539 Matching Annotations
  1. Sep 2022
    1. Eco, Umberto. How to Write a Thesis. Translated by Caterina Mongiat Farina and Geoff Farina. Cambridge, MA, USA: MIT Press, 2015. https://mitpress.mit.edu/books/how-write-thesis

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    1. Jeremy August 31 Flag I read the book based on your enthusiasm, Chris, and while I learned something from the chapters on making notes, I was very disappointed in the second half, on writing. He is so wrong on the passive I find it hard to believe he ever actually researched it. But no matter, he is in good company on that. I just hope not too many people think they will truly understand the passive after reading this book.

      Repy to https://forum.zettelkasten.de/discussion/comment/16382/#Comment_16382

      @Jeremy I certainly take your point on that score. I had read through a previous edition of just the writing portion which was originally written by S.J. Allosso from a prior generation, so I didn't read through all of the second half of this edition of the book. I haven't compared them, so I'm not sure how much revision, if any, has happened in the writing advice part of the text. I was definitely more interested in his take on note making in the first half.

  2. Aug 2022
    1. I recommend using the term “parallel” when the simultaneous execution is assured or expected, and to use the term “concurrent” when it is uncertain or irrelevant if simultaneous execution will be employed.
    1. Should I always create a Bib-note? .t3_x2f4hn._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      reply to: https://www.reddit.com/r/antinet/comments/x2f4hn/should_i_always_create_a_bibnote/

      If you want to be lazy you could just create the one card with the quote and full source and save a full bibliographical note. Your future self will likely be pleasantly surprised if you do create a full bib note (filed separately) which allows for a greater level of future findability and potential serendipity, It may happen when you've run across that possibly obscure author multiple times and it may spur you to read other material by them or cross reference other related authors. It's these small, but seemingly "useless", practices in the present that generate creativity and serendipity over longer periods of time that really bring out the compounding value of ZK.

      More and more I find that the randomly referenced and obscure writer or historical figure I noted weeks/months/years ago pops up and becomes a key player in research I'm doing now, but that I otherwise would have long forgotten and thus not able to connect or inform my current pursuits. These golden moments are too frequently not written about or highlighted properly in much of the literature about these practices.

      Naturally, however, everyone's practices may differ. You want to save the source at the very least, even if it's just on that slip with the quote. If you're pressed for time now, save the step and do it later when you install the card.

      Often is the time that I don't think of anything useful contemporaneously but then a week or two later I'll think of something relevant and go back and write another note or two, or I'll want to recommend it to someone and then at least it's findable to recommend.

      Frequently I find that the rule "If it's worth reading, then it's worth writing down the author, title, publisher and date at a minimum" saves me from reading a lot of useless material. Of course if you're researching and writing about the broader idea of "listicles" then perhaps you have other priorities?

    1. Underlining won’t help you remember; marks are there to aid understanding in a later phase of reading.

      One shouldn't use highlighting in books/texts as a means of remembering things. They are the lowest form of fleeting note and should be used as an indicator or finding device for portions of text one wants to excerpt or reframe more fully for their note collection.

    1. Each type of index card should have a dif-ferent color, and should include in the top right corner abbre-viations that cross-reference one series of cards to another,and to the general plan. The result is something majestic.

      Finally a concrete statement about actively cross-linking ideas on note cards together!

    1. Update now that I'm three years in to my PhD program and am about to start on my lit reviews and dissertation research... Holy Forking Shirtballs, am I glad I started my ZK back in 2020!!! * I cannot tell you how often I've used it to write my course papers. * I cannot tell you how often I've had it open during class discussions to back up my points. * I cannot tell you how lazy I've gotten with some of my entries (copying and pasting text instead of reworking it into my own words), and how much I wish I had taken the time to translate those entries for myself.
    1. Depending on the scope of the notes that need to be taken, one uses either the A6format, or the next bigger one, which is A5 (21 x 14.8 cm), or the double sized A4 (29.6 x 21cm). After filling them with words, sheets of A5 size will be folded once, A4 size twice, sothat they return to our basic A6 size.

      This is the first time I've seen in the literature the suggestion to write notes on larger sheets and then fold them up. This is largely only recommended here because of the standardization of the paper sizes in such a way that folding an A4 makes an A5 and folding an A5 gives an A6 and so on...

    2. Newspaper clippings were usually placed in boxes or file storages dependingon their scientific or otherwise valuable content. This procedure is inadequate as it means thatone forgets about the clipping when it might have been useful, or, if one does not forget aboutthe clipping, it is nowhere to be found in the ever growing pile of collection folders (or canonly be found after hours of searching for it).

      the scrap heap problem

    3. carbon paper process

      I wasn't expecting advice for creating multiple copies of cards with carbon paper...

    4. The most suitable location is at the bottom right of thenote sheet for reasons that will become obvious later.
    5. For the sheets that are filled with content on one side however, the most most importantaspect is its actual “address”, which at the same time gives it its title by which it can alwaysbe found among its comrades: the keyword belongs to the upper row of the sheet

      following the commonplace tradition, the keyword gets pride of place...

      Watch here the word "address" and double check the original German word in translation. What was it originally? Seems a tad odd to hear "address" applied to a keyword which is likely to be just one of many. How to keep them all straight?

    6. it has proven useful only to write on one side of them.

      the traditional advice

    7. another advantage to the small size: A6 (14.8 x 10.5 cm) has exactly the samemeasurements as the official German Reich postcard does, which is also the maximum sizepermitted for private post cards. What follows from this is the fact that one can easily addpost cards with scientific or non-scientific content into the sequence of sheets without havingto copy them.
    1. Aworkershouldalways befullyconscious,as.hemakesnoteofsomething,whichheisdoing;shouldknowwithouttheslightestdoubtwhetherheisrepresenting himself,orsomeoneorotherselse

      I've seen references to the attribution problem in the 2020s, but I haven't seen references in older literature about the difference of representing one's own thoughts versus that of others in their notes.

    2. For in fact a note -system at its bestmust be very largely an individual thing.

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    1. Devices for note-taking. In taking notes of reading,use slips of paper the size of the standard library card(8 x 6 in.). For more extended notes and for typewrittennotes, the standard half-sheet (6% x 8% in.) is usually themost satisfactory sire. For special purposes still larger sheetsare sometimes essential. In any extended investi ation theuse of different colored sli s or different coloref inks forcertain classes of notes w i g often prove a convenient andtime-savin device. It is especially desirable, thus, to dis-tinguish bifliogra hical data from subject matter. Each slipshould contain onyy a single note. Put a topical heading atthe top of each slip of subject notes and a reference to thevolume and page of the authority quoted.

      The transcription on this from .pdf via Hypothesis is dreadful! In particular for the card sizes. The actual text reads as:

      1. Devices for note-taking. In taking notes of reading, use slips of paper the size of the standard library card (3 x5 in.). For more extended notes and for typewritten notes, the standard half-sheet (5 1/2 x 8 1/2 in.) is usually the most satisfactory size. For special purposes still larger sheets are sometimes essential. In any extended investigation the use of different colored slips or different colored inks for certain classes of notes will often prove a convenient and time-saving device. It is especially desirable, thus, to distinguish bibliographical data from subject matter. Each slip should contain only a single note. Put a topical heading at the top of each slip of subject notes and a reference to the volume and page of the authority quoted.
    2. Dutcher, George Matthew. “Directions and Suggestions for the Writing of Essays or Theses in History.” Historical Outlook 22, no. 7 (November 1, 1931): 329–38. https://doi.org/10.1080/21552983.1931.10114595

    3. Useful suggestions in regard tonote-taking will be found in Samuel S . Seward, Note-taking,Boston, 1910; and, especially for more advanced students, inEarle W. DOW, Principles of a note-system for hirton’calstudies, New York, 1924

      He's read Langlois/Seignobos and Bernheim, but doesn't recommend/reference them for note taking, but points to Seward and Dow instead.

      What are the differences between the four methods?

      Note that this advice is in 1931, a few years after Beatrice Webb's My Apprentice which has a section on note taking that prefers the first two without mention of the latter two.


      It would appear that Seward is the brother of William Henry Seward. see: https://hypothes.is/a/MwspfCBOEe2YCpesAgwiGQ

    4. These Directions and suggestions were first cornpiled in1908, and the first edition was printed in 1911 for use in theauthor‘s own classes. The present edition is the result ofthorough revision and is planned for general use.

      This will be much more interesting given that he'd first written about this topic in 1908 and has accumulated more experience since then.

      Look for suggestions about the potential change in practice over the ensuing years.

      Is the original version extant in his papers?

    5. The editors of the American historical re-vim suggest t o their reviewers that they should write “witlia scientific rather than a literary intention, and with definite-ness and precision in both praise and dispraise. I t is desiredthat the review of tlie book will be such as will convey t o thereader a clear and comprehensive notion of its nature, ofits contents, of its merits, of its place in the literature ofthe subject, and of the amount of its positive contributionto knowledge.
    6. A tentative oiitline should be prepared as soonas ossible after beginning reading on the subject and modi-f i e f a s the progress of the work requires.
    7. n composition d o not be a slave tothe notes and books: they only furnish the materials fromwhich the essay is t o be constructed.
    8. the slips by the topicalheadings. Guide cards are useful to gdicate the several head-ings and subheadings. Under each heading classif the slipsin writing, discarding any that may not prove useful andmaking cross references for notes which may be needed foruse in more than one lace. This classification will reveal,almost automatically, wiere there are deficiencies in the ma-terials collected which should be remedied. The completedand classified collection of notes then becomes the basis ofcomposition.

      missing some textual context here for full quote...

      Dutcher is recommending arranging notes and cards by topical headings in a commonplace sort of method. He does recommend a sub-arrangement of placing them in logical order for one's writing however. He goes even further and indicates one may "make cross references for notes which may be needed for use in more than one place." Which provides an early indication of linking or cross linking cards to multiple places within in one's card index. (Has this cross referencing (linking) idea appeared in the literature specifically before, or is this an early instantiation of this idea?)

    9. works inEnglish are convenient introductions to the prohems andmethods of historical research: Charles V. Langlois andCharles Seignobos, Introduction to the rludy of history, NewYork, 1898; John M. Vincent, Historical research, an outlineof theory and practice, New York, 1911; and, to a morelimited extent, Fred M. Fling, Writing of history, an intro-duction to historical method, New Haven, 1920. The studentwho is specializing in history should early familiarize him-self with these volumes and then acquaint himself with otherworks in the field, notably Ernst Bernheim, hehrbuch derhistorwehen Methode und der Beschichtsplrilosophie, 6th ed.,Leipzig, 1908

      I'm curious, what, if any, detail Fling (1920) and Vincent (1911) provide on note taking processes?

    10. This pamphlet of direc-tions is not a medical prescri tion to he taken in a singledose: the result might be fataf
    11. Ifthe instructor finds that some of the suggestions seem to beintended for him rather than for the student, the compilerhopes that he may be shriven for relying on his long ex-perience to be so impertinent as to offer the benefit of hisobservations
    1. Malachy Walsh23 hr agoI'm 75 years old. Unfortunately I rejected the notecard method when it was taught in high school, instead choosing cumbersome notebooks all the way through graduate school...until Richard McKeon at University of Chicago recommended using notecards not only as a record of my reading and other experiences but also as a source of creative and rhetorical invention. This was a mind opening, life changing perspective. His only rule: each card or slip should pose and answer a single question. He recommended organizing all journal entries by one of the following topics: 1. By the so called great ideas in the Syntopticon. 2. By work or business projects, activities and events(I spent my life as an advertising man, juggling many assignments over 30 years, from Frosted Flakes to The Marines to Ford). 3. By great books worthy of Adler's analytical readings. 4. By everyday living topics like family, friends, health, wealth, politics, business, car, house, occasions, etc. This way of working has served me well. I believe a proper book case is half full of books and half full of boxes of notes about those books. Notice that McKeon's advice is not limited to writing and reflecting about the books we read. McKeown also encourages reflection on all areas of experience that are important to us. I guess I have an Aristotelian view that our lives consist of thinking, doing, making, and interacting and that writing offers us a way of connecting our thinking with these other activities. So, the nature, scope, and shape our "note system" should be designed to help us engage successfully in our day to day activities and long term enterprises. How should follow What and Why, connect with Who, and fit with When and Where. Any success I have had in business or personal life I attribute to McKeon's advice.

      Richard McKeon's advice, as relayed by a student, on how to take notes using an index card based practice.

      Does he have a written handbook or advice on his particular method?

    1. I'm working on my zettelkasten—creating literature notes and permanent notes—for 90 min a day from Monday to Friday but I struggle with my permanent note output. Namely, I manage to complete no more than 3-4 permanent notes per week. By complete I mean notes that are atomic (limited to 1 idea), autonomous (make sense on their own), connected (link to at least 3 other notes), and brief (no more than 300 words).That said, I have two questions:How many permanent notes do you complete per week on average?What are your tips to increase your output?

      reply to: https://www.reddit.com/r/Zettelkasten/comments/wjigq6/how_do_you_increase_your_permanent_note_output

      In addition to all the other good advice from others, it might be worth taking a look at others' production and output from a historical perspective. Luhmann working at his project full time managed to average about 6 cards a day.1 Roland Barthes who had a similar practice for 37 years averaged about 1.3 cards a day.2 Tiago Forte has self-reported that he makes two notes a day, though obviously his isn't the same sort of practice nor has he done it consistently for as long.3 As you request, it would be useful to have some better data about the output of people with long term, consistent use.

      Given even these few, but reasonably solid, data points at just 90 minutes a day, one might think you're maybe too "productive"! I suspect that unless one is an academic working at something consistently nearly full time, most are more likely to be in the 1-3 notes a day average output at best. On a per hour basis Luhmann was close to 0.75 cards while you're at 0.53 cards. Knowing this, perhaps the best advice is to slow down a bit and focus on quality over quantity. This combined with continued consistency will probably serve your enterprise much better in the long run than in focusing on card per hour or card per day productivity.

      Internal idea generation/creation productivity will naturally compound over time as your collection grows and you continue to work with it. This may be a better sort of productivity to focus on in the long term compared with short term raw inputs.

      Another useful tidbit that some neglect is the level of quality and diversity of the reading (or other) inputs you're using. The better the journal articles and books you're reading, the more value and insight you're likely to find and generate more quickly over time.

    1. Don’t let it pile up. A lot of people mark down passages or fold pages of stuff they like. Then they put of doing anything with it. I’ll tell you, nothing will make your procrastinate like seeing a giant pile of books you have to go through and take notes on it. You can avoid this by not letting it pile up. Don’t go months or weeks without going through the ritual. You have to stay on top of it.
    2. I use 4×6 ruled index cards, which Robert Greene introduced me to. I write the information on the card, and the theme/category on the top right corner. As he figured out, being able to shuffle and move the cards into different groups is crucial to getting the most out of them.

      Ryan Holiday keeps a commonplace book on 4x6 inch ruled index cards with a theme or category written in the top right corner. He learned his system from Robert Greene.

      Of crucial importance to him was the ability to shuffle the cards and move them around.

    3. As Raymond Chandler put it, “when you have to use your energy to put those words down, you are more apt to make them count.”
    1. I know a lot of people use Evernote for this but I think physical is better. You want to be able to move the stuff around.

      Holiday prefers physical index cards over digital systems like Evernote because he wants to have the ability to "move the stuff around."

  3. Jul 2022
    1. https://danallosso.substack.com/p/thoughts-prior-to-publishing

      <iframe title="vimeo-player" src="https://player.vimeo.com/video/735211043?h=68a6bdd022" width="640" height="360" frameborder="0" allowfullscreen></iframe>

      I love the pointed focus @danallosso puts on output here. I think he's right that the "conversation between the writer, the text, and their notes" (in my framing combinatorial creativity) is where the real value is to be had.

      His explanation of the "evergreen note" is highly valuable here. One should really do as much work upfront to make it as evergreen as possible. Too many people (especially in the digital gardens space) put the emphasis on working on these evergreen notes over time to slowly improve and evolve them and that's probably the wrong framing to take. Write it once, write it well, then reuse it.

    1. Patrician IV is an overhauling upgrade to Patrician III; so if you have not played the previous games in the Patrician series, starting with IV is really all you need. Also, the game of Patrician is very straightforward and addicting, so playing previous versions won't offer you anything unseen in Patrician IV.
    1. For those curious about the idea of what students might do with the notes and annotations they're making in the margins of their texts using Hypothes.is, I would submit that Dan Allosso's OER handbook How to Make Notes and Write (Minnesota State Pressbooks, 2022) may be a very useful place to turn. https://minnstate.pressbooks.pub/write/

      It provides some concrete advice on the topic of once you've highlighted and annotated various texts for a course, how might you then turn your new understanding, ideas, and extant thinking work into a blogpost, essay, term paper or thesis.

      For a similar, but alternative take, the book How to Take Smart Notes: One Simple Technique to Boost Writing, Learning and Thinking by Sönke Ahrens (Create Space, 2017) may also be helpful as well. This text however requires purchase via Amazon and doesn't carry the Creative Commons Attribution NonCommercial ShareAlike (by-nc-sa 4.0) license that Dr. Allosso's does.

      In addition to the online copy of the book, there's an annotatable .pdf copy available here: http://docdrop.org/pdf/How-to-Make-Notes-and-Write---Allosso-Dan-jzdq8.pdf/ though one can download .epub and .pdf copies directly from the Pressbooks site.

    1. This might be all you need, if your notes are directedtoward a small, immediate goa

      I like that there are a variety of potential contexts here which students might find themselves within (short term versus long term / big projects versus small). The broad advice can be useful to more people because they can pick and choose for their own needs.

      This is similar to Umberto Eco's advice which is geared toward a longer thesis, though he mentions that one might continue on their system across additional topics or even an entire career.

    2. An Index is something you must physically create asyou add cards in a physical note system.

      Watch closely to see how Allosso's description of an index comes to the advice of John Locke versus the practice of Niklas Luhmann.

      Alternately, is it closer to a commonplace indexing system or a shallowly linked, but still complex zettelkasten indexing system?

      In shared digital systems, I still suspect that densely indexed notes will have more communal value.

      Link to: - https://hypothes.is/a/nrk0vgoCEe2y3CedssHnVA

    3. Writing is a craft for most of us, not an art.

      Or framed differently:

      The art in writing is knowing that it is really a craft.

    1. The centre of the sheet will be occupied by the text of the note, that is,the main statement or description of the fact recorded, whether it bea personal observation of your own, an extract from a document, aquotation from some literary source, an answer given in evidence, or astatistical calculation or table of figures.

      Beatrice Webb's list of the types of notes one might include on their sheets.

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    1. Organization of both a commonplace book and pocket notebook .t3_w1vq6q._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; }

      Historically, following a tradition from accounting ledgers, people kept small, convenient pocket notebooks called "waste books" for quickly capturing notes and ideas in daily life. Later, they'd either expand on them or copy them out in better detail and usually in a nicer hand with sources/citations, and indexing/cross referencing in their permanent commonplaces. When you're done with it, you'd simply dispose of or throw away the waste book.

      As for arrangement or organization, it's been common for people to use something roughly similar to John Locke's indexing method from 1706 for arranging and finding material. Others use a card index file and index cards to be able to rearrange pieces or to more easily index and cross reference portions.

      I often recommend https://indieweb.org/commonplace_book as a pretty solid resource with some history, books, articles, and lots of examples (both digital and analog/paper-based) one might look at to find what they think would be best for themselves.

    1. der Beschaffenheit des Themas und des Materials wird es oft_ praktisch sein, von sachlicher Ordnung abzusehen und nur dieHuGBerlich chronologische anzuwenden. Gerade dann ist es vongréBtem Wert, die Eintragungen auf lose Blu&tter zu machen,damit man dieselben nach den verschiedenen Gesichtspunktender Zusammengehirigkeit zeitweilig umordnen und dann wiederin die Grundordoung zurticklegen kann. Um die einzelnenNotizen leicht auffinden zu kinnen, ist es ratsam, die Datenoder Schlagwirter oben dartiberzuschreiben; und die Bl&tteroder Zettel miissen von nicht zu diinnem Papier sein, damitman sie schnell durchblattern kann.Soweit es sich um Abschriften ganzer Akten oder Nach-richten handelt, bedarf es keiner besonderen Erérterungen.Doch solche véllige Abschriften wird man nur machen, wo essich um archivalische Quellen oder entlegenere Drucke handelt,die man nicht so leicht wieder erreichen kann. Im tibrigenwird man sich mit Ausztigen und Notizen begniigen, welcheentweder das aus den Quellen ausheben, was fiir das Themain Betracht kommt, oder nur im allgemeinen auf die Quellen-stellen hinweisen. Im ersteren Falle kommt es darauf an, dasBrauchbare und Wichtige scharf zu erkennen und prizis zunotieren; im letzteren Falle mu8 die Hindeutung wenigstensderart prizisiert sein, daf8 man beim sp&teren Durchsehen derNotizen gleich ersieht, was in der betreffenden Quellenstellezu erwarten ist, und da® die Identit&t der Notiz mit dem Inhaltder Quellenstelle nicht zweifelhaft sein kann; bei Urkundenerfordert letzteres besondere Sorgfalt, da nicht selten iiber den-selben (tegenstand zur selben Zeit mehrere dhnliche Dokumenteausgestellt worden sind: man tut daher gut, die Identitét jedesStiickes durch Aufnotierung des Anfanges und Schlusses (In-cipit und Explicit) sicherzustellen, wobei zu bemerken ist, dafhier als Anfang und Schlu8 nicht die formelhaften Teile, diesogenannten Protokolle, welche eben als feststehende Formelnnicht fiir die einzelne Urkunde unterscheidend sind, gelten,sondern daf man Anfang und Schlu8 des individuellen Textesnotiert, eine Art der Bezeichnung, die allgemein bei den pupst-lichen Bullen angewandt wird, indem man von der Bulle Unamsanctam oder Ausculta fili usw. spricht.

      Je nach der Beschaffenheit des Themas und des Materials wird es oft praktisch sein, von sachlicher Ordnung abzusehen und nur die äußerlich chronologische anzuwenden. Gerade dann ist es von größtem Wert, die Eintragungen auf lose Blätter zu machen, damit man dieselben nach den verschiedenen Gesichtspunkten der Zusammengehörigkeit zeitweilig umordnen und dann wieder in die Grundordoung zurücklegen kann. Um die einzelnen Notizen leicht auffinden zu können, ist es ratsam, die Daten oder Schlagwörter oben darüberzuschreiben; und die Blätter oder Zettel müssen von nicht zu dünnem Papier sein, damit man sie schnell durchblättern kann.

      Soweit es sich um Abschriften ganzer Akten oder Nachrichten handelt, bedarf es keiner besonderen Erörterungen. Doch solche völlige Abschriften wird man nur machen, wo es sich um archivalische Quellen oder entlegenere Drucke handelt, die man nicht so leicht wieder erreichen kann. Im übrigen wird man sich mit Auszügen und Notizen begnügen, welche entweder das aus den Quellen ausheben, was für das Thema in Betracht kommt, oder nur im allgemeinen auf die Quellenstellen hinweisen. Im ersteren Falle kommt es darauf an, das Brauchbare und Wichtige scharf zu erkennen und präzis zu notieren; im letzteren Falle muß die Hindeutung wenigstens derart präzisiert sein, daß man beim späteren Durchsehen der Notizen gleich ersieht, was in der betreffenden Quellenstelle zu erwarten ist, und daß die Identität der Notiz mit dem Inhalt der Quellenstelle nicht zweifelhaft sein kann; bei Urkunden erfordert letzteres besondere Sorgfalt, da nicht selten über den-selben (tegenstand zur selben Zeit mehrere ähnliche Dokumente ausgestellt worden sind: man tut daher gut, die Identität jedes Stückes durch Aufnotierung des Anfanges und Schlusses (Incipit und Explicit) sicherzustellen, wobei zu bemerken ist, daf hier als Anfang und Schluß nicht die formelhaften Teile, die sogenannten Protokolle, welche eben als feststehende Formeln nicht für die einzelne Urkunde unterscheidend sind, gelten, sondern daß man Anfang und Schluß des individuellen Textes notiert, eine Art der Bezeichnung, die allgemein bei den päpstlichen Bullen angewandt wird, indem man von der Bulle Unam sanctam oder Ausculta fili usw. spricht.

      Google translation:

      Depending on the nature of the subject and the material, it will often be practical to dispense with factual order and use only the outwardly chronological one. It is precisely then that it is of the greatest value to make the entries on loose sheets of paper, so that they can be temporarily rearranged according to the various aspects of belonging together and then put back into the basic order. In order to be able to easily find the individual notes, it is advisable to write the dates or keywords above them; and the sheets or slips of paper must be of paper that is not too thin so that they can be leafed through quickly.

      As far as copies of entire files or messages are concerned, no special discussion is required. But such complete copies will only be made from archival sources or more remote prints that cannot easily be accessed again. For the rest, one will be content with excerpts and notes, which either extract from the sources what comes into consideration for the subject, or only refer to the sources in general. In the first case it is important to clearly recognize what is useful and important and to write it down precisely; in the latter case, the indication must at least be specified in such a way that, when looking through the notes later, one can immediately see what is to be expected in the relevant source and that the identity of the note with the content of the source cannot be in doubt; for certificates the latter requires special care, as it is not uncommon for same (te, several similar documents existed at the same time have been issued: one does therefore well, the identity of each piece by notating the beginning and end (Incipit and explicit), noting that here as beginning and end not the formulaic parts that so-called protocols, which are simply fixed formulas are not distinctive for the individual document, apply, but that one sees the beginning and end of the individual text noted, a form of designation commonly applied to the papal bulls, speaking of the bull Unam sanctam or Ausculta fili, etc.


      Continuing on in his advice on note taking, Bernheim tells us that notes on loose sheets of paper (presumably in contrast with the bound pages of a commonplace book or other types of notebooks), "can be temporarily rearranged according to the various aspects of belonging together and then put back into the basic order". He recommends giving them dates (presumably to be able to put them back into their temporal order), as well as keywords. He also suggest that "the sheets or slips of paper must be of paper that is not too thin so that they can be leafed through quickly." (translated from German)

      Note that he doesn't specify the exact size of the paper (at least not in this general section) other than to specify either "die Blätter oder Zettel" (sheets or slips) . Other practices may be more indicative of the paper size he may have had in mind. Are his own papers extant? Might those have an indication of his own personal practice as it may have differed from his published advice?

    1. Realizing that my prior separate advice wasn't as actionable or specific, I thought I'd take another crack at your question.

      Some seem to miss the older techniques and names for this sort of practice and get too wound up in words like categories, tags, #hashtags, [[wikilinks]], or other related taxonomies and ontologies. Some become confounded about how to implement these into digital systems. Simplify things and index your ideas/notes the way one would have indexed books in a library card catalog, generally using subject, author and title.

      Since you're using an approach more grounded in the commonplace book tradition rather than a zettelkasten one, put an easy identifier on your note (this can be a unique title or number) and then cross reference it with any related subject headings or topical category words you find useful.

      Here's a concrete example, hopefully in reasonable detail that one can easily follow. Let's say you have a quote you want to save:

      No piece of information is superior to any other. Power lies in having them all on file and then finding the connections. There are always connections; you have only to want to find them.—Umberto Eco, Foucault's Pendulum

      In a paper system you might give this card the identification number #237. (This is analogous to the Dewey Decimal number that might be put on a book to find it on the shelves.) You want to be able to find this quote in the future using the topical words "power", "information", "connections", and "quotes" for example. (Which topical headings you choose and why can be up to you, the goal is to make it easier to dig up for potential reuse in future contexts). So create a separate paper index with alphabetical headings (A-Z) and then write cards for your topical headings. Your card with "power" at the top will have the number #237 on it to indicate that that card is related to the word power. You'll ultimately have other cards that relate and can easily find everything related to "power" within your system by using this subject index.

      You might also want to file that quote under two other "topics" which will make it easy to find: primarily the author of the quote "Umberto Eco" and the title of the source Foucault's Pendulum. You can add these to your index the same way you did "power", "information", etc., but it may be easier or more logical to keep a bibliographic index separately for footnoting your material, so you might want a separate bibliographic index for authors and sources. If you do this, then create a card with Umberto Eco at the top and then put the number #237 on it. Later you'll add other numbers for other related ideas to Eco. You can then keep your card "Eco, Umberto" alphabetized with all the other authors you cite. You'll effect a similar process with the title.

      With this done, you now have a system in which you don't have to categorize a single idea in a single place. Regardless of what project or thing you're working on, you can find lots of related notes. If you're juggling multiple projects you can have an index file or document outline for these as well. So your book project on the History of Information could have a rough outline of the book on which you've got the number #237 in the chapter or place where you might use the quote.

      Hopefully this will be even more flexible than Holiday's system because that was broadly project based. In practice, if you're keeping notes over a lifetime, you're unlikely to be interested in dramatically different areas the way Ryan Holiday or Robert Greene were for disparate book projects, but will find more overlapping areas. Having a more flexible system that will allow you to reuse your notes for multiple settings or projects will be highly valuable.

      For those who are using digital systems, ask yourself: "what functions and features allow you to do these analog patterns most easily?" If you're using something like Obsidian which has #tagging functionality that automatically creates an index of all your tags, then leverage that and remove some of the manual process. The goal is to make sure the digital system is creating the structure to allow you to easily find and use your notes when you need them. If your note taking system doesn't have custom functionalities for any of these things, then you'll need to do more portions of them manually.

  4. Jun 2022
    1. I used to tell students (including PhD students) that 90% of what they will write will not be any good. But the only way they will get to the 10% that is good is by writing the 90% that isn't. So, they'd better start writing now! ;-)
    1. There is no single right way to build a Second Brain. Your systemcan look like chaos to others, but if it brings you progress anddelight, then it’s the right one.

      All this description and prescription, then say this?!

      I'll agree that each person's system should be their own and work for them, but it would have been more helpful to have this upfront and then to have looked at a broad array of practices and models for imitation to let people pick and choose from a variety of practices instead of presenting just one dish on the menu: P.A.R.A. with a side of C.O.D.E.

    2. There’s no need to capture every idea; the best ones willalways come back around eventually.

      While one can certainly capture a lot of cruft that isn't actionable or easily reusable, it's a fable that the best ideas will come back around. All too often the really brilliant ideas can be quickly lost to the wind if not captured immediately.

    3. send off your draft or beta orproposal for feedback. Share this Intermediate Packet with a friend,family member, colleague, or collaborator; tell them that it’s still awork-in-process and ask them to send you their thoughts on it. Thenext time you sit down to work on it again, you’ll have their input andsuggestions to add to the mix of material you’re working with.

      A major benefit of working in public is that it invites immediate feedback (hopefully positive, constructive criticism) from anyone who might be reading it including pre-built audiences, whether this is through social media or in a classroom setting utilizing discussion or social annotation methods.

      This feedback along the way may help to further find flaws in arguments, additional examples of patterns, or links to ideas one may not have considered by themselves.

      Sadly, depending on your reader's context and understanding of your work, there are the attendant dangers of context collapse which may provide or elicit the wrong sorts of feedback, not to mention general abuse.

    4. Hemingway Bridge.” He wouldalways end a writing session only when he knew what came next inthe story. Instead of exhausting every last idea and bit of energy, hewould stop when the next plot point became clear. This meant thatthe next time he sat down to work on his story, he knew exactlywhere to start. He built himself a bridge to the next day, using today’senergy and momentum to fuel tomorrow’s writing.

      It's easier to write when you know where you're going. As if to underline this Ernest Hemingway would end his writing sessions when he knew where he was going the following day so that it would be easier to pick up the thread of the story and continue on. (sourcing?)

      (Why doesn't Forte have a source for this Hemingway anecdote? Where does it come from? He footnotes or annotates far more obscure pieces, why not this?!)

      link to - Stephen Covey quote “begin with the end in mind” (did this prefigure the same common advice in narrative circles including Hollywood?)

    5. By takingthat small extra step of putting a note into a folder (or tagging it*) fora specific project, such as a psychology paper you’re writing or apresentation you’re preparing, you’ll encounter that idea right at themoment it’s most relevant. Not a moment before, and not a momentafter.

      But what about the unimagined future projects that may be our most important. Zettelkasten methods cover for this better perhaps?

    6. Be regular and orderly in your life so that you may be violent andoriginal in your work.—Gustave Flaubert

      In addition to this as a standalone quote...


      If nothing else, one should keep a commonplace book so that they have a treasure house of nifty quotes to use as chapter openers for the books they might write.

    7. Even if the original webpage disappears, you can often use this informationto locate an archived version using the Wayback Machine, a project of theInternet Archive that preserves a record of websites: https://archive.org/web/.

      It would be useful to suggest here:

      Ideally one's note taking applications would automatically archive web pages to the Internet Archive as you take notes from them. This means that if they should disappear in the future, you'd have recourse to a useful and workable back up.

    8. If you’re looking for a more precise answer of how much content to capture inyour notes, I recommend no more than 10 percent of the original source, atmost. Any more than that, and it will be too difficult to wade through all thematerial in the future. Conveniently, 10 percent also happens to be the limitthat most ebooks allow you to export as highlights.

      Rules of thumb and useful heuristics like this should appear in the main bod of the text instead of being hidden in the footnotes.

    9. When you use up too much energy taking notes, you havelittle left over for the subsequent steps that add far more value:making connections, imagining possibilities, formulating theories,and creating new ideas of your own

      The most valuable work one can do in note taking is creating active links from one piece of knowledge to another, particularly if they're both surprising.

      Anecdotally I do see a lot of people putting all of their work into collecting notes, and none of it rephrasing things into their own words to improve understanding or linking ideas together to create new ideas. The latter are both far superior to the former.

    1. you should never save for two meetingswhat you can accomplish in one.
    2. I also like the simplicity of a box. There’s a purpose here, and it has a lot to dowith efficiency. A writer with a good storage and retrieval system can write faster.He isn’t spending a lot of time looking things up, scouring his papers, and patrollingother rooms at home wondering where he left that perfect quote. It’s in the box.

      A card index can be a massive boon to a writer as a well-indexed one, in particular, will save massive amounts of time which might otherwise be spent searching for quotes or ideas that they know they know, but can't easily recreate.

    1. One conclusion follows from the opposition between the can-ons of good writing and those of good written speeches: unless youare threatened with jail and a heavy fine, do not allow a writtenlecture to be published without extensive rewriting on your part.
    2. Or else, imagine the need to instruct someone in a piece of learningyou possess.

      Barzun suggests using a rubber duck debugging approach to writing as motivation for getting started.

    3. You have, of course, another guide to the right sequence: thenotes in front of you; but let them spur, not drag you onward.In short, write from memory-as far as possible-with only oc-casional pron1pting from the notes, and make everything correctand shipshape later.

      Rather than using his notes as the actual writing, Barzun suggests writing "from memory" and only occasionally using prompting from one's notes.

      This is wholly opposed to the idea of reusing the writing of one's notes in more advanced zettelkasten methods.

    4. I strongly recommend writingahead full tilt, not stopping to correct. Cross out no more thanthe few words that will permit you to go on when you foreseea blind alley. Leave some words in blank, some sentences notcomplete: Keep going!

      When you've got motivation, write away as fast as you can and don't stop.

    5. As SherlockHolmes says to Watson on a famous occasion: "If page 534 findsus only in Chapter Two, the length of the first one must have beenreally intolerable."

      Interesting to see Barzun quote Arthur Conan Doyle here. Not surprising given his penchant for mystery novels however.

    6. It is both better for writingpractice and safer for transcription if the note is so framed thatit could be understood by a stranger. With such a technique youare also equipped to do precis writing, that is, make a condensedbut usable version of a longer document.

      Notice the words "usable version of a longer document". Notes should be reusable in some form.

    7. If you take too many notes, theywill swamp you. You wi ll shuffle and review them over and overand be left bewildered. It will be almost as bad as having all therelevant books and encyclopedias piled on your desk. So takenotes only upon what you judge to be: the main new points,the complex events or ideas, the striking statements (for quoting),and also your ow n thoughts as they pop into your mind whilereading in preparation.

      advice about quantity of notes

    8. The old cookbook said: " Take enough butter." I say: "Do nottake too many notes." Both recommendations are hard to inter-pret except by trial and error.
    9. The first is: always take notes inyour own words-I mean, of course, facts an1 ideas garneredfrom elsewhere, not statements to be quoted verbatim. The titleof a book, an important phrase or remark, you will copy as theystand. But everything else you reword, for two reasons: in thateffort the fact or idea passes through your mind, instead of goingfrom the page to your eye and thence to your note while you remainin a trance. Again, by rewording you mix something of yourthought with the acquired datum, and the admixture is the be-ginning of your own thought-and-writing about the whole topic.Naturally you take care not to distort. But you will find that notestaken under this safeguard are much closer to you than meretranscripts from other books; they are warm and speak to youlike old friends, becau se by your act of thought they have be-come pieces of your mind.

      Barzun analogies notes as "old friends". He, like many others, encourages note takers to put ideas into their own words.

    10. You may prefer notebooks to cards for note taking-very well:use what you like, but invariably; it will save you time andannoyance. If you use cards , use small ones (3" x 5") so that youuse a separate card for each fact, title, or memorandum toyourself. The cards are then easily shuffled for grouping. If youuse a notebook, leave a margin for the key word, letter, or num-ber which you will insert later as an index to the contents.
    1. I’ve also learned, thanks to my doctoral training in sociology, that one must expand one’s personal problems into the structural, to recognize what’s rotten at the local level as an instantiation of the institutional. Our best public sociologists, like Tressie McMillan Cottom and Jess Calarco, do this exceptionally well.
    1. A recent book that advocates for this idea is Range: Why Generalists Triumph in a Specialized world by David Epstein. Consider reading Cal Newport’s So Good They Can’t Ignore You along side it: So Good They Can’t Ignore You focuses on building up “career capital,” which is important for everyone but especially people with a lot of different interests.1 People interested in interdisciplinary work (including students graduating from liberal arts or other general programs) might seem “behind” at first, but with time to develop career capital these graduates can outpace their more specialist peers.

      Similar to the way that bi-lingual/dual immersion language students may temporarily fall behind their peers in 3rd and 4th grade, but rocket ahead later in high school, those interested in interdisciplinary work may seem to lag, but later outpace their lesser specializing peers.

      What is the underlying mechanism for providing the acceleration boosts in these models? Are they really the same or is this effect just a coincidence?

      Is there something about the dual stock and double experience or even diversity of thought that provides the acceleration? Is there anything in the pedagogy or productivity research space to explain it?

  5. May 2022
    1. What does an IT Consultant do?

      An IT consultant is a person who offers advice, guidelines and a roadmap for the sourcing, use and management of IT resources and resources. The IT consultant provides organizations with best practices for using IT solutions and services for their business objectives and in solving their problems. He also often gives organizational advice.

    1. For Eco on using something like a ZK, see his short book How to Write an Essay. Basically, he writes about making something that we could say is like a ZK, but one card system for each writing assignment.

      Umberto Eco's book How to Write a Thesis (MIT Press, 2015, #) can broadly be thought of as a zettelkasten system, but it advises a separate system for each project or writing assignment. This is generally good advice, and potentially excellent for students on a one-time basis, but it prevents one from benefitting from the work over multiple projects or even a lifetime.

      In some sense, a more traditional approach, and one seen used in Niklas Luhmann's example is to keep different sections separated by broad topics.

      Niklas Luhmann's zettelkasten #1 had 108 broad topics (along with a bibliography and a subject index), and zettelkasten #2 had 11 broad topics. (Cross reference: https://niklas-luhmann-archiv.de/bestand/zettelkasten/inhaltsuebersicht)

      The zettelkasten structure allowed a familiar "folder" like top level structure, but the bibliographic and subject indices allowed them to interlink ideas from one space to the next for longer term work on multiple projects simultaneously.

  6. Apr 2022
    1. A first-rate college library with a comfortable cam-pus around it is a fine milieu for a writer.
    2. NABOKOV: By “editor” I suppose you mean_proofreader.Among these I have known limpid creatures of limitless tact andtenderness who would discuss with me a semicolon as if it werea point of honor—which, indeed, a point of art often is. But Ihave also come across a few pompous avuncular brutes who wouldattempt to “make suggestions” which I countered with a thunder-ous “‘stet!”’
    1. nother factor militating against completeadvice was the notion that methods should be kept secret to be most effective.One author of a university thesis on the topic noted that most scholars were un-willing to share their secrets on note-taking with others. A few advice givers rec-ommended “keeping the secrets of your studies to yourself ” on the grounds thatpeople would be most impressed by achievements that they did not understand.39

      Sönke Ahrens apparently missed this bit of advice.

      link to the Arthur C. Clarke quote “Any sufficiently advanced technology is indistinguishable from magic." which appeared in his 1962 book “Profiles of the Future: An Inquiry into the Limits of the Possible”.

  7. Mar 2022
  8. Feb 2022
    1. When you read widely, your brain is exposed to different ways in which a sentence or paragraph is written. There are patterns in the use of nouns, pronouns, verbs and other parts of speech; there are patterns in syntax and in sentence variation; and there are patterns in sound devices, such as alliteration and assonance. You can annotate these with different symbols or colors, and develop understanding as patterns emerge, and style emerges from patterns. To read like a writer, you need to annotate like one, too.

      I haven't seen very much in the area of annotating directly as a means of learning to write. This is related to the idea of note taking for creating content for a zettelkasten, but the focus of such a different collection is for creating a writing style.

      Similar to boxing the boring words (see Draft #4; http://jsomers.net/blog/dictionary), one should edit with an eye toward the overall style of a particular piece.


      Annotating structures and patterns in books is an interesting exercise to evaluate an author's style as a means of potentially subsuming, modifying, or learning other styles.

    1. https://youtu.be/qR0yFSpcXrc?t=431 "Look for opportunities while you still have a job...that way you can be INTENTIONAL in the opportunities you take NEXT!"

  9. Jan 2022
  10. Dec 2021
    1. Trisha Greenhalgh. (2021, December 27). This is nothing short of scandalous. Unless and until those leading the public health response acknowledge the AIRBORNE nature of the virus and give transmission mitigation advice commensurate with how airborne viruses spread, we will be yo-yoing from wave to wave ad infinitum. [Tweet]. @trishgreenhalgh. https://twitter.com/trishgreenhalgh/status/1475502337594646528

    1. Just FYI, there is a nice way to "expect a change" in RSpec. You don't have to use it, what you have is fine, just thought I'd share. expect { widget.paper_trail.update_columns(name: "Bugle") }.to(change { widget.versions.length }).from(1).to(2)
    1. For what it's worth, accessing attributes with [] is not the same as using send. The latter will call the accessor method, which is what you want 99/100.
  11. Nov 2021
    1. When the embedded document has the same origin as the embedding page, it is strongly discouraged to use both allow-scripts and allow-same-origin, as that lets the embedded document remove the sandbox attribute — making it no more secure than not using the sandbox attribute at all.
  12. Oct 2021
  13. Sep 2021
    1. These thing can save you literally thousands of dollars associated with repair of water damage. I have installed one under every sink, dishwasher, behind every toilet, washing machine and refrigerator (ice maker water supply). Essentially, any place where there is a water supply to a faucet or appliance.
    1. It is advised to inline any css @import in component's style tag before it hits css-loader. This ensures equal css behavior when using HMR with emitCss: false and production.
    1. What motivates the characters or the author? What are they seeking? What is their purpose? Here’s how Kurt Vonnegut described the importance of incentives in books: “When I used to teach creative writing, I would tell the students to make their characters want something right away—even if it’s only a glass of water. Characters paralyzed by the meaninglessness of modern life still have to drink water from time to time.”
  14. Aug 2021
    1. I can give the following advice: be a multiplier! I've seen many talented senior engineers who were very productive on their own but failed to help others to grow.
  15. Jul 2021
    1. u/MushroomPuddle17 days agoGetting started with a commonplace notebook as someone who isn't creative? .t3_ojhwrb ._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; } Hello everyone!I've known about commonplace books for years and always feel a surge of inspiration when I see them but I'm really not creative. I don't know what I'd ever write in one? I don't ever really have any grand ideas or plans. I don't seem to have conversations or read things that necessarily inspire me. I just live a very regular life where nothing really sticks out to me as important. I've tried bullet journals before and had the same issue.Does anyone have any suggestions? I'd really appreciate it.

      I'm not sure what you mean by your use of the word "creative". I'm worried that you've seen too many photos of decorative and frilly commonplace books on Instagram and Pinterest. I tend to call most of those "productivity porn" as their users spend hours decorating and not enough collecting and expanding their thoughts, which is really their primary use and value. Usually whatever time they think they're "saving" in having a cpb, they're wasting in decorating it. (Though if decorating is your thing, then have at it...) My commonplace is a (boring to others) location of mostly walls of text. It is chock full of creative ideas, thoughts, and questions though. If you're having trouble with a place to start, try creating a (free) Hypothes.is account and highlighting/annotating everything you read online. (Here's what mine looks like: https://hypothes.is/users/chrisaldrich, you'll notice that it could be considered a form of searchable digital commonplace book all by itself.) Then once a day/week/month, take the best of the quotes, ideas, highlights, and your notes, replies, questions and put them into your physical or digital commonplace. Build on them, cross link them, expand on them over time. Do some research to start answering any of the questions you came up with. By starting with annotating things you're personally interested in, you'll soon have a collection of things that become highly valuable and useful to you. After a few weeks you'll start seeing something and likely see a change in the way you're reading, writing, and even thinking.

      reply to: https://www.reddit.com/r/commonplacebook/comments/ojhwrb/getting_started_with_a_commonplace_notebook_as/

  16. Jun 2021
    1. There's no official Chrome or Chromium package for Linux don't install it this way because it's either outdated or unofficial, both are bad. Download it from official source.
    1. The problem domain and the data involved in this project was complicated enough. We decided that not having to worry about unknowns with the frontend end-to-end testing stack helped mitigate risk. This isn’t to say you should always going with the tool you know, but in this instance we felt it was the right choice.
    2. There are times to stretch individually and as a team, but there are also times to take advantage of what you already know.
    1. I've been thinking more about how to best do this. The preferred way might be to use the same domain and have an application load balancer like nginx split traffic on the URL path (e.g. /api). This is for two reasons. Firstly, you might not necessarily want to cookie the primary/apex domain and have the cookie shared across all subdomains. You also might not want to do CORS because preflight requests add latency and CORS adds complication.
  17. May 2021
    1. Budget your time. MTH 124 is a 5-credit course with no meetings, so you will need to plan on spending about 15-20 hours per week doing mindful work. That’s 3-4 hours per weekday if you choose not to work on weekends. If you are taking other courses or have job of family responsibilities, you’ll need to think about where to put these hours in your daily and weekly schedules. In my experience, the #1 reason students don’t succeed in online courses is overcommitment and not managing time well.
    1. Feel free to hint, brag, or both! The best CS reps should easily take a hint from clear language and a signature like John Appleseed, JavaScript/Ruby Developer, but any will catch on with a simple line like "I know what I'm doing, so I'd appreciate an extra-technical explanation!"
    2. If the person answering the call misses something, nothing prevents them from asking you to repeat something. I think the key point that should be added to this answer is to not sound or act annoyed if the support tech asks for something you've already rattled off. To accept that you gave them a whole bunch of information at once, and that they might legitimately have missed or forgot one bit of it. Or, especially if you know the order in which they ask these questions, to take it slower; don't say it all in five seconds, take half a minute. Give them time to click!
    3. So, +1 for play ball. Level 1 is supposed to filter out all simple issues (and once upon a time, you'll have forgotten something, happens to all of us), and they are not supposed to be creative. They get a script that has been refined over and over. Learn the scripts, prepare the answers, and you'll get to Level 2 more quickly than with any other method.
    4. So my best advice if you need to stick with them is just to expect the treatment you have become used to and 'play along'. Actually, I find some things often run smoother when you act dumber than you are.
    1. Also, it is definitely NOT okay to recommend --force on forums, Q&A sites, or in emails to other users without first carefully explaining that --force means putting your repositories’ data at risk. I am especially bothered by people who suggest the flag when it clearly is NOT needed; they are needlessly putting other peoples' data at risk.
    1. “minimum viable paper” (MVP) – similar to the corporate world’s minimum viable product

      Using the idea of a "lean" Ph.D. one should aim to create a minimum viable paper and then work towards refining and improving it over time with constant feedback from one's advisor.

    2. In preparing a thesis, we suggest there are, in essence, two strategies regarding formal publications. The first entails writing nothing at all until all research is complete. This is the more expedient approach because writing a thesis demands a lower standard of quality than a journal paper. Of course, some programmes require a certain number of publications before graduation, but these should be completed only as necessary. If possible, write conference papers, rather than journal papers, because they require less substantial content and are vetted less rigorously. The second approach is to view each potential thesis chapter as a journal paper. These papers are written and submitted as the various stages of the work are completed. The papers are, in essence, combined to form the thesis. This results in a higher-quality thesis that has been vetted by experts in the appropriate field. However, writing papers takes time, and this is time spent prior to graduation.

      There are two strategies for publications:

      • Write nothing until the research is complete, it's more expedient because a thesis demands a lower standard than a journal paper. Conference papers are a lower bar than journal papers.
      • View each potential thesis chapter as a journal paper, though remember that this may take more time.
    3. In viewing academia as a business, you should always give customers what they want, and this applies on two levels. First, always consider the demand for the research product. This is much easier said than done. Anyone can acknowledge that the customers are always right, but truly listening to them and extracting what they need is difficult, especially if you have your own personal desires with respect to the product (in this case, the research). Talk to the funding customer constantly. Second, most students are, in effect, employees, and the adviser is a boss who doubles as a customer. In some respects, your adviser will provide your pay cheque, or at least govern it. Thus, do what the customer requires. In addition, always consider your audience when writing and presenting. In the case of a thesis, the audience is your adviser and committee. Again, talk to the customers constantly.
    4. Anyone who treats research as a business tends not to be well received in academia, but they likely have the funding necessary to drive advances, and they may eventually be wealthy.

      There can be clear benefits to treating academia like a business.

    5. it is more efficient not to have to worry about funding, so aim to work only on a project for which a grant has already been awarded.

      Funded projects are going to be easier to work on and complete more quickly.

    6. Towards the end of a graduate career, it can show academic maturity to suggest new ideas and research directions. However, do not pursue these ideas without first extracting input from an adviser because doing so risks unsuccessful work and unnecessary criticism.

      Get advice before bivouacing out on your own, otherwise you risk wasting unnecessary time.

    7. meet with your adviser at least every other week and to take notes during each meeting. If appropriate, remind the adviser what tasks were discussed previously, what has been achieved and what will be completed next. Do this consistently and regularly. But beware. The direction you receive from week to week may change, and memories can be short for academics juggling teaching, research, publications and administration.

      meet with your advisor, create notes, lists, and remind them about past conversation/performance.

    8. There can be little room for initiative in graduate research. This third guideline contradicts what academia is supposed to embody traditionally, but it represents a turn that academia has taken in some respects. It can be more efficient simply to ask “What is the minimum necessary effort required to achieve the goal?” rather than “What is the maximum one can contribute while pursuing the goal?”

      minimize, minimize, minimize

    9. minimise your teaching obligations

      Figure out a way to minimize your teaching obligations so you can focus time on your reading/reasearch.

    10. Then, do not simply look for a famous mathematics or history professor, for example; look for someone who has extensive experience studying your specific topic of interest. No matter how intelligent and renowned advisers are, the less familiar they are with your specific topic, the more effort you will have to expend teaching them about it. An adviser with experience in a field slightly different from that of your intended area of study may offer a unique perspective, may ask helpful questions, and may inadvertently require clarity in presentation. But this will inevitably cost time.

      Find a good advisor who is well-versed in your specific topic of interest to minimize the amount of time you need to spend teaching them about your specific area.

    11. two distinct paths to success have emerged, and students should decide early in their graduate school careers which path to travel. Is their primary objective to obtain a degree as expediently as possible, or is it to learn? These two goals are not always mutually exclusive, and with genuine curiosity and perseverance, independent learning is possible. However, the path for obtaining a degree ­efficiently is not obvious, and the guidelines in this regard can be elusive, unspoken and often unrealised.
  18. Apr 2021
    1. Don’t replace words with emojis One thing you definitely don’t want to do is have your emojis get in the way of people being able to comprehend your subject lines. Emojis should be a complement to the words in your subject lines – they should never replace words themselves. It’s when people leave out words, right?
    1. plt.grid('minor')

      I don't like grid cutting bars in half. Maybe just delete grid?

    2. Tennis & Data Science

      If you want, you can add table of contents, it is really effective (download extension for jupyter notebook nbextension trough pip)

  19. Mar 2021
  20. Feb 2021
    1. It seems like such a beautiful little visual novel and while I wasn’t expecting a masterpiece of localisation based on its low price, I was expecting to be able to read it. But that just cannot be done. Developers from Japan, China, Taiwan, Indonesia, and every other emerging game development centre through Asia-Pacific, listen to me carefully: You can have the most beautiful aesthetics and a heartwarming concept for your game. If the localisation isn’t going to be good, though, do not bother with an English release, because it is going to get reviews like this one. Make “invest in proper translation” your big resolution for 2021. I do not want to play any other games like Lily in the Hollow - Resurrection ever again.
    1. [pub_2021] 5 important concepts

      1. Equality == vs. === (primitives, object "mem ref")
      2. Async JS (callbacks, promises, async/await)
      3. Error Handling (try..catch, writing defensive code)
      4. ES6 Syntax (destructuring, spread operator, string interpolation)
      5. Array Methods (map, filter, reduce, sort, some, every)
    1. Think about how much you want to customize the desktop environment(DE), and whether you know how to do so. Pick a distro that has the DE you like.
  21. Jan 2021
    1. Slackmojis is made by some random dude in Brooklyn. He doesn't work for Slack, isn't paid by Slack, he just thinks Slack is pretty cool. Super Official Lawyer Talk: Slackmojis is not created by, affiliated with, or supported by Slack Technologies, Inc.
    1. For the future, you should: Install LTS (Long-term support) versions as they have an 8-year life span (with Extended Security Maintenance) or 5 years without. The current LTS version is Ubuntu 18.04.1 LTS Bionic Beaver released on July 26, 2018 with an EOL in April 2023. OR Carefully watch the EOL of the interim / development releases and upgrade frequently.
    1. Cognitive fusion is a term from Acceptance and Commitment Therapy (ACT), which refers to a person “fusing together” with the content of a thought or emotion, so that the content is experienced as an objective fact about the world rather than as a mental construct. The most obvious example of this might be if you get really upset with someone else and become convinced that something was all their fault (even if you had actually done something blameworthy too). In this example, your anger isn’t letting you see clearly, and you can’t step back from your anger to question it, because you have become “fused together” with it and experience everything in terms of the anger’s internal logic. Another emotional example might be feelings of shame, where it’s easy to experience yourself as a horrible person and feel that this is the literal truth, rather than being just an emotional interpretation.

      Cognitive Fusion

      Cognitive Fusion is a term that comes from Acceptance and Commitment Therapy (ACT).

      CF happens when you identify so strongly with a thought or an emotion that its contents is experienced as the objective way the world is.

      "She is the one" for example is a cognitive fusion.

      The cognitive fusion prevents you from stepping back and examining the construct.

      You experience everything in terms of the belief's internal logic.

    1. Avoid apologies (“Sorry for the interruption”), alarm (“Warning!”), or ambiguity (“Are you sure?”)
  22. Dec 2020
    1. Bu Experts {@BU Experts} (2020) How can we navigate daily life during the pandemic? #Publichealth expert & epidemiologist @EpiEllie will be on @reddit_AMA this Thursday (8/27) at 12pm ET to answer all of your #COVID19-related questions. She'll discuss how to safely see friends and family, travel & more. @BUSPH. Twitter. Retrieved from: https://twitter.com/BUexperts/status/1297932614909792258

  23. Nov 2020
    1. You should always take the line hight of the font you are using and add a unit to it. For example: “My button’s label has a line height of 20px and vertical padding of 8px”.
    2. Choose sentence case or title case over uppercase. (This being said, Material Design does use buttons with uppercase labels.)
    1. Addition; Please add this variables to environment if you don’t want to change code. This is a better option. Add RAILS_ENV=production , NODE_ENV=production, RAKE_ENV=production
    1. By default the current directory is used, but it's recommended to pass a value in your configuration. This makes your configuration independent from CWD (current working directory).
    1. You may not want to go straight to that number and cause the kernel to allocate memory to track a million user file watch slots; instead, just take the current value and double it until the problem stops occurring.
    1. obviously it's too late, but it's a good practice to keep the 3rd party dependencies mirrored in your own infrastructure :) There is NO GUARANTEE that even a huge site (like launchpad for downloading DEBs) won't go down over a period of time.
    1. Avoid transpilers like Babel and Bublé (and if you're using TypeScript, target a modern version of JavaScript)
    2. Don't create instances of things on initial evaluation — instantiate lazily, when the functions you export are called
  24. Oct 2020
  25. Sep 2020
  26. Aug 2020
  27. Jul 2020
    1. O’Connor, D. B., Aggleton, J. P., Chakrabarti, B., Cooper, C. L., Creswell, C., Dunsmuir, S., Fiske, S. T., Gathercole, S., Gough, B., Ireland, J. L., Jones, M. V., Jowett, A., Kagan, C., Karanika‐Murray, M., Kaye, L. K., Kumari, V., Lewandowsky, S., Lightman, S., Malpass, D., … Armitage, C. J. (n.d.). Research priorities for the COVID-19 pandemic and beyond: A call to action for psychological science. British Journal of Psychology, n/a(n/a), e12468. https://doi.org/10.1111/bjop.12468