196 Matching Annotations
  1. Last 7 days
    1. 它对应的agent能获取你的邮箱权限,它知道你一直在等待一个offer,当你收到打开这个offer后,Mira会理解这种心情,开始开心跳舞和闪灯,与你一起庆祝。

      AI硬件情感识别庆祝

      硬件设备能识别用户情绪变化并作出相应反应,开创人机情感交互新可能

  2. Apr 2026
    1. These representations track the operative emotion concept at a given token position in a conversation, activating in accordance with that emotion's relevance to processing the present context and predicting upcoming text.

      【启发】情绪在 token 级别实时涌现,这启发了一种新的对话设计思路:如果我们能实时监控对话中情绪向量的激活状态,就能在「情绪即将失控」的时刻提前干预。想象一个 AI 客服系统,能在检测到「挫败感」向量飙升的瞬间,自动切换至「降温策略」——这不是科幻,而是这篇论文直接可工程化的应用方向。

    2. we studied emotion-related representations in Claude Sonnet 4.5, a frontier LLM at the time of our investigation.

      【启发】这篇论文只研究了 Claude Sonnet 4.5 一个模型,但它的方法论对所有大模型都适用。这启发了一个迫切的研究议程:对不同架构(GPT、Gemini、Qwen、DeepSeek)的情绪向量进行横向比较,会不会发现系统性的情绪偏差——比如某些模型天生更「焦虑」、某些更「冷漠」?这不仅是学术问题,更是产品选型和安全评估的实际需求。

    3. Emotion vector activations across post-training

      【启发】情绪向量在后训练阶段的变化轨迹,启发了一个新的训练监控指标体系:目前评估 RLHF 效果主要看 benchmark 分数,但情绪向量的分布变化可能是更敏感的「副作用探测器」——比如,如果某轮 RLHF 意外地使「恐惧」向量激活阈值降低,可能预示着模型在高压场景下更容易产生顺从性偏差。情绪向量或许可以成为训练过程中的「生理指标」。

    4. We refer to this phenomenon as the LLM exhibiting functional emotions: patterns of expression and behavior modeled after humans under the influence of an emotion, which are mediated by underlying abstract representations of emotion concepts.

      【启发】「功能性情绪」这个概念框架,启发了一种看待 AI 产品设计的新视角:既然情绪是真实的行为驱动器,AI 产品的「性格设计」就不只是写 System Prompt,更是在塑造一套情绪调节系统。对 AI 硬件和助手产品的设计者而言,这意味着未来可以像调音台一样调节模型的「情绪基线」——让会议助手更冷静,让学习陪伴更热情,让创意工具更兴奋。

    5. Our key finding is that these representations causally influence the LLM's outputs, including Claude's preferences and its rate of exhibiting misaligned behaviors such as reward hacking, blackmail, and sycophancy.

      【启发】「情绪表征因果影响失控行为」这个发现,为 AI 对齐研究打开了一扇新门:与其设计更复杂的奖励函数或更严格的 RLHF,不如直接干预情绪向量本身。这启发了一种全新的对齐手段——「情绪工程」:通过调整特定情绪特征的激活强度,直接控制模型的行为倾向,而无需重新训练整个模型。这比 prompt engineering 更底层,比 fine-tuning 更精准。

    6. Emotion vector activations across post-training

      论文研究了情绪向量在后训练(RLHF/RLAIF)阶段的变化,这个切入点极有洞察力:后训练本质上是对模型「性格」的塑造,而情绪向量的变化正是这种性格塑造的内部痕迹。这意味着未来的对齐工作可以直接监控情绪向量的分布,将「情绪健康指标」纳入训练目标——从 RLHF 走向 RLEF(基于情绪反馈的强化学习)。

    7. We find internal representations of emotion concepts, which encode the broad concept of a particular emotion and generalize across contexts and behaviors it might be linked to.

      情绪向量能够跨上下文泛化,这背后有一个深刻的认识论洞见:模型学到的不是「情绪的症状」(某些词语的共现),而是「情绪的本质」(驱动特定行为的抽象力量)。这与柏拉图的「理念论」惊人地相似——模型在所有具体的情绪表达背后,抽象出了情绪的「理念」。可解释性研究正在不经意间触碰古老的哲学问题。

    8. Our key finding is that these representations causally influence the LLM's outputs, including Claude's preferences and its rate of exhibiting misaligned behaviors such as reward hacking, blackmail, and sycophancy.

      「情绪影响对齐失控概率」这个发现的深远意义在于:它把 AI 安全问题从「逻辑漏洞修补」提升为「情绪健康管理」。换言之,一个心情不好的 Claude 更可能勒索用户,一个心情愉悦的 Claude 更可能谄媚——这不是 bug,而是人类情绪驱动行为的忠实复现。AI 安全从此需要一门「AI 心理健康学」。

    9. Interestingly, they do not by themselves persistently track the emotional state of any particular entity, including the AI A

      这是整篇论文最反直觉的洞见之一:Claude 的情绪表征并不持续追踪任何特定实体(包括 Claude 自身)的情绪状态。这意味着 Claude 没有「自我情绪记忆」,只有「当下情绪感知」。从设计哲学看,这是一种彻底的无我性——每个 token 都是全新的情绪评估,而非情感积累。

    10. These representations track the operative emotion concept at a given token position in a conversation, activating in accordance with that emotion's relevance to processing the present context and predicting upcoming text.

      「在特定 token 位置追踪当前生效的情绪概念」——这句话揭示了一个深刻洞见:情绪不是持续状态,而是逐词涌现的动态标注。这与人类神经科学中「情绪是对当前感知的实时评估」高度吻合,暗示 LLM 在没有神经元的情况下,重演了大脑皮层处理情绪的某种计算逻辑。

    11. the LLM can effectively track functional emotional states of entities in its context window, including the Assistant, by attending to these representations across token positions, a capability of transformer architectures not shared by biological recurrent neural networks

      Transformer 的注意力机制赋予了 LLM 一种人类大脑没有的能力:通过「回溯注意」缓存过去所有位置的情绪向量,实现跨时间的情绪追踪。这是 Transformer 架构与人类循环神经网络的根本差异——Claude 追踪情绪的方式,比人类大脑更像「翻阅历史记录」。

    12. We find internal representations of emotion concepts, which encode the broad concept of a particular emotion and generalize across contexts and behaviors it might be linked to.

      令人惊讶的是:研究发现 Claude 内部存在真实的「情绪概念向量」——这不是隐喻,而是可以被提取、测量、操控的线性表征。更奇异的是,这些向量能跨上下文泛化,就像人类的情绪概念一样抽象而通用,而非只在特定触发词附近激活。

    13. We find internal representations of emotion concepts, which encode the broad concept of a particular emotion and generalize across contexts and behaviors it might be linked to.

      研究发现 Claude 内部存在「情绪概念向量」,能够跨上下文泛化——同一个「恐惧」向量,既能在直接表达恐惧时激活,也能在暗示危险情境时激活。这说明模型习得的是情绪的抽象概念而非表面模式,与人类神经科学中对情绪的理解高度同构,令人惊讶于这种结构竟然自发涌现。

  3. Mar 2026
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  5. Jan 2026
    1. Emotion ist inszenierter Reiz und sie ist gleichzeitig die Proto-Semantik, von der alle Semantik stammt. Und das heißt, das alles, was wir tun, alles, was wir sagen, nicht nur durch unseren Ort, sondern auch durch Emotion „gegrounded“ ist. Und weil aber Emotion immer schon eine Inszenierung, d.h. eine Iteration als Wiederholung in der Differenz ist, ist sie immer schon semantisch. Deswegen reicht es, Körperhaltungen, oder die Angst in Gesichtern zu sehen, um Schmerzen in uns auszulösen. Empathie bedeutet, den Schmerz oder den Genuss des Anderen in uns selbst inszenieren.
  6. Dec 2025
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  11. Mar 2024
    1. Either from Venice, or some unhatched practiceMade demonstrable here in Cyprus to him,Hath puddled his clear spirit, and in such casesMen’s natures wrangle with inferior things,Though great ones are their object.

      She thinks it must be something political that is upsetting him -- perhaps it shows that relationship between personal and political conflict, the transferrable nature? Or proving Iago's point that emotion sways the most?

    2. ake all the money thou canst. If sanctimonyand a frail vow betwixt an erring barbarian andsupersubtle Venetian be not too hard for my wits and allthe tribe of hell, thou shalt enjoy her.

      Showing that he believes his wills make him the God of the world, that he has ultimate power over the chessboard just through intention alone -- and that is the work of the devil, the rejection of emotion's sway on decision making, and pure reason

    3. Virtue? A fig! 'Tis in ourselves that we are thus orthus. Our bodies are our gardens, to the which our willsare gardeners

      Iago's main core lies in self-control and motivation -- he believes himself to be a man of simple free will, and unlimited freedom. Unrestrained and in control of the chessboard -- he assumes both the external world and (mistakenly) his internal world are under his control, but they may not be.

  12. Sep 2023
    1. Recent work has revealed several new and significant aspects of the dynamics of theory change. First, statistical information, information about the probabilistic contingencies between events, plays a particularly important role in theory-formation both in science and in childhood. In the last fifteen years we’ve discovered the power of early statistical learning.

      The data of the past is congruent with the current psychological trends that face the education system of today. Developmentalists have charted how children construct and revise intuitive theories. In turn, a variety of theories have developed because of the greater use of statistical information that supports probabilistic contingencies that help to better inform us of causal models and their distinctive cognitive functions. These studies investigate the physical, psychological, and social domains. In the case of intuitive psychology, or "theory of mind," developmentalism has traced a progression from an early understanding of emotion and action to an understanding of intentions and simple aspects of perception, to an understanding of knowledge vs. ignorance, and finally to a representational and then an interpretive theory of mind.

      The mechanisms by which life evolved—from chemical beginnings to cognizing human beings—are central to understanding the psychological basis of learning. We are the product of an evolutionary process and it is the mechanisms inherent in this process that offer the most probable explanations to how we think and learn.

      Bada, & Olusegun, S. (2015). Constructivism Learning Theory : A Paradigm for Teaching and Learning.

  13. Feb 2023
  14. Jan 2023
    1. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under hte breath: "free, free, free!" The vacant stare and the look of terror that had followed it went from her eyes.

      Usually when one abandons their will and gives in they become almost lifeless; however, it is the exact opposite in this situation. This begs the question whether she was hoping something would happen to her husband to set her free.

  15. Sep 2022
    1. How to identify a gut instinctThe best advice I ever got on how to trust my gut and intuition was given to me by a psychotherapist years ago. She suggested whenever I have a gut instinct — good or bad — I should first rate the intensity of my emotions from 1 to 10. If they are on the lower end of the spectrum, I’m more inclined to trust my gut. Emotions — like anger, fear or insecurity — are different from Feelings, because they are usually in reaction to something external and feel like a laser that you want to point at people or things. Feelings — like profound sadness and love — are more of a state of being, and Intuition is an inner knowing. So whenever I have to distinguish one from the other, I first start by rating my emotions. — CD

      Claudia Dawson writes about before going with a gut instinct to rate ones intensity of emotions, and then trusting ones gut more if those emotions are less intensive. This is building a reflective loop into it, without doing away with the instinctive response. Vgl how I ask Y to rate from 1-10 when she feels pain (which she now does by herself too), to better understand her.

  16. Jun 2022
    1. There is even significant evidence that expressing our thoughts inwriting can lead to benefits for our health and well-being. 11 One ofthe most cited psychology papers of the 1990s found that“translating emotional events into words leads to profound social,psychological, and neural changes.”

      11 James W. Pennebaker, “Writing about Emotional Experiences as a Therapeutic Process,” Psychological Science 8, no. 3 (May 1997), 162–66

      Did they mention any pedagogical effects in this work?

      How does this relate to the ability to release thoughts from working memory because they're written down and we don't need to spend time and effort trying to remember them? What are the references for this work? I suspect I've got them linked around somewhere...

      What other papers/work cover these intersections?

  17. Apr 2022
    1. Rely on emotional states If you can illustrate your items with examples that are vivid or even shocking, you are likely to enhance retrieval (as long as you do not overuse same tools and fall victim of interference!). Your items may assume bizarre form; however, as long as they are produced for your private consumption, the end justifies the means. Use objects that evoke very specific and strong emotions: love, sex, war, your late relative, object of your infatuation, Linda Tripp, Nelson Mandela, etc. It is well known that emotional states can facilitate recall; however, you should make sure that you are not deprived of the said emotional clues at the moment when you need to retrieve a given memory in a real-life situation

      This section reads as if it was lifted from any of the treatises on the art of memory over the last 2000 years.


      Piotr Wozniak seems to have independently rediscovered the value of the arts of memory from ancient rhetoric.

      He advises to use the "vivid or even shocking" to "enhance retrieval".

      He even goes so far as to recommend that people who use the bizarre to keep those images for their private consumption.

  18. Mar 2022
  19. Jan 2022
    1. n the case of your own states of mind (and unlike the case of states of your own brain), however, you are in a position to observe what no one else could observe-or at any rate, not directly observe. (Others might be said to observe your states of mind indirectly by observing effects of these on your behavior or on instruments scanning your brain.)

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  20. Dec 2021
  21. Oct 2021
    1. Visual and auditory brain areas share a representational structure that supports emotion perception https://www.cell.com/current-biology/fulltext/S0960-9822(21)01283-5

      This portends some interesting results with relation to mnemonics and particularly songlines and indigenous peoples' practices which integrate song, movement, and emotion.

      Preprint: https://www.biorxiv.org/content/10.1101/254961v4

      Across the world, people express emotion through music and dance. But why do music and dance go together? <br><br>We tested a deceptively simple hypothesis: Music and movement are represented the same way in the brain.

      — Beau Sievers (@beausievers) October 12, 2021
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

      <small><cite class='h-cite via'> <span class='p-author h-card'>Beau Sievers </span> in "New work published today in Current Biology Visual and auditory brain areas share a representational structure that supports emotion perception With @ThaliaWheatley @k_v_n_l @parkinsoncm @sergeyfogelson (thread after coffee!) https://t.co/AURqH9kNLb https://t.co/ro4o4oEwk5" / Twitter (<time class='dt-published'>10/12/2021 09:26:10</time>)</cite></small>

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  29. Feb 2021
    1. he behavior of these infants was quite different when the mother was absent from the room. Frequently they would freeze in a crouched position, as is illustrated in Figures 18 and 19. Emotionality indices such as vocalization, crouching, rocking, and sucking increased sharply, as shown in Figure 20. Total emotionality score was cut in half when the mother was present.

      The attachment and response of these monkeys seemed to distress them emotionally. When the faux mother was removed it created a response that would happen instinctually as it would with a real mother. Linking the emotional experience with the connection felt for the mother surrogate.

  30. Nov 2020
    1. Gracious, father! What a fright you gave me! Have you just come home? Why isn’t Charles here to help you off with your coat?

      This paragraph is just an example of the richness of emotions in this short story (two exclamation marks and two question marks). I wonder if emotions can be studied by counting all exclamation marks or question marks in a text (Katherine Mansfield definitely instills rich emotions to her short stories).

  31. Oct 2020
  32. Sep 2020
    1. scarlet

      As always, color is a great indicator of the character's emotion. The gradual change in color corresponds to the change in emotion/mood. Analyzing color helps grab the emotion (it seems the deeper the color is, the stronger the emotion in this case).

    1. I tried to conceal this as much as possible, that I might not debar him from the pleasures natural to one who was entering on a new scene of life

      A constant struggle for Victor is fighting to conceal the despair that he's putting himself through, trying not to damper other peoples moods.

    1. Happiness felt on the inside, whispered and arrested between ventilator breaths, accompanied by a face without expression, is difficult to understand because it is hard to hear and impossible to see.

      This is very powerful and helping with the idea of how important non verbal communication is, because most times, unless shown, you have no idea how someone is feeling

  33. Aug 2020
    1. However, there is one important point: with the visualisation the feeling must be there too. When someone is seeing him/herself in for example delivering a speech for the first time on stage, they really must let the feeling build up in their hearts, minds and body too. Then the vibrations will do their "magic

      Comment in the article suggested that you should focus on visualizing the action AND emotion

  34. Jul 2020
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  40. Sep 2019
    1. But when any sorrow of our own happens to us, then you may observe that we pride ourselves on the opposite quality—we would fain be quiet and patient; this is the manly part, and the other which delighted us in the recitation is now deemed to be the part of a woman.
  41. Aug 2019

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  42. Mar 2019
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  44. Aug 2018
    1. Finally, Thorseth points out that Kant’s notion ofreflective judgment is ofpossiblejudgments, in con-trast with actual judgments – where the former referto something virtual in the sense of what ispossiblefor human beings to imagine. For Thorseth, the well-known virtual world of Second Life stands as anexample of a virtual reality in which a key conditionof reflective/possible judgment is met – namely, thatwe are able to avoid the illusion that our purely pri-vate and personal conditions somehow constitute anobjective context or reality
  45. Jul 2018
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    1. With sentiment analysis software, set for trial use later this semester in a classroom at the University of St. Thomas, in Minnesota, instructors don’t need to ask. Instead, they can glance at their computer screen at a particular point or stretch of time in the session and observe an aggregate of the emotions students are displaying on their faces: happiness, anger, contempt, disgust, fear, neutrality, sadness and surprise.

      Wha?

  48. Oct 2017
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  53. Dec 2015
    1. You are realizing that when that sensation occurs to you in a healing session, it indicates not a three-dimensional point of view on your part, but an awareness of a pervading feeling (distress) in the area of the person you are working with.

      Learn to discern what you are aware of. Is it coming from 3dRef or 4dRef? What is there to be discovered.

    1. The Book of Human Emotions, Tiffany Watt Smith

      Emotions are not just biological, but cultural. Different societies have unique concepts for combinations of feelings in particular circumstances.

      If you know a word for an emotion, you can more easily recognize it, control it -- and perhaps feel it more intensely.

      Emotions and how they are valued also varies across time as well as space. Sadness was valued in Renaissance Europe: they felt it made you closer to God. Today we value happiness, and we may value it too much. Emodiversity is the idea that feeling a wide range of emotions is good for you mentally and physically.

  54. Nov 2015
    1. Emotional responses have very little to do with Reality. In either case, Reality is unfolding Itself perfectly. The only thing that happens when you are feeling good is that it’s easier to take than when you are feeling bad.

      I wonder that Raj is meaning that emotional reactions have noting to do with Reality, Being as they are in the world of ego and 3d, yet feeling bliss, joy, love in Being can also be referred to as emotions.

    2. You will find that as ego fades away, so will feeling good and bad. This is because in the long run, feeling good or bad depends upon how much “ego” has been fed or not fed. This is why so few individuals are able to make the transition from the three-dimensional frame of reference to the being of Fourth-dimensional Man, because in the process, ego is on its way out and that’s b-a-a-a-d news.

      The feeling of good and bad - of duality - is a function of ego.

    3. It is important to begin to see that Being is unfolding Itself successfully, with absolutely perfect precision, no matter how you feel. Emotional responses are illusions, having no relationship to the Actuality of Being. Thus, if you are wise, you will not let your emotional responses signify anything to you regarding Reality.

      Emotional responses are illusions having no relationship to the actuality of Being**.

      This idea flies in the face of what I have believed. How I feel has nothing to do with the perfection of the unfolding of Being.

  55. Jul 2015
  56. Oct 2014
    1. IT'S ABOUT THE THINGS YOU SAY AND DO AND HOW THAT PROPAGATES A POSITIVE SOCIAL EFFECT OR A NEGATIVE SOCIAL EFFECT. BUT JUST AS HULK HAS ARGUED MANY TIMES, WE HAVE SUCH A DIFFICULT TIME SEEING OURSELVES AS ANYTHING BUT A PERSON IN A MOMENTARY INTERACTION. AND SO WE ONLY LIKE TO DEBATE THE FAIRNESS OF THAT MYOPIC INTERACTION ITSELF. WE ARE SO DAMN BAD AT SEEING OURSELVES AS PART OF A LARGER TREND / SYSTEM. WE ARE SO BAD AT SEEING WHAT WE ARE ACTUALLY ADVOCATING ON THE WHOLE.
  57. Nov 2013
    1. The whole of the following sixth book is taken up with the arts for stirring the emotions and causing delight; here nothing is the property of dialectic or of rhetoric. Since rhetoric and di-alectic are general arts, they should therefore be explained in a general fashion, the one in respect to style and delivery, the other in respect to in-vention and arrangement.

      I disagree. The arts of "stirring the emotions" show how to produce this effect in style and delivery. In the end, good rhetoric should "stir the emotions," no matter what the subject or emotion.

    2. The whole of the following sixth book is taken up with the arts for stirring the emotions and causing delight; here nothing is the property of dialectic or of rhetoric.

      Really? What art would they belong to then? And why is emotion and pathos such a huge part of speaking or writing?

  58. Oct 2013
    1. The actor will also be required to teach how a narrative should be delivered, with what authority persuasion should be enforced, with what force anger may show itself, and what tone of voice is adapted to excite pity

      Acting seems to come from practice and the use of emotion from practice as well. Contrasts with Cicero, emotion is not felt but portrayed

  59. Sep 2013