1,761 Matching Annotations
  1. Aug 2020
  2. Jul 2020
  3. Jun 2020
    1. Piketty’s account of the past 40 years is less a story of capital being unleashed (as most histories of neoliberalism have it) than of progressive ideologies running out of steam. The failure of communism played a crucial role in this, producing a new fatalism about the capacity of politics to deliver equality. Globalisation eroded national borders, while “hypercapitalism” delivered concentrations of wealth not witnessed since 1914. In the context of post-socialist ideological cynicism
    1. Barry, D., Buchanan, L., Cargill, C., Daniel, A., Delaquérière, A., Gamio, L., Gianordoli, G., Harris, R., Harvey, B., Haskins, J., Huang, J., Landon, S., Love, J., Maalouf, G., Matthews, A., Mohamed, F., Moity, S., Royal, D.-C., Ruby, M., & Weingart, E. (2020, May 27). Remembering the 100,000 Lives Lost to Coronavirus in America. The New York Times. https://www.nytimes.com/interactive/2020/05/24/us/us-coronavirus-deaths-100000.html

  4. May 2020
    1. (He was also hit by a car when he was eight and stabbed by a stranger in a bar fight while out with the actor Vince Vaughn in 2001. “I came close to death,” he says, casually reflecting on the latter incident. “That was probably the closest I've been, besides being hit by a bus and a car.”)
  5. Apr 2020
  6. Mar 2020
    1. 3,000 people have passed away as a result of the infection.

      "pass away" is a euphemism usually reserved for obituary pages. Victims of a virulent virus do not "pass away." They die.

  7. Dec 2019
    1. Death is like painting rather than like sculpture, because it’s seen from only one side. Monochrome—like the mausoleum-gray former Berlin Wall, which kids in West Berlin glamorized with graffiti. What I’m trying to do here.
    1. scarlet fever

      Scarlet fever is a disease caused by a streptococcus infection, most common among children and young adults. Until the discovery of penicillin in the early 20th Century, it was frequently fatal. Also compare the 1831 edition, in which Elizabeth's condition is more "severe."

  8. Nov 2019
    1. This makes me think shrines to birth sites should also be possible, and would also mark the boundary between life and death.

  9. Oct 2019
  10. s3.us-west-2.amazonaws.com s3.us-west-2.amazonaws.com
    1. ouwillbealittlesurpriedwhenItellyouMrElyslittlegirlafewdaysagowastakenoutofthecreekfrdead.Theyworkedseveralhoursbeforeshediscoveredanywarmthinhrbody&hardlyanysymptomsofanimation.ImentionthisthatyoumaydoubleyourwatchfulnessoverlittleJulia

      Boutwell tell Aitkin that Ely's daughter nearly drowned

    2. ndiansshallbequiteexterminat

      he is preparing for the extermination of the Natives

    1. nOctoberlast,oneofournumber,aninfantoftenmonnhsold;ardtheonlychildofMr.andMrsSproat,wasremoved_framthisrorldafterashortilln

      Mrs. Sproat's child died after sickness

    2. Ybu,§reprobablyawarethat‘odhastakentwoofournhreechildrent

      two of Ely's children died

    3. ewasthesonofoldBuffalo,andthesecondthathehaslostsinceIhavebeenhere.Hewaskilledbya.fallingtreewhileouthunting.

      A second chief, son of Old Buffalo, died while hunting

  11. Jun 2019
    1. “Because the bully had no prior record of bullying, and even though there were so many different days and incidents of physical assault, it was treated as a one-time offense, and for a one-time offense you just get a short talk and a call home,”

      In order for suspension and expulsion, there must be multiple offense. In this case, there are witnesses and a confession, but that is not enough. Even though there were many different days and incidents of physical assault this is considered a one-time offense? A short talk and a phone call home is the consequences of a death threat and physical assault? Where is the importance of bullying would not be tolerated? Where is the importance of ensuring the victim's safety? This is why this whole system fail to tackle on the issue of bullying. The limit of what the school can do is unjust. How is that resolved? The victim and their family would still feel unsafe, fear, and paranoia.

    2. “I really assumed that because there was a death threat, that it would be taken seriously.” — Amy Simpson, mother

      I would assumed that everyone who reads this will feel some sort of way regarding threats and how serious it is. Amy Simpson, a mother of the bullied victim, had also ASSUMED threats to her child would be taken seriously. To read on that it wasn't makes me feel the indignation for Amy. As a mother myself, I would also assumed that serious actions would be taken upon the offender who physically, emotionally, and mentally abused my child. In most cases, parents of victims feel their cases is unresolved and still fear for their child safety. Why in this case was it not taken seriously when all lines are crossed topping it with the threats? Why?

    3. The physical assault and the death threats were two different felonies, but Amy Simpson said the officer told her they were missing one felony that would allow them to press charges.

      Threats are made. I think regardless they should have taken the matter more serious.The juvenile detention center and Slate Canyon youth center regulates the three-felony rule in order to press charges on the offense. Why is two different felonies not enough for pressing charges? Does it have to get worse then a physical assault and death threats?

    4. “He was genuinely afraid that the bully was serious and that it could happen,”

      Amy Simpson shared that her son is genuinely scared of the threats. A child who has already dealt with physical assault from his bully and now scared for his life. I can't even imagine the emotions the parent are going through seeing and hearing the fear from their child. As a mother, I would feel anger, sadness, fear, and even more eager to find justice for the fraction of what my child endured. As parents, we all have that defensive nature to protect our children.

  12. Mar 2019
    1. Tarrant wrote that while traveling through France, Portugal and Spain he was horrified by the killing of Ebba Åkerlund, an 11-year-old girl, when an Uzbek man, Rakhmat Akilov, rammed his truck into a group of pedestrians in Stockholm in April 2017. Two of the rifles used in the Christchurch shooting had references to Åkerlund scrawled on them, among other messages.

      I wonder how Ebba Åkerlund would have reacted to this; I don't think she would have wanted somebody to commit mass murder.

  13. Feb 2019
    1. Writers who continue to support an outmoded concept of the lone writer dissociated from the various niche communities at their disposal will eventually lose touch with the nanosecond speed at which the movement-chemistry wanders and will find their own work and its individually-isolated movement decelerating into turtle-like oblivion
    2. Soon the Data Superhighway will finally once and for all do away with the high-priced middlemen, and artists will reap the benefits of their own hard-earned labor. The distribution formula will radically change from Author - Agent - Publisher - Printer - Distributor - Retailer - Consumer to a more simplified and direct Author (Sender) - Interactive Participant (Receiver)
  14. Jan 2019
    1. CBC Gem Premium Services Subscription Conditions

      "Associate Justice of the Supreme Court of the United States Ruth Bader Ginsburg died on January 29, 2019 at 2:30 p.m. Eastern Standard Time at Memorial Sloan Kettering Cancer Center in New York City. Justice Ginsburg died of complications related to the thoracic injuries she sustained in November, 2018."

    1. After that — well, of course, for him there just isn’t any After That....”

      In page 248 of Melford Spiro's book "Buddhism and Society: A Great Tradition and Its Burmese Vicissitudes", he writes: "In normative Buddhism there is no soul; hence, nothing survives death of the body."

  15. Dec 2018
    1. The virtual can be switched on and off. You remember someone by ‘conjuring them up in your mind, on demand’. The real is very different: a person is there whether you like it or not – ‘regardless of your actions, intentions, or feelings’.
    2. No wonder remote mountaintops are powerfully associated, in so many cultures, with epiphanies and purity: everyday life down below rarely reveals itself as conjured, as ‘virtual’. It, and I, feel real enough.
  16. Sep 2018
    1. But when we look more closely, we see that fear is not the only important response to the fact of death. Here it is useful to turn to the words of the Basque philosopher Miguel de Unamuno in The Tragic Sense of Life in Men and Nations (1912):I am presented with arguments … to prove the absurdity of a belief in the immortality of the soul. But these ratiocinations do not move me, for they are reasons and no more than reasons, and one does not feed the heart with reasons. I do not want to die. No! I do not want to die, and I do not want to want to die. I want to live always, forever and ever. And I want to live, this poor I which I am, the I which I feel myself to be here and now, and for that reason I am tormented by the problem of the duration of my soul, of my own soul. I am the centre of my Universe, the centre of the Universe, and in my extreme anguish I cry, along with Michelet, ‘My I! They are stealing my I!’
    1. Monolith Encounter 3

      The Monolith's act as stages throughout the movie of human development/evolution. And every monolith up until this point has seemed to be the human as a creator of technology and being able to use it, but it's at this point that the monolith represents a transition into a type of 'superhuman' as shown in the rebirth scene. No longer are humans evolving by creating something, but by improving themselves. This seems especially poignant when HAL's disconnection is considered as well. David had to 'unplug' HAL in order to get to this next step. He had to, in essence, kill the very thing that had led humans to this point of evolution.

    2. Into the Wormhole

      This scene, as with many others, represents a crucial point in the movie. I think this also has some connection of what was discussed on the first day of class in relations to singularity. One student suggested that singularity in an astronomical context seems to be a black hole that implodes on itself. Further discussed in a linguistics context, we described how singularity shares connections with being alone or unique and individual. In the "into the wormhole" scene in 2001: A Space Odyssey, all of humankind is erased except for David. Advancements in technology had reached its peak to a point where David literally enters a black hole or a worm hole, in which he lives the rest of his life alone and passes away quietly. This signifying mankind imploding on themselves and being reborn. His passage signifies the rebirth of humankind and presents the idea of the cycle of life, where technology is nonexistent and life begins again. There is a sense of reverse chronology in the movie as the ending scene is continued at the beginning of the movie where the monkeys demonstrate their journey towards intelligence once more.

    3. – Do you know what happened? I’m sorry, Dave. I don’t have enough information.

      Hal is having a very human experience at this point in the film. Not only has he killed one of the cremates and intends to kill the other cremates, but he has some sense that it is wrong and it will lead to bad things for him. Even though he knows exactly what happened, he knows that it would be best for him to keep it away from Dave. This human experience only enhances when begins to die through the slow and monotonous process of being shut down. He begins to tell Dave that he can feel it and that he is afraid, showing that he has more than intelligence, but that he also has consciousness.

  17. Aug 2018
    1. ; so Fate pronounc'd. But thou O Father, I forewarn thee, shun [ 810 ] His deadly arrow; neither vainly hope To be invulnerable in those bright Arms, Though temper'd heav'nly, for that mortal dint, Save he who reigns above, none can resist.

      Is Sin saying that Death could conquer Satan, and that basically Satan could die? And is she implying that the gods could die if Death conquered them? It's also worth noting that in myth, even the gods are at the mercy of Fate.

  18. May 2018
    1. There are many resources available to help you and your health care proxy develop a care plan. These are merely suggestions to get you thinking about possible scenarios and topics to discuss. I hope you found this blog informative, and urge you to share it with anyone who does not have a health care proxy. We always think it will never happen to us, but what if it does? It's best to be prepared!

      The article highlights the importance of what a good health proxy looks like and how they go about helping a patient in their most sensitive moments of health and later on in their lives. Potentially, this could be a good chance for a client's wishes to be fully respected by someone who knows of their values and preferences. It also encourages the reader to be prepared incase they are faced with this decision some day. Many members of the elder population are asked about healthcare proxies during the beginning of any hospitalization. More awareness of what a health proxy is and what social supports a patient can count on helps to assure quality care and dignity in health and death.

    1. the one that patients and families often have the greatest control over is making decisions that are in the patient’s best interest

      A passing on of control over decisions has become an experience that many elders go through as their health declines.

  19. Feb 2018
  20. Mar 2017
    1. If you had shown a hunter-gatherer our world of indoor comfort, technology, and endless abundance, it would have seemed like fictional magic to him

      You mean that because a hunter-gatherer had no abundance whatsoever? ;)

  21. Oct 2016
  22. teaching.lfhanley.net teaching.lfhanley.net
    1. “What are you thinking of? What thinking? What? “I never know what you are thinking. Think.”

      The repetition of "what" and "think" shows us the frustration of wanting something and at the same time questioning whether we even what that.

      “Just remember that the things you put into your head are there forever, he said. You might want to think about that. You forget some things, dont you? Yes. You forget what you want to remember and you remember what you want to forget.” ― Cormac McCarthy, The Road

    2. And the dead tree gives no shelter, the cricket no relief,

      Already this book is filled with lots of death but this line really stands out. He says it as if the tree should give shelter but a dead tree is weak and rotten.

    3. He passed the stages of his age and youth

      The drowned Phlebas saw eternity in the sea.

      http://crossroadstarot.com/Images/10swords.jpg

    4. hyacinths

      Hyacinths feed into the death motif inasmuch as they are short-lived flowers. They rise from bulbs, making them self-sufficient, perhaps hyacinth girl is also. self-sufficient. Later Eliot invokes "the violet hour," I picture this flower in pink or violet. Maybe a reach.

      http://yesofcorsa.com/wp-content/uploads/2016/08/Hyacinth-Wallpaper-HQ.jpg

    5. Dead mountain mouth of carious teeth that cannot spit Here one can neither stand nor lie nor sit There is not even silence in the mountains

      These dry summer mountains are so different from the sheltering winter mountains in the beginning of the poem. The mountain is dead, and still able to work destruction even with "teeth that cannot spit." We get away from death by water and leap into the jaws of death by thirst...escaping the misery is impossible.

    6. who was once handsome and tall as you

      Obviously on some level a warning about our helplessness in the face of death, but also reminds me of Marie talking about her childhood feeling free in the mountains. She was "free" and Phlebas was "handsome and tall," but the trajectory seems to point down for everyone in more ways than physical as they approach death (whether by old age or not).

    7. Here is no water but only rock

      A desert wasteland? no life.

    8. Sweet Thames, run softly, till I end my song. The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed.

      The evidence of what once was has left, but in a cruel manner.

    9.   I think we are in rats’ alley Where the dead men lost their bones.

      A feeling of being amongst death

    10. April is the cruellest month

      I always saw April as one of the more beautiful months. But sometimes beauty is the greatest cause of pain for those who can't relate to it.

    11. London Bridge is falling down falling down falling down

      I find this reference to the London bridge interesting here. The last time it was mentioned in the poem was the end of the first book. This seems to bring the poem full circle by having the first and last book end with a similar mention while also referencing death

    12. Burning burning burning burning

      This book is called The Fire Sermon, but is only here at the end that we get fire. This book, like much of the poem, has a motif of water. In this book specifically, we have the Thames, damp ground, the sailor home from sea, fisherman, the river, barges, and more. There is little to do with heat or flames. In a piece with so little to do with fire, it makes us ask the question: why is this section called The Fire Sermon? It is followed by a reference to the Lord. Is the poem referencing Hell?

    13. Living nor dead, and I knew nothing, Looking into the heart of light, the silence. Oed’ und leer das Meer.

      This directly links to the epigraph included at the beginning of the poem. It's about Cumaean Sibyl, an oracle and prophetess for Apollo, who made her immortal. In that piece, she is saying all she wants is to die, and I find this section of the poem to directly relate to that. She is neither living nor dead since she was immortal, and the heart of the light could be Apollo as he is the god of the sun and light. The last piece translates to "empty and desolate as the sea," which supports the contrast of life and death we see in the poem. This section can be so strongly connected to that opening piece, I don't see how it could be anything other than intentional.

    14. Entering the whirlpool.

    15. White bodies naked on the low damp ground

      Are the bodies being considered as angels?

    16. O you

      This feels like a direct address to the reader. It feels didactic and adds to the overall sense of a religious sermon or teaching that comes from the section as a whole. It implicates the reader in the poem and asks the reader to address their own mortality.

    17. Here is no water but only rock

      This obsession with "rock" and "water" can be tied to images of nature and a state of constant flow to dry and cracked. If this section or book lacks water, then it lacks flow and a substance it needs for survival in a natural sense. Again, we are faced with imagery of death in a metaphor.

    18. Consider Phlebas, who was once handsome and tall as you.

      A reference to the cards that were drawn within the first book, as well as the line implying that great things that once were, are fading,

    19. Dead mountain mouth of carious teeth that cannot spit

      Here we see the theme of death again, but this time describing how mountains are dead without water just like humans would be.

    20. I had not thought death had undone so many.

      Death seems to have surprised man people and made them question the reality of its coming.

    21. April is the cruellest month

      It's ironic that "April is the cruelest month", because April usually represents spring, birth, rejuvenation, etc. This suggests that death is present in the "waste land". Even though spring brings life, it also brings death; whatever is born must die.

    22. And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock,

      This part of the poem is creating a contrast with nature because we usually see objects of nature as something lively, but here they are being represented as something lifeless.

    23. He passed the stages of his age and youth Entering the whirlpool.

      The brain/human trying to make sense of his life before it's too late. This is the time when people decide to take stock of their lives and really take account of themselves. Death is a great motivator!

    24. He who was living is now dead We who were living are now dying

      These two lines indicate that the wheels are always turning. The circle of life. The only thing constant is change!

    25. He passed the stages of his age and youth

      Changing over the years, these different stages he encountered are his memories from his past. Up and down and back and forth. Ultimately ending in death.

    26. Phlebas the Phoenician, a fortnight dead,

      I believe this is our drown Phoenician that was referenced in the tarot reading from the first book. The cards in a tarot reading will usually indicate your current position in life and future paths, and I feel like this whole book is a sort of warning that the recipient of the tarot reading was supposed to get. When we look to the last line of the book, it's ominous and warns caution.

    27. I think we are in rats’ alley Where the dead men lost their bones.

      This is about modernity and how we inherit this world where the past remains and death residents in the slums of the streets. It's the grit and the grime, it's the hustle and bustle, it's the city life at its rawest form.

    28. He who was living is now dead We who were living are now dying

      Things that were ruined are regaining life, while the things that were alive are now being ruined by those things regaining life. Nature was ruined by man and revives, and now man is ruined by nature, because he no longer knows how to live within it.

    29. Entering the whirlpool

      reminds me of graveyard poets in England, reflecting the idea that in the end, everyone dies just the same. He can be anyone and this is a realization often reached when close to death

    30. “That corpse you planted last year in your garden, “Has it begun to sprout? Will it bloom this year?

      these lines of dramatic dialogue insinuate many things, such as: death being serious and sad while at the same time being obscured and normal, the dialogue suggests several speakers, at least two and adds to the context of book 1. The last stanza opens with "unreal city" so to ask about a corpse planted in a garden is justifiable in regards to the current conditions

    31. He who was living is now dead We who were living are now dying

      The circle of life, revolves around death and life but also the in-between and what we don't know about the after life is a big mystery, which takes us back to the unseen, the living dead, or just the dead. It reminds me of the lilacs that bloom from dead land, which could possibly signify that even though we lose people, we also gain new life.

    32. He passed the stages of his age and youth

      Decaying, passing life, getting older, leading up to death.

  23. Sep 2016
    1. And condemned for what? For practicing devotion, For a reverence that was right?”

      Antigone is portraying herself as a martyr. She intentionally disobeyed Creon, not only to stay true to her beliefs, but also because she knew she would be put to death. Thus, she would become immortalized as a symbol of rebellion and would expose the corruption and injustice behind Creon and his power. She also seemed to be driven by her own pride and inability to compromise her beliefs and therefore lost her life in return. Antigone then killed herself as another act of pride, so she would be able to be in control of her own demise, rather than be executed by the hands of another. Antigone's actions and motives demonstrate that she too was fighting for power in the situation, whether it be because of her pride or seeing herself as the role of martyr.

    1. The doom in our blood comes back.

      In the final pages of the play, doom is really the only word to describe the sequence of events. Antigone kills herself before Creon changes his mind, and as a result, Creon's wife and son both commit suicide as well. By trying to establish order through dictatorial edicts, Creon alienates the people he is trying to protect and ultimately, they turn their back on him. Literally, they would rather die than live another moment in his Thebes. And like all Greek tragedies, this play proved to be incredibly ironic. In trying to keep order, Creon unleashes utter chaos upon Thebes.

  24. Jun 2016
    1. "It was Woman, with her sudden fears, her irrational whims, her instinctive fears, her unprovoked bravado, her daring and her delicious delicacy of feeling" Who is speaking in this way? Is it the story's hero, concerned to ignore the castrato concealed beneath the woman? Is it the man Balzac, endowed by his personal experience with a philosophy of Woman?

      Interesting that the prompt is gender fluidity.

    2. THE DEATH OF THE AUTHOR / ROLAND BARTHES

      Barthes, Roland. 1967. “Death of the Author.” Edited by Brian O’Doherty. Translated by Richard Howard. Aspen 5+6 (Fall/Winter): Item 3. http://www.ubu.com/aspen/aspen5and6/threeEssays.html#barthes.

  25. May 2016
    1. What happens when your consciousness no longer controls the cells of your body? The bodydisintegrates, the cells separate, and their work for the time being is finished. But do the cells dieor lose consciousness? No, they simply sleep or rest for a period, and after a while unite withother cells and form new combinations, and sooner or later appear in other manifestations of life,-- perhaps mineral, perhaps vegetable, perhaps animal; showing that they still retain their originalconsciousness and but await the action of My Will to join together in a new organism to do thework of the new consciousness through which I desire to manifest.Then apparently this cell consciousness is a consciousness common to all bodies, -- mineral,vegetable, animal, human, -- each cell fitted perhaps by experience for a certain general kind ofwork?Yes, this cell consciousness is common to every cell of every body, no matter what its kind,because it is an Impersonal consciousness, having no purpose other than doing the work allottedit. It lives only to work wherever needed. When through with building one form, it takes up thework of building another, under whatever consciousness I desire it to serve.Thus it is likewise with you

      What occurs when the physical body dies.......... cells, energy................

  26. Dec 2015
    1. “Speakin’ o’ creeds,” and here old Mrs. Sargent paused in her work, “Elder Ransom from Acreville stopped with us last night, an’ he tells me they recite the Euthanasian Creed every few Sundays in the Episcopal Church.  I didn’t want him to know how ignorant I was, but I looked up the word in the dictionary.  It means easy death, and I can’t see any sense in that, though it’s a terrible long creed, the Elder says, an’ if it’s any longer ’n ourn, I should think anybody might easy die learnin’ it!” “I think the word is Athanasian,” ventured the minister’s wife.
  27. Nov 2015
  28. Oct 2015
    1. the third who walks always beside you

      It may be 'death' or even God that is always with him

    2. We who were living are now dying With a little patience

      life equates with death So what is 'living' then? Nothing more?

    1. No joke is funny unless you see the point of it, and sometimes a point has to be explained.

      Sounds logical, in the abstract. But the explanation is often known to “kill the joke”, to decrease the humour potential. In some cases, it transforms the explainee into the butt of a new joke. Something similar has been said about hermeneutics and æsthetics. The explanation itself may be a new form of art, but it runs the risk of first destroying the original creation.

  29. Mar 2015
    1. river ran red with blood

      death in water: river ran red with blood: cf. Aeschylus Persae