought without a concurrent increase in creativity then one may as well rely on manual labor for their thinking.

This may be one of the major flaws of tools for thought in the educational technology space. They often attempt to facilitate the delivery of education in an automated way which dramatically decreases the creativity of the students and the value of the overall outputs. While attempting to automate education may suit the needs of institutions which are delivering the education, particularly with respect to the overall cost of delivery, the automation itself is dramatically at odds with the desire to expand upon ideas and continue innovation for all participants involved. Students also require diverse modes of input (seen/heard) as well as internal processing followed by subsequent outputs (written/drawn/sculpted/painted, spoken/sung, movement/dance). Many teachers don't excel at providing all of these neurodiverse modes and most educational technology tools are even less flexible, thus requiring an even larger panoply of them (often not interoperable because of corporate siloing for competitive reasons) to provide reasonable replacements. Given their ultimate costs, providing a variety of these tools may only serve to increase the overall costs of delivering education or risk diminishing the overall quality. Educators and institutions not watching out for these traps will tend to serve only a small portion of their intended audiences, and even those may be served poorly as they only receive a limited variety of modalities of inputs and outputs. As an example Western cultures' overreliance on primary literacy modes is their Achilles' heel.

Tools for thought should actively attempt to increase the potential solution spaces available to their users, while later still allowing for focusing of attention. How can we better allow for the divergence of ideas and later convergence? Better, how might we allow for regular and repeated cycles of divergence and convergence? Advanced zettelkasten note taking techniques (which also allow for drawing, visual, auditory and other modalities beyond just basic literacy) seem to allow for this sort of practice over long periods of time, particularly when coupled with outputs which are then published for public consumption and divergence/convergence cycles by others.

This may also point out some of the stagnation allowed by social media whose primary modes is neither convergence nor divergence. While they allow for the transmission/communication portion, they primarily don't actively encourage their users to closely evaluate the transmitted ideas, internalize them, or ultimately expand upon them. Their primary mode is for maximizing on time of attention (including base emotions including excitement and fear) and the lowest levels of interaction and engagement (likes, retweets, short gut reaction commentary).

John explains how the 4 P's originated as a way to summarize and present in a palatable way of presenting the cognitive science “4E” approach to cognition - that cognition does not occur solely in the head, but is also embodied, embedded, enacted, or extended by way of extra-cranial processes and structures.

inauthentic spam accounts removed from Twitter

This is the number of accounts removed per day!

reply to: https://ariadne.space/2022/07/01/a-silo-can-never-provide-digital-autonomy-to-its-users/

Matt Ridley indicates in The Rational Optimist that markets for goods and services "work so well that it is hard to design them so they fail to deliver efficiency and innovation" while assets markets are nearly doomed to failure and require close and careful regulation.

If we view the social media landscape from this perspective, an IndieWeb world in which people are purchasing services like easy import/export of their data; the ability to move their domain name and URL permalinks from one web host to another; and CMS (content management system) services/platforms/functionalities, represents the successful market mode for our personal data and online identities. Here competition for these sorts of services will not only improve the landscape, but generally increased competition will tend to drive the costs to consumers down. The internet landscape is developed and sophisticated enough and broadly based on shared standards that this mode of service market should easily be able to not only thrive, but innovate.

At the other end of the spectrum, if our data are viewed as assets in an asset market between Facebook, Instagram, Twitter, LinkedIn, et al., it is easy to see that the market has already failed so miserably that one cannot even easily move ones' assets from one silo to another. Social media services don't compete to export or import data because the goal is to trap you and your data and attention there, otherwise they lose. The market corporate social media is really operating in is one for eyeballs and attention to sell advertising, so one will notice a very health, thriving, and innovating market for advertisers. Social media users will easily notice that there is absolutely no regulation in the service portion of the space at all. This only allows the system to continue failing to provide improved or even innovative service to people on their "service". The only real competition in the corporate silo social media space is for eyeballs and participation because the people and their attention are the real product.

As a result, new players whose goal is to improve the health of the social media space, like the recent entrant Cohost, are far better off creating a standards based service that allows users to register their own domain names and provide a content management service that has easy import and export of their data. This will play into the services market mode which improves outcomes for people. Aligning in any other competition mode that silos off these functions will force them into competition with the existing corporate social services and we already know where those roads lead.

Those looking for ethical and healthy models of this sort of social media service might look at Manton Reece's micro.blog platform which provides a wide variety of these sorts of data services including data export and taking your domain name with you. If you're unhappy with his service, then it's relatively easy to export your data and move it to another host using WordPress or some other CMS. On the flip side, if you're unhappy with your host and CMS, then it's also easy to move over to micro.blog and continue along just as you had before. Best of all, micro.blog is offering lots of the newest and most innovative web standards including webmention notificatons which enable website-to-website conversations, micropub, and even portions of microsub not to mention some great customer service.

I like to analogize the internet and social media to competition in the telecom/cellular phone space In America, you have a phone number (domain name) and can then have your choice of service provider (hosting), and a choice of telephone (CMS). Somehow instead of adopting a social media common carrier model, we have trapped ourselves inside of a model that doesn't provide the users any sort of real service or options. It's easy to imagine what it would be like to need your own AT&T account to talk to family on AT&T and a separate T-Mobile account to talk to your friends on T-Mobile because that's exactly what you're doing with social media despite the fact that you're all still using the same internet. Part of the draw was that services like Facebook appeared to be "free" and it's only years later that we're seeing the all too real costs emerge.

This sort of competition and service provision also goes down to subsidiary layers of the ecosystem. Take for example the idea of writing interface and text editing. There are (paid) services like iA Writer, Ulysses, and Typora which people use to compose their writing. Many people use these specifically for writing blog posts. Companies can charge for these products because of their beauty, simplicity, and excellent user interfaces. Some of them either do or could support the micropub and IndieAuth web standards which allow their users the ability to log into their websites and directly post their saved content from the editor directly to their website. Sure there are also a dozen or so other free micropub clients that also allow this, but why not have and allow competition for beauty and ease of use? Let's say you like WordPress enough, but aren't a fan of the Gutenberg editor. Should you need to change to Drupal or some unfamiliar static site generator to exchange a better composing experience for a dramatically different and unfamiliar back end experience? No, you could simply change your editor client and continue on without missing a beat. Of course the opposite also applies—WordPress could split out Gutenberg as a standalone (possibly paid) micropub client and users could then easily use it to post to Drupal, micro.blog, or other CMSs that support the micropub spec, and many already do.

Social media should be a service to and for people all the way down to its core. The more companies there are that provide these sorts of services means more competition which will also tend to lure people away from silos where they're trapped for lack of options. Further, if your friends are on services that interoperate and can cross communicate with standards like Webmention from site to site, you no longer need to be on Facebook because "that's where your friends and family all are."

I have no doubt that we can all get to a healthier place online, but it's going to take companies and startups like Cohost to make better choices in how they frame their business models. Co-ops and non-profits can help here too. I can easily see a co-op adding webmention to their Mastodon site to allow users to see and moderate their own interactions instead of forcing local or global timelines on their constituencies. Perhaps Garon didn't think Webmention was a fit for Mastodon, but this doesn't mean that others couldn't support it. I personally think that Darius Kazemi's Hometown fork of Mastodon which allows "local only" posting a fabulous little innovation while still allowing interaction with a wider readership, including me who reads him in a microsub enabled social reader. Perhaps someone forks Mastodon to use as a social feed reader, but builds in micropub so that instead of posting the reply to a Mastodon account, it's posted to one's IndieWeb capable website which sends a webmention notification to the original post? Opening up competition this way makes lots of new avenues for every day social tools.

Continuing the same old siloing of our data and online connections is not the way forward. We'll see who stands by their ethics and morals by serving people's interests and not the advertising industry.

https://www.zylstra.org/blog/2022/06/spring-83/

I've been thinking about this sort of thing off and on myself.

I too almost immediately thought of Fraidyc.at and its nudge at shifting the importance of content based on time and recency. I'd love to have a social reader with additional affordances for both this time shifting and Ton's idea of reading based on social distance.

I'm struck by the seemingly related idea of @peterhagen's LindyLearn platform and annotations: https://annotations.lindylearn.io/new/ which focuses on taking some of the longer term interesting ideas as the basis for browsing and chewing on. Though even here, one needs some of the odd, the cutting edge, and the avant garde in their balanced internet diet. Would Spring '83 provide some of this?

I'm also struck by some similarities this has with the idea of Derek Siver's /now page movement. I see some updating regularly while others have let it slip by the wayside. Still the "board" of users exists, though one must click through a sea of mostly smiling and welcoming faces to get to it the individual pieces of content. (The smiling faces are more inviting and personal than the cacophony of yelling and chaos I see in models for Spring '83.) This reminds me of Stanley Meyers' frequent assertion that he attempted to design a certain "sense of quiet" into the early television show Dragnet to balance the seeming loudness of the everyday as well as the noise of other contemporaneous television programming.

The form reminds me a bit of the signature pages of one's high school year book. But here, instead of the goal being timeless scribbles, one has the opportunity to change the message over time. Does the potential commercialization of the form (you know it will happen in a VC world crazed with surveillance capitalism) follow the same trajectory of the old college paper facebook? Next up, Yearbook.com!

Beyond the thing as a standard, I wondered what the actual form of Spring '83 adds to a broader conversation? What does it add to the diversity of voices that we don't already see in other spaces. How might it be abused? Would people come back to it regularly? What might be its emergent properties?

It definitely seems quirky and fun in and old school web sort of way, but it also stresses me out looking at the zany busyness of some of the examples of magazine stands. The general form reminds me of the bargain bins at book stores which have the promise of finding valuable hidden gems and at an excellent price, but often the ideas and quality of what I find usually isn't worth the discounted price and the return on investment is rarely worth the effort. How might this get beyond these forms?

It also brings up the idea of what other online forms we may have had with this same sort of raw experimentation? How might the internet have looked if there had been a bigger rise of the wiki before that of the blog? What would the world be like if Webmention had existed before social media rose to prominence? Did we somehow miss some interesting digital animals because the web rose so quickly to prominence without more early experimentation before its "Cambrian explosion"?

I've been thinking about distilled note taking forms recently and what a network of atomic ideas on index cards look like and what emerges from them. What if the standard were digital index cards that linked and cross linked to each other, particularly in a world without adherence to time based orders and streams? What does a new story look like if I can pull out a card either at random or based on a single topic and only see it or perhaps some short linked chain of ideas (mine or others) which come along with it? Does the choice of a random "Markov monkey" change my thinking or perspective? What comes out of this jar of Pandora? Is it just a new form of cadavre exquis?

This standard has been out for a bit and presumably folks are experimenting with it. What do the early results look like? How are they using it? Do they like it? Does it need more scale? What do small changes make to the overall form?

For more on these related ideas, see: https://hypothes.is/search?q=tag%3A%22spring+%2783%22

Lois Weber<br /> - First woman accepted to Motion Picture Director's Association, precursor of Director's Guild<br /> - First directors committee of the Academy of Motion Picture Arts and Sciences<br /> - Mayor of Universal City<br /> - One of the highest paid and most influential directors in Hollywood of her day<br /> - one of first directors to form her own production company

See also: - https://en.wikipedia.org/wiki/Lois_Weber

Where are My Children?, Universal's top film of 1916, written and directed by their top director Lois Weber, discussed abortion and birth control. It was added to the National Film Registry in 1993.

See also - Stamp, Shelley. Lois Weber in Early Hollywood. University of California Press, May 2015. ISBN 9780520284463

Watched this last night

https://www.kcet.org/shows/lost-la/episodes/dream-factory

A major benefit of working in public is that it invites immediate feedback (hopefully positive, constructive criticism) from anyone who might be reading it including pre-built audiences, whether this is through social media or in a classroom setting utilizing discussion or social annotation methods.

This feedback along the way may help to further find flaws in arguments, additional examples of patterns, or links to ideas one may not have considered by themselves.

Sadly, depending on your reader's context and understanding of your work, there are the attendant dangers of context collapse which may provide or elicit the wrong sorts of feedback, not to mention general abuse.

There is lots of serendipity here, particularly when people are willing to either share their knowledge or feel compelled to share it as part of an imagined life "competition" or even low forms of mansplaining, though this last tends to be called this when the ultimate idea isn't serendipitous but potentially so commonly known that there is no insight in the information.

This sort of "public serendipity" or "group serendipity" is nice because it means that much of the work of discovery and connecting ideas is done by others against your own work rather that you sorting/searching through your own more limited realm of work to potentially create it.

Group focused combinatorial creativity can be dramatically more powerful than that done on one's own. This can be part of the major value behind public digital gardens, zettelkasten, etc.

The majority of content one produces in social media is considered "throw away" material. One puts it in the stream of flotsam and jetsam and sets it free down the river never to be seen or used again. We treat too much of our material and knowledge this way.

https://www.higherlogic.com/blog/90-9-1-rule-online-community-engagement-data/

If it's true that the movement toward technology is inevitable, how might we deal with it?

Compare this with the solution(s) that nomadic hunter-gatherers had to face when changing from a lifestyle built on movement to one of settling down to a life of agriculture. Instead of attaching their knowledge and memories to their landscape as before, they built structures (like Stonehenge) to form these functions.

Part of moving forward may involve moving back historically to better understand these ideas and methods and regaining them so that we might then reattach them to a digital substrate. How can we leverage the modalities of the digital for art, song, dance, music, and even the voice into digital spaces (if we must?). All digital or only digital certainly isn't the encompassing answer, but if we're going to do it, why not leverage the ability to do this?

As an example, Hypothes.is allows for annotating text to insert photos, emoji, audio (for music and voice), and even video. Videos might include dance and movement related cues that students might recreate physically. These could all be parts of creating digital songlines through digital spaces that students can more easily retrace to store their learnings for easier recall and to build upon in the future.

Groups in arts education rail against the loss of music, dance, and art in schools and indicate that it's important to a balanced education.

Why has no one embedded these learning tools, for yes they can be just that, into other spaces within classrooms? Indigenous educators over the millennia have done just this in passing on their societal and cultural knowledge. Why have we lost these teaching methods? Why don't we reintroduce them? How can classrooms and the tools within them become mnemonic media to assist both teachers and learners?

Perhaps we need to bring back examples of how to do these things at the higher levels? I've seen excercises in my daughter's grade school classrooms that bring art and manipulatives into the classroom as a base level, but are they being done specifically for these mnemonic reasons?

Michael Nielsen and Andy Matuschak have been working at creating a mnemonic medium for areas like quantum mechanics relying in part on spaced repetition. Why don't they go further and add in dance, movement, art, and music to aid in the process. This can be particularly useful for creating better neurodiverse outcomes as well. Education should be more multi-modal, more oral, and cease it's unending reliance on only literacy as it's sole tool.

How and where can we create a set of example exercises at various grade levels (similar to rites of knowledge initiation in Indigenous cultures, for lack of specific Western language) that embed all of these methods

Link to: - Ideas in The Extended Brain about movement, space, etc. - Nielsen/Matuschak mnemonic media work

https://hcommons.org/deposits/item/hc:33585/

See also Wiki created in combination with this course: https://digitalbookhistory.com/culturesofthebook/Main_Page